SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera at the Hay Market"/1) | (@(roleclean,performerclean) "Opera at the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2535 matches on Performance Title, 1757 matches on Event Comments, 282 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A Serious Opera (1st time at this Theatre [1st performed at Venice, 1783]); the Music by Bianchi. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...Mlle Parisot, a new dancer from Paris, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (Morning Chronicle, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with which the best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of her movements is expressive, spirited and harmonious" (Goede, pp. 264-65)

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116

Event Comment: A New, Grand, Serious Opera, with Chorusses (1st time [in London; 1st performed at Paris, 1788, as Arvire et Evelina]). The Music by Sacchini (being his last Work). With entirely new Scenes (painted by Greenwood), Dresses and Decorations. Books of the Opera may be had at the Office of the Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: Divertissement-Didelot, Mme Rose, Mlle Parisot; End Opera: Apollon Berger-Mlle Parisot, Didelot, Mme Hilligsberg, Gentili, Mme Rose

Event Comment: It is not certain what work this is. Boswell, Restoration Court Stage, pp. 111-12, doubts W. J. Lawrence's suggestion that it was Ariadne, which seems not to have been produced until 30 March 1674. It is possible, but perhaps not likely, that it is the Ballet et Musique which is herein assigned to early February 1674

Performances

Mainpiece Title: An Opera

Performance Comment: Evelyn, Diary: I saw an Italian Opera in musique, the first that had been in England of this kind.
Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood
Event Comment: After the Italian manner, All sung, being set to Musick by Master Clayton. No Person to be admitted into the Boxes or Pit but by the Subscriber's Tickets. The Boxes on the Stage and the Galleries are for the Benefit of the Actors. [Premiere of the opera.

Performances

Mainpiece Title: Arsinoe, Queen Of Cyprus

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs duRuel, Mrs Moss

Song: Before and after Opera: Singing in Italian and English-

Event Comment: A Practice of the new Opera in Form; to begin exactly at Six a Clock. [See also 2 March.

Performances

Mainpiece Title: Practice Of An Opera [hydaspes

Event Comment: In which there will be seen (for once only) the New Scene design'd for a New Opera. Admission as 26 Oct

Performances

Mainpiece Title: Ernelinda

Dance: Mrs Santlow (Colman's Opera Register)

Event Comment: Receipts. #170 5s. 6d. Probable attendance: boxes, 306 paid and 2 orders; staoe, 46 paid; balcony, 4 paid; pit, 263 paid and 2 orders; slips, 59 paid and 5 orders; first gallery, 417 paid; second gallery, 180 paid. Daily Journal, 12 Feb.: The Beggar's Opera is continued acting...with the greatest Applause, and to an Audience as numerous as ever. And we are informed, That most of the Boxes are taken to the 25th Night. [See also Gay to the Earl of Oxford, 12 Feb., in Correspondence of Pope, II, 473.

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Receipts: #163 18s. 6d. Probable attendance: boxes, 230 paid and 3 orders; stage, 28 paid; balcony, 4 paid; pit, 273 paid and 3 orders; slips, 57 paid; first gallery, 420 paid and 4 orders; second gallery, 195 paid. Daily Journal, 28 Feb.: Whereas Mrs Barbier has advertized that the Beggar's Opera is to be performed, for her Benefit, on the 16th of March next; This is to inform the Publick, That such Advertisement was published without Consent of Mr Rich, and that the same will not be allow'd of

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Receipts: #183 4s. Probable attendance: boxes, 240 paid and 4 orders; stage, 79 paid; pit, 292 paid and 4 orders; slips, 64 paid and 1 order; first gallery, 433 paid; second gallery, 204 paid. Daily Journal, 5 March: Mrs Barbier, in Compliance to the Town, has wav'd her right to the Beggar's Opera and the Tickets delivered out for Saturday the 16th, will be taken on Monday the 18th to Hamlet, Prince of Denmark, for her Benefit

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Benefit Mrs Younger. [There is some confusion concerning this performance. Daily Journal advertises The Fortune Hunters for its second performance, but Rich's Register gives The Beggar's Opera, 33d time; this numbering is recongnized in the bills by 16 March.] Receipts: money #35 2s.; tickets #115 17s. Probable attendance: boxes, 41 by money and 247 by tickets; stage, 12 by money; pit, 59 by money and 203 by tickets; slips, 6 by money; first gallery, 66 by money and 203 by tickets; second gallery, 74 by money. Tickets for Volpone will be taken

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: [The Bill calls this the 33d performance; Rich's Register labels it the 34th. See 11 March.] Receipts: #183 3s. Probable attendance: boxes, 246 paid and 5 orders; stage, 73 paid; pit, 292 paid and 4 orders; slips, 65 paid; first gallery, 435 paid and 2 orders; second gallery, 192 paid. Daily Journal, 12 March: N.B. During the Course of the Benefits, this Opera will be performed every Tuesday and Saturday

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: (D+Delany, Autobiography, I, 162): An opera is to be rehearsed; I have not heard the fame of it, its name nor author

Performances

Mainpiece Title: An Opera Rehearsed

Event Comment: Receipts: #80 2s. Probable attendance: boxes 70 paid and 12 orders; stage, 2 paid; pit, 227 paid and 20 orders; slips, 19 paid and 3 orders; first gallery, 183 paid and 10 orders; second gallery, 152 paid and 1 order. [For a performance of The Beggar's Opera at sf, with Polly by Miss Ward, see season of 1727-28, under 6 Sept. 1728.

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: [By Charles Johnson.] Never Perform'd before. Applebee's, 15 Feb.: The Village Opera was perform'd...with such Hissing and Clapping that the like was never known; for great Numbers of prejudic'd and partial People got together, and fell a Hissing before the Performers utter'd a Word

Performances

Mainpiece Title: The Village Opera

Event Comment: FFlying Post, 1 March: On Thursday Night last, the Village Opera was play'd the Fifth Time, but met with a most unaccountable Reception; however, tis presumed not from any Pique against the Author, but the Resentment of the town upon some later Proceedings. No sooner did poor Colin appear upon the Stage, but his Arrival was usher'd in with a Serenade of Cat Calls, Penny-Trumpets, Clubs, Canes, Hoarse Voices, whistling in Keys, Hells, Fists; and Vollies of whole Oranges; however, the Players went on with uncommon intrepidity, and like the truly great Men, seem'd greater by opposition. The Audience call'd out for any other Play, Farce or Entertainment, but the Peasants seem'd too intent upon what they were about, to give Ear to them. This so exasperated the Spectators, that they mustered up all the Artillery they could possibly lay hold and made such an Uproar, during the whole intended Entertainment, that it was scarce possible to hear a word the Actors said. As every Player came upon the Stage, they call'd upon him by his real, not fictitious Name, and Swore not a Man of them would come to his Benefit. When Mrs T@@@ appeared, they call'd out for a Quartern of Gin, to chear up her Spirits. The Word Constable being first mentioned in the Gallery, it ran round the House like Wild-fire; and immediately the general Cry was, No Constable, no Constable. At the Conclusion of the Play, a Fellow came upon the Stage, to put out the Lights with his long Pole, but a Gentleman broke it in two, and another taking a Candle from one of the Sockets of the Sconces, his Example was immediately followed by several others, who soon clear'd them of their Lights; when a new kind of Shower compos'd of Candles fell think as Hail on the Stage

Performances

Mainpiece Title: The Village Opera

Event Comment: Mainpiece: [By Thomas Odell.] A New Farce. Afterpiece: [By Thomas Odell.] A new Opera

Performances

Mainpiece Title: The Smuglers

Performance Comment: Edition of 1729 lists: Vulcan-Hulet; Bung-Giffard; Crabb-Pearce; Conscience-Gillow; Oats-Williams; Pigg-Wathen; Couch-Hill; Alspike-Downs; Snack-Reynolds; Trusty-Smith; Rapp-Machen; Hearsay-Hicks; Bluet-Dove; Verdict-Taylor; Mrs Vulcan-Mrs Thomas; Mrs Susan-Mrs Purden; Peg Ambler-Mrs Carter; Bess Blouse-Mrs Palmer; Moll Titup-Mrs Jones; Prologue-Gillow.
Cast
Role: Pigg Actor: Wathen

Afterpiece Title: The Patron; or, Statesman's Opera

Event Comment: Benefit Chetwood. At the particular Desire of several Persons of Quality. Mainpiece: Written by Mr Wycherley. Afterpiece: [By W. R. Chetwood.] A new Dramatick Entertainment of one Act. Intermixed with above 40 Airs, made to Old Ballad Tunes and Country Dances. N.B. Books of the Opera will be sold at the Theatre the Night of Performance

Performances

Mainpiece Title: The Country Wife

Performance Comment: Horner-Wilks; Harcourt-Mills; Sparkish-Cibber; Sir Jasper-Norris; Dorilant-Watson; Pinchwife-Harper; Mrs Pinchwife-Mrs Cibber; Lady Fidget-Mrs Horton; Alithea-Mrs Butler; Lucy-Mrs Shireburn; Mrs Fidget-Mrs Walter; Mrs Squeamish-Mrs Grace.
Cast
Role: Alithea Actor: Mrs Butler

Afterpiece Title: The Lover's Opera

Dance: FFrench Peasant-a Gentleman just arrived from Paris; Polonese-Rainton, Miss Robinson; Village Dance-Thurmond, Essex, Houghton, Rainton, Mrs Mills, Miss Robinson, Mrs Walter, Mrs Houghton

Event Comment: Benefit Author of The Lover's Opera and a Family under Misfortune. N.B. The Company being employ'd in reviving several Plays, &c. are oblig'd to defer Acting till farther Notice

Performances

Mainpiece Title: The What D'ye Call It

Afterpiece Title: The Lover's Opera

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: Benefit the Author of The Lovers Opera

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Lovers Opera

Dance: End Act I: Burgomaster's Daughter (a new dance)-Miss Robinson; II: Dutchman and Wife-Roger, Rainton; III: Sultana-Miss Robinson; V: Gondolier-Lally, Miss Brett

Event Comment: With Scenes, Machines, and other Decorations proper to the Opera

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera

Event Comment: Receipts: #58 18s. The Opera of Orestes is deferred till next Saturday, on account of the Machines not being in a Readiness

Performances

Mainpiece Title: The Beggar's Opera

Dance: Mlle Salle

Event Comment: Benefit Hallam, Berry, Miss Vaughan. Afterpiece: a new Farcical Opera of one Act. [Author unknown. Apparently not published.

Performances

Mainpiece Title: The Indian Emperor

Performance Comment: As17310127, but Odmar-Roberts; Guyomar-A. Hallam; Orbellan-Berry; Pizarro-R. Wetherilt.
Cast
Role: Pizarro Actor: R. Wetherilt.

Afterpiece Title: The Sailor's Opera

Performance Comment: Feeble-Griffin; Landlord-Harper; Sir Jolly Heartfree-Paget; Squire Tawdry-Oates; Young Heartfree-Berry; 1st Sailor-Wetherilt; Susan-Miss Vaughan; Pert-Mrs Roberts.
Cast
Role: 1st Sailor Actor: Wetherilt

Song: Original Song set to Musick by Henry Purcell, perform'd in the Character of Kalid-Miss Raftor

Dance: In I: Tambour Dance of Moors-; In IV: A Grand Spanish Entry-; In afterpiece: A new Sailor's Dance-Rainton

Event Comment: Tickets deliver'd out for the Tragedy of Tragedies, with an Opera call'd, The City Apprentice Turn'd Beau, or Love in a Hamper which was to have been performed this Day, for the Benefit of Mr Green, Prompter, will be taken at this Play

Performances

Mainpiece Title: The Fall Of Mortimer

Cast
Role: Citizens Actor: _Jones, Wathen
Role: Eitherside Actor: Reynolds
Role: Leicester Actor: Wathen

Afterpiece Title: The Welch Opera

Event Comment: At the particular Desire of several Persons of Distinction, and eminent Merchants of the City of London. Tickets for The Devil to Pay and The Triumphs of Love and Honour, whatever Date they may bear, will be taken on the Authors Nights, and both the Play and Opera will be perform'd with all convenient Expedition

Performances

Mainpiece Title: The London Merchant

Cast
Role: Blunt Actor: R. Wetherilt

Afterpiece Title: Bayes's Opera

Performance Comment: Bayes-Cibber Jr; Arabella-Mrs Butler; Belinda-Mrs Shireburn; Tragedo-Charke; Cantato-Stoppelaer; Harlequin-R. Wetherilt; Dulceda-Miss Oates; Apollo-Roberts; Bassoon-Oates; Crowdero-Evans; Eagle-Miss Brett; General Briton-Bridgwater; Pantomime-Berry; Jupiter-Excell; Neptune-Rainton; Pluto-Gray; Juno-Miss Mears; Amphitrite-Mrs Boman; Proserpine-Miss Williams; Crispin-Harper; Farcia-Miss Raftor.
Cast
Role: Harlequin Actor: R. Wetherilt

Music: In mainpiece: By Desire, a Piece of Musick by Signior Vivaldi, call'd The Cuckow-Charke, others

Event Comment: At the particular Desire of several Persons of Quality. Daily Journal, 25 July: To Miss Raftor, on her Success in the Part of Polly in The Beggar's Opera (a poem)

Performances

Mainpiece Title: The Beggar's Opera

Dance: