SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg and Sga George"/1) | (@(roleclean,performerclean) "Sg and Sga George")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4195 matches on Author, 1569 matches on Performance Comments, 882 matches on Performance Title, 832 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bannister. [Address by George Colman, ynger (European Magazine, Sept. 1791, p. 227).] Oracle, 19 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #236 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Henry-Bensley; Prince of Wales-Miss DeCamp; Duke of York-Miss Standen; King Richard-Bannister Jun. (1st appearance in that character, and for that night only); Richmond-Palmer; Buckingham-Williamson; Norfolk-Usher; Ratcliffe-Evatt; Catesby-Davies; Tressel-Bland; Oxford-Farley; Lieutenant-Cubitt; Stanley-Aickin; Blunt-Lyons; Tyrrel-Rock; Lord Mayor-Chapman; Forest-Ledger; Queen-Mrs Whitfield; Lady Anne-Mrs Kemble; Dutchess of York-Mrs Powell.
Cast
Role: Duke of York Actor: Miss Standen
Role: Tressel Actor: Bland

Afterpiece Title: The Mayor of Garratt

Song: End: The Wolf-Bannister

Entertainment: Monologue. Before: Occasional Address-Palmer

Event Comment: [3rd piece: Prologue by George Colman, elder.] Paid Printer's bill [for playbills] to 1st Inclusive #21 10s. 6d. Receipts: #242 7s(209.5; 31.8; 1.14)

Performances

Mainpiece Title: Poor Old Drury

Cast
Role: Italian Singer Actor: Bland

Afterpiece Title: A Trip to Scarborough

Performance Comment: Lord Foppington-Dodd; Young Fashion-Palmer; Loveless-Wroughton; Col. Townly-Barrymore; Sir Tunbelly Clumsey-Moody; Probe-Waldron; Lory-Baddeley; Le Varole-Maddocks; Berinthia-Miss Farren; Amanda-Mrs Kemble; Mrs Coupler-Mrs Booth; Nurse-Mrs Hopkins; Miss Hoyden-Mrs Jordan.
Cast
Role: Amanda Actor: Mrs Kemble

Afterpiece Title: Bon Ton; or, High Life above Stairs

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.
Cast
Role: Urganda Actor: Mrs Crouch
Role: Daphne Actor: Mrs Bland

Afterpiece Title: All the World's a Stage

Cast
Role: Lilla Actor: Sga Storace
Event Comment: Benefit for Palmer. Afterpiece [1st time; P 3, author unknown. "Founded on the Tale of Inkle & Yarico" (Kemble Mem.), by Sir Richard Steele, in The Spectator, No. II, 13 March 1710-11. Not in Larpent MS; not published]: The Music by Gluck and Martini [i.e. Martin y Soler]. Morning Herald, 9 Mar.: Tickets to be had of Palmer, No. 3, London-road, St. George's Fields. Receipts: #452 16s. (169.17; 47.13; 2.11; tickets: 232.15) (charge: #169 5s. 8d.)

Performances

Mainpiece Title: The Rivals

Cast
Role: Italian Singer Actor: Bland
Related Works
Related Work: The Twin-Rivals Author(s): George Farquhar

Afterpiece Title: The American Heroine; or, Ingratitude Punished

Dance: In afterpiece: the Dances (composed by Hamoir,)-Hamoir, Bidotti, Keys, Nicolini, Walker, Whitmill, Mrs Barrett, Mrs Bourk, Mrs Brooker, Mrs Davis, Mrs Harris, Mrs Haskey, Miss Jacobs, Miss DeCamp

Event Comment: Benefit for Wood, Percey, Cameron, Wilson, George, Woollams. Kemble Mem.: Bt. the box-keepers. Receipts: #98 6s. (59.6.6; 26.0.6; 12.19.0; tickets: none listed) (charge: #147 12s.)

Performances

Mainpiece Title: Know Your Own Mind

Cast
Role: Italian Singer Actor: Bland

Afterpiece Title: The Quaker

Cast
Role: Floretta Actor: Mrs Bland.
Event Comment: 1st piece [1st time; PREL 1, by George Colman, ynger. Larpent MS 951; synopsis of plot in Diary, 16 June. This piece is stated to have been published in 1792]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be had of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. In 1st piece "Parsons was highly entertaining in affecting to speak in an under tone scarcely audible, that the feebleness of his voice might correspond with the smallness of the House, compared with the enormous [new] Theatre over the way; and his broken, unintelligible mode of announcing the Performance to the Audience as a specimen, was truly whimsical" (Morning Herald, 16 June)

Performances

Mainpiece Title: Poor Old Hay-market; Or, Two Sides Of The Gutter

Related Works
Related Work: Poor Old Haymarket; or, Two Sides of the Gutter!!! Author(s): George Colman, the younger

Afterpiece Title: The Young Quaker

Performance Comment: Old Sadboy-Barrett; Chronicle-Baddeley; Captain Ambush-Williamson; Young Sadboy-Bannister Jun.; Shadrach-Wewitzer; Spatterdash-R. Palmer; Clod-Parsons; Twig-Farley; Malachi-Burton; Lounge-Lyons; Waiter-Farley [i.e. doubled Twig]; Coachman-Ledger; Goliah-Miss Standen; Araminta-Mrs Bland; Dinah Primrose-Mrs Brooks; Pink-Miss Fontenelle (Their 1st appearance in those characters); Lady Rounceval-Mrs Webb.
Cast
Role: Goliah Actor: Miss Standen
Role: Araminta Actor: Mrs Bland

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Wilson; Vinegar-Baddeley; Bouquet-Davies; Bowkitt-Bannister Jun.; Arionelli-Bannister; Idle-R. Palmer; Mum-Barrett; John-Ledger; Man of the House-Burton; Negro Boy-Miss Standen; Cecilia-Mrs Bannister; Dolce-Miss Palmer.
Cast
Role: Negro Boy Actor: Miss Standen
Event Comment: Benefit for Mrs Bannister, being her Last Appearance on the Stage. [Address by George Colman, ynger (Thespian Magazine, Oct. 1792, p. 102.

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Cast
Role: John Actor: Bland

Entertainment: Monologue End 2nd piece: a Serio, Comic, Poetic Paraphrase on Shakespear's Seven Ages-King; End 3rd piece: Occasional Farewell Address-Mrs Bannister

Event Comment: [Afterpiece: Prologue by George Colman, elder.] Receipts: #200 14s. (156.9; 44.2; 0.3)

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Cast
Role: Lilla Actor: Sga Storace
Role: Ghita Actor: Mrs Bland.

Afterpiece Title: Bon Ton

Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Performances

Mainpiece Title: A Grand Selection 0

Performance Comment: Principal Vocal Parts-Incledon, Bartleman, Reynolds (from Durham), Kelly, Mme Mara, Miss Sharp, Mrs Crouch; Leader of the Band-G. Ashley; Organ-J. Ashley.
Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, Dead March-(Saul); When the ear heard him-Quartetto see17930313 His body is buried-Semi-Chorus; But his Name liveth-Chorus (Funeral Anthems); O God@like Youth-Miss Sharp (Saul); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Fall'n is the Foe-Chorus (Judas Maccabaeus); What tho' I trace each herb and flow'r-Mrs Crouch (Solomon); Lord of Eternity-Chorus; Behold the Nations-; O Baal-Chorus (Deborah); Pious orgies-Mme Mara (Judas Maccabaeus); He gave them hailstones-Double Chorus (Israel in Egypt); Concerto on the violin-Mme Gautherot.

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Sound an Alarm-Kelly; We hear-Chorus (Judas Maccabaeus); Ye sacred Priests, Farewell ye limpid springs-Mme Mara (Jephtha); Hear Jacob's God-Chorus (Samson); Arm arm ye brave-Bartleman; We come-Chorus (Judas Maccabaeus); O Magnify the Lord-Mrs Crouch (Chandos? Anthems); The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mme Mara; The horse and his rider-Double Chorus (Israel in Egypt); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Event Comment: Ode: Written by Dryden, and set to Music by Handel. Instrumental Performers as 15 Feb., but added: Parkinson, Flack

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Captivity (supposed to be sung by the unfortunate Maria Antoinette, Queen of France, during her confinement in the Tower of the Temple) [composed by Storace]-Mrs Crouch; Jehovah crowned-Incledon; He comes-Chorus (Esther); Mad Bess (composed by Purcell)-Mme Mara; Disdainful of danger-Incledon, Kelly, Reynolds (Judas Maccabaeus); He layeth the beams-Bartleman (Ezio); But bright Cecilia, As from the power-Mme Mara; The dead shall live-Chorus (Dryden's Ode); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End II oratorio: concerto on the violin-Mme Gautherot

Event Comment: Oratorio: Written by Milton, and set to Music by Handel

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso; Grand Selection 0

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture and March-(Scipione); Tears such as tender fathers shed-Bartleman (Deborah); Go baffled coward-Kelly, Reynolds (Samson); Around let acclamations ring-Chorus (Athalia); O come let us worship-Incledon [Coronation Anthem]; A Bravura Song-Mme Mara; Gloria Patri-Full Chorus [Jubilate]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Overture and March Actor:

Music: As17930220

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Performance Comment: As17930215, but Principal Vocal Parts-Mrs _Crouch, Miss Dall; Oratorio to be opened by George our our King, To Arms, Britons strike home-Chorus ($Purcell">Mme Mara; to conclude with God save Great George our our King, To Arms, Britons strike home-Chorus ($Purcell).
Cast
Role: Leader of the Band Actor: G. Ashley

Song: End oratorio: Captivity [see17930220]-Incledon

Music: End Part II: the favourite concerto of Geminiani on the violin-G. Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Organ Concerto-J. Ashley; Softly sweet in Lydian measures-Mrs Crouch [Alexander's Feast]; The trumpet's loud clangor-Kelly, Chorus [Dryden's Ode]; Wave from wave-Bartleman; He smote all the first born-Chorus [Israel in Egypt]; Where shall I seek-Incledon [Acis and Galatea]; From the censer curling rise-Chorus [Solomon].Solomon].

Afterpiece Title: Grand Selection 3

Performance Comment: Eighth Concerto-(Corelli); How willing-Bartleman [Samson]; Hear us O God-Chorus Coronation Anthems]; Deeper and deeper still, Waft her angels to the skies-Kelly [Jephtha]; From harmony-Chorus [Dryden's Ode]; The Captive Kings-Incledon, Chorus [, as17930306 Captivity-Mrs Crouch [, as17930220; Let the Bright seraphim-Mme Dussek; Let their celestial concerts-Chorus [Samson]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Performance Comment: As17930215, but Principal Vocal Parts-Mrs Clendining, in place of Mme _Mara , "who is still indisposed, and cannot perform this Evening.".

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Every day will I give thee thanks-Mrs Crouch Chandos Anthems]; I feel the Diety within-Bartleman; Arm, arm, ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King- [as17930306ncledon, Chorus; Captivity- [as17930220Mrs Crouch; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mrs Crouch; The horse and his rider-Double Chorus [Israel in Egypt]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Performance Comment: As17930313but Principal Vocal Parts-_Incledon; To conclude with God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End Part II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: The Messiah

Afterpiece Title: The Resurrection

Afterpiece Title: A New Grand Selection

Performance Comment: Concerto on the violin-Alday; The Mansion of Peace-Harrison (Webbe); Captivity-Mrs Crouch; Hallelujah! for the Lord God-Chorus (The Messiah); O'er hill and valley-Mrs Harrison; O Phoebus-Miss Leak (Dr Arnold); The soldier tir'd of war's alarms-Miss Poole; The undaunted Britons-Dignum, Chorus; God save Great George our King with new accompaniments by Dr Arnold,-Chorus.

Performances

Afterpiece Title: Grand Selection 1

Performance Comment: Entirely selected from L'Allegro ed il Penseroso; First Grand Concerto-; Come thou goddess-Incledon; Come and trip it as you go-Miss Sharp, Chorus; Haste thee nymph-Incledon, Chorus; First and chief, Sweet bird-Mrs Crouch; accompanied on the violin-G. Ashley; Mirth admit me of thy crew-Bartleman; with corno obligato-Leander; Oft on a plat-Incledon; If I give thee honour due-Kelly; Let me wander not unseen, Let the merry bells-Mrs Crouch; And young and old-Chorus.

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, March-(Scipio); Tears such as tender fathers shed-Bartleman [Deborah]; Around let acclamations ring-Incledon, Chorus [Athalia]; His mighty arm-Kelly [Jephtha]; As when the dove-Master Pring [Acis and Galatea]; The many rend the skies-Chorus [Alexander's Feast]; Gentle airs-Incledon; accompanied on the violoncello-C. Ashley [Athalia]; From mighty Kings-Mrs Crouch [Judas Maccabaeus]; Fix'd in his everlasting seat-Chorus [Samson].Samson].

Afterpiece Title: Grand Selection 3

Performance Comment: Overture from Berenice-; The Captive King-Incledon, Chorus; Dead is the dream, Adieu thou partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; Jehovah crown'd-Incledon; He comes-Chorus [Esther]; Have mercy upon me-Mrs Crouch, Kelly, Bartleman (Pergolesi); Together let us range-Kelly, Mrs Crouch (Boyce); Mad Bess-Mrs Crouch (Purcell); Gloria Patri-; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

Performance Comment: and R. and C. Ashley.

Performances

Mainpiece Title: A Grand Selection 0

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 2

Performance Comment: As17930313but He was despised-_; added: As when the dove [Acis and Galatea]-; Why does the God of Israel sleep?-Incledon [Samson].Samson].

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Mad Bess-Mrs Crouch; Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King-Incledon; Dead is the dream, Adieu my partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell); Hallelujah! for the Lord God omnipotent [The Messiah]-Chorus.

Music: End Part I: Sixth concerto of Geminiani on the violin-G. Ashley

Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At King's False Colours

Performance Comment: [Characters by Suett, King, Wroughton, Barrymore, Bannister Jun., R. Palmer, Wewitzer, Maddocks, Alfred, Banks, Webb, Miss Pope, Miss Farren, Mrs Goodall, Miss Heard. Cast from text (T. Cadell, 1793): Lord Visage-Suett; Sir Paul Panick-King; Sir Harry Cecil-Wroughton; Captain Montague-Barrymore; Grotesque-Bannister Jun.; Subtle-R. Palmer; Tony-Wewitzer; Robert-Maddocks; Cook-Alfred; Servants [so listed in text, but actors' names omitted]-Banks, Webb; Lady Panick-Miss Pope; Constance Evelyn-Miss Farren; Harriet-Mrs Goodall; Lucy-Miss Heard; Prologue-Wroughton; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]

Afterpiece Title: The Prisoner

Cast
Role: Nina Actor: Mrs Bland
Event Comment: Benefit for Percey, Cameron, George, Woollams. Kemble Mem.: Benefit for Boxkeepers. Mainpiece: Not acted these 2 years. Receipts: #338 (28.1.6; 13.10.6; 3.15.0; tickets: 292.13.0) (charge: #147 9s.)

Performances

Mainpiece Title: At King's The West Indian

Performance Comment: Stockwell-Aickin; Belcour-Whitfield; Captain Dudley-Packer; Charles Dudley-Barrymore; Major O'Flaherty-Moody; Stukely-Benson; Fulmer-Suett; Varland-Baddeley; Sailor-Jones; Servants-Webb, Lyons; Lady Rusport-Mrs Hopkins; Charlotte Rusport-Mrs Powell (1st appearance in that character); Louisa Dudley-Mrs Kemble; Mrs Fulmer-Miss Tidswell; Lucy-Mrs Shaw; Housekeeper-Mrs Heard.
Cast
Role: Varland Actor: Baddeley

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Miss Lucy Actor: Mrs Bland.

Dance: End: Hornpipe-Keys

Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Performance Comment: The Characters by Bannister Jun., Suett, Aickin, Evatt, Usher, Parsons, Alfred, Johnstone, Ledger, Abbott, Lyons, Wewitzer, Bland, Barrett, Cooke, Palmer Jun., Benson, Miss Heard, Mrs Webb, Mrs Cuyler, Mrs Hale, Mrs Kemble. [Cast from text (J. Debrett, 1793); O'Keeffe's Dramatic Works, Vol. III (T. Woodfall, 1798); London Chronicle; 1 July: Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Evatt; Barleycorn-Usher; Toby Thatch-Parsons; John Grum-Alfred; Tully-Johnstone; Coachman-Ledger; Skip-Abbott; John-Lyons; Barebones-Wewitzer; Apathy-Bland; Poz-Barrett; Bite-Cooke; Natty Maggs-Palmer Jun.; Carter-Benson [in text: Burton (see17930701]; Post Boy-Comerford (see17930706; Countryman-Waldron Jun. (see17930706; Dian-Miss Heard; Mrs Maggs-Mrs Webb; Mrs Dainty-Mrs Cuyler; Mrs Anymorn-Mrs Hale; Kitty Barleycorn-Mrs Kemble; Fishwoman-Mrs Powell (see17930701; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]
Cast
Role: Apathy Actor: Bland

Afterpiece Title: The Deaf Lover

Cast
Role: Canteen Actor: Bland
Role: Betsy Blossom Actor: Mrs Bland
Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Three Weeks after Marriage

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: 2nd piece [1st time; C 4, by Francis Godolphin Waldron, altered by the author from his IMITATION, 1st acted at DL, 1 2 May 1783. Prologue by the author. Epilogue by George Colman, the younger (see text). Mrs Harlowe was from CG.]

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Performance Comment: Plainwell-Wewitzer; Lord Simper-Bland; Sir W. Wealthy-Usher; Col. Modish-Cooke; Mr Level Caulfield//Mrs Level-Miss Heard. [And see17930928.] hathi.And see17930928.] hathi.
Cast
Role: Lord Simper Actor: Bland

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: THE MOCK DOCTOR

Performance Comment: As17931220, but James-Bland; Harry-Waldron Jun.//Charlotte-Miss Heard .
Cast
Role: James Actor: Bland
Role: Leander Actor: Caulfield
Role: Dorcas Actor: Mrs Bland
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.