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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Romans"/1) | (@(roleclean,performerclean) "Romans")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 627 matches on Roles/Actors, 90 matches on Performance Title, 67 matches on Event Comments, 40 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Wedding Day

Song: As17941115

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Wedding Day

Song: As17941115

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Knights

Dance: II: Prussian Sailors-Master Settree, Miss Twist (Scholars to Mr Settree); III: Comic Dance-Master Settree, Miss Twist; IV: Roast Beef of Old England or The Antigallican-Leppie, Miss Hilliard; V: A Grotesque Minuet-Leppie, Miss Hilliard

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Performances

Performances

Mainpiece Title: Cato Burlesqued

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Performances

Mainpiece Title: The Humorous Lieutenant

Performances

Mainpiece Title: Comment Continued

Event Comment: Written by Shakespear. In which is contain'd, The Storming of the City Corioli, the Overthrow of the Volscians, the Triumph of Coriolanus , His Banishment by the Common Wealth, His Return against Rome, and his Death by the Treachery of Tullus Ausidious . With Scenes, Machines, Truimphal Arches, and other Decorations after the Custom of the Romans

Performances

Mainpiece Title: Coriolanus

Event Comment: Written by Shakespear. In which is contain'd, The Storming the City of Corioliv; the Overthrow of the Volsciansv; the Triumph of Coriolanusv; his Banishment by the Commonwealthv; his Return against Romev; and his death by the Treachery of Tullus Ausidiusv. With Scenes, Machines, Triumphal Arches, and other Decorations after the Custom of the Romans

Performances

Mainpiece Title: The Invader Of His Country; Or, The Fall Of Coriolanus

Event Comment: Written by Shakespear . With Scenes, Machines, Triumphal Arches, and other Decorations after the Custom of the Romans. Receipts: #38 2s. 6d

Performances

Mainpiece Title: Coriolanus

Performances

Mainpiece Title: Andria

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: Alexander

Performances

Mainpiece Title:

Performances

Mainpiece Title: The Beggar's Opera, Tragedized

Afterpiece Title: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol

Performances

Mainpiece Title: The Beggar's Opera, Tragediz'd

Afterpiece Title: The Lovers Opera

Dance: Pierrot by Davenport. End of Afterpiece: a new Country Dance

Performances

Mainpiece Title: Regulus

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Double Disappointment