Event Comment: By desire of their Excellencies the Persian Ambassadors. Benefit for Booth, Egan & Bates. Tickets sold at the Doors will not be admitted. Receipts: #219 5s. (79.0; tickets: 140.5) (charge: #105)

Event Comment: Benefit for Fearon, L'Estrange, Thompson & Stevens. Tickets delivered for The Funeral and a favourite Comedy will be admitted. Tickets sold at the Doors will not be admitted. Receipts: #265 18s. (75.10; tickets: 190.8) (charge: #105)

Event Comment: [Miss Cleland, who was from the Edinburgh theatre, is identified in Lysons, Collectanea. Cleland was a stage name; her real name was Buttery.] Afterpiece [1st time; P 2, by James Messink]: To conclude with an exact Representation of the Procession at an Eastern Marriage [based on sketches made in India by Tilly Kettle, the portrait painter (Theatre Notebook, VIII, 6)]. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton and others. The Music composed by [Michael] Arne. The Pantomime by Messink. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. Public Advertiser, 12 Jan. 1782: The Openings between every Scene and all internal parts of the Theatre are now so crouded by people absolutely necessary in one character or another that were they not judiciously arranged and marshalled, they would stand in each other's way, and create inextricable confusion. All that appears before an Audience as moving with the ease, regularity and promptitude of clock-work is the result of much Contrivance and many exertions of bodily Labour. Ibid, 16 Feb. 1782: This Day is published The Choice of Harlequin (1s.). Receipts: #270 19s. (265/15; 5/4)