SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ph Butler"/1) | (@(roleclean,performerclean) "Ph Butler")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 707 matches on Performance Comments, 62 matches on Event Comments, 22 matches on Performance Title, 8 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [by Oliver Goldsmith]: Never Perform'd Before. [Quick, mentioned by Genest, does not appear on the playbill. The Edition of 1768 casts Mrs White as Landlady, and Cushing as Butler. It does not include Morris or Morgan, but adds Post@Boy-Quick; Bailiff-R. Smith; Dubardieu-Holtom. (See 1 Feb.) The Theatrical Monitor, No XI (6 Feb.), reviews the mainpiece in a lukewarm, judicial manner.] Receipts: #227 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: The Chaplet

Event Comment: Overture and Music for the Prelude composed by Bates. Mr Bensley return'd from Covent Garden Theatre Play'd Pierre as usual was received with Applause (Hopkins Diary). Paid Carpenter's Bill #31 10s.; Two surveyors (by Butler) #5 5s. (Treasurer's Book). [The carpenter's bills averaged #10 per week during the season, or about #380 total. No further mention will be made of this item.] Receipts: #238 17s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Lyar

Event Comment: Benefit for Wright, Carpenter & Butler. Tickets delivered by Mrs Veal will be taken. Receipts: #299 8s. (39.3; 3.18; 0.0; tickets: 256.7) (charge: #74 14s.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Invasion

Dance: Dance of Spirits, as17770414; IV: +Grand Dance i.e. The Chaconne, as17770405

Event Comment: Paid Butler, carpenter, #148 11s. Receipts: #277 10s. (276.3; 1.7)

Performances

Mainpiece Title: The School For Scandal

Song: As17781006

Event Comment: Mainpiece: Not acted these 3 Years. Paid Butler [master carpenter] for carpenters #28 17s. 5d. Receipts: #161 4s. (112.2.0; 47.12.6; 1.9.6)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Critic

Cast
Role: Under Prompter Actor: Philimore
Event Comment: Mainpiece [1st time; CO 5, by Richard Cumberland. Larpent MS 508, which also lists the following parts: Marsyas, Gumias, Chloris. Text not published; synopsis of plot in London Chronicle, 2 Feb. Songs published, without listings parts (G. Kearsley, 1780)]: With new Scenes, Dresses and Decorations. The Songs set to music and a new Overture by Butler. Book of the Songs to be had at the Theatre. Public Advertiser, 1 Feb. 1780: This Afternoon is published the Songs in The Widow of Delphi (6d.). Receipts: #228 4s. 6d. (227.4.6; 1.0.0)

Performances

Mainpiece Title: The Widow Of Delphi; Or, The Descent Of The Dieties

Related Works
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Thomas Butler

Afterpiece Title: The Upholsterer

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph</i>, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Afterpiece Title: The Pilgrim

Afterpiece Title: The Elders

Dance: IV: The Bedlamites-

Event Comment: Mainpiece: As originally written by Shakespeare. Paid Properties 18s. 4d.; Mantuamaker #5 19s. 9d.; Butler, carpenter, #15; Lampmen #3 18s.; Billstickers #3 3s. Receipts: #189 14s. 6d. (147/3/0; 42/8/6; 0/3/0)

Performances

Mainpiece Title: Hamlet

Cast
Role: Bernardo Actor: Phillimore

Afterpiece Title: The Divorce

Cast
Role: Timothy Actor: Phillimore

Monologue: 1782 09 24 As 17 Sept

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Who's the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Performance Comment: End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs .

Song: In mainpiece an Interlude of

Event Comment: Benefit for Fawcett and Butler. [As mainpiece the playbill announces Edward the Black Prince, but it was not acted. The Account-Book lists the substitute play.] Receipts: #280 7s. (37/9; 4/6; tickets: 238/12) (charge: #115 10s.)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece Hornpipe, as17840517; End of Act hi, as17840311athi

Song: End of mainpiece Gramacbree Molly, as17840503

Event Comment: Paid Butler for carpenters #15 4s. 7d. Receipts: #280 5s. 6d. (248/6/0; 30/10/6; 1/9/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Humourist

Song: Mainpiece: With the original Music, composed by Matthew Locke, with full Chorusses and additional accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Mrs Crouch, Miss Field, Miss George, Mrs Wrighten

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Event Comment: By Command of Their Majesties. Receipts: #371 [non-subscription. 488 tickets delivered to Prendergrass (see 23 Dec. 1786), who sold 467; 100 to Reynolds, who sold 63; 300 to Butler, who sold 260; 200 to Snelson, who sold 171. Total sold: 961]

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: As17870301

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228

Performances

Mainpiece Title: Macbeth

Cast
Role: Murderers Actor: Phillimore, Webb

Afterpiece Title: THE VIRGIN UNMASK'D

Song: Mainpiece: With the original Music of Matthew Locke, and Accompaniments by Dr Arne and Linley. Chorus of Witches and Spirits by Mrs Crouch, Mrs Bland, Miss Leak, Miss Arne, Miss Menage, Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby. C0MMENT. Mainpiece [with alterations by John Philip Kemble. Prologue by the Rt. Hon. Richard Fitzpa

Performance Comment: Chorus of Witches and Spirits by Mrs Crouch, Mrs Bland, Miss Leak, Miss Arne, Miss Menage, Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby. C0MMENT. Mainpiece [with alterations by John Philip Kemble. Prologue by the Rt. Hon. Richard Fitzpa.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: LODOISKA

Performance Comment: As17940609 but Suett in place of Bannister Jun.: C. Kemble of Barrymore; Cooke of C. Kemble; omitted: Benson, Webb, Mrs Bland, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies .

Performances

Mainpiece Title: The Deaf Lover

Cast
Role: Bob Actor: LedgerSophia-Miss Heard

Afterpiece Title: THE SURRENDER OF CALAIS

Song: In 2nd piece, by Sedgwick, Cooke, Kenrick, Walker, Linton, Willoughby, Dorion Jun., Little, Brown, Lyons, Saunders, Dibble//Miss Leak, Mrs Harlowe, Miss De Camp, Mrs Harvey, Miss M. Wrighten, Miss C. Wrighten, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Norton, Mrs Masters, Miss Menage

Performance Comment: , Little, Brown, Lyons, Saunders, Dibble//Miss Leak, Mrs Harlowe, Miss De Camp, Mrs Harvey, Miss M. Wrighten, Miss C. Wrighten, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Norton, Mrs Masters, Miss Menage .

Performances

Mainpiece Title: The Mountaineers

Performance Comment: As17940721 but omitted: Moors, Muleteers, and Goatherds; from Peasants: Mrs Norton, Miss M. and C. Wrighten, Mrs Gaudry, Mrs Butler, Mrs Hale, Mrs Masters, Miss Menage .

Afterpiece Title: AULD ROBIN GRAY

Event Comment: Tickets delivered for this Evening [Account-Book: by Cooke, Evans, Jones, Kelly Jun.,Maddocks, Webb, Rhodes, Whitmell, Pilsbury, W. Banks, Chippendale, Humphries, Beaufort, Miss Butler, Miss Beaufort, Mrs and Miss Smith] will be admitted. Receipts: #83 1s. (47.16.0; 20.6.6; 14.18.6; tickets: none listed)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Adopted Child

Cast
Role: Flint Actor: Phillimore.

Song: Mainpiece: Vocal Parts-Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart

Performance Comment: , [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart.

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Harlequin Captive

Song: Mainpiece: The General Chorus-Cooke, Danby, Evans, Welsh, Wentworth, J. Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson

Performance Comment: Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson.
Event Comment: [Account-Book: Tickets delivered by Chippendale, Dale Sen., Fisher, Gregson, Rhodes, Stageldoir, Wentworth, Mrs Butler will be admitted.] Receipts: #50.10.6 (28.18.6; 18.5.0; 1.2.0; tickets: none listed; odd money: 2.5.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Song: Mainpiece: Vocal Parts-Dignum, Sedgwick, Cooke, Wentworth, Maddocks, Welsh, Grimaldi, Evans, J. Fisher, Gregson, Tett, Mrs Butler, Mrs Maddocks, Mrs Granger, Mrs Roffey, Mrs Gawdry, Mrs Benson, Mrs Menage

Performance Comment: Fisher, Gregson, Tett, Mrs Butler, Mrs Maddocks, Mrs Granger, Mrs Roffey, Mrs Gawdry, Mrs Benson, Mrs Menage.
Event Comment: Tickets delivered for this Evening [by Wm. Banks, Dale Sen., Chippendale, Gregson, Jacobs, Wells, Thompson, Whitmell, Mrs Byrne, Mrs Butler, Miss Jackson (Account-Book)] will be admitted. Receipts: #305 4s. (17.4.6; 22.0.0; 1.7.0; tickets: 264.12.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro