Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Event Comment: Afterpiece went off but Indiff' scenes like'd but not the action (Cross). [Full Prices. Ladies asked to send servants at half past three.] N.B. It is hop'd no Gentleman will take it ill that they cannot possibly be admitted behind the Scenes. The Scenes painted by Mr John Oram. [This note occurs on all subsequent bill for Proteus this season.

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Event Comment: Benefit for Arthur. Mainpiece: Not acted in 5 years. [See 1 Dec. 1749.] Printed books of the Entertainment will be sold at the Theatre. Price 6d

Event Comment: Benefit for Miss Haughton--masters share (Cross). Full Prices. That there may be no Obstruction in the Machinery, there will be no building on the stage. Tickets of Miss Haughton, in Chandois St., and at Stage Door. Receipts: #100 (Cross)

Event Comment: The Last New English Opera, Taken from Shakespeare's Midsummer-Night's Dream. The Music compos'd by Mr Smith. Nothing under full prices will be taken during the whole performance. [See Genest, IV, 407.] Receipts: #140 (Cross)

Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)

Event Comment: Some Noise at the Dancers, but not great (Cross). Tomorrow will be publish'd The Dancers Damn'd; Or The Devil to Pay at the old House. Price 6d. Printed for R. Griffiths. [Appears to be an eyewitness, journalistic account, but turns into a considered attack upon mob patriotism. Author purports to describe the action which took place Wednesday night 12 Nov. 1755: 'When the Chinese scene was expos'd, the leader of the Loyal party advanced to the front of the Gallery and thus bespake the House: "O Britons! O my Countrymen! Ye will certainly not suffer these foreign clogs to amuse us. Our destruction is at hand. These sixty dancers are come over with a design to undermine our constitution. This Navarre is Marshall Lewendahl, and the least amongst them is an ensign, disguised in order to perpetrate our ruin!"' After alternate encouragement and abuse Reason, who had descended from the clouds, spoke: "I came hither by the persuasion of Truth and Justice to tell you that amongst all this number of dancers that now stand ready to entertain you there are no more than Four French men and about the same number of females; that their Chief is a Swiss Protestant, who, had not his merit protected him would have been hiss'd off the stage at Paris, for being a Swiss Protestant. And will you damn him for the same reason? Will you pay less regard to Genius than a French Audience? Here a cat-call and one cried out: 'Swiss! What the devil do we know of Swiss! a Swiss is a foreigner, and all foreigners are Frenchmen; and so damn you all!"'] Receipts: #140 (Cross)

Event Comment: Mainpiece :By Particular Desire. The Orphan of China published. Price 1s. 6d. Dedicated to Garrick. Translated from the French of Voltaire. Acted at Paris with great applause. Published This Day Reflections on Theatrical Expression in Tragedy, with a proper introduction and appendix. For the character of the above see The Monthly Review for July (Public Advertiser). [This must be the second edition of Roger Pickering's pamphlet. See 13 March 1755.] Receipts: #170 (Cross)

Event Comment: Benefit and Increase of a Fund Support of decay'd Musicians, or their Families. To begin at 6 p.m. Prices 10s. 6d. The Fund has dispensed #482 17s. during the past year

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Event Comment: At Cibber's Histrionic Academy on the Bowling Green, A Public Rehearsal, gratis. With out Gain, Hire or Reward. The Rehearsal must begin punctually at 6 p.m. No Money will be taken, nor any Persons admitted without Pass Tickets, which will be given by Mr Cibber to particular Patrons, Friends and Customers. The Cephalick Snuff is to be had at the Above Academy, at the following Prices, viz., First sort 3s., second sort 2s., third sort 1s., none sold under. [Play not given. See Public Advertiser, 14 Dec. "Southwark. Some sudden Disappointments (as unexpected as unforeseen) compel me to defer opening my Histrionic Academy." Advance advertisement had also appeared in the Daily Advertiser, 6 Dec.

Event Comment: [Music] compos'd by Mr Arne went of with Great Applause (Cross). With Proper Dances and Decorations. Books of the Opera will be sold at the Theatre price 1s. [The cast is first listed 17 Jan. 1757.] Receipts: #130 (Cross)

Event Comment: [Pantomime new by Woodward] Went off with great Applause. ye Cyclops Dance encored (Cross). New Habits, Scenes, and Decorations. Full Prices. As the performance greatly depends upon the Music and Machinery, no gentleman can possibly be admitted into the Orchestra or behind the Scenes. [This prohibition repeated in all subsequent performances, will not be further noted here.] N.B. The Play of the Revenge oblig'd to be deferred on account of Mossop's indisposition. Receipts: #210 (Cross)

Event Comment: At the Great Room, Dean St., Soho. At 6:30 p.m. Prices half a Guinea and 5s. Benefit Mrs Pontifex, Downey, West Wycombe, Bucks, whose Husband was murdered, and all Stock in their Farm destroyed by Fire

Event Comment: At the Crown Tavern, Great Room. To begin at 6:30 p.m. Prices 5s. Wrote by Gay set by Handel. [Notice signed by J. Reynolds.

Event Comment: Benefit for Woodward. The Whole Pit will be laid into the Boxes, where servants will be admitted to keep places, and upon the Stage, which will be formed into an Amphitheatre and divided into Boxes. The Pit doors will be opened for the Ladies to pass to their places there, without incommoding those in the Front Boxes. Box, Pit and Stage at 5s. Nothing under full price will be taken during the performance. Ladies send servants by 3 o'clock (Public Advertiser). [The Larpent MS 130 indicates the intended cast, and suggests Dizzy-Oliver; Ruffle-$Yates; and Mrs Dotterel-$Mrs Bennet.] Receipts: #320 ($Cross)

Event Comment: By Cibber and Company. Consisting of a Variety of Entertainments, intermixed with Singing, Dancing, &c. The Scenes, Machines, Habits, and Decorations &c., all new. Boxes 5s. Pit 3s. Gall. 2s. The Doors will be opened at Five; the Concert to begin at Six. To be continued (with Variations) on Mondays, Wednesdays, and Fridays, during the Summer season. Places for the Boxes to be had at the Theatre. The Performances depending very much on the Music, no Persons can be admitted into the Orchestra; and on account of the Variety of Scenery and Machinery, &c., that there may be no Interruptions in the Performances, 'tis hoped no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes. No money to be returned after the Curtain is drawn up; nor anything under the full Price to be taken during the Performance

Event Comment: By Desire of several Ladies. Box as 3s. Pit 2s. Gallery 1s. And the Price is reduced a little more than half what was formerly taken in order to obtain the Favour of the Public

Event Comment: By Desire of several Ladies of Quality. Prices as 12 Oct. To begin at half after Six