SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R "/1) | (@(roleclean,performerclean) "R ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6691 matches on Roles/Actors, 1726 matches on Performance Comments, 226 matches on Event Comments, 21 matches on Performance Title, and 5 matches on Author.
Event Comment: Mainpiece [1st time; T 5, by Samuel Jackson Pratt. Author of Prologue unknown. Epilogue attributed to the Hon. Richard Fitzpatrick (Crouch, 1, 125), and to Richard Brinsley Sheridan (I. A. Williams in The London Mercury, Aug. 1924, pp. 412-15)]: With New Scenes (see 29 Nov.), Dresses and Decorations. Public Advertiser, 12 Dec. 1781: This Day is published The Fair Circassian (1s. 6d.). Receipts: #149 19s. (126/19/0; 22/17/6; 0/2/6)

Performances

Mainpiece Title: The Fair Circassian

Performance Comment: Principal Characters by Smith, Bensley, Farren, Packer, R. Palmer, Wrighten, Palmer; Miss Simson, Miss Farren. [Cast from text (R. Baldwin [1781]): Hamet-Smith; Omar-Bensley; Caled-Farren; Ali-Packer; Osmyn-R. Palmer; Principal Iman-Wrighten; Almoran-Palmer; Crisanthe-Miss Simson; Almeida-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Apprentice

Performance Comment: As17811022.

Music: In Act III of mainpiece an Epitbalamium [not listed in playbill, but see17811129]

Performance Comment: hathi.
Event Comment: 3rd piece [1st time; F 2, author unknown, based on Der Postzug; oder, Die nobeln Passionen, by Cornelius Hermann von Ayrenhoff. Larpent MS 834; not published. Prologue by George Colman elder (Public Advertiser, 19 June)]

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Bustleton-Powell; Manager-Aickin; Easy-Iliff; Gentleman in the Balcony-Rees; Irishman in the Pit-R. Palmer; Prompter-Gardner; Actresses-Miss Brangin, Mrs Poussin, Miss Francis, Miss Palmer; Lady in the Balcony-Mrs Webb.

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom-Edwin; Mayor-Moss (1st appearance in that character); Crazy-Barrett; Earl of Mercia-Gardner; Count Louis-Lyons; Harold-Davies; Maud-Mrs Kemble; Mayoress-Mrs Webb; Lady Godina [sic]-Miss Brangin; Emma-Mrs Bannister.

Afterpiece Title: The Swop

Performance Comment: Principal Characters by Willimason, R. Palmer, Iliff, Barrett, Usher, Abbott, Kemble, Mrs Webb, Mrs Taylor, Mrs Kemble. [Cast from European Magazine, June 1789, p. 488: Major Rheinberg-Williamson; Count de Narcisse-R. Palmer; Count de Wurtzendal-Iliff; Notary-Barrett; Bertrand-Usher; Capt. Edelsee-Abbott [in European Magazine: Johnson]; Baron de Fortsheim-Kemble; Baroness de Fortsheim-Mrs Webb; Lisette-Mrs Taylor; Eleanora-Mrs Kemble; Prologue-R. Palmer.
Event Comment: 3rd piece [1st time; F 2, by Charles Stuart, "from the Spanish"; on 2 Sept. reduced to 1 act. Prologue by the author (see text)]. "The Piece, we understand, was originally founded on some topics that have of late engrossed the conversation of much of the fashionable world...The Lord Chamberlain thought [it] too delicate a nature to appear with the allusions and title it then bore, She would be a Duchess. The consequence was that the offensive bits were expunged and the piece re-christened...It would be unfair to make any observations...in the mutilated stage it was presented" (Public Advertiser, 15 Aug.). "Some part of the plot was supposed to allude to the late occurrences in the family of General John? Gunning, who was indulged with the privilege of erasing [from the MS] that which he disliked, and who reduced it to its present feeble and unconnected form" (Gazetteer, 15 Aug.). [The reference in the original title is to the simultaneous flirtation of Miss Elizabeth Gunning, the General's daughter, with the eldest sons of the Dukes of Marlborough and Argyll (see dnb, under Susannah Gunning). She would be a Duchess: in Larpent MS 915.

Performances

Mainpiece Title: Next Door Neighbours

Performance Comment: As17910718 but Prologue-_; Epilogue-_[and thereafter].and thereafter].

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Bannister; Leander-Davies; Mungo-Cornellys; Scholars-Evatt, Farley; Leonora-A Young Lady (1st appearance on any stage [unidentified]); Ursula-Mrs Webb.

Afterpiece Title: The Irishman in Spain

Performance Comment: Characters by R. Palmer, Evatt, Wewitzer, Farley, Rock, Mrs Goodall, Miss Fontenelle. [Cast from text (J. Ridgway, 1791), and European Magazine, Aug. 1791, p. 142: Don Carlos-R. Palmer [in text: Farley (see17910903)]; Don Fabio-Evatt; Don Guzman-Wewitzer; Servant-Farley; Kilmainham-Rock; Olivia-Mrs Goodall [in text: Miss Heard (see17910902)]; Viletta-Miss Fontenelle; Prologue-R. Palmer.
Event Comment: 2nd piece [1st time; D 5, by Richard Cumberland. Prologue by the author; Epilogue by George Colman ynger (London Chronicle, 27 July). Larpent MS 1138; 1st published in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, with unassigned casts listing Citizens.

Performances

Mainpiece Title: The Quaker

Performance Comment: As17960712 but added: Easy-Burton; Countrymen-_.

Afterpiece Title: Don Pedro

Performance Comment: Characters by Aickin, Palmer, C. Kemble, Bannister, Suett, Caulfield, Wathen, R. Palmer, Palmer Jun., Waldron Jun., Davies, Trueman, Abbot, Burton, Lyons, Ledger, Mrs Kemble, Mrs Harlowe, Miss DeCamp, Mrs Hopkins; Cast from Larpent MS: Count de Valdesoto-Aickin; Pedro de Rascafria-Palmer; Henrique-C. Kemble; Basco de Robeldondo-Bannister; NicolasSassenigo-Suett; Tayo-Caulfield; Roca-Wathen; Cerbero-R. Palmer; Lopez-Palmer Jun.; Martin-Waldron Jun.; President of the Inquisition-Davies; Ignacio-Trueman; Gomez-Abbot; Citizens-Burton, Lyons, Ledger (these not listed in MS); Celestina-Mrs Kemble; Mariguita-Mrs Harlowe; Cattania-Miss DeCamp; Benedicta-Mrs Hopkins; Prologue-R. Palmer; Epilogue-Miss DeCamp.
Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Performance Comment: Characters by King, Wroughton, Bannister Jun., R. Palmer, Suett, Russell, Packer, Webb, Evans, Mrs Jordan, Miss Tidswell, Mrs Booth, Miss Mellon. Cast from text (G. G. and J. Robinson, 1797): Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Old Copsley-Packer; Servants-Webb, Evans; Albina Mandeville-Mrs Jordan; Deborah-Miss Tidswell; Mrs Rigid-Mrs Booth; Cicely Copsley-Miss Mellon; Prologue-R. Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]

Afterpiece Title: The Purse

Performance Comment: As17970221.

Ballet: The Scotch Ghost. As17961221

Performance Comment: As17961221.
Event Comment: 3rd piece [1st time; F 2, by Andrew Franklin. Prologue by the author (Knapp, p. 164)]. Receipts: #233 7s. (137.2; 93.0; 3.5)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: As17961201, but Duke Murcia-King.

Afterpiece Title: The Fairy Festival

Performance Comment: As17970513.

Afterpiece Title: The Wandering Jew; or, Love's Masquerade

Performance Comment: Characters by Suett, Bannister Jun., R. Palmer, Wewitzer, Russell, Hollingsworth, Wathen, Webb, Evans, Phillimore, Miss Pope, Miss DeCamp, Miss Heard, Miss Tidswell, Miss Stuart. Cast from text (George Cawthorn, 1797): Sir Solomon Swallow-Suett; Major Atall-Bannister Jun.; Captain Marall-R. Palmer; Cook-Hollingsworth; Toby-Wathen; Servants-Webb, Evans; Porter-Phillimore; Lady Swallow-Miss Pope; Camilia-Miss DeCamp; Lydia-Miss Heard; Susan-Miss Tidswell; unassigned-Wewitzer, Russell, Miss Stuart; Prologue-R. Palmer.

Dance: As17970513

Event Comment: Benefit for R. Palmer and Russell. [Miss Dorell is identified in MS list in Kemble playbill of new performers for this season.] True Briton, 31 May: Tickets to be had of R. Palmer, No. 28, Lower Eaton-street, Pimlico; of Russell, No. 46, Great Russell-street, Bloomsbury. Receipts: #290 13s. (65.13.0; 52.7.6; 4.3.0; tickets: 168.9.6, of which R. Palmer sold 107.9.6, and Russell 61.0.0) (charge: #225 9s. 3d.)

Performances

Mainpiece Title: First Love

Performance Comment: As17961004, but David Mowbray-Russell; Lady Ruby-A Young Lady (1st appearance on this stage [Miss Dorell]); Servants-_; Waiting@woman-_.

Afterpiece Title: Sylvester Daggerwood

Performance Comment: As17970508.

Afterpiece Title: Lodoiska

Performance Comment: As17970418.
Event Comment: See HMC, Report III, Appendix, p. 215a; Hotson, pp. 214-15; B. M. Wagner, "John Rhodes and Ignoramus," Review of English Studies, V (1929), 43-48. See also Nicoll, Restoration Drama, pp. 302n, 423. This appears to be the Duke's Company

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

Performance Comment: MS in Library of Duke of Westminster: Theodorus-Lilliston?; Antonius-Smyth; Ignoramus-Underhill; Dulman-Williams; Pecus-Will Peer?; Musaeus-R. Nokes; Torcal-Norris; Rosabella-Mrs? Jennings; Surda-Mrs Margaret Rutter?; Trico-Medbourne?; Banacar-Crosby; Cupes-Sandford; Polla-Mrs Norris; Cola-R. James? Nokes; Pyropus-Angell; Dorothea-Mrs Brown; Vince-Boy; Nell-Pegg; Richardus?-Revet; Prologue to the King-Alexander Read. Translated from George Ruggle's Ignoramus.
Event Comment: Benefit Havard and Boucher, Prompter. Daily Advertiser, 2 June: We hear Mr Odel, Master.., Goodman's-Fields, intends to decline to concern himself any longer with the Management of that Theatre

Performances

Mainpiece Title: The Tempest

Performance Comment: Duke-Smith; Ferdinand-Bardin; Prospero-Havard; Antonio-Worsley; Gonzalo-Machen; Hippolito-Mrs Thomas; Stephano-Rosco; Mustacho-R. Williams; Ventoso-Collet; Trincalo-Morgan; Ariel-Master Woodward; Miranda-Mrs Palmer; Dorinda-Mrs Morgan; Caliban-W. Giffard; Sycorax-Collet; Waterman's Dance-Sandham, Rosco, R. Williams, Pearce, Bowcher; Neptune-a Gentleman; Amphitrite-Mrs Palmer.

Afterpiece Title: The Biter Bit; or, The Humours of Harlequin and Scaramouch

Afterpiece Title: The Throwsters Opera

Event Comment: Comedy Never Acted before. All the Characters New Dress'd. No money return'd after the Curtain is up. [By Macklin. Not printed. Plot account in Kirkman, Life of Macklin. It persisted for nine nights against continual opposition (Genest, IV, 625).] Boxes #95 17s. Macklin's fifth above house charges: #31 15s. 9d. (Account Book). [See note, 2 Feb.] Receipts: #221 19s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: Actors only: Macklin, Davis, R. Smith, Buck, Perry, Weller, Miss Macklin, Mrs Abegg, Mrs Green, Mrs Pitt, Mrs Ward. Prologue-Macklin; Epilogue-Miss Macklin; Lord Belville-Macklin; Townly-Davis; Serjeant-Buck; Angelica-Miss Macklin; Lady Belville-Mrs Ward; Harriet Wingfield-Mrs Abegg; Lucy-Mrs Green; Pert-Mrs Pitt (Genest, IV, 624); Parts-R. Smith, Perry, Weller.
Event Comment: Benefit for R. Smith and Gardner. Charges #64 5s. Deficit due to House from Actors #27 9s. 6d. Their income from tickets was: R. Smith #68 from 28 Box Tickets; 278 Pit; 193 Gallery. Gardner #48 12s. (40 Box; 154 Pit; 155 Gallery). Receipts: #36 15s. (Account Book)

Performances

Mainpiece Title: The Wonder

Performance Comment: As17671127, but Lopez-Dunstall; Flora-Mrs Gardner.

Afterpiece Title: The Musical Lady

Performance Comment: As17671208.

Ballet: End: The Wapping Landlady. Double Hornpipe As17680416

Performance Comment: Double Hornpipe As17680416.
Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Performance Comment: Parts-Woodward, Shuter, Morris, Lewes, R. Smith, Davis, Dunstall, Perry, Quick, Wignell, Fox, Herbert, Mrs Green, Mrs Gardner, A Young Gentlewoman, who never appeared on any stage, Mrs Mattocks, Mrs Bulkley. With a Prelude-; Marcourt-Woodward; Cross-Shuter; Landlord-Morris; Luke-Lewes; Fleece-R. Smith; Buck-Davis; Kitchen-Dunstall; Col. Frankly-Perry; Ostler-Quick; Snarl-Wignell; Passengers-Fox, Herbert; Mrs Cross-Mrs Green; Landlady-Mrs Gardner; Sally-A Young Gentlewoman who never appeared on any stage; Miss Mary Linley, afterwards Mrs Tickell (Winston MS 10); Lettice-Mrs Mattocks; Charlotte-Mrs Bulkley; Passengers-Miss Pearce, Mrs Copin; With a Prelude, Dapperwit-Dyer; Jenkins-Hull; Townly-Wroughton (Edition of 1770).

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-DuBellamy; Mopsus-Dunstall; Cymon-Hamilton; Corydon-Wignell; Arcas-Davis; Phillida-Mrs Baker.

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Event Comment: Benefit for Hull. Mainpiece [a tragedy by Thomas Hull, based upon the version by William Hawkins, 1749, suggested by William Shenstone, and instigated by the presence of Mrs Hartley among the actresses at cg]: Never acted before. Characters to be dressed in the Habits of the Times (playbill). Charges #64 5s. Profit to Hull #50 13s. 6d., plus #75 6s. from Tickets (Box 165; Pit 171; Gallery 84) (Account Book). Receipts: #114 18s. 6d

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Performance Comment: Parts by Smith, Clarke, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, and Mrs Hartley. Henry II-Smith; Abbot-Clarke; Clifford-Hull; Henry Prince of Wales-Wroughton; Leicester-Thompson; Salsbury-Gardner; Verulam-R. Smith; Queen Eleanor-Mrs Hull; Ethelinda-Miss Pearce; Rosamond-Miss Hartley; (Second Edition of 1774) New Prologue-; Epilogue-.

Afterpiece Title: The Citizen

Performance Comment: As17721128.

Dance: After the Epilogue: The Irish Lilt, as17721028

Event Comment: Benefit for Gardner and R. Smith. Tickets deliver'd for the tragedy of Julius Caesar will be taken. Charges #71 16s. 6d. Deficit to each beneficiary #4 9s. 7d., cover'd by income from tickets: Gardner, #46 8s. (Box 83; Pit 82; Gallery 131); R. Smith, #39 4s. (Box 17; Pit 161; Gallery 131). Rec'd from Mrs Bulkley for cash advanc'd last season #130 (Account Book). Receipts: #62 17s

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17730511, but Hephestion-Wroughton.

Afterpiece Title: The Apprentice

Performance Comment: As17730208.

Dance: End: The Old Ground Young, as17720928

Event Comment: By Command of their Majesties. Afterpiece: A Comedy of two Acts never performed. Dr Thomas Francklin. [According to the Biographia Dramatica, "This is a poor performance, founded on Destouches' L'Amour Use, and met with no success; being nearly condemned, nothwithstanding the King and Royal family were present. Foote told his friends, that, when he lighted the King, to his chair, his Majesty asked who the piece was written by: 'It was written (says the wicked Wit) by one of your Majesty's Chaplains; but it is dull enough to have been written by a Bishop.)'"]

Performances

Mainpiece Title: The Commissary

Performance Comment: As17760531.

Afterpiece Title: The Contract

Performance Comment: Parts by: Parsons; Bannister; Whitefield; R. Palmer; Miss Platt; A young Lady, first appearance; Mrs Gardner. Col. Lovemore-Parsons; Commodore Capstern-Bannister; Capt. Spritely-R. Palmer; Martin-Whitefield; Miss Eleanor-Mrs Gardner; Maria-Miss Essex; Betty-Miss Platt (Genest, V, 528).

Dance: A Tambourine Dance-

Event Comment: A new comedy (by Samuel Foote. This is A Trip to Calais reworked. See 4 and 18 Aug. 1775, Comment.

Performances

Mainpiece Title: The Capuchin

Performance Comment: Parts by: Foote, Baddeley, Parsons, Palmer, R. Palmer, L'Estrange, Bannister, Edwin, Griffiths, Stephens, Walters, Pierce, Mrs Gardner, Miss Sherry, Mrs Love, Mrs W. Palmer, Mrs Jewell. Prologue-Foote; Capuchin-Foote; Sir Harry Hamper-Parsons; Dr Viper-Palmer; Minnikin-Edwin; Kit Codling-Bannister; Dick Drugget-R. Palmer; Tromfort-Baddeley; Colonel-L'Estrange; Mrs Minnikin-Miss Sherry; Mrs Clack-Miss Platt; Jenny Minnikin-Mrs Jewell (Genest, V, 529).

Afterpiece Title: The Mock Doctor

Performance Comment: As17760520.

Dance: The Venetian Regatta-

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Performance Comment: Principal Characters by King, Moody, Palmer, Parsons, Bannister, Baddeley, Wrighten, Carpenter, Griffiths, Wright, Burton, R. Palmer, Dodd, Mrs Bradshaw, Mrs Love, Miss Platt, Miss Stageldoir, Mrs Wrighten. [Cast from text (T. Becket. 1776): Sprightly-King; Phelim-Moody; Catcall-Palmer; Sir Dulcimer Dunder-Parsons; Sailor-Bannister; Mezzetin-Baddeley; Furrow-Wrighten; Dripping-Griffiths; Musician-Wright; Frank Furrow-Burton; Lad-R. Palmer; Crotchet-Dodd; Mrs Dripping-Mrs Bradshaw; Mrs Furrow-Mrs Love; Doxy-Miss Platt; Miss Dripping-Miss Stageldoir; Miss Quaver-Mrs Wrighten; unassigned-Carpenter; Prologue[, not listed on playbill,-King [; it was presumably, spoken at all subsequent performances].; it was presumably, spoken at all subsequent performances].

Afterpiece Title: Twelfth Night

Performance Comment: Malvolio-Yates (1st appearance in that character these 1O years); Sir Andrew Ague@Cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Jefferson; Sebastian-Davies; Fabian-Lamash; Antonio-Wrighten; Captain-Wright; Officer-Carpenter; Priest-Griffiths; Valentine-Norris; Curio-Everard; Clown-Vernon; with the original Epilogue song-Vernon; Olivia (with a song)-Mrs Baddeley; Maria-Mrs Hopkins; Viola-Miss Younge.

Afterpiece Title: Miss in her Teens

Performance Comment: Fribble (with a song in character)-Dodd; Captain Flash-Palmer; Captain Loveit-Davies; Puff-Moody; Jasper-Burton; Tag-Mrs Love; Miss Biddy-Miss Jarratt.
Event Comment: [Mainpiece in place of The Funeral, announced on playbill of 18 Mar.] Afterpiece [1st time; CO 2, by Isaac Jackman]: The Music composed by Carter. Receipts: #233 11s. (190.1.0; 40.16.6; 2.13.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17761105, but Lord Townly-Lacy (1st appearance in that character); Manly-Palmer; Mrs Motherly-Mrs Bradshaw.

Afterpiece Title: The Milesian

Performance Comment: Principal Characters by Vernon, Dodd, Bannister, Aickin, Burton, R. Palmer, Everard, Moody, Miss Collett, Mrs Davies, Mrs Booth, Mrs Baddeley. [Cast from text (J. Wilkie, 1777), and London Chronicle, 21 Mar.: Belfield-Vernon; Charles Marlove-Dodd [in text: Lamash (see17770403)]; George Belfield-Bannister; Mr Belfield-Aickin; La Flure-Burton; Richard-R. Palmer; Waiter-Everard; Capt. Cornelius O'Gollagher-Moody; Melinda-Miss Collett; Patty-Mrs Davies [in text: Miss Platt (see17770403)]; Mrs Belfield-Mrs Booth; Caroline O'Gollagher-Mrs Baddeley.
Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Principal Characters by King, Yates, Dodd, Palmer, Parsons, Baddeley, Aickin, Packer, Farren, Lamash, Gaudry, R. Palmer, Norris, Chaplin, Smith, Miss Pope,Miss P. Hopkins, Miss Sherry, Mrs Abington. [Cast from Public Advertiser, 9 May: Sir Peter Teazle-King; Sir Oliver Surface-Yates; Sir Benjamin Backbite-Dodd; Joseph Surface-Palmer; Crabtree-Parsons; Moses-Baddeley; Rowley-Aickin; Snake-Packer; Careless-Farren; Trip-Lamash; Sir Harry Bumper-Gaudry; Gentlemen-R. Palmer, Norris, Chaplin; Charles Surface-Smith; Mrs Candour-Miss Pope; Maria-Miss P. Hopkins; Lady Sneerwell-Miss Sherry; Lady Teazle-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17760928, but Baker; Mrs Sneak (1st time)-Mrs Davies.
Event Comment: Morning Chronicle, 7 June: Foote caught cold on Wednesday last...Unwilling to disappoint the public [last night] he determined to play his part in The Devil upon Two Sticks, but, after he had ended the second act, was so much worse that he was obliged to retire...An apology was made to the audience, and Palmer undertook to read the remainder of Foote's part

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: Principal Parts by Foote, Jackson, R. Palmer, Fearon, Griffiths, Egan, Massey. T. Davis, Kenny, Hitchcock, Walker, Parsons, Mrs Jewell, Mrs Gardner. Cast adjusted from text (T. Cadell, 1778), and playbill of 13 Aug. 1779: Devil-Foote (1st two acts; 3rd act read by Palmer); Apozem-Jackson; Invoice-R. Palmer; Camphire-Fearon; Julep-Griffiths; Sligo-Egan; Sir ThomasMaxwell-Massey; Osasafras-T. Davis; Fingerfee-Kenny; Broadbrim-Hitchcock; Macpherson-Walker; Dr Last-Parsons; Harriet-Mrs Jewell; Margaret-Mrs Gardner. Prologue as17770515.

Afterpiece Title: Lilliput

Performance Comment: As17770515.
Event Comment: Mainpiece [1st time; C 3, by Sarah Gardner. Prologue by the author (London Chronicle, 11 Aug.). Larpent MS 435; not published; synopsis of plot in London Magazine, Aug. 1777, p. 433. For a description of the difficulties attending the reception of this play, from a recently discovered MS by Mrs Gardner, see Theatre Notebook, VII, 76-81]

Performances

Mainpiece Title: The Advertisement; Or, A Bold Stroke For A Husband

Performance Comment: Principal Parts by Parsons, Egan, Jackson, R. Palmer, Fearon, Blissett, Walker, Edwin, Mrs Colles, Miss Hale, Miss Platt, Mrs Love, Mrs Gardner. Cast from Public Advertiser, 12 Aug.: Doctor Obstetric-Parsons; Capt. O'Cannon-Egan; Jack Steerage-Jackson; George Wydham-R. Palmer; Sir William Wydham-Fearon; Careful-Blissett; MacLocust-Walker; Snap-Edwin; Mrs Epigram-Mrs Colles; La Bronze-Miss Hale; Lydia Fanlove-Miss Platt; Landlady-Mrs Love; Widow Holdfast-Mrs Gardner; Prologue-Mrs Gardner.

Afterpiece Title: The Citizen

Performance Comment: As17770702.
Event Comment: Mainpiece [1st time; CO 3, by George Colman elder, based on Le Barbier de Seville; ou, La Precaution Inutile, by Pierre Augustin Caron de Beaumarchais; music by Samuel Arnold and, by attribution, Pierre Alexandre Monsigny. Prologue by the author (Collection...of English Prologues and Epilogues, II, 209). Epilogue by David Garrick (Garrick's Poetical Works, II, 340). Larpent MS 436; not published; synopsis of plot in London Magazine, Sept. 1777, pp. 467-69]: With New Dresses and Scenes

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Parts by Palmer, Parsons, Blissett, Jackson, R. Palmer, Egan, Stevens, Edwin, Miss Farren. [Cast from London Chronicle, 1 Sept.: Count Almaviva-Palmer; Dr Bartholo-Parsons; Basil-Blissett; Argus-Jackson; Pall@Boy-R. Palmer; Alcade-Egan; Notary-Stevens; Lazarillo-Edwin; Rosina-Miss Farren; Prologue-Parsons; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Thomasand Sally

Performance Comment: Thomas-Bannister; The Squire-DuBellamy; Dorcas-Mrs Love; Sally-Mrs Jewell.

Dance: End: Dance-. [This was included in all subsequent performances.

Performance Comment: [This was included in all subsequent performances.]
Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Performance Comment: Principal Characters by Palmer, Aickin, Baddeley, R. Palmer, Massey, Davis, Kenny, Silvester, Parsons, Miss Sherry, Mrs Love, Miss Walton, Mrs Greville. Cast from London Chronicle, 20 May: Sir Harry Freelove-Palmer; Ned Winworth-Aickin; Servants-Baddeley, Massey, Davis, Kenny, Silvester; Young Upstart-R. Palmer; Mr Stockwell-Parsons; Mrs Upstart-Miss Sherry; Landlady-Mrs Love; Mademoiselle-Miss Walton; Belinda-Mrs Greville; The occasional Prologue on Opening the Theatre, with Alterations,-Palmer.

Afterpiece Title: Piety in Pattens

Performance Comment: Butler-Parsons; The Squire-Lamash; Mrs Candy-Mrs Love; Polly Pattens-Mrs Jewell.

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Event Comment: [For cast of afterpiece see 28 May 1777.

Performances

Mainpiece Title: The Female Chevalier

Performance Comment: As17780518, but Mrs Poussin. Prologue as17780518.

Afterpiece Title: The Tailors; A Tragedy for Warm Weather

Performance Comment: Warm@Weather Tragedians-Palmer, Parsons, Gardner, R. Palmer, Jackson, Massey, Davis, Walker, Stevens, Peirce, Miss Platt, Mrs Love, Mrs Poussin, Mrs W. Palmer, Mrs Jewell. [Probable cast: Flints: Abrahamides (the Chief)-Palmer; Isaacos-Gardner; +Jackides-Jackson; +Barnardo-Davis. +Master Tailors: Francisco-Parsons; +Regniades-R. Palmer; +Campbello-Massey. +Dungs: Zacharydes-Walker; +Timotheus-Stevens; +Christophorides-Peirce; +Tittilinda-Miss Platt; +Dorothea-Mrs Jewell; +Tailors' Ladies-Mrs Love, Mrs Poussin, Mrs W. Palmer.]

Dance: As17780518

Event Comment: Mainpiece: 8th time [i.e. in continuation of the reckoning for the previous season. Prologue by George Colman elder. Epilogue by David Garrick (see 30 Aug. 1777)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Characters by Palmer, Parsons, Blissett, Jackson, R. Palmer, Egan, Stevens, Edwin, Miss Farren. [Cast from London Chronicle, 1 Sept. 1777: Count Almaviva-Palmer; Dr Bartholo-Parsons; Basil-Blissett; Argqs-Jackson; Tall@Boy-R. Palmer; Alcade-Egan; Notary-Stevens; Lazarillo-Edwin; Rosina-Miss Farren; Prologue-Parsons; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Waterman; or, The First of August

Performance Comment: Tom Tugg-Bannister; Bundle-Massey; Robin-Edwin; Mrs Bundle-Mrs Brett; Wilhelmina-Mrs Jewell.

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-