SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Hay Market"/1) | (@(roleclean,performerclean) "Opera House in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3321 matches on Event Comments, 2723 matches on Performance Title, 341 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid half year's Poor's rate for Theatre to Mich. Last #20 8s. 4d.; Paid ditto for House in Bow Passage 14s. 7d. (Account Book). Receipts: #233 9s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Matthew Actor: Cushing

Afterpiece Title: The Fairy Prince

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.

Afterpiece Title: The Musical Lady

Related Works
Related Work: The Musical Lady Author(s): George Colman, the elder
Event Comment: Mainpiece: Not Acted these 2 Years. [See 6 May 1771.] Paid Mrs Yates, the Balance of the Author's 3 Nights of Zobeide #237 19s. Paid one year's Rector's Rate for theatre due Xmas last #8 15s.; and Watch rate #17 10s. Paid one year's Rector's rate for House in Bow Passage 6s. 3d.; and watch for same 12s. 6d. Paid Mrs Keys for a gold and silver sack coat #14 14s. (Account Book). Receipts: #148 19s. 6d. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Event Comment: About Ten o'clock this Morning Orders came from the Lord Chamberlain to Shut up the House on Account of the Death of the Princess Dowager of Wales who died this Morn[in]g between 6 & 7 o'clock (Hopkins Diary). [Closed through Sat., Feb. 15. No record in Treasurer's Book save "The Princes Dowager of Wales died this Morning."] Theatres clos'd on 8 Feb. and reopen'd on 17th Feb. for Augusta Princess Dowager of Wales (Winston MS 10). Paid salary list, at #83 9s. 9d. per diem, #500 18s. 6d.; Mrs Abington's Cloaths acct, #2; Mr S. French, 1 1!2 days 7s. 6d.; Mr Weston's note to Mr Holman, #8 3s. (Treasurer's Book). [The cast scheduled for mainpiece was that of 4 Feb.; for afterpiece that of 30 Dec. 1771. The dance between was to have been Sailor's Revels of 8 Oct. 1771.

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Event Comment: Mainpiece: By Desire. Play not acted: theatres closed for death of Augusta Princess Dowager of Wales. [For comment Theatrical Review, II, p. 93 attaches to the evening of 7 Feb.]: Another additional scene was introduc'd this evening, for the first time in which Mr Dunstall, in the character of a Female Ballad Singer, entertained the audience with the following new song, relative to the tricks of the Stockwell Conjuror, which it exposes with some degree fo humour, and which has a good effect, from the manner in which it is introduc'd; but from such poetry, Heaven delvier us!@The Stockwell Wonder@Ye beaux, belles and flirts, who the Pantheon stock well,@Come and see the renown'd Pandemonium at Stockwell.@Where the house and the furniture's all in bon ton@And the pewter and crockery dance cottillon. Derry Down, down, down Derry Down.@A pickling-pan first, which exceeds all belief,@Jumps and skips to the tune of old English Roast Beef;@While a barrel so lively, it cannot be said,@That the beer that is in it can ever be dead, Derry Down &c.@ @The tables, chairs, jars, frisk about too, and soon@The pestle and warming-pan move to some tune;@The clock too chimes in, and we very well know@That a clock that don't stand must undoubtedly go, Derry down, &c.@But let not amazement your fancies perplex@The enchantment arose from th'enchanting fair sex;@A sweet girl was the cause, and girls wonders are rich in@For we all know sweet girls-are extremely bewitching.@Derry down, &c.

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Event Comment: Mainpiece: By Particular Desire. Paid Mr Babett for Papier Machee Ornaments 19s. 4s.; Paid Colman & Mrs Powell for Branson's additional salary for the last 3 seasons being advanc'd by them #93 7s. 6d. Paid ditto for 4 years' rent for apartments in their House, due lady Day next #80 (Account Book). Receipts: #124 (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: Harlequin Skeleton

Event Comment: Mr Garrick Bays 1st time these four years Very fine House (Hopkins Diary). Mrs King many years actress and dancer will leave the stage at her Benefit. Garrick [will] play for her (Winston MS 10). Paid Marshall & Co. (plumbers) #11 9s. 6d.; Mr Racket (taylor) #20 6d.; Mr Hatsell (mercer) #29 6d.; Mr Ireland (upholsterer) #34 7s.; Barrow & Co (oil merchants) #88 10s.; Printer's Bill #8 12s. (Treasurer's Book). Receipts: #280 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-J. Aickin; Johnson-Jefferson; Others-Baddeley, Palmer, W. Palmer, Hurst, Parsons, Moody, Jacobs, Bransby, Fawcett, Wheeler, Ackman, Kear, Keen, Johnson, Wrighten, Rooker, Miss Platt, Mrs Davies, Miss Ambrose, Miss Collett; With an Additional Reinforcement of Mr Bayes's New Raised Troops-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Chaplet

Dance: V: A Comic Dance-Daigville, Sga Vidini

Event Comment: Benefit for Yates. Part of Pit laid into Boxes (playbill). Charges #64 5s. Profit to Yates #82 3s. 6d., plus #102 11s. from tickets: (Box 367; Pit 72). Paid half year's Poor's rate for the theatre due Ladyday last #20 8s. 4d.; and for House in Bow Passage 14s. 7d. (Account Book). Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Smith; Villeroy-Bensley; Carlos-Gardner; Baldwin-Clarke; Belford-Perry; Sampson-Dunstall; Child-Miss Doe; Nurse-Mrs Pitt; Isabella-Mrs Yates, 1st time; With the Epithalamium-Mattocks, Mrs Baker.
Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Choice; or Merit before Mnney

Dance: End: The Lilt, as17720326

Event Comment: Great Applause to Mr G. House (Hopkins Diary). N.B. King Arthur which was to be performed this evening for Mr Barry's Benefit, is oblig'd to be deferred till further notice, on account of his continuing ill. Receipts: #266 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: V: Comic Dance, as17720326

Event Comment: Benefit for Barry. Tickets deliver'd for King Arthur will be taken. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock. Paid Supers, Kettle Drum, & practices to King Arthur #2 16s.; Printer's Bill #8 12s. (Treasurer's Book). Mary Martin to J. M. Rebow, 6 April (MS correspondence in Washington State University Library): There has not been any mention of Barry's Benefit in ye Papers till to Day when it is advertis'd for ye 23rd of this Month, & ye Play. After...ye Constant Couple, which I imagine is no very desirable thing to see so late in ye Season, therefore pray tell me if I must send ye Tickets back directly, or may keep them till you are in Town again, which I hope you certainly will be before that time; I find we are not ye only unfortunates that Mr Johnson disappoints of Places, for that it is his Constant Practice not to let a single Place, till all his Five Guinea Chaps are serv'd even if you are at ye Play House, & apply ye Instant ye Play is given out, for which reason Mr Garrick has desir'd Gentlemen will Write to him upon such Occasions, & it is now very commonly done. Receipts: #264 11s. 6d. Charges: #67. Profits to Barry: #197 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Event Comment: Benefit for Mr and Mrs DuBellamy. Tickets to be had of DuBellamy in Wild-Court, Great Wild-Street, at the Rainbow Coffee House, Cornhill and of Mr Sarjant at the stage door. Charges #64 10s. Deficit to the DuBellamy's #20 12s., cover'd by income from tickets #189 14s. (Box 449; Pit 475; Gallery 62) (Account Book). Receipts: #43 18s. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Padlock

Song: II: By Particular Desire The Rapture-DuBellamy

Event Comment: Benefit for Gardner and R. Smith. Mrs Gardner's Indisposition preventing her from performing this evening, she hopes she shall be excused by her friends. [She was to have played Catherine in Afterpiece according to advance notice of 4 May.] Charges #64 10s. Deficit to each benefiticiary #15 6s. 6d., cover'd by income from tickets: Gardner, #61 1s. (Box 118; Pit 101; Gallery 164); Smith, #64 19s. (Box 35; Pit 264; Gallery 166). Paid half year's Land Tax for the Theatre due Lady day last, #61 5s.; paid ditto for window lights, #6 10s. 6d.; Paid ditto for House in Bow Passage #2 3s. 9d. and for its window lights 15s. Receipts: #33 17s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Cast
Role: Catherine Actor: Mrs Green.

Dance: III: Comic Dance, as17711031; IV: A Tambourine, as17720501

Event Comment: Benefit for Sarjant (Box-book and House-keeper). Charges #84 6s. Profit to Sarjant #13 9s., plus #149 4s. from tickets: (Box 423; Pit 243; Gallery 70). Receipts: #70 11s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Mother Shipton

Related Works
Related Work: Mother Shipton Author(s): George Colman, the elder

Dance: End: A Tambourine, as17720501

Event Comment: By Desire. House (Hopkins Diary). Last time performing Mainpiece this season. Rec'd from Mr Clutterbuck #150; Stopages #7 17s. 10d.; Paid salary list #494 18s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French #1 10s.; Dr Nares & Mrs Cooke's boys 3 nights (13th inst incl.) #6 (Treasurer's Book). Receipts: #64 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Event Comment: Mainpiece: By Particular Desire. Last time of performing Mainpiece this season. House (Hopkins Diary). But Tickets delivered for Benefit of Mr W. Barry will be taken. Mr Wm. Barry's tickets this night (Box 88; Pit 76; Gallery 47) #38 2s.; Paid Printer's Bill #9 6s.; Master Brown 2 nights (26th incl.) 15s.; Extra trumpet 2 nights (March 31st incl.) #1 1s. (Treasurer's Book). Receipts: #155 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Old Maid

Cast
Role: Clerimont Actor: Cautherly
Event Comment: Benefit for Johnston (House keeper and Box-bookkepper). Receipts: #292 19s. 6d. Charges: #84. Profits to Johnston: #208 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Sebastian Actor: Cautherly

Afterpiece Title: A Trip to Scotland

Dance: II: The Sailors Revels, as17711008

Event Comment: Mr G very fine-Voice clear to the last great Applause. House (Hopkins Diary). Ladies and Gentlemen requested to come early to prevent confusion. Rec'd Stopages #6 5s. 6d.; from Mr Clutterbuck #100; Paid salary list #494 18s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French #1 10s.; Signora Vidini, 1 day in full of this season 16s. 8d. Receipts: #268 8s. 6d. (Treasurer#s Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Garrick; King Henry-Reddish; Richmond-Aickin; Prince Edward-Miss Rogers; Duke of York-Miss Hopkins; Buckingham-Jefferson; Tressel-Cautherly; Stanley-Bransby; Norfolk-Hurst; Catesby-Packer; Ratcliffe-Wright; Lieutenant-Fawcett; Lady Anne-Miss Younge; Duchess of York-Mrs Johnson; Queen-Mrs Hopkins.
Cast
Role: Tressel Actor: Cautherly

Afterpiece Title: Miss in Her Teens

Event Comment: The House Open'd September. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places at Stage Door from Johnson No money taken at Stage Door or after the curtain is drawn up. Doors to open at 5 p.m. To begin at 6 p.m. [Repeated in all Season's bills.] Rec'd from Mrs Groath 1 year's rent to Xmas last, #3; Paid Supernumaries & Kettle Drum #2 8s. Taylor's Bill #1 #10 11s. 1d.; Carpenters #10 2s. (Treasurer's Book). [These payments were constant during the season. The weekly average and season totals will be set forth as follows and no further itemization will be made.] @Item Weekly Average Season Total@Supers & K. Drum #13 13s. #477@Taylor #7 #250@Carpenter #7 #250@ Receipts: #156 15s. 6d

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Reddish; Iachimo-Palmer; Cymbeline-Hurst; Belarius-J. Aickin; Guiderius-Cautherly; Cloten-Dodd; Posanio-Packer; Philario-Wright; Frenchman-Fawcett; Lucius-Bransby; Capt.-Keen; Claudio-Ackman; Arviragus-Brereton; Queen-Mrs Hopkins; Imogen-Miss Young; In act II Masquerade Scene-; with Dancing-Giorgi, Atkins, Sga Giorgi; Singing-Mrs Scott.
Cast
Role: Guiderius Actor: Cautherly

Afterpiece Title: The Lyar

Dance: III: The Sailors Revels-Atkins

Event Comment: The Characters [of the mainpiece] New Dressed according to the habits of the times. [At foot of the bill first appears the customary notice: Places for the Boxes to be taken only of Mr Sarjant at the Stage Door. The Doors to be opened at 5 o'clock. To begin at 6 o'clock. Vivant Rex & Regina."] Paid Church & Militia tax for theatre #8 15s. and for House in Bow Passage 6s. 3d. (Account Book). Receipts: #232 14s. 6d

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Dance: End: The Old Ground Young, as17720928

Event Comment: Paid half year's Poor's Rate for Theatre due Mich. Last #21 17s. 6d., and for House in Bow Passage 15s. 8d. (Account Book). Receipts: #219 4s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Upholsterer

Dance: End: The Fingalian Dance with Double Hornpipe, as17720921

Event Comment: Mainpiece: Not acted these 3 years. [See 20 Dec. 1769.] Paid half year's Land Tax for theatre due Mich. last #35; ditto for Widow Lights #6 10s. 6d.; ditto for House in Bow Passage #1 5s., and for its window lights 15s. (Account Book). [The reviewer for The Town and Country Magazine the following month was disappointed with Miss Barsanti as Estifania.] Receipts: #134 7s. 6d

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Gardner; Don Juan-Hull; Cacafogo-Morris; Sanchio-Davis; Alonzo-Perry; Copper Captain-Woodward; Clara-Mrs Helme; Maid-Mrs White; Old Woman-Mrs Pitt; Altea-Mrs Gardner; Margaritta-Mrs Vincent; Estifania-Miss Barsanti, first time, who performed in the PRELUDE.

Afterpiece Title: Mother Shipton

Related Works
Related Work: Mother Shipton Author(s): George Colman, the elder
Event Comment: Mainpiece: Not played in two years. [See 20 May 1771.] Paid half years cleansing & lighting to Mich. Last for St Martin's #10 12s.; one years' ditto for 2 houses Vinegar Yard to ditto, #1 16s. (Treasurer's Book). Receipts: #140 6s. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: George Barnwell-Cautherly; Thorogood-Hurst; Trueman-Brereton; Uncle-Wright; Blunt-Ackman; Maria-Miss Mansell; Lucy-Mrs Egerton; Milwood-Mrs Hopkins; In Act I, a Song-Mrs Scott.
Cast
Role: George Barnwell Actor: Cautherly

Afterpiece Title: The Witches

Event Comment: The Fop's Fortune oblig'd to be deferr'd. Paid Woodward for 2 hats, a Tambour Waist-coat & a pair of Buckskin Breeches #7 2s. 6d. Paid Palmer (wax chandler's) bill #90 6s., and Pattinson (tallow chandler's) bill #34 14s. Paid Mrs Rich@&@Co. for half years rent for the House in Bow Passage due Mich. last #20 (Account Book). Receipts: #106 19s

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Daphne and Amintor

Dance: IV: The Merry Sailors, as17721012

Monologue: 1772 11 12 Before: (By particular desire) New Occasional Prelude. As 27 Oct

Event Comment: Oratorio composed by Handel. Tickets to be had and places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The Doors to be opened at Five o'Clock. To Begin at Half past Six. N.B. Those ladies who had Side Boxes last year, are humbly requested if they intend to continue them the ensuing season, to give immediate notice to Mr Johnston to have them secured. [The Westminster Magazine (March) commented: "One of those whims by which the public are continually influenced, has made it the ton to resort to this theatre to hear and see Miss Linley, the syren of Bath. This young lady who is greatly indebted to nature for the eclat with which she is followed, and not a little to the fortuitous concurrence of remarkable incidents in her life has drawn crowded houses incessantly; and this success has been insured by the constant attendance of his Majesty and the Royal family at this theatre."

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-r; Israelite Man-r; Israelite Woman-r; Chorus-r; Simon (Brother to Judas)-; Messenger-r; Eupolemus(Jewish Ambassador to Rome)- The vocal parts-Miss Linley, Mrs Weichsel, Miss Mary Linley, Mr Norris, Mr Parry (Public Advertiser).

Music: I: Concerto on Violin-Mr ThomasLinley

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Afterpiece Title: Cross Purposes