Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera at Paris"/1) | (@(roleclean,performerclean) "Opera at Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
4320 results for: Keyword - Opera at Paris
We found 2826 matches on Performance Title, 1555 matches on Event Comments, 437 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3601
26 April 1731 @ Lincoln's Inn Fields

Event Comment: Benefit Chapman. Receipts: money #39 12s.; tickets #89 19s. Daily Post, 24 April: We hear that on Monday next the Hon. and Antient Company of Lumber Troopers will perform a fine Exercise in New-street Square, and from thence proceed in a Body...to...Lincoln's-Inn-Fields, to see...the Busy Body, with the Opera of Flora...for the Benefit of Mr Chapman, belonging to the said Troop

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Flora

Dance: II: Two Pierrots-Nivelon, Poitier; IV: Scotch Dance-Salle, Mrs Laguerre; V: Tambourin-Mlle Salle

3602
22 May 1731 @ King's Theatre

Event Comment: The Undertakers for the Opera have this Day finished the Fifty Representations for which they were engaged this Year, but not having been able to complete the like Number for the last Year, have therefore appointed Two more Representations...on which Days the several Subscribers for this and the last Year, will have Tickets delivered them at the Office Gratis, or at the Door. [Prince of Wales present.

Performances

Mainpiece Title: Rodelinda

3603
11 June 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: Don John

Afterpiece Title: The Amours of Billingsgate

Performance Comment: [The Cobler's Opera]. Melton Sr-Berry; Pyeflett Sr-Oates; Lieutenant-Fielding; Harry-Charke; Jenny-Miss Raftor; Peg-Mrs Mills.

3604
11 June 1731 @ Southwark

Event Comment: At Lee's Great Booth: a new Entertainment of the Opera kind

Performances

Mainpiece Title: The Unhappy Libertine

3605
14 June 1731 @ Haymarket Theatre

Event Comment: We are oblig'd to defer the Grub Street Opera till further Notice. 7 p.m

Performances

Mainpiece Title: The Fall Of Mortimer

Afterpiece Title: The Jealous Taylor

3606
15 June 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: A Duke And No Duke

Afterpiece Title: The Amours of Billingsgate

Performance Comment: [The Cobler's Opera.] See17310611.

3607
July 1731 @ Haymarket Theatre

Event Comment: The 1731 edition of The Grub Street Opera lists a cast for it, but there are no known bills which made certain that it was actually performed

Performances

3608
06 August 1731 @ Drury Lane Theatre

Event Comment: A new Ballad-Opera. Taken from The Devil of a Wife. Written by Mr Jevon. [For Coffey, Mottley, and Cibber Jr as authors, see Hughes and Scouten, Ten English Farces, pp. 173-74.

Performances

Mainpiece Title: The Devil To Pay; Or, The Wives Metamorphos'd

Dance: new dance %Bartholomew Fair-Fisher Tench, Miss Brett

3609
24 August 1731 @ Bartholomew Fair

Event Comment: At Fielding-Hippisley-Hall Booth. A new Dramatick Opera. At 1 p.m. daily

Performances

Mainpiece Title: The Emperor Of China, Grand Volgi; Or, The Constant Couple And Virtue Rewarded

Song: Master Fisher Tench, Miss Brett; A new Dialogue of Chimes of the Times-Excell, Mrs Egleton

Dance: Master Fisher Tench, Miss Brett; A new Dialogue of Chimes of the Times-Excell, Mrs Egleton

Music: Grand Chorus from Porus, accompany'd with Hautboys Trumpets and Kettle Drums-

3610
01 November 1731 @ King's Theatre

Event Comment: EEgmont, Diary, I, 207: Then went to the practice of the revived opera Tamerlan, where I saw the Duke of Lorain sing a part

Performances

Mainpiece Title: Tamerlane

3611
15 January 1732 @ King's Theatre

Event Comment: [Music by Handel. Translation by Samuel Humphreys.] Wherein the Cloaths and Scenes are all entirely New. Colman's Opera Register: But did not draw much Company

Performances

Mainpiece Title: Aetius

3612
02 February 1732 @ Goodman's Fields

Event Comment: Afterpiece: a Tragi-Comi-Farcical Opera. [Author unknown. Apparently not published.] Admission: 3s., 2s., 1s. N.B. None will be admitted under the full Price

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Father Girard the Sorcerer; or, The Amours of Harlequin and Miss Cadiere

3613
15 February 1732 @ King's Theatre

Event Comment: A New Opera. [Music by Handel. Done into English by Humphreys. Their Majesties, Prince, eldest Princesses present.

Performances

Mainpiece Title: Sosarmes

3614
28 February 1732 @ Hickford's Room

Event Comment: Benefit Castrucci, First Violin to the Opera. 7 p.m

Performances

Mainpiece Title: Concert

Music: With several Concertoes-of his Castrucci's own Composition; and particularly will play two Solos on a fine Instrument call'd Violetta Marina,and the 1st and 8th Concerto of his Master, the famous Corelli-

3615
03 March 1732 @ Haymarket Theatre

Event Comment: As 2 March. According to Daily Post, 4 March, the new English Opera of Amelia was rehearsed at hay on 3 March by a Set of Performers that never appeared before upon any Stage

Performances

Mainpiece Title: The Blazing Comet

3616
07 March 1732 @ Goodman's Fields

Event Comment: A New Opera of three Acts. [Author unknown.

Performances

Mainpiece Title: The Footman

3617
13 March 1732 @ Haymarket Theatre

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

3618
17 April 1732 @ Drury Lane Theatre

Event Comment: Benefit Bridgwater. At the particular Desire of several Persons of Quality. Afterpiece: A new Ballad Opera. [By Charles Johnson. Apparently not published.] The Rehearsals of The Ephesian Matron having obliged Mr Bridgwater to a close Attendance, he humbly hopes his Friends will excuse his not being able personally to wait on them

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Ephesian Matron

Dance: HHighland Lass-Miss Robinson

Ballet: TThe Masques. Harlequin Petit Maitre-Essex; Mademoiselle-Mrs Walter; Punches-Thurmond, F. Tench; French Peasant-Houghton; French Peasant Woman-Mrs Delorme

3619
18 April 1732 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Egleton. At the Desire of several Persons of Quality. Afterpiece: a new Ballad Opera of two Acts. Written by Mrs Egleton. [Apparently not published.] Receipts: money #28 12s. 6d.; tickets #102 3s. (or #102 5s.)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Maggot

Dance: new Hornpipe in the Character of a Sailor and his Wife-Jones, Mrs Ogden; Two Pierrots-Poitier, Pelling

3620
28 April 1732 @ Lincoln's Inn Fields

Event Comment: Benefit Rochetti. At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Afterpiece: A short Opera of one Act. The Musick by the late celebrated Alexander Scarlatti. [Apparently not published.] Receipts: money #22 11s. 6d.; tickets #31 16s

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Telemachus

Dance: TTwo Pierrots-Poitier, Pelling; Hornpipe-Jones, Mrs Ogden

3621
02 May 1732 @ Drury Lane Theatre

Event Comment: Benefit Marshall and A. Hallam. Afterpiece: A Ballad Opera of one Act. [Author unknown. Apparently not published.

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Comical Revenge; or, A Doctor in Spight of his Teeth

Dance: TThe Masques-Essex, Thurmond, Houghton, Lally Jr, Tench, Mrs Walter, Mrs D'Lorme, Miss Williams, Miss Robinson, Miss Mears; Dutch Woman-Miss Robinson

3622
03 June 1732 @ King's Theatre

Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius

3623
04 August 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Pastoral Opera. [Author unknown. Apparently not published.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Rural Love; or, The Merry Shepherd

Dance: d'V'Vallois, Mrs Walter

3624
17 August 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Farcical Ballad Opera of one Act. [By Robert Drury.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Devil of a Duke; or, Trapolin's Vagaries

Dance: HHighland Dance-Native of Scotland; A new Scotch Dance-Holt, Mrs Walter; Je ne scai quoy-Vallois, Mrs Walter

3625
20 November 1732 @ Lincoln's Inn Fields

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta