SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Old Cole"/1) | (@(roleclean,performerclean) "Old Cole")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1853 matches on Performance Comments, 987 matches on Performance Title, 355 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Being the last time of performing till the Holidays. Receipts: #119 5s. Rec'd 10 nights' rent from Mr Handel's Oratorios at #25 per night, #250, plus #2 2s. for Coals used for the Oratorios. Barry's 1!3 of the surplus this night came to #13 1s. 8d. Paid 54 Old Rentners' interest on 54 shares for Handel's Oratorios at 1s. 8d. per share, or #5 8s. per night, for 10 night, #54. [Mrs Lecuss came in as a regular renter for 1 share.] (Account Book)

Performances

Mainpiece Title: Theodosius

Related Works
Related Work: The Weathercock Author(s): Samuel Arnold

Afterpiece Title: The Contrivances

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Beard. Tickets of Beard next door to Old Slaughter's Coffee House, St. Martin's Lane, and of Varney at stage door. Part of Pit laid into Boxes. Amphitheatre on stage. Receipts: #280 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Catharine and Petruchio

Song: Beard, Champnes

Music: A Piece on the Harp-Mr Evans

Event Comment: Benefit for Mrs Yates. Farce damn'd & Half-pence thrown. Mrs Cibber's Son dy'd two Days ago & she never came ot play for Holland, Mrs Yates, or me ye old Game at this Season. Receipts: #150 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: No Matter What

Dance: IV: The Italian Peasants, as17571004

Event Comment: Benefit for Roberts. Receipts: #33 17s. 6d. Charges: #80. Deficiency covered by income from tickets, #115 9s. Two New Renters came in a 1 share each: Mrs Tabitha Mendez, and Mrs Susan White. [This addition brought the total of New Renters' shares to 50, which equalled the holdings of the Old Renters] (Account Book)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Catherine and Petruchio

Dance: III: Country Lass-Miss Vallois; V: Comic Ballet, as17580428

Song: II, IV: Roberts

Event Comment: [This month published Observations on the Use of Theatres, their present regulations and possible improvements. Price 1s. Printed for Cooper. See review in Gentleman's Magazine (p. 232). Proposal is that the "conduct of theatrical entertainments be for the future taken under the care of the goverment, and a person of judgment and integrity appointed by the name of comptroller, or conductor of the stage, who alone shall determine what old plays shall be acted, and what new ones received; and who shall take charge of the money received, and defray the necessary expenses, accounting for the remainder to the public. The author seemingly Dr John Hill, lately (see 21 Dec. 1758) upset by the failure of his farce, The Rout. (Winston MS 8). Receipts: #108 (Cross); #122 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: To begin each day at twelve noon and end at ten at night during the short time of St Bartholomew Fair at Yates' (from Drury Lane) Great Concert Hall in the Greyhound Inn, Smithfield. There is a commodious way to the Hall opposite the Sheep-Penn. The diverting entertainment contains the distresses of a young lady that was stolen by a French pirate; the gallantry of an English Captain who rescued her; their unfortunate shipwreck, and their being thrown upon a desolate island; their sufferings through famine; the unexpected relief they met with on a part of the island; governed only by women; their being afterwards seized as pirates; the punishment inflicted on them by the Female Goverment; and their amazing delivering by the Queen's finding her husband and her only son, whom she had lost and thought dead upwards of twenty years. Interspersed with the comical and diverting adventures of Lt Fireball, a true English Tar, Noddy a distressed Beau, Snivel Thimble, a tailor; Splitfarthing an Old Userer; and Glisterspite a Finical Surgeon. In which will be introduced a Dialogue between Mynheer Vanflawkin, a Dutchman, and Mynheer-the German

Performances

Mainpiece Title: The Shipwrecked Lovers; Or, Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

Event Comment: Benefit for Beard. Mainpiece: By Particular Desire; Last time of performing it this season. Afterpiece: Not acted these two years. Pit and Boxes laid together at 5s. First Gallery 2s. Upper Gallery 1s. Stage 5s. Those who have places either in the Boxes or the Pit are requested to come thro the Box-Lobby, as at an Oratorio; and to send their servants to keep places by 3 o'clock. Tickets to be had of Mr Beard, at his house next Old Slaughter's, St Martin's Lane; and of Mr Sarjant at the Stage Door where places for the Boxes may be taken. Receipts: #129 1s. plus #246 from tickets (Boxes and Pit 984). Total income #375 1s. Charges #63. [Beard found his own wax candles]

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Country House

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Event Comment: [The following puff appeared in the Public Advertiser: "Yesterday about twelve the Races began on the Bowling Green, Southwark. There were several started for the Plate called Public Approbation, amongst the Rest was a celebrated Theatrical Horse, and two or Three Racers belonging to the same Stable, and some young Colts and Fillies, lately bred in the Stud of an eminent Sportsman in the Haymarket. The dispute laid principally between the noted Don Quixote and the Little Female Minor. The contest was warm, and several Heats were ran [a number of performances during the day?] before it could be decided; which at length was given by a small Majority of the Subscribers and the Clerk of the Course, in favor of the latter. However, her Antagonists being Bloed, they have challenged her to run again, play or pay, for three Days sucessively; and she will start This Day, tomorrow and Monday next, exactly at Twelve. Bets are laid, the Little Minor against the Field; and Eight to Six that in the end she distances the famous Old Horse, and beats him absolutely hollow."

Performances

Mainpiece Title: The Female Minor

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Lethe

Performance Comment: As17610413 but Fine Lady-Mrs Green; Old Man, Lord Chalkstone-Shuter; Fine Gentleman-attempted 1st time by Mrs Burden; Frenchman-Holtom; Drunken man-Dunstall.

Dance: TThe Waggoners, as17610228

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Dyer; Old Man, Chalkstone-Shuter; Frenchman-Holtom; Drunk Man-Dunstall; Fine Lady-Mrs Burden.

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Old Knowel Actor: Sparks

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Aesop-Walker; Drunken Man-Dunstall; Old Man, Lord Chalkstone-Shuter; Frenchman-Holtom; Trueman-Davies; Fine Lady-Mrs Green.

Dance: TThe Cudgell'd Husband, as17631101

Event Comment: Oratorio by Dr Morell. Set by Mr Smith to the Music of some old genuine performances of Handel (Biographia Dramatica). Music of the Songs and Chorusses entirely from works of Mr Handel. This day publish'd Nabal an Oratorio, as performed at Covent Garden. Price 1s. This day Publish'd Midas: an English Burletta. 2nd Edition. Price 1s. As it is acted with great applause at Covent Garden

Performances

Mainpiece Title: Nabal

Music: As17640309

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Aesop-Walker; Drunken Man-Dunstall; Old Man, Lord Chalkstone-Shuter; Frenchman-Holtom; Fine Lady-Mrs Green.
Event Comment: Benefit for the Widow and the Distressed Family of Mr Lambe, who was unfortunately killed at the late Fire, near Wardour St., Soho. The widow Lambe having a large family of children, the youngest of which being but 5 months old, humbly hopes those charitably disposed persons who intend to honor her by their appearance on this occasion, will excuse her application in person. Boxes 10s. 6d. Pit 5s. Gallery 3s. To begin at 6:30 p.m

Performances

Mainpiece Title: Acis And Galatea

Music: Between the acts: Solo on Violincello-Chiri; Concerto on Bassoon-Baumgarten; Concerto on Hautboy-Simpson; Solo on Violin-Hay who will lead the performance; To conclude with the Coronation Anthem-

Performances

Mainpiece Title: King Lear, And His Three Daughters

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Aesop-Walker; Mercury-Baker; Charon-Buck; Drunken Man-Dunstall; Old Man, Lord Chalkstone-Shuter; Frenchman-Holtom; Fine Lady-Mrs Green.
Event Comment: Benefit for Weston. Afterpiece: Taken from The Old Batchelor

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Credulous Husband

Song: IV: A favorite song in Love in a Village-Mrs Weston

Entertainment: End: Joe Haines Epilogue on an Ass-Shuter

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Performance Comment: Aesop-Lewis; First Gentleman-Palmer; Old Man, Drunken Man-Weston; Frenchman-M'George; Mercury-a Gentleman; Charon-McMahon; Lord Chalkstone-Shuter; Fine Lady-Mrs Worley.
Event Comment: A new Comic Opera. The Music composed by several celebrated Composers. All Boxes put together, and no Persons admitted without Tickets, which will be delivered this Day at the Office at Half a Guinea each; First Gallery 5s. Second Gallery 3s. By His Majesties Command no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in all bills.] [A pasticchio similar to La Schiava (The Humorists). See Nicoll, III, 361. Advertisement for the company of performers at the Opera had been given in the Public Advertiser three months earlier, 6 August: 'Drummond, Vincent and Gordon,Proprietors and Managers of the Opera at the King's Theatre in the Haymarket beg leave to announce that they have engaged the best Company that could be got in Italy...and are expected in London this month. The company are as follows: Serious-the celebrated Guarducci, first man; Signora Aunuciati, first woman; Savoi, second man; Miss Young, second woman; Grassi, Signora Piatti, third woman. Comic-Lovattini, first man, tenor; Signora Zamperini, first woman; Savoi, first man, serious; Miss Young, first woman; Signor Moriggi (the old man) bass; Signora Piatti, second woman; Zamperini second man; Signora Gibbetti [Gibelli in the Gazetteer] third woman."

Performances

Mainpiece Title: Gli Stravaganti

Event Comment: Mainpiece: By Desire. [Genest, V, 120, suggests The Old Maid as afterpiece with Clerimont-Cautherley; Capt. Cape-$Baddeley; Mrs Harlow-$Miss Pope; Miss Harlow-$Mrs Bennet; but Treasurer's Book Specifies Queen Mab.] Paid $French on acct. #50; Shepherd for cotton #2 18s. 4d.; Mrs Hilman for cloaths #4 14s. 6d.; Mrs Humphreys for a suit of cloaths #9 9s.; Miss Allen for cleaning stockings #1 6s. 6d.; Licensing the Earl of Warwick and Cymon #4 4s. (Treasurer's Book). Receipts: #181 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Aesop-Walker; Mercury-Baker; Charon-Buck; Drunken Man-Dunstall; Old Man, Lord Chalkstone-Shuter; Frenchman-Holtom; Fine Lady-Mrs Green.

Dance: II: The Female Archer, as17661215

Event Comment: My old clothes are become very strait. I wear them and my great coat commonly when I go to the Play, as one is much exposed in getting out to Flambeaux, Chair poles, &c. (Neville MS Diary). Receipts: #166 6s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: Midas

Event Comment: Benefit for King. House charges #67 2s. (Treasurer's Book). N.B. Dido is oblig'd to be deferr'd a few days (playbill). Paid Blandford (tallow chandler) #29 18s. 6d.; Paid Mr Pinto for 3 sets of symphonies #1 11s. 6d. B. Jonson's Head #1 19s. 1d.; Mrs Pritchard's gratuity #10 10s. (Treasurer's Book). Put on my old clothes and at 5 went to Drury Lane, found the Pit and 2s. gallery quite full, at last had myself squeezed into the Pit, where I was most woefully pressed, but saw very well and got a seat ere the farce began. The play was Cymbeline, with The Deuce is in Him. This play pleases me. The dresses were tolerably proper, ye scenes (particularly that of Imogen's chamber and the Cave) pretty and ye performance of ye principal characters good, but having never read the play, lost a great deal of the effect. Imogen, Mrs Yates, she is very hoarse. In Act II a Masquerade Dance, with singing by Mrs Vincent. After Act III the Vintage. After the play, King in the character of Linco, with Dorcas and others of his neighbors, asking him questions, partly spoke and partly sang, for this night only,-a new very humorous little piece called Linco's Travels, particularly in England. Glad I did not go to the other House, tho I wished to see Macklin, who played there this night only for his daughter's benefit. When the Farce began, the Gods (as those in the Upper Gallery are called) called for the Prologue, on which Packer came on and said, Mr King has not spoke the Prologue this winter, and is now dressing to play in the Farce and hopes the Audience will excuse him." Miss Pope and Miss Plym coming on again were hissed off, and after we had waited some minutes longer, King spoke the Prologue, which was lucky for me who had never heard him speak it. The gods called for it on Monday last, but desisted on the above excuse being made. Almost eleven ere all was over. I now know all the entrances into the Pit and Gallery at Drury Lane (Neville MS Diary)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deuce Is in Him

Dance: III: The Vintage, as17661011

Entertainment: End: Linco's Travels. Particularly in England, a New Humorous Little Piece, that night only,-King; Dorcas-Mrs Bradshaw

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Thomasand Sally

Performance Comment: As17670328 but concluding with the original dance in the characters of an Old Man and Woman-Arnauld, Miss Poitier as17670411.

Dance: End: The Village Romps, as17661008