SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rowland Davies"/1) | (@(roleclean,performerclean) "Rowland Davies")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2161 matches on Performance Comments, 131 matches on Event Comments, 26 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit the Author [Nicholas Rowe]. At the Desire of several Persons of Quality. [Announced as the last new farce, it had been originally scheduled for the week of 6-11 Nov. (Diverting Post, 4 Nov.), but postponed. It probably was acted before 25 Nov., for the Diverting Post of that date published the Prologue.] Thomas Davies: Did not the tragic Rowe write The Biter, a comedy; and was he not the only person of the audience that laughed during the acting of it [Dramatic Miscellanies, I, 94]

Performances

Mainpiece Title: The Biter

Event Comment: Not Acted these Sixteen Years. Written by Shakespear. Receipts: #99 14s. Davies, Dramatic Miscellanies, I, 139: The first play acted at Lincoln's-inn Fields, which fixed the attention of the public, was The Merry Wives of Windsor. This comedy was so perfectly played in all its parts, that the critics in acting universally celebrated the merit of the performers. The characters were so well adapted to the abilities of the actors, that no play had been represented with equal skill and propriety at that theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Event Comment: Benefit Mrs Horton. Davies (Dramatic Miscellanies, I, 103-4): Upon Mrs Younger's quitting Drury-lane for a more advantageous income at Lincoln's-inn-fields, [Mrs Horton] was called upon by Wilks to act the part of Phillis in the Conscious Lovers. Younger had given the public so much entertainment in that part, that Mrs Horton met with very uncandid treatment from the audience; who so far forgot what was due to merit and the handsomest woman on the stage, that they endeavoured to discourage her by frequent hissing. She bore this treatment with patience for some time. At last, she advanced to the front of the stage, and boldly addressed the pit: "Gentlemen, what do you mean?What displeases you; my acting or my person?' This shew of spirit recovered the spectators into good humor, and they cried out, as with one voice, No, no, Mrs Horton; we are not displeased; go on, go on.

Performances

Mainpiece Title: The Conscious Lovers

Dance: Thurmond, Mrs Booth, Mrs Tenoe, Young Rainton, Miss Robinson

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performances

Mainpiece Title: The Miseries Of Love

Afterpiece Title: Damon and Phillida

Song:

Music:

Performances

Mainpiece Title: The Committee

Afterpiece Title: The King and The Miller of Mansfield

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: A Concert, etc. Prices: 3s., 2s., 1s. To begin at five o'clock. Benefit Mr Davies, Printer, with a large family in distress

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Lying Valet

Event Comment: Paid to Charlotte Lane for cleaning for Mr Dyer a white cloth Suit lac'd with silver, 2s. 6d. For Altering and mending ditto, silk &c., 6s. (MS list in Folger Library, Davies Life of Garrick, II, 322)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The What D'ye Call It

Event Comment: Paid Charlotte Lane for making two Fustian Banjans & Breeches, and materials at 8s. each, 16s. For the Painters (MS list Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Lottery

Event Comment: Paid Charlotte Lane for making Osman's dress for Mr Clarke, #1; Sewing, Silk, &c., 3s.; 7 yards slezia linnen at 14d.-8s. 2d.; 2yds Blue stuff & 4 yds linnen for interlining, 8s.; wadding to fill the breast & 2 yds silk lace, 1s. Making a white flannel waistcoat with sleeves 7s. Total #2 7s. 2d. (MS list Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Cheats of Scapin

Dance: Guerin, first appearance on the English stage, Mlle Capdeville

Event Comment: Paid Charlotte Lane for altering a Turkey's Dress in Zanga for Mr Ridout, 2s. 6d. (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Dance: As17551101

Event Comment: Paid Charlotte Lane for altering and mending a pair of black velvet breeches for Mr Wm. Smith, 1s. 6d.; For making a scarlet camblet frock, 8s.; for sewing silk, twist, buckram & stays, 4s. 6d.; for a velvet fall down collar, 3s. 6d.; 17 plain gilt buttons at 3d.-4s. 3d.; (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Flora

Dance: As17551101; Granier, Miss Hilliard

Event Comment: Paid Charlotte Lane for making a white cloth coat and blue sattin waistcoat, loop'd and bound with silver for Mr Dyer, 18s.; for sewing silk and twist, 4s. 6d. Buckram and stays, 3s.; Hair cloth and wadding, 4s. dimety sleevelining & linnen pockets, 2s. 6d.; 2 doz. & 4 rich silver wire buttons at 8d.-18s. 6d. 19 breast buttons ditto at 4d.-6s. 4d. Dimety body lining to waistcoat and cuffs at 12s.-#1 13s.; 8 yds blue allopeen at 21!2 d.-17s. 4d. 21!4 yds white serge desoy at 5s.-11s. 3d. Also for Mr Dyer for making a yellow sattin waistcoat & cuffs, and mending a coat for Ranger, 8s.; sewing silk and twist, buckran & stays 4s.; three quarters yds white shallbon and interlining at 4d.-6s. 4d. Dimety body lining to waistcoat, 3s. 4d.; Stuff to make the backs 1s. 2 and 3!4 yds Blue Sattin for ye n silver'd buttons at 1s. 6d.-4s. 6d.; 11!2 doz. breast buttons ditto at 9d.-1s. 11!2d; For new buttoning and lacing a coat for Mrs Vincent 6s.; 2 doz. and 4 coat silver'd buttons at 1s. 6d.-3s. 6d.; 11!2 doz. breast buttons at 9d.-1s. 1 1!2d.; Sewing silk &c., 1s. 6d. (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: Damon and Phillida

Dance: As17551114

Event Comment: Paid Charlotte Lane for making a dress for Zanga for Mr Clarke, the Robe interlin'd with linen & the underdress lin'd with blue tammy's linnen, 18s.; 7 1!2 yds linnen at 10d.-7s. 6d.; 5 yds tammy at 2s.-10s.; silk, lace, and sewing silk, &c., 4s. (MS list in Davies, Life of Garrick, II, 322). [Also from same source]: paid to same for lengthening a coat sleeves & mending same for Mr Ridout, 1s. 3d.; for making a cloath coat lac'd with silver for Mrs Vincent, 10s. 6d., sewing silk, twist, buckram & stays, 4s. 6d.; hair cloth, wadding & linnen pockets, 5s.; 4 1!2 yds tammy at 2s.-9s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for furnishing the new Wards in the Middlesex Hospital. Paid Charlotte Lane for altering a cloth coat, and green corded silk waistcoat lac'd with silver for Mr Wm. Smith, 5s. 6d.; shalloos back & bod lining to coat & stiffening, 3s. (MS list in Davies, Life of Garrick II, 332). [The Occasional Prologue, written by Mr Boyce was publish'd in the Public Advertiser 19 Dec. 1755]: @And, Britons, Godlike charity is yours...@'Tis yours to silence Misry's plaintive moan@And make the grief of others all your own...@Give balm to Nature's accidental woes,@And sooth th'impovrish'd matron's pregnant throes...@ [The Epilogue, written by C. Smart, and spoken by Shuter in the character of a Man-midwife, was published in the same paper: Shuter enters with a child]: @Whoe'er begot thee has no cause to blush:@Thou'rt a brave chopping boy (child cries) nay, hush, hush, hush.@.......................@Nay if you once begin to puke and cough@Go to the nurse. Within, here, take him off.@Well Heav'n be prais'd, it is a peopling age,@Thanks to the Bar, the Army, and the Stage...

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Cheats of Scapin

Dance: Mrs Roland; and "By Desire" the Fingalian Dance, as17551126

Song: Lowe

Event Comment: Paid Charlotte Lane for making a Callimanco Coat & breeches loop'd and bound with silver for Miss Hallam (in The Orphan), 10s.; sewing silk, twist, buckram & stays, 3s. 6d.; Haircloth & wadding, 2s. 6d.; Linnen lining, pockets & silk garters to breeches, 4s.; 2 1!2 yds white stuff to line the coat, 5s.; a silver damask waistcoat alter'd 2s.; 2 doz. and 2 coat, 9 breast silver'd buttons, 3s. 9d.; 1 doz. black buttons to the breeches, 9d. Total to Charlotte Lane so far this season, #21, 6s. 5d. (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Devil to Pay

Dance: As17551101

Event Comment: MMrs Cibber is recover'd & plays tonight-Mr Garrick taken ill, Holland did Chamont (Cross). [Probably Havard of Davies did Polydore, as both were familiar with the part.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Lilliput

Event Comment: Mainpiece: By Particular Desire. Thos. Davies advertis'd somebody hiss'd him last night & that he hop'd they would desist he not offending anyone intentionally (Winston MS 8). Receipts: #160 (Cross); #168 12s. (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Guardian

Dance: TThe Swiss-Grimaldi, Mrs Vernon

Performances

Mainpiece Title: Eurydice

Performance Comment: Garrick, Havard, Holland, Davies, Burton, Packer, Mozeen, Mrs Cibber, Miss Haughton, but Genest, IV, 547, lists: Periander-Garrick; Procles-Havard; Polydore-Holland; Eurydice-Mrs Cibber; Leonidas-Davis; Ariston-Burton; Medon-Packer; Officer-Mozeen; Melissa-Miss Haughton.

Ballet: TThe Prussian Camp. As17581214

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Old Maid

Event Comment: NNeville MS Diary: At Davies read the Countess of S. At 7 went into the Pit....a foolish Epilogue is spoken by Mrs Dancer, which tends to lessen the impression made by the excellent moral of the Play

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Lying Valet

Dance: End: Miss Froment

Event Comment: Mainpiece: Not acted these 3 years. [See 14 Jan. 1763.] Dined at Terry's. At Davies read the principal parts of As You Like It. Got into the Pit before the Play began. Stood all the time of the performance. Mrs Dancer played Rosalind with great propriety, looks very well in boys clothes...Caelia, with the Cockoo, a delightful song (not in the play) by Mrs Baddeley, being her 1st appearance in that character. This excellent comedy so well performed gave me great pleasure. End Act I, Hearts of Oak, a pretty dance by Mrs King, Giorgi, etc. The Entertainment was Harlequin's Invasion, with a prologue spoken by King. This triumph of Shakespeare over folly is one of the best and most magnificent Pantomimes and not mere dumb show (Neville MS Diary)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Invasion

Dance: I: Hearts of Oak-Giorgi, Mrs King