SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera at Paris"/1) | (@(roleclean,performerclean) "Opera at Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2826 matches on Performance Title, 1555 matches on Event Comments, 437 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Mort De Lucresse

Afterpiece Title: Les Avantures de la Foire St

Performance Comment: Germain de Paris.

Dance: Poitier, Boudet, Welman, others

Performances

Mainpiece Title: Jane Shore: Containing The Death Of King Edward Iv, The Penance Of Jane Shore, And Her Miserable Fall Under Richard The Protector

Afterpiece Title: With The Comical Humours of Anthony Noodle, His Man Weazle, and Captain Blunderbuss

Afterpiece Title: The Wheel of Life; or, Harlequin's Death

Performance Comment: Harlequin-Mons LeCoudriere , lately arriv'd from Paris.

Performances

Mainpiece Title: The Beggar's Wedding

Dance: FFrench Peasant-Monsieur St.Luce , lately arriv'd from Paris

Performance Comment: Luce , lately arriv'd from Paris.

Performances

Mainpiece Title: Hunter; Or, The Beggar's Wedding

Song: CChimes of the Times, The Contented Farmer-Mrs Mountfort

Dance: HHarlequin, Pierrot-St.Luce , from Paris; Dusty Miller, French Peasant-Fisher@Tench Charke

Performance Comment: Luce , from Paris; Dusty Miller, French Peasant-Fisher@Tench Charke.

Music: A good Band of Instruments-; accompany'd by a Chamber Organ-

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The Metamorphoses of Harlequin

Performance Comment: Dr Faustus-Pullen; Scaramouch-Hicks; Mephistophilus-Baker; Good Genius-Barcock; Evil Genius-Bignal; Carriers-Malone, Norris; Hostess-Mrs French; Harlequin-Nott; Miller-T. Jones from lif; Colombine-Mrs Rogers; Countrymen-Woodward, French, Peploe; Country Lasses-Mrs Pullen, Mrs Morse, Miss Wherrit; Bumkin-Dove; 1st Infernal-DeBlois , just arrived from Paris.
Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: As it was perform'd last Week before their Majesties and all the Royal Family for the Benefit of Mrs Porter. The Judgment of Paris, which was intended to be perform'd this Night, is deferr'd for a few Days, upon Account of some Alterations in the Machinery

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Boarding School Romps

Dance: Houghton, Mrs Walter, Miss Robinson

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Music: Second Musick: First Concerto of Corelli. Third Musick: A Trumpet Overture. I: Concerto for French Horns, the French Horns by Charle and Giay, lately arriv'd from Paris. III: Solo for French Horn by Charle

Performance Comment: Third Musick: A Trumpet Overture. I: Concerto for French Horns, the French Horns by Charle and Giay, lately arriv'd from Paris. III: Solo for French Horn by Charle .

Dance: Les Bergeries by Essex, Miss Robinson (the first Characters); F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Lempio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Rise Glory Rise, by Miss Arne, accompanied by French Horns

Event Comment: The Tragedy of Zara, Made English [by Aaron Hill]. Applauded Thirty-Six Nights running at Paris. The Characters, by a Sett of Gentlemen and Gentlewomen, who never acted before. None will be admitted but by Tickets into the Room that Night, which (by Reason of the Smallness of the Place) will be all commodiously made into Boxes, for the easy Reception of those many Great Personages, who have read and perus'd this Play with Approbation, and desir'd a long Time to see it acted; and charitably agreed to favour and encourage this Design, for the Benefit of [Mr William Bond, the Proprietor], who brings it on at a great Expence (tho' all that act in it, are so good to appear Gratis for him) who has lain ill of the Gout, and Rheumatism, upwards of Four Years. [This bill, in the London Daily Post and General Advertiser, differs considerably in phraseology, though not in basic fact, from that in the Daily Advertiser.]

Performances

Mainpiece Title: Zara

Event Comment: DDaily Advertiser, 4 Oct.: The French Company of Comedians newly arriv'd from Paris, it's said, consists of seventy Persons. It seems to be a little unnatural that French Strollers should have a Superior Privilege to those of our own Country

Performances

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke; Or, The Conjuror's Bastard; With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble; or, A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: TTurbutt and Dove's Booth, end of Hosier Lane, West Smithfield, during the Time of the Fair. [London Daily Post and General Advertiser gives Kevenhuller-$Woodward. Repeated 24, 25, 26 Aug.] Ballance Master, just arriv'd from Paris

Performances

Mainpiece Title: The Glorious Queen Of Hungary

Afterpiece Title: Harlequin Dissected; or, The Biter Bit

Event Comment: Peace Proclaim'd (Cross). Yesterday most of the Foreign Ministers had a very grand entertainment at Pontack's, on Account of the Peace being proclaimed yesterday at Paris. This morning the Peace is to be proclaim'd, pursuant to his majesty's royal warrant, signed for that purpose, the ceremony of which is to be in the following manner (General Advertiser). [Follows an account of the five places and times of reading the proclamation throughout the city.] Receipts: #120 (Cross); #116 15s. (Powel)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Lying Valet

Dance: Mathews, Mrs Addison; New Scotch Dance, as17490118

Music: By Desire-the Child

Event Comment: Benefit for one Monett master of ye French Comedians (Cross). [174th and positively the last night.] Receipts: #120 (Cross). Account of Disbursements made by Mr Monnet for his Stage, as well in Ready Money as in Notes of Hand. @Names of Actors and Actresses Their Contracts with Mr Monnet Paid in Money Paid in Notes Whole sum of the Expence, as well in Money as in Notes@Desormes #227 7s. 6d. #65 17s. 9d. #131 5s. #197 2s. 9d.@Mauly & Hamond #301 8s. 9d. #175 #63 #238@Bureau #257 8s. 7d. #122 11s. 3d. #52 10s. #175 1s. 3d.@Toscano #289 7s. 10d. #123 16s. 7d. #66 1s. 3d. #189 7s. 10d.@Durancy and Wife #361 17s. 1d. #147 7s. #210 #357 7s.@Parant #218 15s. #108 10s. 10d. .... #108 10s. 10d.@Terodat #52 10s. #39 2s. .... #39 2s.@Kelly #30 18s. #30 18s. .... #30 18s.@Villiers #32 15s. #32 15s. .... #32 15s.@Chateauneuf #43 15s. #15 17s. .... #15 17s.@Dujoncel #36 15s. #24 13s. 6d. #12 1s. 6d. #36 15s.@Champville #87 10s. #52 10s. .... #52 10s.@StAmand #78 15s. #26 5s. #17 10s. #43 15s.@Totals #1,919 2s. 9d. #965 4s. 3d. #552 7s. 9d.@ @Other Expences@For the Play-House's Rent #110@For the Stage's Taylor #35 14s.@For the Expences of Four Representations acted #65 12s. 6d.@For the traveling Expences of Mr Monnet, and his Residence of twenty Months at London or Paris and the Expences for the Custom-House, Law, Prison #328 12s. 8d.@Whole Sum of the Expence #2,157 1s.@ @RECEIPTS@For Fifty-six Subscriptions, at Five Guineas each #294@Received from Four Representations acted at the Little Theatre in the Hay-Market #188 18s. 4d.@From a Subscription, by Mr Arthur, Master of White's Chocolate-House #367 10s.@Whole Sum of the Receipts #850 8s. 4d. @ Therefore the Expence exceeds the Money received by #1,306 12s. 8d. which Mr Monnet is entirely out of Pocket, besides two Years and a half of his Time spent for it. N.B. The Contracts are all made for Livres Turnois, and this Account is made upon a Calculation of 3 Livres Tournois for 31 1!2d. Sterling.--And the Contracts and Receipts are ready to be produced. [This account is by courtesy of Miss Sybil Rosenfeld from a photostat of the original (which is printed in both French and English) in the Bibliotheque National. See also British Magazine, August 1750, p. 322.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: III: Grand Scotch Dance, as17491031

Event Comment: New Dresses and Decorations for the Dances (General Advertiser). Dances-Mons Devisse (from Paris), Auretti; Dances lik'd (Cross). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Anatomist

Dance: Comic Dance, call'dCountry Amusements-M Devisse, his 1st appearance in England, Mad Auretti; a Grand Dance call'd Pigmalion-Devisse, Mad Auretti

Event Comment: Mainpiece: By particular desire. Last time of performing this season (General Advertiser). Mr Garrick set out for Paris next Day (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Event Comment: Yesterday Mr Garrick set out from his House in Southampton Street for Paris (London Daily Advertiser and Literary Gazette)

Performances

Mainpiece Title: None

Event Comment: MMons Devisse and Mons Ferrere, a Comic Dancer, lately arrived from Paris, will perform in a few days at Drury Lane. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Lethe

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disappointment

Dance: I: Les Caprices de la Dance-Mlle Auretti; II: A Hornpipe-Matthews, a child of five years old his scholar; IV: The Matelot Basque-Mons Ferrere; V: The Louvre, Minuet-M Devisse, Mlle Auretti

Ballet: III: La Chacone des Characters. Harlequin-Mlle Auretti; Punch-Devisse; The Peasant-Mons Gerard (from Paris)

Performance Comment: Harlequin-Mlle Auretti; Punch-Devisse; The Peasant-Mons Gerard (from Paris).
Event Comment: Some Noise at the Dancers, but not great (Cross). Tomorrow will be publish'd The Dancers Damn'd; Or The Devil to Pay at the old House. Price 6d. Printed for R. Griffiths. [Appears to be an eyewitness, journalistic account, but turns into a considered attack upon mob patriotism. Author purports to describe the action which took place Wednesday night 12 Nov. 1755: 'When the Chinese scene was expos'd, the leader of the Loyal party advanced to the front of the Gallery and thus bespake the House: "O Britons! O my Countrymen! Ye will certainly not suffer these foreign clogs to amuse us. Our destruction is at hand. These sixty dancers are come over with a design to undermine our constitution. This Navarre is Marshall Lewendahl, and the least amongst them is an ensign, disguised in order to perpetrate our ruin!"' After alternate encouragement and abuse Reason, who had descended from the clouds, spoke: "I came hither by the persuasion of Truth and Justice to tell you that amongst all this number of dancers that now stand ready to entertain you there are no more than Four French men and about the same number of females; that their Chief is a Swiss Protestant, who, had not his merit protected him would have been hiss'd off the stage at Paris, for being a Swiss Protestant. And will you damn him for the same reason? Will you pay less regard to Genius than a French Audience? Here a cat-call and one cried out: 'Swiss! What the devil do we know of Swiss! a Swiss is a foreigner, and all foreigners are Frenchmen; and so damn you all!"'] Receipts: #140 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Chinese Festival

Event Comment: Mainpiece :By Particular Desire. The Orphan of China published. Price 1s. 6d. Dedicated to Garrick. Translated from the French of Voltaire. Acted at Paris with great applause. Published This Day Reflections on Theatrical Expression in Tragedy, with a proper introduction and appendix. For the character of the above see The Monthly Review for July (Public Advertiser). [This must be the second edition of Roger Pickering's pamphlet. See 13 March 1755.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The King and Miller of Mansfield

Event Comment: Speedily will be publish'd at 1s. 6d. Dedicated to David Garrick Esq a New Edition of the Orphan of China...acted at Paris with great applause. [A weekly writer says of this performance: "I could wish that our modern Play-wrights would endeavor to imitate this author in the judicious choice and dispositions of their Fable; and further think this very piece not unworthy the notice of our managers. The Translator has indeed, with great propriety, laid his version at Mr Garrick's door, since there is nobody so well qualified to take the orphan under their protection."] Printed for R. Baldwin in Paternoster Row. Receipts: #220 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Apprentice

Event Comment: This day Published The Englishman Returned from Paris, as it is performed at Covent Garden. By Samuel Foote, Esq: Printed for Paul Vaillant, at 1s

Performances

Mainpiece Title: The Rival Queens

Cast
Role: Parisatis Actor: Mrs Baker

Afterpiece Title: The School Boy

Dance: As17551114; Fingalian-Miss Hilliard

Event Comment: [R+Rich's Register lists The Hermit as afterpiece.] Paid salary list 5 days at #72 6s. 8d. per diem, #361 13s. 4d.; Atkins not on list #1 7s. 6d.; Rollet on note #7 7s.; Vernon on note per order Mr L, #12 12s.; Bill for 2 suit Men's cloathes #15 15s. (Treasurer's Book). [See engagement contract for Guidetti (Private Correspondence of David Garrick, II, 454) arranged for in Paris by Jean Monnet in early August 1766. He was engaged as Premier Danseur and composer of Ballets at 150 Guineas a year plus "300 Livres argent de France" for travelling expenses. He was to dance for no other theatre without explicit permission from Garrick.] Receipts: #130 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Polly Honeycombe

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

Event Comment: Tragedy, never before acted, by Dr T. Franklin. Published at 1s. 6d. [See A Letter from the Rope Dancing Monkey in the Hay-Market to the acting Monkey of Drury Lane on the Earl of Warwick (London, 1767) which damns the play as a flat and insipid plagiarism from de la Harpe's tragedy Le Conte de Warwick, Paris, 1764. Especially severe on Colman's Prologue and Garrick's Epilogue.] Rec'd stopages #4 11s. 6d.; Paid salary list #440 4s. (Treasurer's Book). Receipts: #165 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Polly Honeycombe

Event Comment: Benefit for Booth, Fearon & L'Estrange. Mainpiece: Never perform'd here.[Afterpiece in place of The Englishman in Paris, announced on playbill of 14 May.] Receipts: !173 16s. 6d. (60.14.6; tickets: 113.2.0) [charge: #105)

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Afterpiece Title: Mother Shipton

Ballet: End: The Sailors' Revels at Portsmouth. As17780511

Song: As17780511