SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg "/1) | (@(roleclean,performerclean) "Sg ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 824 matches on Roles/Actors, 175 matches on Performance Title, 95 matches on Performance Comments, 58 matches on Event Comments, and 0 matches on Author.
Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: Not acted these 7 years. [See 5 March 1767.] Tickets deliver'd for the 5th instant will be taken. Charges #69 1s. 6d. Profit to the DuBellamys #11 3s. plus #189 9s. from tickets (Box 427; Pit 494; Gallery 86) (Account Book). Receipts: #80 4s. 6d

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Ross; Tattle-Woodward; Scandal-Hull; Sir Sampson-Dunstall; Foresight-Cushing; Jeremy-Dyer; Trapland-Quick; Ben (with song)-Shuter; Mrs Frail-Mrs Bulkley, first time; Miss Prue-Mrs Kniveton; Mrs Foresignt-Mrs Dyer; Nurse-Mrs Pitt; Angelica-Miss Macklin.

Afterpiece Title: Harlequin Sorcerer

Performance Comment: As17730329.

Song: II: A New Cantata by Hook-DuBellamy; IV: [Duett] Sweet is the Breath of Morn [by Milton-Miss Brown, DuBellamy

Dance: III: The Whim, as17730426

Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Performances

Mainpiece Title: King Lear

Performance Comment: As17730125, but Gent. Usher-Quick, first time.

Afterpiece Title: The Grumbler

Performance Comment: Principal parts-Quick, Davis, Owenson, King, Saunders, Miss Pearce, Miss Helme.

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Performance Comment: An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis.
Event Comment: Benefit for Branson, Mrs Lampe, Mrs Jones, and Miss Besford. Tickets deliver'd by Roffe will be taken. Charges #65 12s. 6d. Deficit to beneficiaries #23 1s., divided as follows: Branson #11 10s. 6d.; Mrs Lampe and Mrs Jones combined #5 15s. 3d.; Miss Besford #5 15s. 3d., covered by income from tickets (Account Book). @Tickets Box Pit Gallery Value@Branson 135 224 178 #85 3s.@Mrs Lampe and Mrs Jones 88 109 76 #45 19s.@Miss Besford 23 82 81 #26 3s.@ [No record of Roffe's tickets appears in the Account Book this night.] Receipts: #42 11s. 6d

Performances

Mainpiece Title: Hamlet

Performance Comment: As17730201, but Ostrick-Dyer.

Afterpiece Title: Polly Honeycombe

Performance Comment: Scribble-Lewes, first time; Honeycombe-Quick; Ledger-Dunstall; Mrs Honeycombe-Mrs Pitt; Nurse-Mrs Copin; Polly (with the Original Epilogue)-Miss Besford, her first appearance as an actress.

Dance: I: A New Dance-Langrish, Miss Besford, as17730426 III: A Highland Reel-Aldridge, Sga Manesiere, Miss Besford [see17680307]

Event Comment: By Order of the Grand Buck for the Benefit of Wignell and Davis. N.B. Places will be kept in the front boxes for the brethren of the Mcst Noble Order, who are desired to meet the Grand Buck and His Council at the Shakespeare's Head in the Great Piazza, by 5 o'clock, from thence to proceed to the theatre, and bring the ensigns of the Order with them (playbill). Charges #66 3s. 6d. Deficit to beneficiaries #4 6s. 3d. apiece, cover'd by income from tickets: Wignell #78 4s. (Box 82; Pit 290; Gallery 142); Davis #74 4s. (Box 59; Pit 281; Gallery 173) (Account Book). Receipts: #57 11s

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17721019, but Richmond-Davis; Tressel-Wroughton; King Henry-Younger; Norfolk-Perry; Catesby-Fox; Lord Mayor-Wignell; Dutchess of York-Mrs Ferguson; Lady Anne-Miss Ogilvie; Queen-Mrs Vincent.

Afterpiece Title: The Citizen

Performance Comment: As17730129.

Dance: End: The Whim, as17730426

Event Comment: Benefit for Holtom, Bates and Hamilton; Tickets deliver'd by Thompson will be taken. Tickets sold at doors will not be admitted. Charges #64 10s. Deficit to each beneficiary #4 8s. 9d. covered by income from tickets. @Tickets Box Pit Gallery Value@Wild 16 111 255 #46 3s.@Holtom 7 99 76 #24 4s.@Baks 33 145 #33 17s.@Hamilton 45 53 93 #28 10s.@Total 101 327 569 #132 14s.@ Cash advanc'd to Miss Miller as per note #90 (Account Book). Receipts: #46 15s

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17730417 but Shylock (that night only)-Shuter; Gratiano-Dyer; Launcelot-Hamilton; Nerissa-Mrs Vincent; Duke-Morris; Salanio-Owenson; Salarino-Thompson; Tubal-Bates; Balthazar-Holtom; Old Gobbo-Saunders.

Afterpiece Title: The Country Madcap

Performance Comment: As17721014, but Jenny-Miss Pearce (playbill).

Dance: III: A New Dance-Langrish, Miss Besford, as17730426 IV: Hornpipe-Miss Stede, as17730522

Event Comment: Benefit for Condell, Potter and Evans (Box-Keepers). Tickets sold at the doors will not be admitted. Charges #81 5s. Deficit to each beneficiary #13 8s. 6d., cover'd by income from tickets. Receipts: #40 19s. 6d. (Account Book). @Tickets Box Pit Gallery Value@Condell 186 145 57 #73 19s.@Potter 130 80 99 #54 8s.@Evans 174 233 93 #87 15s.

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17721112, but Oriana-Mrs Bulkley, first time.

Afterpiece Title: The Commissary

Performance Comment: As17730206, but Dolly-Miss Helme.

Dance: III: A Hornpipe-Miller, scholar to Fishar; IV: A New Dance-Langrish, Miss Besford, as17730426

Music: End: Concerto on Harpsichord-Master Condell

Event Comment: A new Comic Opera; the Music by Paisiello; under the Direction of Giardini

Performances

Mainpiece Title: La Fraschetana

Performance Comment: Principal Characters by Trebbi, Fochetti, Savoi, Micheli, Sga Prudom, Sga Luiggia? Farnese, Sga Sestini. [Cast from libretto (T. Cadell, 1776): Nardone-Trebbi; Don Fabrizio-Fochetti; Il Cavaliere Giocondo-Savoi; Pagnotta-Micheli; Donna Stella-Sga Maria Prudom [Inglesina]; Lisetta-Sga Luiggia Farnese; Violante-Sga Sestini. [The libretto does not assign Violante, but see Larpent MS 417.The libretto does not assign Violante, but see Larpent MS 417.

Performances

Mainpiece Title: Astarto

Performance Comment: As17761102.

Dance: End I: Les Amusemens Champetres, as17761102; End II: Les Amans Heureux, as17761102; End Opera: Grand Serious Ballet, as17761102

Performances

Mainpiece Title: Astarto

Performance Comment: As17761102.

Dance: End I: Les Amans Heureux, as17761102 End II: Grand Serious Ballet, as17761102; End Opera: Les Chasseurs, as17761112

Performances

Mainpiece Title: La Fraschetana

Performance Comment: As17761105.

Dance: End I: Les Amans Heureux, as17761102 End II: Grand Serious Ballet, as17761102, but Mons _Simonet; in which a Passacaile-Mme Simonet; Chaconne-Mme Simonet; End Opera: Les Chasseurs, as17761112

Performances

Mainpiece Title: La Fraschetana

Performance Comment: As17761105.

Dance: End I: Les Amans Heureux, as17761102, but Mme _Vallouy; End II: Serious Ballet, as17761130; End Opera: La Force de l'Amour, as17761207

Event Comment: A Serious Opera; the Music by Rauzzini

Performances

Mainpiece Title: Piramo E Tisbe

Performance Comment: Principal Characters by Rauzzini, Giulinani, Savoi, Sga Prudom. Cast from libretto (no pub., 1776): Piramo-Rauzzini; Eupalte-Giulinani; Corebo-Savoi; Tisbe-Sga Prudom.

Dance: End of Overture: Les Amans Heureux, as17761210; End I: La Force de l'Amour, as17761207, but Vallouy@le@cadet; End Opera: +Serious Ballet, as17761130

Music: Before first Dance: Overture to Astarto by Giardini-

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 16 Dec.] Sga Zuchelli being extremely ill, Mme Simonet has had the Complaisance, that the Public might not be disappointed, to offer to dance in all the Ballets this Evening

Performances

Mainpiece Title: Piramo E Tisbe

Performance Comment: As17761214.

Dance: End Overture: Les Amusemens Champetres-Mme Simonet, Zuchelli, Vallouy@le@cadet; End I: Les Amans Heureux-Vallouy, Mme Simonet, Zuchelli, Vallouy@le@cadet; End Opera: Grand Serious Ballet, as17761130, but Sga _Zuchelli, Vallouy@le@cadet; Passacaile, as17761130;Chaconne, as17761130

Music: As17761214

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 20 Dec.] The last Opera till the 31st of December [but on that day no opera is announced]

Performances

Mainpiece Title: Piramo E Tisbe

Performance Comment: As17761214.

Dance: End Overture: Les Amans Heureux, as17761217; End I: La Force de l'Amour, as17761214; End Opera: Grand Serious Ballet, as17761217

Music: As17761214

Event Comment: The new Serious Opera of Germondo [announced in Public Advertiser, 2 Jan.] is obliged to be deferred 'till This Day Se'nnight, on account of the Illness of a principal Performer

Performances

Mainpiece Title: La Fraschetana

Performance Comment: As17761105.

Dance: End I: La Force de l'Amour, as17761214; End II: Grand Serious Ballet, as17761130; End Opera: Les Amans Heureux, as17761217, but Sga Zuchelli

Performances

Mainpiece Title: La Fraschetana

Performance Comment: As17761105.

Dance: End I: La Force de l'Amour, as17761214; End II: Grand Serious Ballet, as17761217, Passacaile-_, Chaconne-_; End Opera: Les Amans Heureux, as17770104

Performances

Mainpiece Title: La Fraschetana

Performance Comment: As17761105.

Dance: End I: La Force de l'Amour, as17761214; End II: Grand Serious Ballet, as17761102, but Mons _Simonet, Vallouy@le@cadet; End Opera: +Les Amans Heureux, as17770104

Performances

Mainpiece Title: Germondo

Performance Comment: As17770121.

Dance: End I: Les Amans Heureux, as17770104; End II: La Force de l'Amour, as17761214; End Opera: L'Epouse Persane, as17770121