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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prompter"/1) | (@(roleclean,performerclean) "Prompter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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640 results for: Keyword - Prompter
We found 476 matches on Roles/Actors, 199 matches on Event Comments, 59 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Author.

601
12 April 1785 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by William Pearce. MS: Larpent 696; not published; synopsis of plot in Universal Magazine, Apr. 1785, p. 209]: With new Scenes and Dresses. The Overture and Airs composed by Shield. Books of the Songs to be had at the Theatre. "The Nunnery [is] ... a most powerful narcotic. The Performers--in friendly sympathy--had totally forgotten their parts--and passed the evening in a conversation with the prompter" (Public Advertiser, 15 Apr.)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Nunnery

602
18 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Winter's Tale

Afterpiece Title: An Author on the Wheel; or, A Piece cut in the Green-Room

Performance Comment: Principal Characters by Palmer, Bannister Jun., Aickin, Suett, R. Palmer, Baddeley. [Larpent MS lists the parts: Drama, Prompter, Vain wit, Thespis, Sock, Buskin, Period.] hathi.

Afterpiece Title: ROSINA

Song: In 2nd piece the Sheep-sbearing Song by Miss Phillips. imitations. In 3rd piece, by Bannister Jun

603
18 April 1785 @ Covent Garden

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

604
11 May 1785 @ Covent Garden

Event Comment: Benefit for Wild [prompter]. Public Advertiser, 7 May: Tickets to be had of Wild, No. 17, Bow-street, Covent Garden. The unfortunate circumstance of breaking his leg . . . has prevented his attending the theatre the whole season [and see 18 Apr.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lawyers' Panic

Afterpiece Title: Three Weeks after Marriage

605
12 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Burton and Harwood, prompter. 2nd piece [1st time; INT 1, author unknown. MS: Larpent 702, not published]. Receipts: #180 15s. 6d. (21/4/0; 13/16/6; 1/0/0; tickets: 144/15/0) (charge: #105 17s. 1d.}

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: New Readings, by Johnny Bulcalf, With his Journey to London

Afterpiece Title: The Irish Widow

Dance: End of 2nd piece, as17850505

Song: End of Act IV of 1st piece Stand to your Guns by Bannister

606
22 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Burton and Harwood, prompter. Tickets delivered for a comedy will be admitted. Morning Herald, 11 May: Tickets to be had of Burton, No. 8, Clement's Inn; of Harwood, Little Russel-street, Covent Garden. Receipts: #216 5s. 6d. (34/19/0; 16/6/0; 2/12/6; tickets: 162/8/0) (charge: #106 2s.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Bon Ton

Dance: End of mainpiece The Lucky Return, as17860105, but Ferrere in place of Williamson

Song: End of Act II of mainpiece a favourite Hunting Song (composed by Hook) by Dignum

607
16 October 1786 @ Drury Lane Theatre

Event Comment: Paid Harwood [former prompter] Gratuity on his Dismission #25. Receipts: #195 16s. (168.9; 27.2; 0.5)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Who's the Dupe

608
25 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Performance Comment: Clerville, Waiter, Hair@dresser, Musician, Machinist, Woman@dresser, Prompter, Poet, Publican-Bannister Jun.; Manager-Barrymore; Prologue-Bannister Jun.

Afterpiece Title: The Strangers at Home

Afterpiece Title: The Humourist

Song: End 2nd piece: Stand to your Guns-Bannister

Entertainment: After Singing: various Imitations, Vocal and Rhetorical, -Bannister Jun

609
10 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. Public Advertiser, 7 May: Tickets to be had of Wrighten, Kennington-lane, near Vauxhall. Receipts: #254 8s. 6d. [64.9.0; 11.13.6; 0.19.0; tickets: 177.7.0) (charge: #106 3s. 9d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Humourist

Dance: As17870115

610
08 April 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Afterpiece Title: Hob in the Well

611
06 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. 2nd piece [1st time; M.INT I]. Public Advertiser, 1 May: Tickets to be had of Wrighten, New Buildings, Hemming's Row, St. Martin's Lane. Receipts: #250 6s. (38.14; 19.15; 1.7; tickets: 190.10) (charge: #109 8s. 2d.)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

612
19 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. 3rd piece [1st time; M I, author unknown. Music selected from Dr Arne. MS: Larpent 833 (which notes, "The words partly new and partly compiled. In Commemoration of the Restoration of His Majesty's Health"); not published]. Public Advertiser, 18 May: Tickets to be had of Wrighten, No. 6, Little Russel Street. Tickets delivered for the 20th will be admitted. Receipts: #278 17s. 6d. (48.2.0; 13.17.0; 0.17.6; tickets: 216.1.0) (charge: #106 13s. 7d.)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

613
27 October 1789 @ Covent Garden

Event Comment: "Edwin condescended to make a buffoon of himself [in The Dramatist], for all he had to do was to amuse the audience with his knob of hair, and his versicolor'd knee strings. It is cruel to expose a great actor in such unmeaning characters" (Prompter, 28 Oct.). Receipts: #177 1s. 6d. (166.15.6; 10.6.0)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Highland Reel

614
02 November 1789 @ Drury Lane Theatre

Event Comment: "Kemble's invocation to the Diety has such a solemnity and earnestness, added to a hearty devotion, that exalts the soul and fills it with reverence" (Prompter, 4 Nov.). Receipts: #144 11s. 6d. (105.5.0; 37.3.6; 2.3.0)

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Richard Coeur de Lion

Dance: As17891026

615
02 November 1789 @ Covent Garden

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1790]. Paid Say for Tallow Candles last Season #88 6s. 3d. "That beautiful and best drawn character that the world ever saw, Sir John Falstaff, was mangled by Ryder. He substitutes savageness to jollity, and stiff mimicry to the natural debauchery that should hang as easily on Sir John as the Roomy mantle he moves in...Lewis gave us more the manner of the pretty man of fashion than of a dissipated hero" (Prompter, 4 Nov.). Receipts: #168 1s. 6d. (164.12.6; 3.9.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Don Juan

Dance: As17890916

616
03 November 1789 @ Drury Lane Theatre

Event Comment: "Miss Farren is almost beyond criticism; she is always animated, hurries you away, and does not leave you time to reflect. We are not too bold in asserting that Europe does not produce a finer actress in these lively, natural characters" (Prompter, 4 Nov.). Receipts: #155 19s. 6d. (120.7.0; 34.11.0; 1.1.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Citizen

Song: As17891017

617
10 November 1789 @ Covent Garden

Event Comment: 1st piece: 1st Time [at this theatre; see dl, 7 Nov.]. "Mr Hayley's Marcella, which was anticipated on Saturday evening at Drury Lane, and was received with considerable marks of disapprobation...was brought forward [at Covent Garden] under the auspices of the Author" (Public Advertiser, 11 Nov.). "[The performers all acted well at Covent Garden; and Kemble was the only one at Drury Lane who even knew his part" (Prompter, 11 Nov.). Receipts: #201 17s. (197.13.6; 4.3.6)

Performances

Mainpiece Title: Marcella

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook

618
23 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. [Afterpiece in place of The Farm-House, advertised on playbill of 22 Apr.] Gazetteer, 21 Apr.: Tickets to be had of Wrighten, No. 25, Bow-street, Covent-Garden. Receipts: #326 19s. (64.7.0; 13.4.6; 2.5.6; tickets: 247.2.0) (charge: #116 12s. 6d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Pannel

Dance: As17900308

Entertainment: MonologuePrevious: his being the Anniversary of His Majesty's Happy Recovery, British Loyalty; or, a Squeeze for St. Paul's-Bannister Jun

Song: After which: the Stage being decorated and illuminated in the same Superb Stile which it was for the Reception of his Majesty on Dec. the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore

619
29 April 1791 @ Drury Lane Theatre

Event Comment: Benefit for Wrighten, prompter. [In mainpiece the playbill retains Kemble as Orlando, but "I had fallen from the Ladder in my Book-room, and bruised my Leg. Mr Barrymore acted Orlando for me" (Kemble Mem.).] Oracle, 29 Apr.: Tickets to be had of Wrighten, next the Stage-Door. Receipts: #328 18s. (63.0.0; 17.3.6; 2.9.6; tickets: 246.5.0) (charge: #116 16s. 10d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Citizen

Dance: End I: The Russian Minuet-Master D'Egville, Miss DeCamp

Song: As17901027

620
13 April 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Wrighten, prompter. Morning Herald, 10 Apr.: Tickets to be had of Wrighten, No. 84, Hay-market. Receipts: #384 16s. (79.8.6; 37.15.0; 6.2.0; tickets: 261.10.6) (charge: #177 13s. 6d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Richard Coeur de Lion

621
07 May 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill]. Paid Wrighten, prompter, from beginning of season to 29th April #43 16s. 2d. Receipts: #350 8s. (308.19; 39.9; 2.0; tickets: none listed) (charge: #168 10s. 6d.)

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: The Humourist

622
22 January 1793 @ Drury Lane Theatre

Event Comment: Paid Wrighten, prompter, to 29th December, #30 19s. 2d. Receipts: #245 15s. 6d. (211.7.6; 31.6.0; 3.2.0)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: Katharine and Petruchio

623
29 April 1793 @ Drury Lane Theatre

Event Comment: Benefit for the Orphan Daughters of the late Mr Wrighten, prompter. [In mainpiece the playbill retains Mrs Kemble as Charlotte, but "Mrs Ward read Charlotte " (Thespian Magazine, June 1793, p. 3).] Receipts: #548 12s. 6d. (137.4.6; 32.11.0; 2.17.0; tickets: 376.0;0) (charge: #147 11s. 6d.)

Performances

Mainpiece Title: At King's The Gamester

Afterpiece Title: The Romp

624
08 August 1793 @ Haymarket Theatre

Event Comment: [In 2nd piece the playbill retains Johnstone, but "Bills were distributed in the theatre to inform the audience that Johnstone's indisposition had increased so much as to render him incapable of performing; in consequence of which Benson had, at a few hour's notice, undertaken to study the part of Kilmannock [sic]...He never appeared to stand in need of the prompter's assistance" (Thespian Magazine, Sept. 1793, p. 222). Benson's part as a Muleteer was perhaps omitted.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Mountaineers

Song: As17930803

625
13 August 1793 @ Haymarket Theatre

Event Comment: Benefit for the Orphan Daughters of the late Wrighten, prompter [who had died on 2 Apr. 1793]

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Village Lawyer

Song: As17930720