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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Royal of England"/1) | (@(roleclean,performerclean) "Princess Royal of England")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3044 results for: Keyword - Princess Royal of England
We found 1666 matches on Event Comments, 1047 matches on Performance Title, 506 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1701
22 April 1751 @ Drury Lane Theatre

Event Comment: Benefit for Palmer and Shuter. Last time of acting mainpiece this season. Tickets of Hobson at the stage Door. At Sadler's Wells near Islington will this day be opened a Concert of Vocal and Instrumental Music, divided into two parts; the vocal parts to be perform'd by Hemskirk, Bell, Mrs Yates, and Mrs Hooper. Between the two parts of the concert will be introduced several curious Performances, among which will be a fine representation of the Italian Shadows, which have not been performed in England these 30 years. The whole to conclude with a Grand piece of Fireworks, decorated with machinery and paintings entirely new, Each person to be admitted for a pint of Wine. To begin at 5 o'clock (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: Mathews, Mad Camargo, the Little Swiss

1702
23 May 1751 @ Hickford's Room

Event Comment: Benefit for Signora Cuzzoni, since I am "involved in a few debts, before I quit England." At Hickford's Room, Brewer St. To begin at seven Price: 10s. 6d

Performances

Mainpiece Title: A Concert

1703
03 December 1751 @ Castle Tavern

Performances

Mainpiece Title: The Old Woman's Oratory; Or, Henley In Petticoats

Performance Comment: Concerto on the Cermona Staccato , vulgarly call'd the Salt-Box-Antonio Ambrosiano; a Great Creature on a very uncommon Instrument-; a solo on the Viol d'Amore-; Candles snuffed to soft Musick-Claudio Molipitano; Oration in Favour of Matrimony-; solo on Violincello-; Song- to tune of The Roast Beef of Old England to which all the good Company are desir'd to join in chorus.
Cast
Role: Song Actor: to tune of The Roast Beef of Old England to which all the good Company are desir'd to join in chorus.

1704
12 March 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Mossop first time; Iago-Montgomery from Dublin; his first appearance in England; Cassio-Palmer; Roderigo-Yates; Desdemona-Miss Bellamy; Emelia-Mrs Pritchard; Brabantio-Berry; Lodovico-Blakes.

Afterpiece Title: Lethe

1705
21 February 1753 @ Haymarket Theatre

Event Comment: The Animal Comedians are in a Few Days to leave England. Forty-second Day

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime

1706
01 March 1753 @ Haymarket Theatre

Event Comment: As my Monkeys and me and my Dogs am promised to go to L'Haye and Vienna after some Days more, the grand Noblemans and Gentlemans of this Nation England do desire me to perform every Night, and so me shall do with Mrs Midnight at the Haymarket Playhouse this Thursday Night. Ballard Mango, my big Monkey, will talk the Prologue

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime

1707
06 March 1753 @ Haymarket Theatre

Event Comment: This is the last time of the Animal Comedians performing in England. Fifty-first Day

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime

1708
23 April 1754 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Jomelli; text-Metastasio (Loewenberg, Annals of Opera, p. 112)

Performances

Mainpiece Title: Attilio Regolo

1709
15 May 1754 @ Drury Lane Theatre

Event Comment: Benefit for Roger, Shawford, Reinhold, & Gerard, he run away (Cross). Mons Gerard left England. His tickets not admitted (Winston MS 8). Last time of performing the Mainpiece this Season. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The King and the Miller

Dance: III: The Pierrot's Dance, as17540504; V: A Hornpipe-Walker

Song: Dialogue call'd% Damon and Chloe-Master Reinhold, Miss Thomas

1710
18 November 1754 @ Covent Garden

Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Performances

Mainpiece Title: L'arcadia In Brenta

1711
04 December 1754 @ Drury Lane Theatre

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Chances

Song: II: (By desire) The School of Anacreon-Beard

Dance: IV: The Shepherd's Holiday, as17541008

1712
09 December 1754 @ Covent Garden

Event Comment: Text--Goldoni; first performance in England. Music by Sg Vinceni Ciampi. Play a New Italian Burletta. Printed books of the opera will be sold at the theatre. Ladies send servants at half three. [The Epilogue (Larpent MS 117) suggests lovemaking in crowded theatres (see 8 Jan. 1755)]: @Close pack'd they sit and woo with secret squeeze,@Attracting elbows, sympathetic knees...

Performances

Mainpiece Title: La Famiglia De Bertholdi, Alla Corte Del Re Alboino

Dance: [Unspecified.]

1713
12 April 1755 @ King's Theatre

Event Comment: A New Opera. [The first performance in England; text by Metastasio. The Musick composed by Sg Hasse (by Perez according to the Public Advertiser of 26 April).

Performances

Mainpiece Title: Ezio

Dance: new Dew Dances-

1714
09 December 1755 @ King's Theatre

Event Comment: A New Opera. Musick-Jomelli. Text by Metastasio. First performance in England

Performances

Mainpiece Title: Demofoonte

1715
17 February 1756 @ King's Theatre

Event Comment: [Music-Galuppi; first performance in England. Text from Metastasio but altered by F. Vanneschi; additional airs by F. Giardini (Loewenberg, Annals of Opera, p. 106.

Performances

Mainpiece Title: L'olimpiade

1716
27 February 1756 @ Drury Lane Theatre

Performances

Mainpiece Title: Athelstan A New Tragedy

Performance Comment: Parts by Garrick, Murphy, Ross, Havard, Davies, Burton, Jefferson, Mrs Bennet, Mrs Cibber. Prologue to be spoken by-Holland in the character of the Genius of England; Athelstan-Garrick; Egbert-Ross; Siward-Davies; Thyra-Mrs Cibber; Edwina-Mrs Bennet; Gothmund-Murphy; Harold-Havard; Goodwin-Burton; Dunelm-Jefferson (Genest, IV, 453).
Cast
Role: Prologue to be spoken by Actor: Holland in the character of the Genius of England

1717
10 April 1756 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Sig Abos

Performances

Mainpiece Title: Tito Manlio

Dance: NNew Dances-

1718
27 May 1757 @ Covent Garden

Event Comment: Benefit for Morgan, the Oldest Actor in England. Last time of the company's performing this season. Tickets to be had at the Bedford Coffee House and of Mr Crudge at the Stage Door. [This charitable performance included a composite group from Drury Lane and Covent Garden.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: I: Country Lass, as17570512; II: Dutch Sailor, as17570525; III: Dutch Peasant, as17570512

1719
23 September 1757 @ Haymarket Theatre

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: See17570916, but Mason's Prologue-Cibber; Mason's Song, The Beer of Old England-Lauder.
Cast
Role: The Beer of Old England Actor: Lauder.

Afterpiece Title: Harlequin's Frolic

1720
03 October 1757 @ Haymarket Theatre

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: See17570928, but to begin with Grand Overture with French Horns-; Kitty-Miss Gaudry; Oratory-Miss Midnight; Scots Songs-Lauder; New Comic Lectures-Cibber; Les Tailleurs a new pantomime dance-Master Settree, Miss Twist; Scots Dance-Froment, Mme Dulisse; Italian Air-La Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado (as17570902); Acrobatics-Maddox; The Drunken Peasant, Irish Landlord and Landlady-Jolly, Settree, Mme Dulisse; Brown Beer of England-Lauder; Hornpipe-Morris.
Cast
Role: Brown Beer of England Actor: Lauder

Afterpiece Title: Harlequin's Frolic

1721
01 January 1760 @ Drury Lane Theatre

Event Comment: Mainpiece: By Henry Jones. Afterpiece: [See note under cg play this night. During this year appeared An Essay Upon the Present State of the Theatre, in France, England, and Italy, a "work absolutely necessary to be read by every lover of Theatrical Exhibitions," printed for J. Pottinger. It contains twenty-two chapters on tragedy, thirteen on comedy, opera, authors, and the art of acting. Pages 147-51 discuss the obligation of English farces to French ones.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Invasion

1722
06 January 1761 @ King's Theatre

Event Comment: A new Comic Opera--Music by Galuppi. [Text--Goldoni. First performance in England. The text notes music originally by Baldassar Galuppi called Buranello, and perfected by Gioacchino Cocchi. Burney (History of Music, II, 860) notes the extreme popularity of this piece, and the success of the Paganinis as singers in it.

Performances

Mainpiece Title: Il Filosofo Di Campagna

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

1723
21 January 1761 @ The Great Room, Dean Street, Soho

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Music: Between the acts aConcert on the organ-Dupuis

1724
15 April 1761 @ The Great Room, Dean Street, Soho

Event Comment: Benefit for Sga Gambarini. At the Great Concert Room, Dean St., Soho Tickets: Pit, half a guinea. Gallery 5s. Composed by Geminiani, who being lately returned to England, has lent the aforementioned composition in favour of this Benefit. Also a new Ode The Argument Britannia rising from the waves like the morning sun, pointing out her young Monarch, and predicts? the glory and felicity of his reign. The music composed by Sga Gambarini

Performances

Mainpiece Title: The Inchanted Forest

1725
28 April 1761 @ King's Theatre

Event Comment: First performance in England. A new comic Opera. Music-Bertoni, author of the favourite song Ah se un Cuor Barbaro, in Demetrio. [Libretto by Goldoni (Loewenberg, Annals of Opera, p. 110.)

Performances

Mainpiece Title: La Pescatrici