SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "S G"/1) | (@(roleclean,performerclean) "S G")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 344 matches on Roles/Actors, 223 matches on Event Comments, 196 matches on Performance Comments, 56 matches on Author, and 37 matches on Performance Title.

Performances

Mainpiece Title: Almahide

Performances

Mainpiece Title: Rinaldo

Performances

Mainpiece Title: Theseus

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: Radamistus

Performances

Mainpiece Title: Astartus

Performances

Mainpiece Title: Floridante

Performances

Mainpiece Title: Calphurnia

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrifi'd; With The Comical Humours Of Captain Bluster And His Man Diddimo

Afterpiece Title: The Fall of Phaeton

Event Comment: Mainpiece: A Practice of a Dramatick Entertainment. [Author not known. Apparently not published.] Afterpiece: A Mock Tragedy. [Author not known, but Mrs. Lois G. Morrison of San Antonio College believes that it was written by Eustace Budgell. Apparently not published.] At Common Prices. Note, No Money to be return'd after the Curtain is drawn up. The Doors will be open'd at Fou , and begin exactly at Six

Performances

Mainpiece Title: The Defeat Of Apollo; Or, Harlequin Triumphant

Afterpiece Title: The Fall of Bob, Alias Gin

Performances

Mainpiece Title: Jupiter In Argos

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Garrick, 1st time; Macduff-Giffard; Witches-Arthur, Neale, Yates; Lady Macbeth-Mrs Giffard; Lady MacDuff-Mrs Mills; Duncan-Mills; Banquo-Havard; Malcolm-Blakes; Donalbain-Green; Lennox-W. Giffard; Seyward-Winstone; Seyton-Ray; Hecate-Berry; Ross-Bridges; Young Seyward-Cross; Fleance-Miss Cole; Angus-Turbutt; Doctor-Taswell; Lady-Mrs Bennet; With the Songs-; Dances-, other Decorations.

Afterpiece Title: Columbine Courtezan

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Temple of Dulness; With Humours of Sg Capochio and Sga Dorinna

Event Comment: Having for a Series of Years received the greatest Obligations from the Nobility and Gentry of this Nation, I have always retained a deep Impression of their Goodness. As I perceived, that joining good Sense and Significant Words of Musick, was the best Method of recommending this to an English Audience; I have directed my Studies that way, and endeavour'd to shew, that the English Language, which is so expressive of the sublimest Sentiments, is the best adapted of any to the full and solemn Kind of Musick. I have the Mortification now to find, that my Labours to please are become ineffectual, when my Expences are considerably greater. To what Cause I must impute the Loss of the Publick Favour, I am ignorant, but the Loss itself I shall always lament. In the mean time, I am assur'd that a Nation, whose Characteristic is good Nature, would be affected with the Ruin of any Man, which was owing to his Endeavours to entertain them. I am likewise persuaded, that I shall have the forgiveness of those noble Persons, who have honour'd me with their Patronage, and their Subscription this Winter, if I beg them Permission to stop short, before my Losses are too great to support, if I proceed no farther in my Undertaking; and if I intreat them to withdraw three Fourths of their Subscription, one Fourth part only of my Proposal having been perform'd. I am, etc. G. F. Handel. Attendance will be given at Mr Handel's House in Brook's St., Hanover Square, from 9 a.m. to 2 p.m. Monday, Tuesday, and Wednesday next, in order to pay back the Subscription money. [Two poems in honor of Handel in the 21 Jan. issue of the Daily Advertiser. A letter in the 25 Jan. issue indicates that the subscribers would not accept the proferred refund; Handel announced he would resume performances in view of this response.

Performances

Performances

Mainpiece Title: Tancred And Sigismunda

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Lying Valet

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Double Disappointment

Dance: III: Tambourine-Anne Auretti; V: Dutch Dance, as17471128