SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "New Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4951 matches on Event Comments, 2716 matches on Performance Title, 1711 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Mainpiece in place of Zara, announced on playbill of 9 Oct.] Public Advertiser, 11 Oct.: Mrs Crawford refusing to fulfill her Engagement at this Theatre, Zara cannot be performed. [Throughout this season Mrs Crawford was acting at the Crow Street Theatre, Dublin.] Receipts: #110 6s. 6d. (78/1/0; 31/2/0; 1/3/6)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Robinson Crusoe

Event Comment: Benefit for Walker. Mainpiece: Not acted these 30 years [not acted since 4 Oct. 1722], wrote by Mrs Ccntlivre. Afterpiece: Never performed there. The doors to be opened at 5:30. To begin at 6:30. Ladies are requested to send their servants by five o'clock to keep places. Tickets to be had of Walker, the Globe, Pall-mall

Performances

Mainpiece Title: The Artifice

Performance Comment: Sir John Freeman-Brinsley; Fainwell-Fitzgerald (from the Theatre-Royal, Dublin); Young Freeman-Venables; Tally-Atkinson; Sam-Powell; Sir Phillip Moneylovc-Kenny; Watchit-Walker; Mrs Watchit-Mrs Johnson; Olivia-Mrs Child; Louisa-Miss Hurst; Judith-Mr Pressley; Lucy-Mrs Painter; Widow Heedless-Mrs Lefevre .
Cast
Role: from the Theatre Actor:

Afterpiece Title: The Ghost

Song: End of mainpiece Auld Robin Gray by Miss Lyon

Performances

Mainpiece Title: The Duenna

Performance Comment: As17820202, but Jerome-Mills (from the Theatre-Royal, Edinburgh; 1st appearance on this stage) . 1st appearance on this stage) .
Cast
Role: from the Theatre Actor: Royal, Edinburgh
Role: Father Paul Actor: Booth
Role: The Duenna Actor: Mrs Webb

Afterpiece Title: The Deserter

Dance: As17820409

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Wroughton; Acasto-Clarke; Polydore-Aickin; Chaplin-Webb; Ernesto-Fearon; Chamont-Henderson (1st appearance in that character); Serina-Miss Cleland; Florella-Mrs Poussin; Monimia-Miss Younge (1st appearance in that character [at this theatre]) .at this theatre]) .

Afterpiece Title: Barnaby Brittle

Event Comment: Mainpiece: Not acted these 5 years. [Bonnor and Miss Scrase were from the Bath theatre; Mrs Chalmers from the York theatre.] Receipts: #201 18s. (200/5; 1/13)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Capt. Plume-Lewis; Justice Balance-Hull; Worthy-Whitfield; Serjeant Kite-Fearon; Bullock-Edwin; Recruits-Quick, Jones; Welch Collier-Wewitzer; Capt. Brazen (with an Introductory Address)-Bonnor; Rose-Mrs Chalmers (Their 1st appearance on this stage); Melinda-Mrs Lewis; Lucy-Mrs Whitfield; Sylvia-Miss Scrase (1st appearance on this stage) .

Afterpiece Title: The Padlock

Dance: As17830917

Event Comment: [Lee Lewes's 1st recorded appearance as Falstaff was at Manchester, 19 Dec. 1777. Miss Farren's 1st appearance as Mrs Ford was at the HAY, 24 Aug. 1781.] Receipts: #277 2s. (273/15; 3/2; ticket not come in: 0/5)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Smith; Sir Hugh Evans-Parsons; Dr Caius-Baddeley; Mr Page-Packer; Host of the Garter-Moody; Justice Shallow-Waldron; Fenton-Phillimore; Simple-Burton; Bardolph-Wright; Pistol-Alfred; Nym-Wilson; Slender-Dodd; Falstaff-[Lee] Lewes (1st appearance in that character [in London]); Mrs Page-Miss Pope; Ann Page-Miss Wheeler; Mrs Quickly-Mrs Hopkins; Mrs Ford-Miss Farren(1st appearance in that character [at this theatre]) .at this theatre]) .
Cast
Role: Host of the Garter Actor: Moody
Event Comment: By Command of Their Majesties. Paid One-half Yrs. Land Tax on the Theatre #52 10s., and One-half Yrs. Window Lights [tax] for Theatre #6 12s. 6d. Receipts: #327 14s. (323/19; 3/15)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: End of mainpiece, as17831001; Afterpiece to conclude as17840306athi

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

Performance Comment: Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli .Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli .
Event Comment: Mainpiece: Several of the Airs and the Overture composed by Dr Arnold. Books of the Songs to be had at the Theatre. The Doors to be opened at 6:00. To begin precisely at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Two To One

Related Works
Related Work: Two to One Author(s): George Colman, the younger
Related Work: Poor Old Haymarket; or, Two Sides of the Gutter!!! Author(s): George Colman, the younger

Afterpiece Title: A Mogul Tale; or, The Descent of the Balloon

Performance Comment: Principal Characters by Parsons, Wewitzer, Gardner, Swords, R. Palmer, Williamson; Miss Brangin, Mrs Inchbald, Mrs Cuyler, Mrs Wells. [Cast adjusted from playbill of 8 July 1786: Johnny Atkins-Parsons; Dr Pedant-Wewitzer; Guard-Gardner; Omar-Swords; Selim-R. Palmer; The Mogul-Williamson; Zapphira-Miss Brangin; Irene-Mrs Inchbald; Sheba-Mrs Cuyler; Fanny-Mrs Wells.] hathi. hathi.
Cast
Role: The Mogul Actor: Williamson

Dance: End of mainpiece, by Master Giorgi, Miss Byrne, and others

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Figaro-Benson; Count Almaviva-Thome (2nd appearance on this stage); Don Bartolo-Wright; Don Guzman (the stuttering Counsellor)-Wellman; Basil-Payne; Bounce-Banister; Doublefee-Kerridge; Courier-Meadow; Oyer-Stuart; Servant-Mast. Payne; Anthonio (the drunken Gardener)-Waldron; Page (with the elegant and favorite song, Ah well-a-day, my poor heart)-Miss Cranford; Countess-Miss Bird; Marcelina-Mrs Monk; Agnes-Mrs Benson; Susan-Mrs Wellman .

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick (the Soldier)-A Young Lady (1st appearance [unidentified]); Dermot-Thome; Captain Fitzroy-Kerridge; Monsieur Bagatelle-Benson; Father Luke (the Irish Priest)-Wellman; Darby-Waldron; Kathleen-Mrs Benson; Norah-Miss Cranford .
Cast
Role: Father Luke Actor: Wellman

Afterpiece Title: Harlequin Skeleton

Performance Comment: Harlequin-Wright; Pantaloon-Wellman; Scaramouch-Kerridge; Punch-Banister; Clown-Benson; Colombine-Mrs Wellman. IMITATIONS. End of Act II of 1st piece a Variety of Theatrical Imitations by the Gentleman [unidentified] who delivered them on Miss Cranford's Night. vaudeville. 1st piece: To conclude with the admired Finale to The Duenna, and Dancing by Wright .unidentified] who delivered them on Miss Cranford's Night. vaudeville. 1st piece: To conclude with the admired Finale to The Duenna, and Dancing by Wright .
Event Comment: Mainpiece: Not acted these 3 years [acted 8 May 1784. Mrs Abington's 1st appearance as Lady Sadlife was at DL, 16 Jan. 1770]. Receipts: #193 9s. (189/15; 3/14)

Performances

Mainpiece Title: The Double Gallant

Performance Comment: Atall-Lewis; Careless-Wroughton; Clerimont-Farren; Finder-Wewitzer; Sir Harry Atall-Thompson; Mr Wilful-Fearon; Bolus-Booth; Rheubarb-Jones; Supple-Stevens; Sir Solomon Sadlife-Quick; Lady Dainty-Mrs Bates; Clarinda-Mrs Inchbald; Wishwell-Mrs Wilson; Sylvia-Mrs Lewis; Sittup-Miss Stuart; Lady Sadlife-Mrs Abington (1st appearance in that character [at this theatre]) .at this theatre]) .

Afterpiece Title: The Sultan

Dance: End of Act IV of mainpiece The Merry Sailors, as17850919; End of mainpiece The Piping Pedlar, as17851112; In afterpiece, as17851123

Event Comment: Benefit for Mrs Waldron. Mainpiece: Written by the celebrated General Burgoyne (Tam Marti quam Mercurio), and performed near Forty Nights last season at the Theatre-Royal, Drury-Lane, with unprecedented Applause. 2nd piece: Written by O'Keeffe, set to music by Shield, and performed with unceasing Applause at the Theatre-Royal in the Hay-Market

Performances

Mainpiece Title: The Heiress

Performance Comment: Ld. Gayville-The Young Gentleman who performed Jaffier on Wednesday last [Gibbons]; Clifford-Yatesmore; Sir Clement Flint-Sadler; Blandish-Wilson; Chignon-Benson; Prompt-Simpson; Mr Rightly-Smith; Chairman-Wright; Servants-Watts, Meadows, Johnston; Alscrip-Waldron; Miss Alscrip-Mrs Waldron; Miss Alton-Miss Phillips; Mrs Blandish-Mrs Clarke; Mrs Sagely-Mrs Johnston; Tiffany-Miss Williams; Lady Emily-The Young Lady who performed Belvidera on Wednesday last [Miss Fenton]. Prologue [spoken by Gibbons]. Epilogue [spoken by Miss Fenton] .Miss Fenton]. Prologue [spoken by Gibbons]. Epilogue [spoken by Miss Fenton] .
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. [Macready was from the Smock Alley Theatre, Dublin. In mainpiece the playbill assigns Miss Ogle to Mrs T. Kennedy, but on the Kemble playbill her name is deleted, and a MS annotation substitutes Mrs Lewis's.] "The dress worn by Lewis, with small buttons innumerable, that gave it the air of a Hussar's jacket lengthened, was lately a coat won by the Prince of Wales" (Morning Chronicle, 20 Sept.). Receipts: #242 5s. 6d. (239.19.6; 2.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: Dr Squib (for that night only)-Kean; Dr Julep-Follett; Dr Apozem-Simpson; The Devil-Griffiths; Printer's Devil-Follett Jun.; Invoice-Smith; Doctor Last-Decastro (1st appearance in that character); Harriet-Mrs Harlowe.
Cast
Role: The Devil Actor: Griffiths

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

Event Comment: Tickets to be had and Places for the Boxes to taken of Fosbrook, at the Stage Door of the Theatre. Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. Books of the Performance to be had at the Theatre only. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favourite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

Performance Comment: Public Advertiser, 26 Feb., notes that Pious orgies-[Judas Maccabaeus] Mme Mara; In sweetest harmony [Saul]-Mme Mara; Where is this stupendous stranger [Alcina]-Mme Mara; Angels ever bright and fair[Theodora]-Mme Mara; Holy Lord God Almighty-Mme Mara [Rodelinda]; Speak ye who best can tell [Ptolomy]-Miss George; He was eyes unto the blind [Siroe]-Miss George; Oh! had I Jubal's lyre-Miss George [Joshua].Joshua].
Cast
Role: Theodora] Actor: Mme Mara
Event Comment: [Browne was from the Richmond theatre; Mrs Kemble from the Edinburgh theatre.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harvest Home

Cast
Role: Muzzy Actor: Mathews

Entertainment: Monologue As17870516

Event Comment: Mainpiece: Never performed here. Public Advertiser, 26 Ma8: As it has been found impracticable to prepare a sufficient Variety of Entertainments, without the Assistance of more Performers, the Theatre is closed 'till further Notice; after which Plays will be continued as usual [see 11 June]. "Sat. May 26th 1787. When the performers assembled t[his] morning, with intent to rehearse, they were acquain[ted] that the Theatre would be shut till the close of Drury? Lane and Covent Garden" (MS annotation on Harvard playbill)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harvest Home

Cast
Role: Muzzy Actor: Mathews

Dance: II: a Masquerade Scene-; with Dancing-

Event Comment: "Palmer and Bannister having withdrawn from the theatre, The School for Scandal and The Quaker, which were intended for the opening pieces, were changed" (Town and Country Magazine, Oct. 1787, p. 445). [These two actors thought themselves ill-used because of the refusal of the dl management to acknowledge their right to open the Royalty (see 20 June 1787). Oulton, 1796, II, 1-8, prints an exchange of letters between Palmer, Bannister, and King (the dl acting manager) relating to this situation.] "Some twenty of thirty bars of Handel, on the approach of the court to the play [in III. ii of mainpiece]...made a fine preparation for the scene which followed" (World, 19 Sept.). Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. Receipts: #186 5s. 6d. (151.0.0; 35.4.6; 0.1.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The First Floor

Event Comment: [Wroughton was from cg. This was his 1st appearance as a regular member of the dl company; he had previously acted at this theatre on one occasion, 1 Apr. 1780. Mrs Taylor was from the York theatre.] "On every first appearance, it falls to a performer to chuse their own parts. They do that part once, and in all probability they never do it again. We fear this will happen to Mrs Taylor. In Elwina there was nothing to recommend [but see 4 Oct., 27 Nov.]" (World, 1 Oct.). Receipts: #189 0s. 6d. (134.4.0; 53.9.0; 1.7.6)

Performances

Mainpiece Title: Percy

Afterpiece Title: The Irish Widow

Dance: End: The Capricious Lovers, as17870920; End I afterpiece: The Irish Fair-Ferrere, Miss Stageldoir

Event Comment: [Cambray was the stage name of James Fennell; he was from the Edinburgh theatre (and see 16 Oct. 1789). Ryder's 1st appearance as Iago was at the Smock Alley Theatre, Dublin, 14 Jan. 1767.] "Ryder wore his villainy on his sleeve, and evinced nothing of the insidiousness ordinarily expressed by other representatives of the part" (Public Advertiser, 13 Oct.). Receipts: #196 7s. (195.16; 0.11)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Cambray (1st appearance); Roderigo-Blanchard; Cassio-Macready; Brabantio-Hull; Lodovico-Davies; Montano-Thompson; Duke-Booth; Gratiano-Fearon; Iago-Ryder (1st appearance in that character [in London]); Emilia-Mrs Morton; Desdemona-Mrs Pope.
Cast
Role: Othello Actor: Cambray

Afterpiece Title: The Romp

Event Comment: [The performance was interrupted when "a piece of brass of upwards of a pound weight [was] hurled from the gallery into the pit, and much injured a lady on which it fell" (Public Advertiser, 8 Apr.). Advertisement from the theatre printed in the same newspaper, 9 Apr.: "For discovery of the offender the Theatre offers a reward of 10 guineas." Account-Book, 26 June: Paid Messrs Francis the reward offered #10 10s.] Receipts: #278 2s. 6d. (272.7.0; 5.15.6)

Performances

Mainpiece Title: The Man Of The World

Cast
Role: Serjeant Eitherside Actor: Booth

Afterpiece Title: Omai

Event Comment: [Iliff was from the Edinburgh theatre; Mrs Farren from the York theatre.] Afterpiece [1st time; F 2, by John O'Keeffe]. Public Advertiser, 30 Aug. 1788: This Day is published The Prisoner at Large (1s. 6d.)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Prisoner at Large

Performance Comment: Principal Characters by Edwin, Williamson, Moss, Wewitzer, Burton, Mathews, Johnson, Painter, Gardner, R. Palmer, Mrs Kemble, Miss Collett, Mrs Brooks. Cast from text (G. G. J. and J. Robinson, 1788): Muns-Edwin; Lord Esmond-Williamson; Old Dowdle-Moss; Count Fripon-Wewitzer; Tough-Burton; Father Frank-Mathews; Phelim-Johnson; Landlord-Painter; Trap-Gardner; Jack Connor-R. Palmer; Frill-Phillimore see17880704; Adelaide-Mrs Kemble; Mary-Miss Collett; Rachel-Mrs Brooks.
Cast
Role: Father Frank Actor: Mathews
Event Comment: Among the Instrumental Performers are G. Ashley (leader of the Band), Sperati, Sarjant, Patria, Reinagle, C. Ashley, Boyce, Mahon, Mountain, Holmes, Lyon, Schram, Kaye, the Leanders, &c. Double Drums by J. Ashley. The Organ on Fridays by Knyvett, and on Wednesdays by Greatorex. The whole conducted by Harrison and Ashley. The Band will consist of 150 Performers. Places for the Boxes to be taken of Brandon, at the Stage Door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. No Money to be returned. Places may be taken in the Theatrical Orchestra at 5s. each [i.e. at the oratorios the instrumentalists sat on the stage]. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the names of the performers to their respective songs, to be had at the Theatre. And to prevent imposition in the Streets, the Managers have directed that they should be sold in the Theatre, at 6d. each

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

Event Comment: By Command of Their Majesties. "There were not an hundred persons in the Pit when their Majesties entered, and there were not double the number at any part of the evening. The Royal box being in the centre, fronting the stage, their Majesties were invisible to the Gallery; and on their entrance solemn stillness prevailed, until the Orchestra, for the first time in an Opera-house, for the first time by the Professional Band, Struck up God save the King. Never, we will venture to say, in any Theatre during the present reign, was there so thin an audience when their Majesties were present; and we pretend not to divine the cause. Whether it is the failure of the Theatre as a musical room--the general poverty of the performance--the little notice that was given of their Majesties' intention to be present we know not" (Morning Chronicle, 23 Feb.)

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

Event Comment: Among the Instrumental Performers are Messrs Ashley and Sons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, J. Mahon, the Leanders, Ware, Kaye, Rawlings, Sharp, Lyon, &c. &c. &c. Double Drums by J. Ashley. The Whole under the Direction of Harrison and Ashley. No Money to be returned. Places for the Boxes to be had of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the Names of the Performers to their respective Songs, to be had at the Theatre, Price Six-pence. And to prevent imposition in the Streets, the Manager's Books are printed with the following Words at the bottom of each Title Page: "Printed by H. Macleish, Duke's-Court, Drury-Lane.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Incledon, Griffith, Sale, Miss Poole, Mrs Piele, Mrs Billington; Leader of the Band-G. Ashley; The Organ-Knyvett.
Cast
Role: Leader of the Band Actor: G. Ashley
Role: The Organ Actor: Knyvett.

Afterpiece Title: Grand Selection 1

Performance Comment: Part I Coronation Anthem,God save the King-; Overture-(Esther); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus (Joshua); Rise Jephtha, Happy Iphis-Miss Poole; When his loud voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Holy holy Lord-Mrs Billington (Redemption); He gave them Hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Fifth Grand Concerto-; Honour and Arms-Griffith; Ye Men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Justly these evils, Why does the God of Israel sleep?-Incledon; Then round about the starry Throne-Chorus (Samson); O come let us worship-Harrison (Coronation Anthems); The Mighty Power-Chorus (Athalia); O worse than Death and Angels ever bright-Mrs Billington (Theodora); Gird on thy Sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Ye Sons of Israel-Chorus (Joshua); Rendi il sereno al Ciglio-Harrison (Sosarme); O Lord in thee have I trusted-Incledon, Chorus (Te Deum); O had I Jubal's Lyre-Miss Poole (Joshua); From the censer-Chorus (Solomon); Ye sacred Priests, Farewell ye limpid springs-Mrs Billington (Jephtha); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harris; The Horse and his Rider-Mrs Billington, Double Chorus (Israel in Egypt).