SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signior Giacomo Greber"/1) | (@(roleclean,performerclean) "Signior Giacomo Greber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 61 matches on Author, 57 matches on Performance Title, 49 matches on Event Comments, 36 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Performance Comment: Act II, 1. A Full Piece-; 2. A Piece-Signior Bombasto; 3. The Speech of Mrs Midnight in Defence of her Existence-; 4. Solo on the Viol d'Amor-; 5. Overture from Otho-; 6. An Oration on the Salt@Box-a Rationalist.
Cast
Role: A Piece Actor: Signior Bombasto

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Puff-Palmer; Sir Fretful Plagiary-Parsons; Dangle-R. Palmer; Interpreter-Baddeley; Signior Pasticcio Ritornello-Dclpini; Sneer-Williamson; Italian Girls-Miss George, Miss Morris; Mrs Dangle-Mrs Bulkley. Characters of the Tragedy: Don Ferolo Whiskerandos-Bannister Jun.; Governor-Wilson; Sir Walter Raleigh-Wewitzer; Sir Christopher Hatton-Riley; Beef-Eater-Egan; Lord Burleigh-Edwin; Confidante-Mrs Love; Tilburina-Mrs Wells .

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Suett; Vinegar-Wathen; Bouquet-Dignum; Bowkit-Bannister Jun.; Man of the House-Maddocks; Signior Arionelli-Miss DeCamp; Idle-R. Palmer; Mum-Wewitzer; John-Evans; Lilly-Master Chatterley; Cecilia-Miss Leak; Dolce-Mrs Jones.

Ballet: End: The Scotch Ghost. As17981206

Performances

Mainpiece Title: Flora's Vagaries

Performance Comment: Edition of 1670: Alberto-Mohun; Lodovico-Beeston; Prospero-Bird; Grimani-Cartwright; Francisco-Burt; Fryer-Loveday; Flora-Mrs Ellen Gwin; Otrante-Mrs Nepp. Edition of 1677 adds: Giacomo-$Shatterel;. See also 3 Nov. 1663.. See also 3 Nov. 1663.
Event Comment: [Text by Giacomo Rossi. Music by G. F. Handel.] By Subscription

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: Armida Author(s): Giacomo Rossi
Related Work: Rinaldo Author(s): Giacomo Rossi
Event Comment: [Text by Giacomo Rossi. Music by George Frederic Handel.] Never Perform'd before. Compos'd by Mr Hendel. Colman's Opera Register: This was not by Subscription but at ye usuall Opera Price of Boxes 8s. Pit 5s. Gallery 2s. 6d. The Scene represented only ye Country of Arcadia. ye Habits were old.--ye Opera Short. [Published as Pastor Fido.

Performances

Mainpiece Title: The Faithful Shepherd

Related Works
Related Work: The Faithful Shepherd Author(s): Giacomo Rossi
Event Comment: Benefit Giorgio Giacomo Beswilleball, Servant to his Serene Highness the Margrave of Brandenburgh Anspach, Brother to Her Royal Highness the Princess of Wales. At the particular Desire of several Persons of Quality. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters of the Opera

Event Comment: Ballet [1st time; by Giacomo Gentili; music by Vittorio Trento]: With new Scenes and Decorations. In the course of the Ballet will be introduced Groups of Flying Cupids. Receipts: #598 2s. (511.7.6; 83.0.0; 3.14.6)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: My Grandmother

Ballet: End: The Triumph of Love. Corida-Mlle Parisot (by permission of the Proprietor of the king's Theatre); Olympio-Gentili; Aristea-Sga Bossi? DelCaro; Cupid-Master Menage; Discord-Master Chatterley; Nymphs-Mrs Brooker, Mrs Brigg, Mrs Haskey, Mrs Barrett, Miss Bourk, Miss Daniels, Mrs Byrne, Mrs Thompson; Shepherds-Roffey, Whitmell, Thompson, Wells, Banks, Garman, Butler, Nicolini

Event Comment: [Afterpiece in place of The Wedding Day, advertised on playbill of 28 Oct.] Ballet: (1st time), composed by Giacomo? Gentili [with music by Giuseppe Capelletti]. Receipts: #325 19s 6d. (222.15.6; 101.11.0; 1.13.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Who's the Dupe

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. The Lady of Dunblain-Mlle Parisot (By permission of the Proprietor of the king's Theatre); Jamie-Gentili; Glaude-Dubois; Saundy-Master Menage; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi delCaro; Hornpipe-Sga Bossi delCaro; Villagers-Banks, Butler, Garman, Nicolini, Roffey, Thompson, Wells, Ms Barrett, Ms Bourk, Ms Brigg, Ms Byrne, Ms Daniels, Ms Thompson, Ms Haskey

Event Comment: Mainpiece: Not acted these 9 years. [Mrs Worthington is identified in MS list in Kemble playbills of new performers for this season.] Ballet: 1st time; composed by Giacomo? Gentili. Afterpiece [1st time: ENT 1, by Richard Brinsley Sheridan; acted in place of The Prize, advertised on playbill of 4 Mar. Text (C. Lowndes, 1797)]: Altered from a Dramatick Entertainment performed 1794 [The Glorious First of June]. In the course of which will be introduced a representation of the late Glorious Engagement between the British and Spanish Fleets on the Fourteenth of February [1797, under Sir John Jervis, off Cape St. Vincent]. Receipts: #253 9s. (151.2.6; 100.17.0; 1.9.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp

Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Event Comment: London Gazette, No 2919, 30 Oct.-2 Nov. 1693. Whereas last Monday proving to be the Lord Mayors Day Signior Tosi could not play his Consort of Musick, but will do it this present Thursday the 2d instant, and the Thursday following; and afterwards on every Monday, in York-Buildings, during the Winter

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-28 April 1696, suggests that it was acted not later than the period preceding Passion Week (6-11 April 1696). In addition, the large number of minor performers in the cast suggests a Lenten performance by the young actors. In Act I, Scene i, there is an Entertainment of Instrumental Musick, Compos'd by Signior Finger: Then a Song, set by Mr John Eccles, and Sung by Young La Roche. In III, iii: A Dialogue set by Seignior Baptist. The play is an adaptation of John Webster's Cure for a Cuckold. A Comparison Between the Two Stages (1702): The City Bride, by another Player, Damn'd

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

Event Comment: London Gazette, No. 3250, 31 Dec. 1696-4 Jan. 1696@7: The Musick that was perform'd of St. Cecilia's Day, Composed by Signior Nicola, will be Performed on Thursday night in York Buildings, being the 7th Instant

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 3264, 18-22 Feb. 1696@7: On Wednesday next, being the 24th instant, will be performed at York Buildings, a New Song Set by Signior Baptist, for the Birth Day of Her Royal Highness the Princess, and by Her Royal Highness's Command

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 3378, 24-28 March 1698: Next Monday, being the 28th Instant, will be performed in York Buildings, a new Consort of Musick by the chiefest Masters in England, where Signior Rampany, an Italian Musician belonging to the prince of Vaudemont, at the Request of several Persons of Quality, will for once sing in the same in Italian and French. Half a Guinea Entrance

Performances

Mainpiece Title: Concert

Event Comment: Benefit Signior Francisco. At the Desire of several Persons of Quality. Tickets 5s

Performances

Mainpiece Title: Concert

Music: New Musick, with several Songs-the Famous Seniora Anna, lately come from Rome, who never Sung on the Stage, nor ever accompany'd any other Voice publickly in England

Performances

Mainpiece Title: The Royal Convert

Performance Comment: As17071125, but Epilogue As17071226-Signior Cibberini.
Event Comment: At the Desire of several Persons of Quality. Afterpiece: With the Comical Interlude of Floro and Blesa set to Musick by the famous Signior Bononcini. [In Daily Courant, 15 March, the premiere of Hydaspes had been announced for this day.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Floro and Blesa

Dance: Between acts: Thurmond Jr, Mrs Bicknell

Event Comment: Benefit Nicolino. With New Scenes and Cloaths, particularly the Scene with the Fountain. Pit and Boxes half a guinea. Stage Boxes 15s. Gallery 4s. At 6 p.m. Weekly Packet, 25 June: Signior Nicolini's Quail-Pipe continues to lug the Nobility and Gentry by the Ears, who have gone very far on his last Benefit-Night, towards equipping him for another purchase at Venice, he having already built a stately Edifice there, near the Rialto, upon which is written in Characters of Gold, Villa Britannica, as a Testimony that Scaliger's Saying, that we are Hospitibus Feri, is a downright Untruth, and falsly imputed to our Nation

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: Armida Author(s): Giacomo Rossi
Related Work: Rinaldo Author(s): Giacomo Rossi

Dance:

Event Comment: [By Aaron Hill.] On Shakespear's Foundation. With several Sets of Scenes entirely new and properWto the Play. [In an advance notice in Daily Journal, 6 Nov., the scenes are reported to be designed by Signior Angelo, an Italian.

Performances

Mainpiece Title: King Henry The Vth; Or, The Conquest Of France By The English

Event Comment: LLondon Journal, 17 Oct.: We hear there is a new Opera now in Practice...called, Tamerlane, the Musick composed by Mynheer Hendel, and that Signior Borseni, newly arriv'd from Italy, is to sing the Part of the Tyrant Bajazet. N.B. It is commonly reported this Gentleman was never cut out for a Singer

Performances

Event Comment: Composed by Signior Bononcini. Queen, Prince, and princesses present. [For a comment upon the entertainment, see The Craftsman, 12 August (partially reproduced in Deutsch, Handel, p. 295), and Daily Post, 9 June (also in Deutsch, Handel, pp. 293-94).

Performances

Mainpiece Title: A Pastoral Entertainment

Event Comment: DDaily Post, 13 June: The Subscribers to the Opera in which Signior Senesino and Signora Cuzzoni are to perform [the Opera of the Nobility], are desired to meet at Mr Hickford's Great Room in Panton-street, on Friday next by Eleven o'Clock, in order to settle proper Methods for carrying on the Subscription

Performances

Event Comment: Compos'd by Signior Bononcini

Performances

Mainpiece Title: Astartus