SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Philip Massinger"/1) | (@(roleclean,performerclean) "Philip Massinger")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1001 matches on Author, 458 matches on Performance Comments, 87 matches on Event Comments, 78 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. The date of the premiere is not known, but this play belongs to a group which have been considered as "Lenten plays," ones in which the young actors of a company comprise a large portion of the cast. On this basis, as Easter fell on 30 March 1673, this play has been assigned to March 1673. See Philip B. Gray Jr, Lenten Casts and the Nursery: Evidence for the Dating of Certain Restoration Plays, PMLA, LIII (1938), 781-94; for this play particularly, pp. 791-92. A song, Down with this love, set for this play by Alphonso Marsh, is in Choice Ayres and Songs, 1676

Performances

Mainpiece Title: The Spanish Rogue

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: [By Edward Philips.] A Comedy (of one Act), Intermix'd with Songs made to old Ballad Tunes. Benefit the Author

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Chambermaid

Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard

Event Comment: Benefit for the Poor by Mr Philips Company of Comedians. At the Playhouse by the Hand. Deferr'd from the 30th (Daily Advertiser)

Performances

Mainpiece Title: The Beaux Stratagem

Event Comment: At the Old Playhouse, Bowling Green, Southwark. By Particular Desire. By Mr Philips and his Company, a Concert. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. After the concert will be given, gratis,...To begin at 7 p.m. [Repeated in the bills.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: [The Young Gentlewoman possibly Miss Pond. See 19 Dec., but she was listed as for her second appearance on stage. Possibly Miss Philips. See 5 Feb. 1756.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Lying Valet

Dance: As17551114

Event Comment: PPrince of Wales & 4 (Cross). By Command of Prince of Wales. This day is publish'd Belisarius: A Tragedy, written by Mr Philips, to which is prefixed some account of the life of Belasarius. Printed for J. Staples, opposite Stationer's Hall. Neatly printed. Price 1s. (Public Advertiser). Receipts: #200. (Cross)

Performances

Mainpiece Title: Zara

Ballet: TThe Prussian Camp. As17571223

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Performance Comment: Manuel-Cibber; Trapanti-Blakey; Host-Glen; Soto-Brown; Philip, Octavio-two Gentlemen, first time on any stage; Rosara-Mrs Martin; Viletta-Mrs Glenn; Hypolita, Flora-two Gentlewomen, first time on any stage.

Afterpiece Title: Miss in Her Teens

Performance Comment: Flash-the Gentleman who plays Octavio; Puff-Pittard; Jasper-Clark; Rhodophil-the Gentleman who plays Don Philip; Biddy-Mrs Martin; Tag-Mrs Glenn; Fribble-Young Gentleman, first on any stage.

Song: Song in Praise of the King of Prussia-Kear

Dance: RRural Courtship, The Wooden Shoes-Master Settree, Miss Twist

Event Comment: Benefit for J. Philips and Master Tariot. By particular Desire of several Persons of Distinction

Performances

Mainpiece Title: A Concert

Afterpiece Title: Harlequin Hussar

Dance: Several new dances-Master Tariot, Miss Polly Capitaniboth from the Opera House, Tariot, Balthazar, Petre, Hussey, Mrs Garman, Mrs Tariot, the Misses Twist

Entertainment: By particular desire (this night only) Saunders will exhibit a great variety of new equilibres on the wire in full swing-Saunders never attempted before. The last time of his performing in the metropolis

Event Comment: Benefit for Bransby and Philips. No Building on Stage, &c

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Beggar's Wedding

Event Comment: Benefit for the Middlesex Hospital. House Charges #84. [Profit to Hospital #10 11s. The Treasurer's Book does not break down charges as minutely as does the Covent Garden Account Book. They are lump sum affairs. Nor does Victor include ticket receipt analysis.] Paid George Garrick for use of the managers #169; B. Johnson's Head Bill #1 11s. 9d. Philips for men's cloaths #10 10s.; Costain for old point lace #1 15s. (Treasurer's Book). Receipts: #94 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble

Afterpiece Title: The Old Maid

Dance: II: The Vintage, as17661011

Event Comment: Benefit for Hopkins (prompter) and Mrs Hopkins. Charges #64 17s. [Profit to the Hopkins family #30 19s. plus Tickets.] Tickets delivered by Philips will be taken. Paid B. Johnson's Head bill #1 2s. 3d.; Paid Mr J. Johnston, by order #21; Rec'd Mr Pope's rent 1 year at #30 minus King's Tax of #3 8s.: Total #26 12s. receiv'd. Paid Mr Pope's bill #13 9s. 6d. (Treasurer's Book). Before 4 dined behind St Clements, and went to ye First Gallery to see the Distressed Mother....We had the Capricious Lovers, Lisetta by Mrs Clive, who took off the ridiculous sing-song at ye Opera House charmingly (Neville MS Diary). Receipts: #95 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Event Comment: N.B. On Saturday Next, 11 March, for the Benefit of Woodward will be presented Cymbeline...and a New Tragedy in Two Acts, call'd The Rival Favourites; or, The Death of Bucephalus the Great: Alexander-$Woodward; Philip-$Shuter; Statira-$Mrs Green. With a Triumphal Entry. The Funeral Procession of Bucephalus to the Monument of the Houyhnhnms and a Solemn Dirge [See Comment 7, 9, 11 March.] Receipts: #208 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Event Comment: Paid Philip Hoggins as per certificate from Justice Wright 10s. (Account Book). Receipts: #163 2s

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Comus

Monologue: Before: By Particular Desire, the eleventh night, New Occasional Prelude. Characters first listed: Manager-Dyer; Author-Kniveton; Young Actress-Miss Basanti; See 21 Sept.

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Related Works
Related Work: The Bondman: or, Love and Liberty Author(s): Philip Massinger

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: All the World's a Stage

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs

Event Comment: Mainpiece: Not acted these 20 years [not acted since 13 Oct. 1748. With alterations by John Philip Kemble]. Receipts: #167 18s. 6d. (122.19.0; 42.11.6; 2.8.0)

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Virgin Unmask'd

Event Comment: Mainpiece [altered by John Philip Kemble]: By Shakespeare, with Additions from Dryden. The Music by Purcell and Dr Arne, with new Airs and Chorusses by the late Linley Jun. [Epilogue by John Burgoyne (Kemble Mem.).] Receipts: #154 13s. 6d. (135.9.0; 19.2.6; 0.2.0)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The First Floor

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Fawcett, Wilson, Maddocks, Alfred, Lyons, Miss Romanzini, Mrs Edwards, Mrs Fox, Miss Barnes, Miss Stageldoir, Mrs Shaw, Mrs Butler, Mrs Crouch; III: Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite-Mrs Edwards

Event Comment: Mainpiece: Written by Sir John Vanburgh [sic], with Alterations [by John Philip Kemble]. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 22 Oct.] Receipts: #176 1s. (140.1.0; 31.9.6; 4.10.6)

Performances

Mainpiece Title: The False Friend

Related Works
Related Work: The False Friend Author(s): John Philip Kemble

Afterpiece Title: The Doctor and the Apothecary

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Musick by Purcell and Dr Arne, with the new Airs and Chorusses by the late Linley Jun. Afterpiece: 30th [recte 29th] time [i.e. in continuation of the reckoning for the previous season]. The Overture, new Songs and Accompaniments by Shaw. Receipts: #199 18s. 6d. (157.10.0; 40.8.0; 2.0.6)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Island of St

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Edwards, Miss Hagley, Mrs Crouch; III: a Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite Mrs Edwards

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Music by Purcell and Dr Arne. With new Airs and Chorusses by Linley Jun. Receipts: #225 8s. 6d. (188.14.6; 34.19.0; 1.15.0)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: Don Juan

Dance: See17911105 [i.e. not listed on playbill]

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Crouch, Mrs Bland, Miss Hagley, Mrs Edwards; V: the Masque of Neptune and Amphitrite-Neptune Sedgwick,; Amphitrite Mrs Edwards