SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Royal of England"/1) | (@(roleclean,performerclean) "Princess Royal of England")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1666 matches on Event Comments, 1047 matches on Performance Title, 506 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Concert

Performance Comment: The vocal parts-Tenducci, Paretti, who will sing (by Dr Arne's permission) the favourite songs in Artaxerxes; The First Violin-, with a Concerto and a SoloPiffet (being his first public performance in England); a Concerto on German Flute-Florio; a Solo on Violincello-Siprutini; After which a Grand Dance-; the Pantomime-; in which will be introduced the Ghost of Cock-Lane; the disappearance of the Child; and after, the Chinese Fireworks; with many other curious performances. the disappearance of the Child; and after, the Chinese Fireworks; with many other curious performances.

Performances

Mainpiece Title: Grand Concert Of Vocal And Instrumental Music

Performance Comment: Overture by Cocchi-; Song Che Legge Spietata-Zonca; Disperata in Van m'affano-Sartori; Concerto on Violin-Pinto; Padre conquesto Amplesso-Elizi; Nel pensare al gran cimento-Sga Mattei; Part II:Concerto on Bassoon-Baumgarten; Song Mi dona mi Vende-Sga Eberardi; Sperai Vicino al lido-Sga Curioni; Concerto on Violincello-Gordon; Song La Speme Amabile-Sga Mattei; La Bella mia Tiranna-Elizi; Part. III:Concerto on Oboe-Simpson; Song-Sga Sartori; Odo il suo no de quendiaccenti-Zonca; a New Duet Tuo voi che viva O Cara (Hasse) never performed in England-Sga Mattei, Elizi; Coronation Anthem-(Handel).
Event Comment: A new comic Opera...By Command of their Majesties. Music-Galuppi. Overture-J. S. Bach. Text-Goldoni. The first performance in England. Deferred from 30 Jan., because of Martyrdom of King Charles I. [A general Practice upon the Stage at noon 28 Jan.

Performances

Mainpiece Title: La Calamita Di Cuori

Event Comment: As Signora Mattei will leave England soon after the Operas are over; and as Mr Crawford will have no further concern with the Management of Operas, all the Cloaths used in the Burlettas and Dances, with many other articles, being his own Property and that of Signora Mattei's, will be sold. The particulars of which may be had of Mr Crawford at the finishing of the season

Performances

Mainpiece Title: Zanaida

Event Comment: This Night a New Song was Introduc'd in the Pantomime upon the Prs Augusta's leaving England (well receiv'd) (Hopkins). New occasional Song in the Pant (Cross Diary). Receipts: #208 11s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: Interlude Hymen

Afterpiece Title: The Rites of Hecate

Event Comment: The Book of the opera at the Theatre. Comic opera in 3 acts by Lloyd .Music by Mr Rush. [See reduction to two-act farce, 2 March 1765. First performance in England of C. S. Favart's Le Caprice Amoureux (a parody of Goldoni's Bertoldo).

Performances

Mainpiece Title: The Capricious Lovers

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: By Command of their Majesties. Mr Garrick played Lusignan and Lord Chalkstone. It is almost impossible to express how finely he played both characters. The Prologue was called for. Mr Garrick went on directly to speak it--as soon as he appeared a general clap and a loud huzza,--and there was such a noise from the House being so crowded, very few heard anything of the prologue.--As soon as the play began there was a great disturbance in the Gallery, and some called out, Guards Guards! that they could not go on.--Mr Lacy went on the Stage, and looked up to the gallery, and came off again without saying anything.--They soon grew quiet, and the play went on.--Monsr Rousseau sat in Mr Garrick's box (Hopkins Diary). [Account in the Public Advertiser of the original story upon which VanBrugh founded some circumstance in his Provok'd Wife, signed Heartfree. The Gentleman's Magazine, January, in the Historical Chronicle section noted that Jean Jacques Rousseau arrived in England on 13 Jan. and "was at the play on the 23rd, and presented himself in the upper Box fronting his Majesty."

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Dance: End: New Tambourine-Aldridge, Miss Baker

Event Comment: Text-Goldoni. Music composed by Niccolo Piccini; alder'd by Giovan Gualberto Bottarelli. First performance in England. Scene Painters and Machinists-Bigari, Conti

Performances

Mainpiece Title: La Buona Figliuola

Dance: Ballet Master-Sodi; Dancers-Adriani, Slingsby, Signora Radicati, Signora Santoli, Hamoir, Mlle Hamoir

Event Comment: Mainpiece: Not acted these 9 years. [See 7 Feb. 1757.] Mr J. Aickin hissed.--Mr Holland and Mrs Baddeley played well (Hopkins Diary). Mr Garrick had the honour of being with the King of Denmark Tuesday morning last, and conversed with him for near half an hour on the state of the stage in England and France. The King gave him an elegant gold snuff-box studded with diamonds as a small mark of the great regard he had for his extraordinary talents (London Evening Post, 14 Oct.)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Padlock

Event Comment: The last night of the Subscription. A new comic Opera; Music-Fischietti [and V. Pallavicino; text by Goldoni (Loewenberg, Annals of Opera, p. 116), first performance in England.

Performances

Mainpiece Title: Lo Speziale

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: As17710122, but Soldato-Zanca; Mingotto-Sga Ristorini (for the first time since their arrival in England).

Dance: New Dance-a new Principal Dancer lately arrived from France; Hornpipe on Skates-Sga Guidi, Sga Galliotti

Song: In the last Act: a New Song (Giordani)-Sga Ristorini; accompanied on Violin-Sga Sirmen, being her last performance this season on this stage

Event Comment: Oratorio By Particular Desire. Charges: #35 (Account Book). Theatrical Review: His [Duport's] execution is truly masterly, his tone very brilliant, and his taste pleasingly delicate and chaste. What he performs on this instrument is wonderful, when the genius of it is considered. As this celebrated Lady [Sga Sirmen] has been in England some time, her abilities are pretty generally known. Her tone and style of playing is very pleasing, and her execution truly chaste, without any of those unnecessary and extravagant liberties, which the generality of solo players on the Violin too frequently give in to

Performances

Mainpiece Title: Judas Macchabeus

Music: End Part I: Solo on Violincello-Mr Duport; End Part II: Concerto on Violin, as17720306-Sga Sirmen

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Event Comment: By Command of their Majesties. [See Town and Country Magazine this month (pp. 171-72) for two columns on theatrical amusements in England: The English stage is as elegant and well conducted as any theatre in Europe, whether we consider the music, the actors, or the decorations."

Performances

Mainpiece Title: Judas Maccabaeus

Music: As17720325

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. Addison's Hymn-(music by Handel); with a solo on the Violincello-Duport; Part II. Milton#s Morning Hymn, with a Duetto on the Hautboy and French Horn-Fisher, Ponta; Part III. Dixit Dominus, with concerto on Violin-Sga Sirmen; Her last time of performing in England. Part IV. Anthem-Negri (Theatrical Review, p. 223).

Performances

Mainpiece Title: Artaserse; Or, Le Pazzie D'orlando

Performance Comment: Arbaces?-Millico? (first time in England); Mandane?-Signora Grassi?.

Dance: Mlle Heinel, other principals

Event Comment: The last night of the Subscription of this Season. N.B. By particular desire many of the Nobility and Gentry who are engag'd to Drury Lane Theatre on Tuesday next for the benefit of decay'd actors, the last serious opera of Demetrio (Music entirely new, Composed by Guglielmi) is deferred till Wednesday next when Mlle Heinel is to dance for the last time of her engagement in England

Performances

Mainpiece Title: Artaserse

Dance: As17720519

Event Comment: By Command of their Majesties. Last time of Mlle Heinel's dancing before she leaves England

Performances

Mainpiece Title: Demetrio

Dance: I: Grand Chacone-Mlle Heinel, other principals; II: Provenzale-Slingsby, Sga Guidi, other principals; III: Le Triomphe de la Magie, as17720512

Event Comment: N.B. Mlle Heinel having been desired by several of the Nobility to appear once more upon the stage this season, she is happy that an opportunity presents itself. [She thanks them for the flattering reception she has met with in England.

Performances

Mainpiece Title: Demetrio

Dance: As17720603

Event Comment: On Tuesday last died at Ealing in Middlesex at a very advanced age and much regretted by all who had the Pleasure of his Acquaintance, Henry Giffard, the Celebrated Manager of Goodman's Fields Theatre. This Gentleman was of a Genteel Family in the West of England (Public Advertiser). [Though him Garrick had come to the stage.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Sofonisba

Performance Comment: Syphax-Millico; Sofonisba-Sga Girelli, first appearance in England.

Dance: I: Slingsby, Mlle Grenier; II: A New Serious Ballet-Fierville, scholar of Lepy Sen; Last Act: A New Grand Ballet-all the principal dancers

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I, Overture in Artaserse-(Giordani); Songs-Savoi, Sga Carara, Ristorini; Concerto on the Basson-Richter, first time of performing publicly in England; Part II, Songs-Savoi, Sga Girelli, Ristorini, Millico; Concerto on the German Flute-Tacet; Concerto on the Violincello-Crosdill; Concerto on the French Horn-Spandau; Part III, Songs-Sga Carara, Sga Girelli, Millico; Concerto on the Hautboy-Fischar; Solo on the Violin-Hay; a favourite overture for two orchestras composed by Bach. a favourite overture for two orchestras composed by Bach.
Event Comment: Public Advertiser: When the Disturbances of the Theatre at Rome, in the Days of Augustus, caus'd several Tumults, the Emperour interpos'd and pronounc'd the Sentence of Banishment on a very great Actor, for whose Sake these Disturbances were made. He observ'd at the same Time, that the Stage had a strong Tendency to disturb all as well as to amuse the People. The Actor said, with great Spirit, "'Tis for your Interest, Caesar, that they shoul d be amus'd any Way." The Civil War of England, 1641, did not commence 'til the Playhouses were shut. People are never more discontented than when depriv'd of their Favourite Diversions

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: A Trip to Portsmouth

Event Comment: Music by Sacchini and other celebrated composers. The Dances under the direction of Pitrot. With New Cloaths, Scenes and other Decorations. Pit and Boxes Half a Guinea; Gallery 5s.; Second Gallery 3s. Doors to open at 5:30. To begin at 7:00 p.m. N.B. Fierville having unfortunately sprained his ankle by a fall at the rehearsal yesterday...Mariottini, who never appeared in England before, has kindly undertaken to supply his place. The Managers beg leave to acquaint the Nobility and Gentry that Mesdames Favier having arrived from Florence, but being indisposed from the great fatigue of the journey are incapable of dancing this day

Performances

Mainpiece Title: Lucio Vero

Dance: I: Grand Comic Pantomime Ballet, call'd La Bagatelle-Bocchini, Sga Mazzoni, other principals; II: A Pastoral Dance with a Pas de Trois, de Deux-Mariottini, Bocchini, Sga Mazzoni; End Opera: A Grand Serious Ballet-; with a Grand Chaconne-Fierville

Entertainment: A Poetical Exordium-Mrs Yates [In which she proposed to intermix plays and operas this season. (Burney, II, 879, notes she could not get permission.)]

Event Comment: Sga Sestini thinks it her Duty to assure, in this Public Manner, the English Nobility Gentry and Public, of her unfeign'd Gratitude for their numerous appearance on Thursday Night 28 March at her Benefit as she looks upon it as the most convincing Proof of their honouring her with the continuance of their kind Indulgence and Protection, which she will always use her utmost Endeavour to deserve as long as she shall continue in England, and retain the most grateful Rembrance of wherever her Profession may call her (Public Advertiser)

Performances

Mainpiece Title: La Vestale

Dance: I: Les Deux Soeurs, as17760203; II: La Fete du Village, as17760224

Ballet: III: Astolphe. As17760312