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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New York"/1) | (@(roleclean,performerclean) "New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6809 results for: Keyword - New York
We found 3237 matches on Event Comments, 2688 matches on Performance Title, 1650 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.

4901
13 January 1732 @ Drury Lane Theatre

Event Comment: DDaily Journal, 14 Jan.: We hear...that...The Modish Couple, which met with great Opposition the two first Nights, but was acted the third with Success, before one of the finest Assemblies of Persons of Quality that has been seen, was last Night again so interrupted, that the Players could not perform but were forced to dismiss the Audience.' The violent Treatment which this Piece has met with, is supposedles those People who made it their Business to raise Disturbances at every new Performance that comes on the Stage. [For another account, see Egmont, Diary, I, 216.

Performances

Mainpiece Title: The Modish Couple

4902
15 January 1732 @ King's Theatre

Event Comment: [Music by Handel. Translation by Samuel Humphreys.] Wherein the Cloaths and Scenes are all entirely New. Colman's Opera Register: But did not draw much Company

Performances

Mainpiece Title: Aetius

4903
28 January 1732 @ Lincoln's Inn Fields

Event Comment: Not Acted [there] these Seven Years. With all New Habits. Receipts: #49 7s. 6d

Performances

Mainpiece Title: The Committee

Dance: TThe Grand Aga and his Sultana-Salle, Mrs Laguerre; The Baulk-Salle, Mrs Laguerre

4904
15 February 1732 @ King's Theatre

Event Comment: A New Opera. [Music by Handel. Done into English by Humphreys. Their Majesties, Prince, eldest Princesses present.

Performances

Mainpiece Title: Sosarmes

4905
19 February 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Modern Husband

Performance Comment: As17320218 With a new Epilogue.

4906
03 March 1732 @ Haymarket Theatre

Event Comment: As 2 March. According to Daily Post, 4 March, the new English Opera of Amelia was rehearsed at hay on 3 March by a Set of Performers that never appeared before upon any Stage

Performances

Mainpiece Title: The Blazing Comet

4907
07 March 1732 @ Goodman's Fields

Event Comment: A New Opera of three Acts. [Author unknown.

Performances

Mainpiece Title: The Footman

4908
13 March 1732 @ Haymarket Theatre

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

4909
17 March 1732 @ Haymarket Theatre

Event Comment: Benefit Pullen and Mrs Pullen. Afterpiece: a Ballad Opera of Three Acts. [Author unknown.] This Opera, relating to the Affair of Father Girard with Miss Cadiere, &c. is entirely new, being a faithful Translation from the French Original, as it was forbid in Paris

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Wanton Jesuit; or, Innocence Seduced

Dance: HHornpipe-Jones' Scholar

4910
21 March 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: With Alterations and a new Prologue after the Italian Manner. Admission 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Perseus and Andromeda

4911
27 March 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Blazing Comet

Performance Comment: As17320302 With a New Epilogue.

4912
14 April 1732 @ Lincoln's Inn Fields

Event Comment: Benefit Hippisley. At the Particular Desire of several Ladies of Quality. Afterpiece: a new Comic Scene. Receipts: money #43 13s. 6d.; tickets #103

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Medley; or, Hippisley's Drunken Man

Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle

Dance: TTwo Pierrots-Poitier, Nivelon

4913
17 April 1732 @ Drury Lane Theatre

Event Comment: Benefit Bridgwater. At the particular Desire of several Persons of Quality. Afterpiece: A new Ballad Opera. [By Charles Johnson. Apparently not published.] The Rehearsals of The Ephesian Matron having obliged Mr Bridgwater to a close Attendance, he humbly hopes his Friends will excuse his not being able personally to wait on them

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Ephesian Matron

Dance: HHighland Lass-Miss Robinson

Ballet: TThe Masques. Harlequin Petit Maitre-Essex; Mademoiselle-Mrs Walter; Punches-Thurmond, F. Tench; French Peasant-Houghton; French Peasant Woman-Mrs Delorme

4914
10 May 1732 @ Goodman's Fields

Event Comment: Benefit Henry Woodward and Miss Wherrit. By Desire. Afterpiece: With Alterations and Additions, particularly an entire new Scene, call'd Pierot's Encounter with a Bearv

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin's Contrivance

Dance: I: Tambourine-Miss Wherrit; II: The Merry Lass-Miss Wherrit; V: Passacail-Miss Wherrit

4915
23 June 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: A New Farce. [By Henry Fielding.] Alter'd from the French of Moliere

Performances

Mainpiece Title: The Old Debauchees

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Dance: I: The Pieraite-Holt, Mrs Walter; II: Harlequin-Miss Brett; III: English Maggot-Lally Jr, Mrs Walter; End Afterpiece: Midsummer Whim, as17320606

4916
04 August 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Pastoral Opera. [Author unknown. Apparently not published.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Rural Love; or, The Merry Shepherd

Dance: d'V'Vallois, Mrs Walter

4917
04 September 1732 @ Haymarket Theatre

Event Comment: At the particular Desire of several Persons of Quality. For the Benefit of the Famous Signora Violante, who is just arriv'd with a new extraordinary fine Company....After the Irish Manner, Which was perform'd 96 Times in Dublin with great Applause. Boxes 5s. Pit 3s. Gallery 2s. [For performances at the Fairs in September, see season of 1731-1732.

Performances

Mainpiece Title: The Beggar's Opera

Dance: HHarlequin-Master LaFevre, Miss Violante; Louvre in Boys Cloaths-Miss Violante; Two Pierrots-Lalauze, Tobin

4918
23 September 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Ballet: With New Habits. At Common Prices

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil of a Duke; or, Trapolin's Vagaries

Dance: Grand Ballet: Les Bergeries, Composed in the Taste of Monsieur Dumoulin and Mademoiselle Camargo, of the Opera at Paris-Essex, Miss Robinson, Houghton, being the first Time of their Dancing since their Arrival from Paris; Thurmond, Mrs Walter, Tench, Miss Williams, Davenport, Miss Mears

4919
03 October 1732 @ Goodman's Fields

Performances

Mainpiece Title: Henry Iv, Part 1

Performance Comment: As17321002 A new Prologue, Epilogue to the Town.

4920
01 November 1732 @ Soho Square

Event Comment: Acted in English, according to the New Translation

Performances

Mainpiece Title: The Miser

4921
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

4922
08 November 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by his Grace the Duke of Buckingham. With New Habits

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: TTambourine-Miss Robinson; Scots Dance-Haughton, Mrs Walter; Grand Dance of Moors-Essex, Mrs Booth, Lally Jr, Haughton, Lally, Tench, Mrs Walter, Mrs D'Lorme, Miss Williams, Miss Mears

4923
13 November 1732 @ Goodman's Fields

Event Comment: DDaily Advertiser, 13 Nov., has a poem: To Mr Giffard, on the New Theatre in Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Dance: TTambourine-Miss Wherrit; Scots Dance-Mrs Bullock; Sailor's Dance-Jones

4924
13 November 1732 @ Fulham

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

4925
20 November 1732 @ Lincoln's Inn Fields

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta