SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by Ben Jonson. Afterpiece: With a New Overture by Dr Arnold. With Italian, French, Irish, Scotch, Welsh and English

Performances

Mainpiece Title: The Fox

Afterpiece Title: Gretna Green

Performance Comment: Principal Characters by Wilson, Gaudry, Swords, Egan, Barrett, Ledger, Painter, Bannister; Sga Sestini, Mrs Webb, Miss Morris, Mrs Bannister. [Cast adjusted from text (T. Cadell, 1783) and Larpent MS 634: Rory-Wilson; Crack-Swords; Capt. Tipperary-Egan; Landlord-Ledger; Anvil-Painter; Capt. Gorget-Bannister; Signora Figurante-Sga Sestini; Lady Pedigree-Mrs Webb; Miss Plumb-Miss Morris; Maria-Mrs Bannister. Gaudry, Barrett are unassigned.] New Begging Prologue, in a Musical Medley from The Beggar's Opera, sung by Wilson. [This was sung, as here assigned, at all subsequent performances.] hathi. New Begging Prologue, in a Musical Medley from The Beggar's Opera, sung by Wilson. [This was sung, as here assigned, at all subsequent performances.] hathi.

Music: [Prologue by George Colman, the elder.]

Dance: End of Act III of mainpiece, as17840528

Event Comment: Prelude [1st time; PREL 2, by George Colman, the elder. MS: Larpent 659, which lists the following unassigned parts: Cabbage, Clatterton, Folio; not published; synopsis of plot in Gazetteer, 3 June. Prologue by the author (Colman, Prose, III, 250)]: With new Scenes, Dresses, Banners, Songs, &c

Performances

Mainpiece Title: The Election Of The Managers

Performance Comment: Principal Characters by Palmer, Parsons, Aickin, Williamson, Baddeley, Egan, Bannister, R. Palmer, Riley, Bannister Jun., Stevens, Swords, Barrett, Ledger, Edwin; Mrs Webb, Miss Farren. [Cast from European Magazine, June 1784, p. 471: Buckram-Palmer; Type-Parsons; Bayes-Aickin; Holly-Williamson; Canker-Baddeley; Irishman-Egan; Quirk-Bannister; Smatter-R. Palmer; Ivy-Riley; Supple-Bannister Jun.; Tom Tipple-Edwin; Mrs Buckram-Mrs Webb; Mrs Simper-Miss Farren. Stevens, Swords, Barrett, Ledger are unassigned.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The English Merchant

Event Comment: Benefit for Quick. Mainpiece: With (1st time) Alterations and Additions by the Author [John O'Keeffe]. The Overture, Airs, &c. by Dr Arnold. The selected [music] by Handel, Vento, Giordani, Bertoni, Dr Arne, and Carolan. The new additional Songs by Shield. Public Advertiser, 22 Mar.: Tickets to be had of Quick, Broad-court, Bow-street, Covent-garden. Receipts: #325 8s. 6d. (164.6.6; 3.19.0; tickets: 157.3.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone; Spado-Quick; Pedrillo-Edwin; Philippo-Blanchard; Alphonso-Mrs Kennedy; Don Scipio-Booth; Don Juan-Fearon; Rapino-Cubitt; Sanquino-Darley; Lopez-Stevens; Calvetto-Thompson; Pedro-Helme; Don Caesar-Bowden (1st appearance in that character); new songs-Bowden; Victoria-Mrs Morton; Catalina-Mrs Brown; Isabell-Mrs Platt; Lorenza-Mrs Martyr [Public Advertiser: Mrs Billington].Public Advertiser: Mrs Billington].
Cast
Role: new songs Actor: Bowden

Afterpiece Title: The Commissary

Ballet: End: The Wapping Landlady; or, Jack in Distress. Jack in Distress-Blurton; Wapping Landlady-Mr King; Orange Woman-Mrs Watts

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Performances

Mainpiece Title: The School For Arrogance

Performance Comment: Principal Characters by Lewis, Johnstone, Aickin, Farren, Wilson, Munden, Marshall, Thompson, Farley, Evatt, Cross, Mrs Wells, Miss Brunton, Mrs Mattocks. [Cast from text (G. G. J. and J. Robinson, 1791): Count Conolly Villars-Lewis; MacDermot-Johnstone; Mr Dorimont-Aickin; Edmund-Farren; Sir Paul Peckham-Wilson; Sir Samuel Sheepy-Munden; Picard-Marshall; Exempt-Thompson; Footmen-Farley, Evatt, Letteney, Blurton; Bailiffs-Cross, Lee; Lucy-Mrs Wells; Lydia-Miss Brunton; Lady Peckham-Mrs Mattocks; Prologue-Bernard [in the Character of a News-hawker]; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Picture of Paris

Event Comment: Benefit for Quick. 2nd piece acted: The New Sketch being unavoidably withdrawn. [This was the anonymous NOW'S YOUR TIME, TAYLORS! SOUND MEN AND TRUE!, advertised on playbill of 21 Apr. MS: Larpent 1017. It was never acted.] Morning Chronicle, 14 Apr.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #384 17s. 6d. (157/4/0; 11/7/0; tickets: 216/6/6)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: TRUE BLUE

Afterpiece Title: THE UPHOLSTERER

Performance Comment: Razor-Quick; Pamphlet-Fawcett; Quidnunc-Munden; Rovewell-Davies; Belmour-Macready//Harriet-Miss Chapman; Termagant-Mrs Mattocks. To conclude with a new Occasional Epilogue by Quick .

Dance: In 2nd piece Hornpipe by Blurton

Event Comment: Benefit for Sloper and Mrs Watts. 2nd piece: The Machinery of the Peacock by Sloper. 3rd piece: The following are a part of the Scenes: The Ancient Temple dedicated to Bel, the God of Fire, with the Flactaga, or sacred Fire burning; The Dargle, where the Irish Druids consulted their Oracle; A View near Wicklow; The Salmon Leap; Entrance of a Subterraneous Pass; Maon's Cavern; Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. The Overture and Music principally new, with a Selection of some novel Irish Airs, by Reeve. The Harp by Weippert. The machinery by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Receipts: #319 16s. 6d. (70.19.0; 8.13.0; tickets: 240.4.6)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: An Egeirophadron

Performance Comment: As17990513, but added: Young William was a sailor true composed and sung-Incledon; The Irish Haymaker-Johnstone; Sally in our Alley-_; A New Planxty-_.

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Song: In: Together let us range-Incledon, Mrs Atkins

Event Comment: At Common Prices. Places for Boxes to be taken of Hobson, at the Stage Door of the Theatre. To begin exactly at 6 o'clock

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Mills; Aimwell-Delane; Sullen-Winstone; Scrub-Macklin; Gibbet-Neale; Mrs Sullen-Mrs Woffington; Dorinda-Mrs Mills; Lady Bountiful-Mrs Bridges; Cherry-Mrs Ridout; Boniface-I. Sparkes; Foigard-Barrington (from the Theatre in Dublin).

Song: Lowe, Mrs Arne

Event Comment: Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorios to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The date of Tenducci's re-appearance in London seems to have been a matter of some uncertainty (see dl, 10 Feb.)]

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Principal Vocal Parts-Tenducci (1st appearance at that theatre these 8 years), Saville, Reinhold, Miss Storace, Miss Harrop (1st public appearance).

Music: End of Part I: concerto on the violoncello-Cervetto; End of Part II: concerto on the violin-Lamotte

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).

Afterpiece Title: Piety in Pattens