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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Purcell"/1) | (@(roleclean,performerclean) "Purcell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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641 results for: Keyword - Purcell
We found 259 matches on Author, 152 matches on Performance Title, 111 matches on Event Comments, 90 matches on Roles/Actors, and 67 matches on Performance Comments.

576
10 December 1739 @ Covent Garden

Event Comment: Afterpiece: Written by Mr Dryden, and Composed by Mr Henry Purcell

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Afterpiece Title: Cupid and Bacchus

577
01 February 1758 @ Covent Garden

Event Comment: A Dramatic Opera [by Betterton altered from Beaumont and Fletcher; music by Purcell. Not acted these 30 years. New Cloaths, Scenes, and other Decorations incident to the Opera. Nothing under full prices will be taken. To prevent any obstruction either in the Music or Decorations, no persons can be admitted behind the scenes. [Notices repeated for this play this season.] Receipts: #190 18s. (Account Book)

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

578
17 February 1762 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: As17620215, but Drunken Servant-R. Smith; Peasant-Weller; In Act IV Song of Mad Bess, set to music by Henry Purcell, will be sung in Character-Mrs Vernon.

Afterpiece Title: Apollo and Daphne

579
04 March 1763 @ Covent Garden

Event Comment: [See Theatrical Review; or, Annals of the Drama, 1 April, pp. 146-49.] Oratorio is a "Sacred Ode by Dr Brown. Adapted (by the Author of the Ode) to select Airs, Duets and Chorusses from Handel, Marcello, Purcell and other eminent composers" (Public Advertiser)

Performances

Mainpiece Title: The Cure Of Saul

Music: As17630218

580
03 October 1763 @ Covent Garden

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Sparks; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd A Solemn Hymn, set to music by Henry Purcell;-Beard, Tenducci, Peretti, Mattocks, Baker, Miss Miller, Miss Polly Young, Miss Davies, Legg, Ryley, Dibdin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Citizen

581
03 October 1765 @ Covent Garden

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Walker; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd a Solemn Hymn, set by Henry Purcell, and-Beard, Mattocks, Squibb, Miss Poitier, Mrs Baker, Baker, Legg, Ryley, Dibdin, Waylin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Cheats of Scapin

Dance: End: New Grand Ballet call'd The Garland-Fichar, Miss Wilford

582
13 December 1770 @ Drury Lane Theatre

Event Comment: New Scenes, Dresses and Decorations for Mainpiece (playbill). This Masque was got up in a Superb manner the Scenery exquisitely fine & greatly applauded--. Miss Hayward play'd Emmeline very bad (Hopkins Diary). Mainpiece: Altered from Dryden by Garrick. First time performed. Music Purcell and Arne. New Overture by Arne

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell

Afterpiece Title: The Miller of Mansfield

583
27 December 1776 @ Covent Garden

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

584
30 July 1778 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Portrait

585
12 March 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Judas Maccabaeus

Afterpiece Title: A Miscellaneous Act

Performance Comment: Concerto on the organ-Stanley; Verdi Prati (Handel)-Mrs Kennedy; Rosy Bowers (Purcell)-Norris; Tergi il pianto (Sacchini)-Miss Draper; Won Regina (Sacchini)-Miss Linley; Haste my Nannet (Travers)-Miss Linley, Webster; Anthem(Handel)-.

Music: End Part I: concerto on the violin, as17790219

586
13 May 1779 @ Covent Garden

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

587
31 May 1779 @ Haymarket Theatre

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

588
18 February 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. 2nd piece: By the late Henry Purcell

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music In Bonduca; Alexander's Feast

Music: As17800211

589
24 November 1780 @ Covent Garden

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Upholsterer

Song: Principal Vocal Parts-Davies, Mrs Morton, Miss Morris. [The music by Purcell.

Performance Comment: [The music by Purcell.]

590
06 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What d'ye Call It

591
24 March 1784 @ Drury Lane Theatre

Event Comment: 1st piece: Set to Music by Handel. [For singers of individual airs therein see 5 Mar.] 2nd piece: Composed by the late Henry Purcell

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Music in Bonduca

Music: As17840310athi

592
09 November 1784 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

593
08 December 1785 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb]: Some of the Airs compiled from the best Masters [Purcell, Sacchini, et al.]; the rest of the Music, the Overture, Accompaniments, &c. by Linley [Sen.]. [The scenery by Greenwood {Public Advertiser, 15 Dec). In 1792 this opera was altered by the author as The Algerine Slave.] Public Advertiser, 11 Jan. 1786: This Day is published The Strangers at Home (1s. 6d.). Receipts: #200 1s. (183/6/0; 16/10/0; 0/5/0)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: All the World's a Stage

594
26 December 1786 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by Miles Peter Andrews. Larpent MS 752, as The Castle of Wonders; not published; synopsis of action in Morning Post, 27 Dec.]: With new Music, Scenes, Machinery, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The Rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many Assistants. To conclude with a Representation of the Inside of a Nabob's Palacev. Books of the Songs [which assign only Colombine ] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 6 Mar. 1787: Paid Shield in full for Compositions #100. Receipts: #242 4s. (239.8; 2.16)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

595
05 November 1787 @ Covent Garden

Event Comment: "The leaving Percy untaken up [by Falstaff, in V.iv of mainpiece] was an improvement. The best acting was that of Mrs Pitt" (World, 6 Nov.). Afterpiece: With new Music, Scenes, Machinepy, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many assistants. To conclude with the Representation of the inside of a Nabob's Palacev. Books of the Songs to be had at the Theatre. Receipts: #199 0s. 6d. (193.16.0; 5.4.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Enchanted Castle

596
13 December 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Richard Bentley. Beginning with 4 Feb. 1789 reduced to an afterpiece of 2 acts. Not in Larpent MS; not published; synopsis of plot in Public Advertiser, 15 Dec.]: With entire new Dresses, Scenery, and Decorations. The Music partly selected from the works of Haydn, Purcell, Pleyel, Anfossi, Cimarosa, Gretry, Giordani, Sacchini [the score (Longman and Broderip [1788]) adds: Irwich]; and partly composed by Shield. With a Grand Overture by Salieri. Books of the Songs to be had at the Theatre. Receipts: #245 3s. 6d. (238.6.6; 6.17.0)

Performances

Mainpiece Title: The Prophet

Afterpiece Title: Duke and No Duke

Dance: End: a New Dance, as17881107, but Mrs _Ratchford

597
27 February 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude, On The Happy Recovery Of His Majesty

Afterpiece Title: The Triumph of Truth 0

Performance Comment: Selected by Dr Arnold from Works of the following Great Masters: Handel, Purcell, Dr Arne, Corelli, Jomelli, Sacchini, Haydn, Principal Vocal Parts-Reinhold, Dignum, Kelly, Mrs Crouch, Miss Lockhart, Miss Hagley (pupil of Linley? Sen.), Mrs Ambrose; 1st Violin-Shaw. For a detailed account of what was sung, see17880320 .

598
20 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Performance Comment: New Overture-(Haydn); Praise the Lord-Double Chorus (Solomon, Handel); See her awful domes-Kelly (Julius Caesar, Handel); No more shall Edom-Miss Hagley (Dr Arnold); On our paternal-Reinhold, Dignum, Miss Hagley, Mrs Crouch, Chorus (Corelli); He bids the circling season-Miss Lockhart; Give glory to his awful name-Chorus (Handel); Cease ah cease-Mrs Crouch [i.e. Ombra Cara (Radamisto, Handel)]; Remember us O Lord-Quartetto, Chorus (Purcell); O thou almighty pow'r-Mrs Ambrose [i.e. Affani del pensier (Ottone, Handel)]; When storms the proud-Reinhold (Athalia, Handel); O Judah boast-Chorus (Handel); Rise O God-Chorus (Funeral Anthem, Handel).

Afterpiece Title: Triumph of Truth 2

Afterpiece Title: Triumph of Truth 3

Music: As17890311

599
13 October 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [altered by John Philip Kemble]: By Shakespeare, with Additions from Dryden. The Music by Purcell and Dr Arne, with new Airs and Chorusses by the late Linley Jun. [Epilogue by John Burgoyne (Kemble Mem.).] Receipts: #154 13s. 6d. (135.9.0; 19.2.6; 0.2.0)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: The First Floor

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Fawcett, Wilson, Maddocks, Alfred, Lyons, Miss Romanzini, Mrs Edwards, Mrs Fox, Miss Barnes, Miss Stageldoir, Mrs Shaw, Mrs Butler, Mrs Crouch; III: Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite-Mrs Edwards

600
24 November 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Miller of Mansfield