SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Boyle Earl of Burlington"/1) | (@(roleclean,performerclean) "Richard Boyle Earl of Burlington")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2172 matches on Author, 936 matches on Performance Title, 795 matches on Performance Comments, 555 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard III

Afterpiece Title: Miss in Her Teens

Song: Platt

Performances

Mainpiece Title: King Richard III

Afterpiece Title: The Life and Death of Tom Thumb

Performances

Mainpiece Title: King Richard III

Afterpiece Title: The Old Witch of Endor; or, Harlequin Turn'd Beau

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Register Office

Entertainment: End: Bucks Have at Ye All-Richards

Monologue: II: Teague's Rambles to London. Capt. O'Brallaghan (with the favorite song in Love a La Mode)-Broderick; Terence O'Droghida-Youngs; the Knife Grinder (By Particular Desire)-Broderick

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

Event Comment: Rich's Company. The date of the premiere is not known, but as the play was advertised in the Post Man, 25-27 May 1699, it may have been acted before Easter (9 April 1699), certainly by the end of April. Dedication, to the Countess of Burlington: I...beg your Ladyship's Protection for a Play which stands rank'd amongst the Unfortunate....[A song, Loving and beloved again, with music by Samuel Ackroyde, is in Mercurius Musicus, 1699.

Performances

Mainpiece Title: Love's A Lottery, And A Woman The Prize : With A New Masque, Call'd Love And Riches Reconcil'd

Event Comment: Benefit Castrucci, who came lately over from Italy with the Lord Burlington. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; [In which Castrucci] will perform several Solos on the Violin-Castrucci[, intirely New

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Event Comment: Towards the Raising a Fund for the Erecting a Monument to the Memory of Shakespear. Written by Shakespear. London Daily Post and General Advertiser, 11 April: On which Occasion 'twas expected there would have been a greater Audience than there appear'd to be. But the Lord Burlington was pleased, out of his Regard to the Memory of so great a Man, to give Ten Guineas for himself. [The Prologue, written by Theobald and spoken by Ryan, is in London Daily Post and General Advertiser, 12 April.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Bensley; Prince of Wales-Wroughton; Duke of Lancester-Bland; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl Douglas-Caulfield; Sir Richard Vernon-assigned to Barrymore, but see below; Earl of Westmoreland-Fawcett; Sir Walter Blunt-Whitfield; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Cooke; Peto-Benson; Bardolph-Alfred; Francis-Bannister Jun.; Carriers-Moody, Burton; Sheriff-Maddocks; Traveller-Lyons; Messenger-Banks; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Hopkins.

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Betterton's Company. The date of the premiere is not known, but Dryden's letter (see 11 April 1700) places its expected presentation between 11 and 25 April. The fact that the play was advertised in the London Gazette, 29 April 1700, suggests a premiere early in April

Performances

Mainpiece Title: The Fate Of Capua

Performance Comment: Edition of 1700: Prologue by Charles Boyle-; Epilogue by Coll. Codrington-Mrs Barry; Pacuvius Calavius-Hodgson; Virginius-Betterton; Marius Blosius-Berry; Vibius Virius-Bayly; Decius Magius-Boman; Perolla-Scudamore; Junius-Verbruggen; Favonia-Mrs Barry.
Cast
Role: Charles Boyle Actor:

Performances

Mainpiece Title: The Czar Of Muscovy

Performance Comment: Edition of 1701 lists: Demetrius-Hodgson; Zueski-Booth; Bassilius-Boyle [Boyce?]; Zaporius-Nap; Rureck-Pack; Bosman-Berry; Carclos-Arnold; Fedor-Harris; Manzeck-Freeman; Alexander-Bowman; Sophia-Mrs Leigh; Marina-Mrs Bowman; Zarriana-Mrs Barry; Terresia-Mrs Martin; Prologue-; Epilogue[ written by William Burnaby-.
Cast
Role: Bassilius Actor: Boyle

Performances

Mainpiece Title: King Henry The Fourth; With The Humours Of Sir John Falstaff

Performance Comment: Edition of 1700: King Henry IV-Berry; Prince of Wales-Scudamore; John Earl of Lancaster-Bayly; Northumberland-Boman; Henry Percy (surnamed Hotspur )-Verbruggen; Westmorland-Pack; Worcester-Freeman; Owen Glendower-Hodgson; Douglas-Arnold; Sir Walter Blunt-Trout; Sir Richard Vernon-Harris; Sir John Falstaff-Betterton; Bardolph-Bright; Francis the Drawer-Bowen; Katherine Percy-Mrs Boman; Hostess-Mrs Leigh.
Event Comment: Under the Patronage of H. R. H. the Prince of Wales, H. R. H. the Duke of York, and H. R. H. the Duke of Clarence. Benefit for a Fund for the Relief of the Wounded Seamen, and also for the Widows and Orphans of the Brave Men who fell in the late Glorious Action, under Admiral Lord Viscount Duncan [see 16 Oct.]. The Tickets for the Boxes are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangement of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Guildford, The Earl of Thanet, The Right Honorable the Lord Mayor [Brook Watson], Mr Alderman Combe, M. P., Mr Alderman Skinner, John Julius Angerstein, Esq. Tickets and Places for the Boxes not disposed of by the Committee to be had of Fosbrook at the Box Office, Little Russell-Street, and at the Bar of Lloyds Coffee House. Ladies and Gentlemen having Privilege of the Theatre are requested by the Stewards to waive the use of it for this Evening. [Address by Richard Cumberland (European Magazine, Nov. 1797, p. 339). True Briton. 23 Nov. 1797, prints a letter from the Chairman of Committee of Subscribers to the performers of the theatre, thanking them for not "accepting the usual emolument on the night of performance."] Receipts: #631 8s. (357.17.6; 57.4.6; 1.11.0; money extra left at the doors: 2.14.6; tickets: 212.0.6) (charge: #161 0s. 6d.)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Performances

Mainpiece Title: England Preserv'd

Performance Comment: Principal Characters by Holman, Pope, Farren, Harley, Middleton, Davies, Macready, Hull, Haymes, Richardson, Powel, Claremont, Thompson, Williamson, Miss Wallis. [Cast from text (T. N. Longman, 1795), and European Magazine, Mar. 1795, p. 197: Earl of Surrey-Holman; Earl of Pembroke-Pope; Earl of Chester-Farren; French Prince-Harley; Earl William Mareschal-Middleton; Earl of Lincoln-Davies; English Knight-Macready; Bishop of Winchester-Hull; Comte de Nevers-Haymes; Lord Robert Fitzwalter-Richardson; French Guard-Powel; Viscomte de Beaumont-Claremont; Heralds-Thompson, Williamson; John Plantaganet-Miss Standen; Lady Surrey-Miss Wallis; Prologue-Middleton; Address (instead of Epilogue)-Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Edition of 1715 lists: Duke of Northumberland-Mills; Duke of Suffolk-Boman; Lord Guilford Dudley-Booth; Earl of Pembroke-Elrington; Earl of Sussex-Ryan; Gardiner Bishop of Winchester-Cibber; Sir John Gates-Shepherd; Lieutenant of Tower-Quin; Captain of Guards-Maddocks; Dutchess of Suffolk-Mrs Porter; Lady Jane Gray-Mrs Oldfield; Prologue-Booth; Epilogue-Mrs Porter.
Cast
Role: Earl of Pembroke Actor: Elrington
Role: Earl of Sussex Actor: Ryan

Music: In: a cantata, The Meditation by Pepusch-Mrs del'Epine, Mrs Barbier

Performances

Mainpiece Title: Percy

Performance Comment: [Principal Characters by Lewis, Aickin, Hull, Whitfield, Robson, Thompson, Wroughton, Mrs Jackson, Mrs Barry. Cast from text (T. Cadell, 1778 [i.e. 1777]), and Universal Magazine, Dec. 1777, p.307: Percy-Lewis; Earl Raby-Aickin; Sir Hubert-Hull; Edric-Whitfield; Harcourt-Robson; Servant-Thompson; Earl Douglas-Wroughton; Birtha-Mrs Jackson; Elwina-Mrs Barry; New Prologue-Mrs Bulkley; New Epilogue spoken-Lee Lewes. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Earl Raby Actor: Aickin
Role: Earl Douglas Actor: Wroughton

Afterpiece Title: St

Dance: After Epilogue: As17770924

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Performance Comment: English: Edward-Kemble; Lord Audley-Farren; Earl of Warwick-Barrymore; Earl of Chandos-Williames; Salisbury-Fawcett; Arnold-Brereton. French: King John-Staunton; Dauphin-Phillimore; Duke of Athens-R. Palmer; Charney-Packer; Archbishop of Sens-Chaplin; Cardinal Perigort-Aickin; Ribemont-Palmer; Mariana-Miss E. Kemble .
Cast
Role: Earl of Warwick Actor: Barrymore
Role: Earl of Chandos Actor: Williames

Afterpiece Title: The Apprentice

Dance: End of mainpiece, as17831018

Performances

Mainpiece Title: The Noble Peasant

Performance Comment: Principal Characters by Palmer, Parsons, Riley, Gardner, Aickin, Davies, Swords, Barrett, Edwin, Brett, Bannister; Miss George, Miss Morris, Miss Brett, Mrs Bannister. [Cast from text (George Robinson, 1784): Leonard-Palmer; Earl Egbert-Parsons; Harold-Riley; AnlafF-Gardner; Earl Walter-Aickin; Will Cloudeslee-Davies; Fool-Edwin; Clym o' the Clough-Brett; Adam Bell-Bannister; Adela-Miss George; Alice-Miss Morris; Dwarf-Miss Brett; Edwitha-Mrs Bannister. Swords, Barrett are unassigned.] hathi. hathi.
Cast
Role: Earl Egbert Actor: Parsons
Role: Earl Walter Actor: Aickin

Afterpiece Title: The Guardian

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Cast
Role: Earl of Bedford Actor: Laurence