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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "PPrince of Wales"/1) | (@(roleclean,performerclean) "PPrince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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728 results for: Keyword - P$Prince of Wales
We found 543 matches on Event Comments, 177 matches on Performance Comments, 14 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

251
20 November 1714 @ King's Theatre

Event Comment: Admission as 26 Oct. Colman's Opera Register: ye Prince & Princess of Wales present, ye House not near full. Ye New Singers...meet with little applause as yet Mrs Robinson not singing

Performances

Mainpiece Title: Ernelinda

252
22 November 1714 @ Drury Lane Theatre

Event Comment: As 19 Nov. Prince and Princess of Wales present

Performances

Mainpiece Title: The Emperor Of The Moon

253
03 December 1714 @ Drury Lane Theatre

Event Comment: As 25 Nov. Prince and Princess of Wales present

Performances

Mainpiece Title: The Tempest

254
23 April 1715 @ King's Theatre

Event Comment: Benefit Signora Galerati. With several Songs alter'd. Admission as 23 Oct. 1714. By Command. Weekly Journal, 30 April: His Majesty was incognito...at Lucius Verus...as were the Prince and Princess of Wales, who went publickly

Performances

Mainpiece Title: Lucius Verus

255
03 June 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: Court Gallantry; Or, Marriage A La Mode

Performance Comment: With an Oration [before it, address'd to his Majesty, and their Royal Highnesses the Prince and Princess of Wales, on the glorious Advantages of Unity and Amity amongst us; Written-D'Urfey [D'Urfey].D'Urfey].

Song: Several New Songs by D'Urfey-

Dance: Mrs Santlow

256
30 June 1715 @ Stationer's Hall

Event Comment: To all the Nobility, Gentlemen, and Ladies. At 7 p.m. Weekly Journal, 2 July: The Pleasure that our English People of Quality took, in being acquainted, that a Gentleman of ours, the curious Mr Abel, hath brought over hither all the most delicate Entertainments...made them last Thursday, for his Encouragement, flock in abundance to his Concert...among whom were the Princess of Wales, who went Incognito, besides several of the Nobility, and other Persons of Quality

Performances

Mainpiece Title: Concert

Music: A Consort of Musick in 14 Languages-Mr Abell (lately arriv'd from Italy); Instrumental accompaniment-a great Number of the best English Masters; with Sicilian Illuminationsv; The Songs are as follows: Greek, Latin, Spanish, Italian, English, Scotch, Irish, French, High-Dutch, Low-Dutch, Danish, Swedish, Lingua Franca, Turkish; The Sea/Compass to be Sung if desired-

257
24 October 1715 @ Lincoln's Inn Fields

Event Comment: [Mainpiece: Author unknown. Never Acted before. Afterpiece: By Christopher Bullock. Never Acted before.] The Prince of Wales present. Receipts: #34 19s

Performances

Mainpiece Title: The Lucky Prodigal; Or, Wit At A Pinch

Afterpiece Title: A Woman's Revenge; or, A Match in Newgate

Dance: Moreau, Shaw, Thurmond Jr, Mrs Schoolding, Mrs Cross; particularly an Italian Night Scene between a +Scaramouch, a Harlequin, and a Punchanello-

258
20 December 1715 @ Lincoln's Inn Fields

Event Comment: At the Desire of several Ladies of Quality. [The Prince of Wales present. Receipts: #37 19s. 6d.

Performances

Mainpiece Title: The Prophetess

259
09 June 1716 @ Hickford's Room

Event Comment: Benefit Giorgio Giacomo Beswilleball, Servant to his Serene Highness the Margrave of Brandenburgh Anspach, Brother to Her Royal Highness the Princess of Wales. At the particular Desire of several Persons of Quality. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters of the Opera

260
19 November 1716 @ Drury Lane Theatre

Event Comment: Not Acted these Eight Years. Written by Shakespear. Containing, the Death of the Duke of Buckingham. The Fall of Cardinal Wolsey. The Divorce, and Death of Queen Catherine. The Coronation of Queen Anne Bullen, and the Christning of Queen Elizabeth. With Decorations proper to the Play. [The Prince of Wales present.

Performances

Mainpiece Title: King Henry The Eighth

261
22 November 1716 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. All the Characters being New Dress'd. [The Prince of Wales present.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Dance: As17161027

262
06 December 1716 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. The Weekly Journal or British Gazetteer, 8 Dec.: Last Thursday Night his Royal Highness the Prince of Wales was at the Theatre in Drury-Lane, when one Mr Freeman, a mad Gentleman of 2000l. per Ann. offering to go into the Boxes, and being stopt by one of the Centries in the Passage, he shot him above the Shoulder; however the Centry knockt him down, and securing him, 2 or 3 more loaded Pistols were found in his Pockets....The sudden Discharge of Mr Freeman's Pistol put the Ladies and others withinside the Playhouse into some Consternation at first....The Gentlemen about the Prince, and almost throughout the House, drew their Swords upon the Occasion of this Disorder, which was soon over

Performances

Mainpiece Title: Tamerlane

263
04 March 1717 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Written by Shakespear. [The Prince of Wales present.

Performances

Mainpiece Title: King Henry The Eighth

264
26 May 1720 @ King's Theatre

Event Comment: Admission as 14 May. To be admitted on the Stage One Guinea. [The Princess of Wales and Princess Anne present.

Performances

Mainpiece Title: Numitor

265
19 October 1720 @ Drury Lane Theatre

Event Comment: The Prince of Wales present

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Music: With the Original Shepherd's Musick by the late Mr Henry Purcell-

Dance:

266
15 April 1721 @ King's Theatre

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

267
16 November 1722 @ Drury Lane Theatre

Event Comment: The Princess of Wales present

Performances

Mainpiece Title: The Conscious Lovers

268
02 September 1723 @ Richmond

Event Comment: By Their Royal Highnesses' Command. At Penkethman's Theatre. Mainpiece: Written by Shakespear. Afterpiece: a diverting Droll. Box Tickets at Penkethman's House in Richmond. Daily Post, 5 Sept.: Mr Penkethman...had the Honour to divert their Royal Highnesses the Prince and Princess of Wales, with Entertainments of Acting and Tumbling perform'd to Admiration; Likewise with his Picture of the Royal Family, down from the King of Bohemia to the young Princesses, in which is seen the Nine Muses playing on their several Instruments, in Honour of that August Family. There were present Nobility, Gentry and Ladies upwards of 200

Performances

Mainpiece Title: Pyramus And Thisbe

Afterpiece Title: The Blind Beggar of Bednal Green; or, The Woman Never Vex'd

Music: Concerto on small Flute-John Baston

Dance: Several surprizing Entertainments of Rope Dancing-a Young Lad lately come from France, who flourishes the Colours, plays on the Violin, and turns several Times on the Rope without a Pole; Ladder Dancing-the greatest Performer in the World, who stands on the Top Round of the Ladder, drinks a Glass of Wine, with his other Hand above his Head in the Middle of the Stage; Dancing , both Serious and Comic,-Monsieur De Long Dents, Monsieur De Long Dents'@two@children , just arrived from Paris; To which will be added, Variety of Tumbling-Mons Tollard, others, just arrived from Madrid

269
11 January 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present

Performances

Mainpiece Title: Rodelinda

270
21 January 1726 @ Lincoln's Inn Fields

Event Comment: Receipts: #130 18s. Daily Post, 22 Jan.. Last Night...the Prince of Wales went...to see the New Entertainment of Apollo and Daphne, which has been acted several Days with great Applause; the Contrivance of the Whole being very ingenious, and the Scenery and Decorations as splendid as any Thing that has yet appeared of that Kind

Performances

Mainpiece Title: The Female Fortune Teller

Afterpiece Title: Apollo and Daphne

271
08 February 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present. Universal Mercury, February 1726: Mr Handel had the Satisfaction of seeing an old Opera of his not only fill the House, which had not been done for a considerable time before, but People crowding so fast to it, that above 300 were turn'd away for want of room

Performances

Mainpiece Title: Otho

272
07 March 1726 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Royal Highnesses' Command. The Pit and Front Boxes put together at 5s. [The Prince and Princess of Wales present.

Performances

Mainpiece Title: The Lady's Last Stake

Dance: As17251204

273
08 March 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and the young Princesses present

Performances

Mainpiece Title: Otho

274
15 March 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and the young Princesses present

Performances

Mainpiece Title: Scipio

275
31 May 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and Princesses Anne, Carolona, and Amelia present

Performances

Mainpiece Title: Alexander