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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princesses Royal and Amelia"/1) | (@(roleclean,performerclean) "Princesses Royal and Amelia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2724 results for: Keyword - Princesses Royal and Amelia
We found 1553 matches on Event Comments, 857 matches on Performance Title, 464 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

2026
31 March 1719 @ Drury Lane Theatre

Event Comment: Benefit Mrs Thurmond. By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

2027
14 April 1719 @ Drury Lane Theatre

Event Comment: Benefit Norris. By His Royal Highness's Command

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The What D'ye Call It

Dance: Serious Dance-Shaw, Mrs Santlow; Comic Dance-Topham, Mrs Bicknell

2028
24 April 1719 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: Circe

2029
06 July 1719 @ Richmond

Event Comment: Chetwood, A General History of the Stage, p. 198: Yet a blind Man might have borne with Norris in the Roman Patriot , for he spoke it with all the Solemnity of a suffering Hero; while Penkethman, and the rest of the motley Tribe, made it as ridiculous by Humour and Action: And yet some of the first Rank in the Kingdom seemed highly diverted whilst others invoked the...dead Roman and Briton to rise, and avenge their own Cause. Lady Bristol in. Letter Books of John Hervey, II, 74-75: I had no patience to see [Addison's] play burlesqued as it was last night for the entertainment of their Royal Highnesses...their Audience was much too good for them, for there was a great many people of quality

Performances

Mainpiece Title: Cato Burlesqued

2030
24 August 1719 @ Bartholomew Fair

Event Comment: At Spiller and Lee Booth. Weekly Journal or Saturday's Post, 20 Aug.: On Tuesday Night about Ten [25 Aug.]...His Royal Highness came thither incognito, with only one Nobleman and a Footman attending; he was well pleased with the Performance, and was very liberal to the Actors

Performances

Mainpiece Title: King Egbert, King Of Kent And Monarch Of England; Or, The Union Of The Seven Kingdoms

2031
23 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

2032
26 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: The Pilgrim

Dance: Shaw, Mrs Booth, Thurmond, Topham, Mrs Tenoe, Miss Smith, Miss Lindar

2033
29 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. An ancient Story, written by Mr Phillip Massinger, and Acted but twice since the Reign of King Charles the First; now revis'd with Alterations. [The Prince present.

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

2034
02 November 1719 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: The Quaker's Wedding

Dance: As17191022

2035
20 November 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Chit Chat

Dance:

2036
27 November 1719 @ King's Theatre

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

2037
30 November 1719 @ King's Theatre

Event Comment: For further deliberations of the Court of Directors of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, p. 97

Performances

2038
02 December 1719 @ King's Theatre

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

2039
08 January 1720 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Squire Of Alsatia

Dance:

2040
18 January 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Rover

Dance:

2041
22 January 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Dance: As17191007

2042
16 February 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Lord Chamberlain's Office, 5@157, p. 287: I do hereby Order and direct that Mr Gay s Pastorall Tragedy be imediately Acted after Mr Hugh's

Performances

Mainpiece Title: The Stratagem

Dance: As17200210

2043
07 March 1720 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Bullock. By His Royal Highness's Command. Three Rows of the Pit will be rail'd into the Boxes

Performances

Mainpiece Title: The Double Dealer

Song: As17200213

Dance: Topham Jr

2044
22 March 1720 @ King's Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Amorous Follies

Afterpiece Title: Harlequin a Man of Good Fortune

Dance:

2045
02 April 1720 @ King's Theatre

Event Comment: [By Paolo Antonio Rolli. The Scenes by Roberto Clerici, Engineer to the Royal Academy.] A New Opera. Pit and Boxes by tickets only at half a guinea

Performances

Mainpiece Title: Numitor

2046
04 May 1720 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [Author unknown. Apparently not published.] A new Farce of three Acts. Benefit Ryan. By His Royal Highness's Command

Performances

Mainpiece Title: Mississippi

Afterpiece Title: The Country Wake

Afterpiece Title: The Walking Statue

2047
09 June 1720 @ King's Theatre

Event Comment: Benefit Roger, who acted the Part of Piero. By their Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Arlequin Docteur Chinois

Afterpiece Title: Letourdy

Afterpiece Title: The Reasonable Animals

Dance: As17200531

2048
24 October 1720 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command. Written by Shakespear. Receipts: #92. Weekly Journal or Saturday's Post, 29 Oct.: Where was acted...The Merry Wives of Windsor, with universal Applause; that Company having improved themselves so much, during the long Vacation, they now equal, if not exceed their Brethren of Drury-Lane in their Theatrical Performances

Performances

Mainpiece Title: The Merry Wives Of Windsor

2049
19 November 1720 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by G. Bononcini.] A New Opera. Four Hundred Tickets (for Pit and Boxes) will be deliver'd out, and after they are disposed of, no Person whatsoever will be admitted for Money. Neither Director nor Subscribers will be admitted on the Stage. A proper Officer will attend at each Door, to deliver Every Subscriber his Ticket, without which he will not be admitted. Pit and Boxes at a half guinea. Gallery 5s. The Doors to be open'd at Five a Clock. To Begin exactly at Six. [The Royal Family present.

Performances

Mainpiece Title: Astartus

2050
23 November 1720 @ King's Theatre

Event Comment: Admission as 19 Nov. Whereas Offence was taken last Saturday at the Opera, to the Misbehaviour of the Upper Gallery: This is to advertise, that unless they behave themselves more quietly and decently for the future, the Director of the Royal Academy of Musick will order that Gallery to be taken away

Performances

Mainpiece Title: Astartus