SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Dr Swift"/1) | (@(roleclean,performerclean) "Rev Dr Swift")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 399 matches on Event Comments, 362 matches on Performance Comments, 234 matches on Performance Title, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Emperour Of The Moon

Performances

Mainpiece Title: Concert

Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The City Politicks

Performances

Mainpiece Title: Concert

Music: Vocal Part consisting of the Choicest Songs in the Operas-Mrs Foresyth; As also, a new Cantata on St. Patrick's Day by Dr Pepusch-

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Wedding

Dance: FFingalian-Newhouse, Mrs Ogden; Scots Dance-Mrs Bullock; French Peasant-Moreau, Mrs Bullock

Music: Preamble on Kettle Drum-Job Baker

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Tom Thumb

Event Comment: Benefit Short. Written by the late Mr Congreve. Tickets at Short's House, Milman Street. Receipts: money #26 1712s.; tickets #128 12s

Performances

Mainpiece Title: The Old Batchelor

Related Works
Related Work: The Old Batchelor Author(s): William Congreve
Related Work: The Credulous Husband Author(s): William Congreve

Music: Instead of Act Tunes will be perform'd Select Pieces of Musick adapted to various Instruments, Being deisgn'd as a Concert Intermix'd with the Play. For theOverture: a Grand Concerto- by Dr Pepusch, in which the Kettle Drums are principal,; accompanied with Trumpets Hautboys Violin-; The Kettle Drums-Mr Benj. Baker; V: That celebrated Piece, The Water Musick-; by Mr Handel, for Trumpets, French Horns, Kettle-Drums, Hautboys. Concluding with a Preamble on the Kettle@Drums-Benj. Baker

Dance: II: Tambourin-Miss Rogers; In III: Scots Dance-Mrs Bullock; III: Two Pierrots-Poitier, Pelling; IV: Sicilian-Glover, Mrs Pelling; V: Comic Dance in the Footing Manner-Jones, Mrs Ogden, with some Additions to it, never performed before

Song: I: Mrs Wright

Performances

Mainpiece Title: The Cornish Squire

Afterpiece Title: The Sham Pilgrims

Performances

Mainpiece Title: Don Quixote In England

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

Performances

Mainpiece Title: Julius Caesar: With The Death Of Brutus And Cassius

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Imprisonment, Release, Stratagems, and Marriage of Harlequin; with The Triumphs of Love

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: The Necromancer

Dance: A New Tambourine-Sga Barberina, Sga Domitilla, Mrs LeBrun, Mrs Wright, Mrs Villeneuve; The Italian Peasants, as17411024, but Villagers not listed

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Shipwrecked

Song: I: Early Horn-Lowe; III: Happy Pair-Beard

Dance: II: Sailor's Dance, as17411015; IV: The Italian Peasants, as17411205

Performances

Mainpiece Title: The Double Gallant

Song: I: a Ballad-Lowe; III: Song-Mrs Arne; IV: See from the Silent Groves-Beard

Dance: II: Le Petit Scaramouche, as17420201; V: Le Genereux Corsaire, as17420120;

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Mock Doctor

Event Comment: By Henry Fielding. Never acted before. On 25 Jan. Lady Hertford wrote to her son: Mr Fielding has wrote a comedy which has been refus'd by the Licenser, not as a reflecting one, but on account of its immorality. On 19 Feb. she wrote again: Mr Fielding by suffering the bawd to be carted, tho she is his favorite character in the new play, has obtained a license to have it acted, and it was perform'd on thursday for the first time, but so much dislik'd that it is believ'd that it will be impossible to prevail with a second audience to hear it through.-Hughes, Hertford, p. 242. The Larpent MS. shows many question marks, and deletions of suggestive, passionate, and physiological references

Performances

Mainpiece Title: The Wedding Day

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Dance: As17430120

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Lying Valet

Dance: V: Dance, as17431123

Performances

Mainpiece Title: King Henry Viii

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: The Anatomist

Song: II, IV: Morland

Dance: III: Mlle Auguste; V: Minuet-Muilment, Mrs Walter