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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Hasse"/1) | (@(roleclean,performerclean) "Sig Hasse")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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127 results for: Keyword - Sig Hasse
We found 59 matches on Event Comments, 40 matches on Performance Comments, 29 matches on Performance Title, 3 matches on Roles/Actors, and 0 matches on Author.

76
18 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

Related Works
Related Work: Siroe Author(s): J.A. Hasse

77
21 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

Related Works
Related Work: Siroe Author(s): J.A. Hasse

78
01 January 1737 @ King's Theatre

Event Comment: Mainpiece: Composed by Signior Hasse. Afterpiece: A Comic Interlude. [Music by Giuseppe Maria Orlandini. Text by A. Salvi. Queen and all the Royal Family present.

Performances

Mainpiece Title: Siroe

Related Works
Related Work: Siroe Author(s): J.A. Hasse

Afterpiece Title: Il Giocatore; or, The Gamester

Performance Comment: Edition of 1736 states that it was performed by Signiora Anna Maria Faini, Antonio Lottini.

79
15 March 1740 @ Haymarket Theatre

Event Comment: By His Majesty's Command. [By Rolli. Music by Hasse.

Performances

Mainpiece Title: Olimpia In Ebuda

Performance Comment: Edition of 1740 lists: Orlando-Carestini; Olimpia-Signora Panichi; Oberto-Andreoni; Bireno-Rochetti.
Cast
Role: Olimpia Actor: Signora Panichi

80
31 October 1741 @ King's Theatre

Performances

Mainpiece Title: Alexander In Persia

Performance Comment: Burney, History of Music, IV, 446, lists: Angelo Maria Monticelli, Soprano, first man; Andreoni, soprano, second man; (Amorevolli) tenor; Signora Visconti, 1st woman; Signora Panichi, 2nd woman; Signora Tedeschi, 3rd Woman. The part of Amorevoli omitted (Walpole to H. Mann, 2 Nov.). Libretto lists: Monticelli, Signora Visconti, Signora Moscovita, Amorevale; airs by Lampugnani, Pescetti, Leo, Hasse.

81
02 November 1742 @ King's Theatre

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Performances

Mainpiece Title: Gianguir

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

82
26 March 1748 @ King's Theatre

Event Comment: A New Opera...Written by Metastasio and set to Musick by Signor Hasse

Performances

Mainpiece Title: Dido

83
07 May 1748 @ King's Theatre

Event Comment: A new Opera written by Metastasio and the Musick compos'd originally by Signor Hasse. [First time performed in England.

Performances

Mainpiece Title: La Semiramide Reconosciuta

84
29 January 1754 @ King's Theatre

Event Comment: A New Opera Composed by Hasse. [Revived with Alterations (Loewenberg, Annals of Opera).

Performances

Mainpiece Title: Artaserse

Performance Comment: Artaxerxes-Passerini; Arbaces-Serafini; Mandana-Signora Visconti; Artabanes-Albuzio; Semira-Signora Frasi; Megabyses-Ranieri (Larpent MS).
Cast
Role: Mandana Actor: Signora Visconti
Role: Semira Actor: Signora Frasi
Related Works
Related Work: Artaxerxes Author(s): J.A. Hasse

85
28 February 1754 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: Overture by Ciampi-; Intennerir mi sento (Galluppi)-Serasini; Ti parli in seno amore (Perez)-Sga Frasi; Concerto violencello Pasqualini-; Lasciar t' amato bene from Nerone-Sga Visconti; Dal suo gentil sembiante (P. Pulli)-Albuzzi; Part II:Concerto-Dubourg; Sfogati o Ciel sereno (Hasse)-Passerini; Endless pleasure (Handel)-Beard; Concerto on bassoon-Miller; Puppille care from Nerone-Serasini; E Maggiore degn' altro Dolore from Nerone-Sga Visconti; Part III: Concerto on oboe-Vincent; Rasserani i mesta rai (Pescetti)-Albuzzi; Non vi piacque ingiusti Dei (Mazzoni)-Sga Frasi; Oh 'Tis Elysium All (Pasquali)-Beard; Compiangermi non sai (Braun)-Passerini; Duet Tu vuoi ch'io O cara (Vinci)-Sga Visconti, Serafini.

86
09 November 1754 @ King's Theatre

Event Comment: By His Majesty's Command No Persons Whatsoever to be admitted behind the scenes. A new Opera [Altered from Metastasio; Music by Hasse and Lampugnani.] with New Decorations and Dances. To begin at 6 p.m. Pit and Boxes a half guinea. Gallery 5s. [Repeated in the bills.

Performances

Mainpiece Title: L'ipermestra

Dance: Pietro, Isaia Nieri, Arna Conti, Elizabeth Buggiani, Cosimo Marranesi

87
12 April 1755 @ King's Theatre

Event Comment: A New Opera. [The first performance in England; text by Metastasio. The Musick composed by Sg Hasse (by Perez according to the Public Advertiser of 26 April).

Performances

Mainpiece Title: Ezio

Dance: new Dew Dances-

88
18 January 1757 @ King's Theatre

Event Comment: A New Opera. Musick composed by Signor Hasse. Application by Regina Mingotti, Manager of ye Operas (Larpent MS)

Performances

Mainpiece Title: Il Re Pastore

Performance Comment: Aminta-Giuseppi Ricciarelli; Eliza-Signora Regina Mingotti.
Cast
Role: Eliza Actor: Signora Regina Mingotti.

Dance: Withnew Dances-

89
25 March 1757 @ Drury Lane Theatre

Event Comment: An Oratorio composed by Sg Gio. Adol. Hasse, With Additions by Sg Giardini. End of the first Act a Concerto on the Organ by Mr Burton, In Act the third a Hautboy Concerto by the two Signori Besozzi, lately come from abroad. Pit and boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. Tickets and Places to be had of Mr Varney, at the stage-door of the Theatre. The profits of this performance will be given to A Public Charity. [No receipts recorded by Cross.

Performances

Mainpiece Title: I Pellegrini

Performance Comment: The vocal parts-Signora Mingotti, Signora Passerini, Ricciarelli, Pazzagli, Cox, others; First violin, a solo-Giardini.
Cast
Role: The vocal parts Actor: Signora Mingotti, Signora Passerini, Ricciarelli, Pazzagli, Cox, others

90
23 June 1761 @ Haymarket Theatre

Event Comment: By Authority. [The Stratagem] An English Tragi-Comical Burletta, translated from the Italian. Music by Hasse. All Scenes, Cloaths, and Decorations entirely new. Prices: Box 5s.; Pit 3s.; Gallery 2s. To begin exactly at Seven. Places to be taken at the Theatre. Vivat Rex. 'Tis hoped no Gentlemen will take it amiss that they cannot be admitted behind the scenes, or into the orchestra. Those who have already taken places, will be so good to send in time (Public Advertiser). [This full notice repeated in subsequent bills, will not be recorded further.

Performances

Mainpiece Title: The Stratagem

Dance: Several new Dances composed by Gherardi, to be executed by his scholars who are all English.End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others

Performance Comment: End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others.
Cast
Role: Les Chasseurs and les Bergeres Actor: Master Rogers

91
28 July 1761 @ Haymarket Theatre

Event Comment: A new English Comic Burletta from the Italian. Music by John Adolf? Hasse. To begin at half after seven

Performances

Mainpiece Title: The Ridiculous Guardian

Dance: As17610716

92
11 May 1762 @ King's Theatre

Performances

Mainpiece Title: Grand Concert Of Vocal And Instrumental Music

Performance Comment: Overture by Cocchi-; Song Che Legge Spietata-Zonca; Disperata in Van m'affano-Sartori; Concerto on Violin-Pinto; Padre conquesto Amplesso-Elizi; Nel pensare al gran cimento-Sga Mattei; Part II:Concerto on Bassoon-Baumgarten; Song Mi dona mi Vende-Sga Eberardi; Sperai Vicino al lido-Sga Curioni; Concerto on Violincello-Gordon; Song La Speme Amabile-Sga Mattei; La Bella mia Tiranna-Elizi; Part. III:Concerto on Oboe-Simpson; Song-Sga Sartori; Odo il suo no de quendiaccenti-Zonca; a New Duet Tuo voi che viva O Cara (Hasse) never performed in England-Sga Mattei, Elizi; Coronation Anthem-(Handel).

93
01 March 1777 @ King's Theatre

Event Comment: Opera: The Music by several eminent Masters [Giordani, Traetta, Hasse, Vento]; under the Direction of Giardini

Performances

Mainpiece Title: Antigono

Dance: End I: La Force de l'Amour, as17761214; End II: Serious Ballet, as17770225; End Opera: Les Amusemens Champetres, as17761102

94
15 May 1716 @ King's Theatre

Event Comment: By His Royal Highness's Command. With Magnificent New Scenes, Particularly one in Perspective of a Royal Palacev, which exceeds any that has been seen in England, containing about One Thousand Yards of Painting by Sig Roberto Clerici, and to be seen again this Year. Admission as 1 Feb. [The Prince and Princess present.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Cast
Role: Marius Actor: Signora Diana Vico
Role: Deidamia Actor: Signora Elena Croce Viviani.

Music: As17160502

95
01 October 1719 @ Drury Lane Theatre

Event Comment: Afterpiece: A Cantata (divided into two Entertainments) set to Musick by Sig Attilio Ariosti

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Diana on Mount Latmos

96
23 March 1727 @ King's Theatre

Event Comment: Benefit Sig Victoria and the Doctor. By His Majesty's Command. Mainpiece: Being a particular Fatigue of Argentina, with her Comical Affectation of her New Title; wherein the Doctor will perform by the Name of Tabarin , a New Character, very Comical and Jocose, never yet seen on the Stage, which has been reserved for that Day, and may be continued hereafter, if he has the Happiness of pleasing his most Noble Spectators better than by his former

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

97
08 April 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By the best Performers. [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet

Performance Comment: [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet .

98
16 April 1734 @ Lincoln's Inn Fields

Event Comment: Composed by Sig Bononcini

Performances

Mainpiece Title: Astartus

99
14 March 1738 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Honest Yorkshireman

Music: Musical Medley called The Topers; or The Sons of Bacchus. Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts

Performance Comment: Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts.

Dance: IV: Peasant-Lalauze, Mlle Roland; V: Clown-Nivelon; End Afterpiece: Dance of Sailors-Glover

100
29 January 1743 @ King's Theatre

Event Comment: N.B. Sig Sodi being recover'd of his last indisposition, will dance this Night as usual

Performances

Mainpiece Title: Enrico