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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House at Turin"/1) | (@(roleclean,performerclean) "Opera House at Turin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5443 results for: Keyword - Opera House at Turin
We found 3079 matches on Event Comments, 2569 matches on Performance Title, 271 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4926
10 March 1739 @ Covent Garden

Event Comment: A Pastoral Opera. [Composed by John Baptist Pescetti.] Pit and Boxes at half a guinea. First Gallery 5s. Upper Gallery 2s. 6d. 7 p.m

Performances

Mainpiece Title: Angelica And Medoro

4927
13 March 1739 @ Covent Garden

Event Comment: Benefit Delane. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera. [Tickets at Delane's Lodgings, the Golden Ball in Exeter-Court, the Strand.

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The What D'ye Call It

Dance: II: Comic Dance-Villeneuve, Miss Oates; V: Grand Ballet-Glover, Mlle Roland

4928
26 December 1739 @ Drury Lane Theatre

Event Comment: Mainpiece: With Songs, Dances, Scenes, Machines, and other Decorations proper to the Opera

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Harlot's Progress

Song: The Vocal Parts-Reinhold, Rainton, Mrs Clive, Miss Jones, Miss Karver, Miss Thynne

Dance: In II: Comic Dance of Winds-; In III: Comic Dance of Fantastical Spirits in Grotesque Characters-; In IV: Dance of Devils-; In V: Dance of Watermen-

4929
26 December 1739 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 26 Dec.: The New Theatre in the Hay-Market is enlarging, in order to perform Italian Opera there

Performances

4930
10 May 1740 @ Haymarket Theatre

Event Comment: A new Opera. Edition of 1740 Composed by Signor Pescetti. A new Scene by M delaCour. By His Majesty's Command

Performances

Mainpiece Title: Busiri, Overo Il Trionfo D'amore

Dance: As17400408

4931
10 January 1741 @ Lincoln's Inn Fields

Event Comment: A New Opera, [Text by Rolli. Music by Handel.] Boxes a half guinea. Pit 5s. First Gallery 3s. Second Gallery 2s. 6:30 P.M

Performances

Mainpiece Title: Deidamia

4932
07 February 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: L'allegro, Il Penseroso, Ed Il Moderato

Performance Comment: Music, As17410131 [For a letter concerning Handel's operas, see Deutsch, Handel, p. 511.]

4933
19 February 1741 @ Goodman's Fields

Event Comment: With all the Scenes, Machines, and other Decorations proper to the Opera, particularly, An exact Representation of Merlin's Cavev, as in the Royal Gardens at Richmond

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

4934
25 February 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: Rosamond

Performance Comment: End Act I will be introduced (by way of Interlude) the Solemn Invocation Scene in Oedipus-; with the Choruses-; After the Opera, the Songs and Choruses in As You Like It written by Shakespear, and by Mr Arne as intended originally to be performed-.

4935
16 April 1741 @ Haymarket Theatre

Event Comment: A New English Opera. [By Lewis Theobald.] Set to Musick by Mr Galliard. Boxes 8s. Pit 5s. Gallery 3s. We are oblig'd to being exactly at Six, some of the Performers being afterwards wanted at the other Theatres

Performances

Mainpiece Title: The Happy Captive; With An Interlude In Two Comic Scenes, Between signor Capoccio, A Director From The canary Islands, And signora Dorinna, A Virtuosa

4936
22 August 1741 @ Bartholomew Fair

Event Comment: HHallam from the Theatre-Royal in Covent-Garden, Over-against the Hospital Gate. Afterpiece: A new Ballad Opera. 1 p.m. to 11 p.m

Performances

Mainpiece Title: The True And Ancient History Of Fair Rosamond, Representing Her Amours With King Henry, And Her Being Poisoned By Queen Eleanor In Woodstock Bower

Afterpiece Title: The Modern Pimp; or, The Doctor Deceiv'd

Dance: TThe Miller and his Wife, The Jealous Savoyard-two Masters Granier, Miss Granier

Ballet: TThe Triumph of Britannia Over the Four Parts of the World. Britannia-Mlle Duval; Europe-Granier; Asia-Pelling; Africa-Miles; America-Olbeldiston; Women-Mrs Vallois, Mrs Phillips, Mrs Love, Mlle Glasson

4937
01 December 1741 @ King's Theatre

Event Comment: HHeidegger gets a new leave and license to perform operas at Haymarket Theatre from 8 Dec. 41 to 30 Oct. 45.-Deutsch, Handel, p. 526, from public Record Office L. C. 5@161, p. 97

Performances

Mainpiece Title: Alexander In Persia

4938
19 January 1742 @ King's Theatre

Event Comment: A new Opera [A pasticcio. See Burney, History of Music, IV, 447.]With Dances, and other Decorations entirely new. Dedication by librettist Francesco Vanneschi

Performances

Mainpiece Title: Polidoro

4939
11 May 1742 @ King's Theatre

Event Comment: Whereas after this Night's Performance fifty Representations of Opera will have been fully exhibited, according to the Proposals made to the Subscribers, this is to give Notice, that no Silver Tickets will be admitted any more this Season

Performances

Mainpiece Title: Meraspe O L'olimpiade

4940
18 May 1742 @ King's Theatre

Event Comment: A new Opera. [Not identified, No edition known. Probably a pasticcio.

Performances

Mainpiece Title: Ceffalo E Procri

4941
01 June 1742 @ King's Theatre

Event Comment: Last Performance of Opera this Season

Performances

Mainpiece Title: Scipione In Cartagine

4942
16 June 1742 @ Haymarket Theatre

Event Comment: By Authority...will be presented a new Ballad-Opera [author unknown], 6:30 p.m. Boxes 5s. Pit 3s. Gallery 2s. Tickets to be had of Mrs Boyd, a Pamphlet Shop, in Leicester St. by Swallow St, opposite the Crooked Billet; at Mrs Gearing's@Toyshop near the Theatre; and at the Doors of the Theatre

Performances

Mainpiece Title: The Rover

Music: A Preamble on the Kettle@Drums, concluding with Handel's Water@Musick-Job Baker

4943
02 November 1742 @ King's Theatre

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Performances

Mainpiece Title: Gianguir

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

4944
04 December 1742 @ King's Theatre

Event Comment: A New Opera, etc. [Really Gluck's Artaserse, Metastasio's text, a pastiche.] Music by Brivio (from libretto)

Performances

Mainpiece Title: Mandane

4945
22 February 1743 @ King's Theatre

Event Comment: A new Opera. With Dances and other Decorations entirely new. [Rest of description as before on first nights. Not listed as a new piece in the Larpent MS. Text by Zeno; Music by Porpora (Burney, History of Music, IV, 450).

Performances

Mainpiece Title: Temistocle

4946
23 February 1743 @ Covent Garden

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

4947
02 March 1743 @ Covent Garden

Event Comment: RRoyal family attended.-Deutsch, Handel, p. 561. The new Oratorio...has been performed four Times to more crouded Audiences than ever were seen; more People being turned away for Want of Room each Night than hath been at the Italian Opera.-Quoted by Dean, Handel's Dramatic Oratorios, p. 350, from Faulkner's Dublin Journal, 15 March

Performances

Mainpiece Title: Sampson

Music: Solo on Violin-Dubourg

4948
05 April 1743 @ King's Theatre

Event Comment: A new Opera. [Not listed as a new piece in the Larpent MS.] Music by Galuppi (Burney, History of Music, IV, 450)

Performances

Mainpiece Title: Sirbace

4949
15 April 1743 @ James Street

Performances

Mainpiece Title: Turnbridge Walks; Or, The Yeoman Of Kent

Song:

Dance: *c1703 04 15 js *c1703 04 15 js t Mrs Careless. Those Ladies and Gentleman who have taken Places, are desir'd to send their Servants early; and (for fear of a Mistake) to take Notice, that the Playhouse adjoins the Tennis-Court. Tickets for The Beggar's Opera taken

Performance Comment: Those Ladies and Gentleman who have taken Places, are desir'd to send their Servants early; and (for fear of a Mistake) to take Notice, that the Playhouse adjoins the Tennis-Court. Tickets for The Beggar's Opera taken.
Cast
Role: that the Playhouse adjoins the Tennis Actor: Court. Tickets for The Beggar's Opera taken.

4950
07 May 1743 @ King's Theatre

Event Comment: JJohn Branson, Steward, to John, Duke of Bedford: The Opera is a bankrupt. The Directors have run out #1600 and called this General Meeting to get the consent of the subscribers to take this debt upon themselves. This I opposed.--Deutsch, Handel, pp. 569-70

Performances

Mainpiece Title: Sirbace