SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House at Turin"/1) | (@(roleclean,performerclean) "Opera House at Turin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3079 matches on Event Comments, 2569 matches on Performance Title, 271 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

Event Comment: With all the Scenes, Decorations, Flights, and Machines. Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a guinea. Colman's Opera Register: A thin House

Performances

Mainpiece Title: Theseus

Event Comment: Admission as 26 Oct. Colman's Opera Register: ye Prince & Princess of Wales present, ye House not near full. Ye New Singers...meet with little applause as yet Mrs Robinson not singing

Performances

Mainpiece Title: Ernelinda

Event Comment: By Command. Admission as 26 Oct. Colman's Opera Register: Ye Prince & Princess present, ye House extraordinary full

Performances

Mainpiece Title: Arminius

Dance: As17141204

Event Comment: By His Royal Highness's Command. Colman's Opera Register: Ye King, Prince & Princess present, & a full House

Performances

Mainpiece Title: Rinaldo

Event Comment: Colman's Opera Register: a very thin house

Performances

Mainpiece Title: Rinaldo

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

Event Comment: By Command. Admission as 26 Oct. 1714. Colman's Opera Register: Ye House extraordinary full

Performances

Mainpiece Title: Hydaspes

Event Comment: Admission as 19 Nov. And whereas several Ladies who had Tickets have been dasappointed of seeing the Opera for want of Room, and others were obliged to stand during the whole Performance, tho's no more Tickets were deliver'd out than usual, and the House will conveniently hold: The Directors think it necessary to declare, that they will discharge any of the Boxkeepers who shall be detected in letting in any Person whatsoever without a Ticket

Performances

Mainpiece Title: Astartus

Event Comment: TThe King, Prince and Princess of Wales present. Universal Mercury, February 1726: Mr Handel had the Satisfaction of seeing an old Opera of his not only fill the House, which had not been done for a considerable time before, but People crowding so fast to it, that above 300 were turn'd away for want of room

Performances

Mainpiece Title: Otho

Event Comment: [T$Their Majesties, Prince, and three eldest Princesses present.] Colman Opera Register: a full House

Performances

Mainpiece Title: Alexander

Event Comment: [The Royal Family present.] Colman Opera Register: A thin House

Performances

Mainpiece Title: Alexander

Event Comment: A new Opera. Written by the late Mr Gay. With New Habits and Scenes. Receipts: #207 11s. 6d. Daily Courant, 12 Feb.: Mr Pultney and Mr Pope were in the Pit....They were in the House before any body else was admitted. Sir William Windham was also present at this Performance; but notwithstanding the Countenance given to it, there was so much Obscenity and Scurrility in it, that it raised a general Abhorrence in the Audience. [See also The Bee, 17 Feb., for a puff concerning this performance and the play in general.

Performances

Mainpiece Title: Achilles

Event Comment: London Daily Post and General Advertiser, 30 Nov.: Last Night there was a Rehearsal of a new Opera before his Royal Highness the Prince of Wales at his House in Pall-Mall, in which Farinelli and Senesino each of them perform'd a Part

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: [The Queen, Duke, and princesses present.] Lord Hervey to Henry Fox, 13 Nov.: I am just returned with the Queen from a long dull Opera, and a cold, empty House.--Ilchester, Lord Hervey and his Friends, p. 255

Performances

Mainpiece Title: Alcina

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

Event Comment: Mainpiece: By Desire. A great Noise, the whole House against us-When Garrick appear'd one from the Slips cry'd out Monsieur, & great Numbers Hiss'd-the play went on-wch done, the Mutiny began, amazing noise-no plating, except one Apple; ye pit to ye Boxes cry'd-now draw yr Swords, wch makes us think, the Riot was occasion'd by the Box people being so busy & turning some out of the pit & Gall: before. Some benches were pull'd up, & Mr Lacy gave up the Dance to appease 'em-being Sat: our friends were at ye Opera, & the common people had leisure to do Mischief (Cross). [Lynham in The Chevalier Noverre, quotes from the Journal Etranger of 25 Nov. 1775: 'The blackguards...tore up the benches and threw them into the Pit on the opposing party; they broke all the mirrors, the chandeliers, &c., and tried to climb onto the stage to masacre everybody; but, as there is a magnificent organization in this theatre, in three minutes all the decor had been removed, all the traps were ready to come into play to swallow up those who might venture up, all the wings were filled with men armed with sticks, swords, halberds, &c., and behind the scenes the great reservoir was ready to be opened to drown those who might fall on the stage itself."Cross lists no Receipts.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chinese Festival

Event Comment: Afterpiece from ye Village Opera (Cross). Benefit for Mrs Pritchard. Tickets at her house in York St., and at Pritchard's Warehouse in Tavistock St. Receipts: #240 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Villagers

Dance: IV: New Sailor's Dance, as17560217

Event Comment: full column letter to the public signed by John Beard appeared in the Public Advertiser announcing his agreement to the half-price demands of the rioters, and excusing himself for not acquiescing with more alacrity on the night of the demand. His excuse was that he was merely manager for other proprietors, and that property interest was involved in the financial sacrifice he was asked to make. He noted further reasons for not immediately giving in to demands of the rioters: Mr Beard had at that time received several anonymous threatening letters and notes concerning many other branches of what they called Reformation. He was ordered by one to add a farce to Love in a Village, or the House should be pulled about his ears. By andther he was commanded to put a stop to the farther representation of that Opera, upon the penalty of enforcing his compliance by a Riot the next night of performance, and very lately received certain information of meetings, which have already been held, and an Association forming to reduce the prices at the Theatre to what they were forty years since, tho' it is notorious the Expence of Theatrical Entertainments are more than doubled. For these reasons he looked upon the Occasion of the present disturbance only as a prelude to future violence; as the first not the last salutation of this extraordinary kind to be expected, and apprehended that too easy an acquiescence might possibly prove rather encouragement than prevention. Nevertheless in gratitude for the many favours and indulgencies received from the Publick, and from an earnest desire to promote that order and decorum so essential in all Public Assemblies, the Proprietors have now jointly authorized Mr Beard to declare that they shall think themselves equally bound with the managers of the other Theatre to an observance of those limitations which they have agreed to." This letter repeated in Public Advertiser, 3 March.

Performances

Mainpiece Title: None

Event Comment: Benefit for Tenducci. By Particular Desire. Upper Gallery 3s. 6d. The House will be doubly Illuminated for the Upper Boxes and Upper Gallery to read their Books. Books of the opera to be had at the Theatre. Nor will any Pit Tickets be admitted into the Gallery

Performances

Mainpiece Title: Antigonus

Dance: As17650105

Event Comment: Benefit for Mahon. Tickets deliver'd for Lionel and Clarissa, an Opera and Master Harris will be taken. Charges: 1!2 House charge plus 1!2 Receipts: #62 18s. 3d. Deficit to Mahon #1 6s. 9d. covered by #37 15s. from tickets (Box 77; Pit 66; Gallery 86). Mas. Harris Disposed of #40 19s. worth of tickets (Box 97; Pit 68; Gallery 65) from which he receiv'd 1!2 value. Receipts: #61 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Upholsterer

Dance: III: Hornpipe-Mas. Harris; End: The Lamplighters, as17681101

Event Comment: A new Serenata, the Music by Dibdin. Admittance 2s. 6d. each person, coffee and tea included. The house will continue to be opened on Mondays, Wednesdays and Fridays until further notice. N.B. There will be an armed guard on horseback to patrol the roads. [The serenata was added to "the usual entertainment." Words by Bickerstaff, this was an Englished La Serva Padrona (Loewenberg, Annals of Opera, Vol. 1, Col. 175. Rev. Ed., 1955).

Performances

Mainpiece Title: The Maid The Mistress

Event Comment: Creditors of Mr Taylor are requested to meet the Trustees this Day, at One o'clock, at the Bedford Arms, Covent Garden. The Proprietor having, upon a certain Ground, granted the use of the House for the Benefit of the Performers, during the Remainder of the Season, there will be an Opera on Thursday next. [It was cancelled.] Several Persons of Fashion having generously raised a new Subscription for the Relief of the Performers, they take this opportunity of returning them their most cordial thanks. The Price of the new Subscription is Five Guineas each Subscriber, for 12 Benefit Nights, the Money to be paid into the hands of Mr Drummond, Banker, at Charing-Cross. [On 27 May a concert was held at the Pantheon for the benefit of the singers and dancers who had lately belonged to the King's Theatre, in which they all participated.]

Performances

Mainpiece Title:

Event Comment: A new Serious Opera [1st time; SER 2, by Carlo Francesco Badini, based on Alessandro nell'Indie, by Metastasio]; the Music new by Tarchi. "The House was so pleased with it that they did as is done in foreign Theatres--they gave the Composer specific applause, 'Bravo Tarchi', 'Bravo Maestro'" (World, 3 June)

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: As17890526