SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Read"/1) | (@(roleclean,performerclean) "Read")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 167 matches on Event Comments, 104 matches on Roles/Actors, 72 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Spartan Dame

Performance Comment: See17191211 [Cibber's role was presumably read this evening, for he had been silenced by the Lord Chamberlain.]

Song: As17191003

Event Comment: Written by the late Mr Otway. Receipts: #26 3s. 6d. Weekly Journal or Saturday's Post, 13 Jan.: Mr C. Bullock having a considerable Part in the Play; and being sick in his Bed, chose to rise and perform his Part; rather than disappoint the Audience, but was not able to finish it; therefore his Part in the last Act was read by another

Performances

Mainpiece Title: The Soldier's Fortune

Dance:

Event Comment: The Tragedy of Zara, Made English [by Aaron Hill]. Applauded Thirty-Six Nights running at Paris. The Characters, by a Sett of Gentlemen and Gentlewomen, who never acted before. None will be admitted but by Tickets into the Room that Night, which (by Reason of the Smallness of the Place) will be all commodiously made into Boxes, for the easy Reception of those many Great Personages, who have read and perus'd this Play with Approbation, and desir'd a long Time to see it acted; and charitably agreed to favour and encourage this Design, for the Benefit of [Mr William Bond, the Proprietor], who brings it on at a great Expence (tho' all that act in it, are so good to appear Gratis for him) who has lain ill of the Gout, and Rheumatism, upwards of Four Years. [This bill, in the London Daily Post and General Advertiser, differs considerably in phraseology, though not in basic fact, from that in the Daily Advertiser.]

Performances

Mainpiece Title: Zara

Performances

Mainpiece Title: Zara

Performance Comment: As17360113 By Desire the Character of Osman will be read, none of the Actors being yet studied in the Part .

Afterpiece Title: Harlequin Restor'd

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear. Afterpiece: Written by the Author of the Toy Shop. Weekly Journal or British Gazetteer, 26 Feb.: On Monday Night last a great Disturbance happened at Drury-lane Play-house, occasioned by a great Number of Footmen, who assembled themselves in a riotous and tumultuous Manner, with great Outcries of burning the House, unless they were immediately admitted into what they call their Gallery; and in order to strike a Terror, they began to hew down the Door of the Passage which leads to the said Gallery, of which Col. Deveil, who was then in the House, had immediate Notice, and thereupon came out where they were thus assembled, and notwithstanding they threatened to knock his Brains out, he read the Proclamation to them, admonish'd them to retire, and desist from so unlawful an undertaking. [The footmen soon withdrew.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Mainpiece: Never Acted before. [By John Hewitt.] Preface to edition of 1737: This Comedy made it's Appearance under many Disadvantages:...It was read for the first Time to the Performers, Tuesday the 15th, and acted Monday the 21st. Mrs Giffard, who had been Ill the Whole Season, undertook the Character of Lady Betty Manly, but finding herself indisposed, returned the Part on Thursday Evening. It was then given to Mrs Hamilton, who on Saturday about one in the Afternoon declared she could not do it unless it was cut, which the Nature of that Part not admitting, there was a Necessity to ask the Favour of Miss Hughes to undertake it, who with a great deal of good Nature, studied and played it perfect, tho' at so short a Warning

Performances

Mainpiece Title: A Tutor For The Beaus; Or, Love In A Labyrinth

Afterpiece Title: Hymen's Triumph

Event Comment: Benefit the Author of the Farce, and Miss Burgess. Mainpiece: As originally written by Shakespear. Supervised, Read over, Revised, and Unalter'd. [For a puff (signed by W. Shakespear), see Daily Advertiser, 4 March.

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Rival Milliners

Event Comment: Benefit Denoyer. By Command of their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Tickets at Denoyer's House in St. James's-Street, over-against Park-Place. Daily Advertiser, 7 March: On Saturday Night the Mob attempted to force into Drury-Lane Playhouse, and were so insolent, that Justice Deveil was oblig'd to go out and read the Proclamation concerning Rioters; the Guard was order'd to his Assistance, and some of the Offenders were apprehended and sent to Newgate. [For Occasional Prompter XXIV (on the alteration of Much Ado About Nothing), see Daily Journal, 5 March.

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Phebe

Dance: I: Serious Dance-Denoyer; II: Harlequin-Denoyer's Apprentice; III: Grand Ballet-Denoyer, Mrs Roland; V: Minuet-Denoyer, Mrs Walter

Event Comment: Benefit J. Roberts. By Desire. For the Entertainment of the Ancient and Honourable Society of Non-Common Pleas, Mainpiece: Written by the Author of George Barnwell. Second and Third Pieces: Both written by the Author of Pasquin. To begin exactly at Half an Hour after Six, and all will be over by Half an Hour after Nine. Tickets (containing the Prologue to the Register, by way of Ode to the New Year, with the Musick engrav'd on a Copper Plate) may be had of Mr Henry Roberts, Engraver, at the Star over-against the Vine Tavern in Holborn, and at the Theatre in the Hay-Market. Daily Advertiser, 2 May: Sir, As at every one of our Theatres this Day there is a Benefit for Persons under Misfortunes, 'tis humbly hop'd that the more humane Pursuers o Pleasure will suspend their Curiosity for Vaux Hall for one Day, (out of a hundred) in Favour of so many Unfortunate, who have but the Chance of one single Night to relieve them from Afflictions which perhaps they have long labour'd under. And, as I have somewhere read, So humane Worth to God like Heights they'll raise, For the Preserver shares the Maker's Praise. I believe it is fully known, without troubling you with farther Particulars, that among the Number above mention'd, is included, Sir, Your very humble Servant, John Roberts

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Event Comment: [Letter from Mlle Auguste to the Public stated that Fleetwood had refused to answer her letter, whence she had withdrawn and engaged with Rich, of which fact she appraised Fleetwood who still kept her name on the bills. Her reason for leaving Fleetwood was her having heard that on 4 Dec. he had read a letter on the stage at dl to her discredit. See London Daily Post and General Advertiser.] Receipts: #80

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Shipwrecked

Song: I: Early Horn-Lowe; III: Happy Pair-Beard

Dance: II: Sailor's Dance, as17411015; IV: The Italian Peasants, as17411205

Event Comment: MMrs Woffington fainted (Rylands MS.). Last night, in the First Act of All's Well, which was acted at Drury Lane, Mrs Woffington was taken so violently ill, that she fainted away, as she stood at the scenes, ready to come on; After a proper Apology being made, the Audience with great Humanity and Patience, waited till another person dress'd to read the part.--This night the Alchemist (by Particular Desire) is to be performed; and on Thursday, His Royal Highness and the Duke and Princesses have commanded the Tender Husband. On Friday the Play All's Well will be represented; when if Mrs Woffington is not recover'd, Mrs Mills will be ready in the part. Receipts: #100

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Harlot's Progress

Song: I: Sylvia wilt thou was e thy Prime, a new song of Mr Arne's,-Lowe; III: Was ever nymph like Rosamond-Lowe

Dance: II: A Concerto, as17420105; IV: The Italian Peasants, as17411205

Event Comment: Benefit Havard and Mrs Ridout. Tickets deliver'd for The Orphan will be taken....But if you are for a good sober piece, that has a great deal of good sense in it, and but few absurdities, pray read the play of Regulus. The run of the Town is against it, but whether it is the dulness of the poetry, or the nobleness of the sentiments that makes fine folks dislike it, I am unwilling to determine.--Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot (London, 1808), I, 35

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Hobson. Tickets and places of Hobson at the stage door of the Theatre. Presentment of the Grand Juryv for the County of Middlesex: We the Grand Jury sworn to enquire for our Sovereign Lord The King, and the body of this county, have observed from most of the presentments delivered to us by the Constables of this County, that they have been, as we apprehend and fear, very remiss in their duty, by returning their several districts to be quiet and in good order. Whereas the contrary does most manifestly appear, in many instances as well from the accounts or advertisements we read in the daily Papers, printed and dispersed within the County (inviting and seducing, not only the inhabitants, but also all other persons, to several places kept apart for the encouragement of Luxury, Extravagance, and Idleness, and we fear other wicked, illegal purposes, which by such means go on with impunity, to the destruction of many families) as otherwise to the great Dishonour of the Kingdom...especially at a time when we are engaged in expensive Wars, and so much overburdened with Taxes of all sorts, both Parliamentary and Parochial, that it is much as a prudent man can do, without a taste to extravagant and illegal pleasure to support himself and family according to his degree and station in life under the most regular economy. [If unchecked this bad example will lead to National destruction]. We do accordingly hereby present as places riotous, of great extravagance, luxury, idleness, and ill fame, the several house &c following: [lists two gambling houses, then the Proprietors of the avenues leading to the several playhouses for not preventing wicked loose and disorderly persons from loitering at the front of their several houses on nights of the play to the prejudice of playgoers.] 4. Saddlers Wells, near Islington; 5. New Wells, Goodman's Fields; 6. New Wells, Clerkenwell; 7. The Proprietors of a Place call'd Hallam's New Theatre at Mayfair. Prays that the court will close all listed. N.B. Many people believed that after this presentment, the places mentioned would be shut up or reformed, but they advertise and continue the same diversions as before.-Gentlemen's Magazine (May, 1744), pp. 278-79

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Song: I, IV: Morland

Dance: III: Mlle Auguste

Event Comment: HHorace Walpole to Sir Horace Mann, 29 March: The Town flocks to a new play of Thomson's call'd Tancred and Sigismunda: it is very dull: I have read it. I cannot bear modern poetry; these refiners of the purity of the stage, and of the incorrectness of English verse, are most woefully insipid. -Toynbee, Letters of Horace Walpole, II, 82

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: Last Night Mrs Woffington was taken ill just as the play was going to begin, which obig'd the managers to have her part read; but was so happily recover'd before the Farce was over, that she will this night perform her part of Maria

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: The Debauchees

Song: I: Lowe; IV: Lowe

Dance: III and V: M and Mlle Mechel

Event Comment: MMrs Cibber to Garrick, late Jan.: It is surprising that dl goes on acting; one night with another, to be sure, they have not received above 40 pounds; the actors are paid only three nights a week; though they play every night. But the top stroke of all was Macklin's play! It was entirely new-dressed, and no expense saved in the clothes. I shall say nothing of the piece, because you may read it; but be as vain as you will about your playing Bayes, you never made an audience laugh more than Henry VII has done. There for the first time I saw your rival, Mr Goodfellow; I should have said the rival Mr Lacy wants to make you; do not be quite dispirited about it, for Perkin Warbeck is much below anything I ever yet saw. Here I must ask Mr Stevens's pardon, to whom I have done injustice, for I think he may dispute the pass downstairs with Perkin, and as his head seems to be the heaviest of the two, I think he has the best right to it.--Boaden, Private Correspondence of Garrick, I, 49

Performances

Mainpiece Title: Henry Vii

Event Comment: To the Author of the General Advertiser. Sir: When I read the letter in your paper [see 7 Nov.] concerning Tom Harbin's intention of having a Benefit at Covent Garden, I own I was much pleas'd, as it would give me the opportunity of making him merry, who has often made me so: But I have since been in some concern to hear he was to perform himself--I would not have him appear in an Ill-Light; and as it is easy to conceive what confusion a Man unus'd to the stage must be in, to appear on it, I would in Friendship advise him to desist from that design.-If he does it from an opinion of his Capacity, I am sorry for him: but if it is only to draw people together, I think he need not have any Apprehensions on that Account:--For there ever was and ever will be in London, a number of Persons of Fortune and Generosity, sufficient to do what he wants, whenever they have an Inclination to serve a man they like.--And as he is Generally allow'd to be what is call'd a Fiddle in Company, and plays as often as anybody, it would be but right to keep him in tune: For my part I shall use my interest in his Favour and wish him success with his Acquaintance. I am &c. T. Meanwell. Lloyd's Coffee House, 14 Nov. [See 14 Dec.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Event Comment: Paid 1!2 year's water rent due Misdummer #1; Paid Read (Turner) for 5 wheels 5s.; Paid Mrs Rogers for wax, &c. 4s. (Treasurer's Book). Receipts: #60 (Cross); #63 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Busy Body

Song: Master Mattocks

Ballet: TThe Savoyard Travellers. As17491110

Dance: End II: by desire a Hornpipe-Matthews

Event Comment: To the Author of the General Advertiser. Sir: Having read an advertisement of a performance call'd Concerto Spirituale, for the Benefit of Mr Geminiani, on Friday 6 April next, I could not avoid making a few remarks to the public on the occasion, which, if you will favour with a place in your Paper it may perhaps be of service to his undertaking, and will greatly oblige, Sir your humble Serv't, J. B. When Mr Geminiani came first over here, the great excellence of the Violin was unknown in this kingdom, and the great improvement our countrymen have made on that instrument is entirely owing to him. The valuable works he has produc'd in the instrumental way, are greater indications of his merit, as an author, than any I can offer in his behalf; this is the only Benefit he ever made, therefore I persuade myself that the Public (who are justly famous for their Generosity on such laudable occasions) will give him the encouragement his Merit deserves

Performances

Mainpiece Title: None

Event Comment: This House had not been so good had not ye Part of Romeo , been read at ye other House by Mr Dyer--Mr Barry, being taken ill--when ye Apology was made Numbers came to us (Cross). Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Queen Mab

Song: II: A Song (composed by Mr Handel)-Master Vernon

Event Comment: RRichd 3d (by Mossop) & Anatomist was put up but: Mossop being taken ill, after many Messages it was resolv'd to do ye Con. Lovers & Harl. Ranger. Small bills were printed & deliver'd at ye Doors to signify the Change & all went well. Mr Rich's Ent: of ye Sorcerer came out this day (Cross). Receipts: #120 (Cross). [The small bill referred to by Cross read as follows:] @Theatre Royal in Drury Lane@This night being the@11th of February@Richard the Third@(On Account of the Indisposition of a Principal Performer)@Is Oblig'd to be Chang'd to@The Conscious Lovers@and@Harlequin Ranger@with Dancing@By Mad Auretti@

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Ranger

Event Comment: On Tuesday next a New Tragedy called Philoclea. On Monday 28 January will be a Benefit for Sga Nicolina Giordani, A comic Opera with dances. Tickets and places for the Boxes may be had at Sg Giordani's Lodging, at Mr Milbourn's Grocer, in James St. Covent Garden. To the Young Gentlewoman who has performed Hermione [see 19 Jan.]: @Great was th' Applause you met, great your desert,@You charm'd the Eye, the Ear, the Head, the Heart.@Amaz'd we saw you at the first appear,@Ev'n in the hardest part, a perfect play'r.@Your person, your deportment set to view,@The youthful princess that the poet drew.@All was propriety, and all was grace,@We read the author's meaning in your face.@Your elocution was both just and strong,@Mix'd with due ease, and not an accent wrong,@Such varied Musick in your voice we heard,@That in the Tones both Taste and Sense appear'd.@Love, Jealousy, and Rage so well expres't@Engag'd our souls, nor knew we which was best,@'Twas Nature all-she form'd you for the stage,@Follow her steps, and glad th' Admiring Age.-Public Advertiser@

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Event Comment: By Command of the King (Cross). This day a new tragedy, entitiled Constantine the Great was read here to the actors for the first time. This piece is written by the reverend Mr Francis, from whose valuable translation of Horace it may be inferred that he is such a judge of all the graces of Language and every beautiful turn in writing, that it is not to be doubted but he will give the public a production abounding in elegancies. [See 23 Feb.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Play Never acted there before. The Characters new dress'd. [See comment in London Chronicle, March 8-10, 1757, which quotes the lengthy Admonition and Exhortation of the Scots Presbytery to be read from all pulpits, against stage plays. "This Exhortation," writes the London Chronicler, "was probably occasioned by the greatness of the crowds who flocked for many successive nights to see the tragedy of Douglas acted" It had been played in Edinburgh 14 Dec. 1756.

Performances

Mainpiece Title: Douglas