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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Shenstone"/1) | (@(roleclean,performerclean) "Shenstone")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6 results for: Keyword - Shenstone
We found 6 matches on Event Comments, 0 matches on Performance Title, 0 matches on Author, 0 matches on Performance Comments, and 0 matches on Roles/Actors.

1
12 January 1741 @ Covent Garden

Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

2
16 January 1741 @ Covent Garden

Event Comment: Mainpiece: by Shakespear. Receipts: #90 7s. (Account Book); #90 (Rylands MS.). [For a discussion of this performacne, see a letter by William Shenstone, 21 Jan., in Letters of William Shenstone, p. 16.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Orpheus and Eurydice

3
06 February 1741 @ Drury Lane Theatre

Event Comment: By particular Desire. Written by Shakespear. [In a letter dated 6 Feb., Shenstone discusses recent plays he has seen. See Letters of William Shenstone, pp. 17-18.

Performances

Mainpiece Title: As You Like It

Dance: LLes Jardiniers Suedois, as17401229; Les Matelotes-Fausan, Signora Fausan

4
27 April 1744 @ Drury Lane Theatre

Event Comment: Author's Night. The Author labouring under a severe and dangerous illness, hopes his friends will excuse his personal Application, and send for tickets to Mr Watts, at the Printing Office in Wild Court; or to Hobson at the Stage door of the theatre at Drury Lane Mahomet translated from the French of Voltaire; but I have no great opinion of the subject, or the original author as a poet; and my diffidence is rather improved by the testimony of those who have seen it.-Letters of William Shenstone, p. 89

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Amorous Goddess

5
20 February 1749 @ Drury Lane Theatre

Event Comment: Benefit for the Author Tickets to be had as 9 and 14 Feb. [The Gentleman's Magazine this month gave a nine-column article to the Plan and Specimens of Irene a Tragedy by Mr Samuel Johnsin acted at Drury Lane from 6-20 February inclusive." In it plot was first retold, then excerpts from speeches were given which illustrated the beautiful expression of the moral values contained in the play: "To instance every moral which is inculcated in this performance, would be to transcribe the whole; but, however difficult I shall select a few." No comments are made upon the stage presentation, all is presented upon the basis of examination of the text. William Shenstone thought not much of it as a play. See Letter to Lady Luxborough 22 March.] Receipts: #110 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Virgin Unmask'd

Dance: SSavoyards, as17480920

6
01 May 1773 @ Covent Garden

Event Comment: Benefit for Hull. Mainpiece [a tragedy by Thomas Hull, based upon the version by William Hawkins, 1749, suggested by William Shenstone, and instigated by the presence of Mrs Hartley among the actresses at cg]: Never acted before. Characters to be dressed in the Habits of the Times (playbill). Charges #64 5s. Profit to Hull #50 13s. 6d., plus #75 6s. from Tickets (Box 165; Pit 171; Gallery 84) (Account Book). Receipts: #114 18s. 6d

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028