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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8638 results for: Keyword - New Theatre in Lincolns-Inn-Fields
We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

7151
28 January 1732 @ Lincoln's Inn Fields

Event Comment: Not Acted [there] these Seven Years. With all New Habits. Receipts: #49 7s. 6d

Performances

Mainpiece Title: The Committee

Dance: TThe Grand Aga and his Sultana-Salle, Mrs Laguerre; The Baulk-Salle, Mrs Laguerre

7152
15 February 1732 @ King's Theatre

Event Comment: A New Opera. [Music by Handel. Done into English by Humphreys. Their Majesties, Prince, eldest Princesses present.

Performances

Mainpiece Title: Sosarmes

7153
19 February 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Modern Husband

Performance Comment: As17320218 With a new Epilogue.

7154
03 March 1732 @ Haymarket Theatre

Event Comment: As 2 March. According to Daily Post, 4 March, the new English Opera of Amelia was rehearsed at hay on 3 March by a Set of Performers that never appeared before upon any Stage

Performances

Mainpiece Title: The Blazing Comet

7155
07 March 1732 @ Goodman's Fields

Event Comment: A New Opera of three Acts. [Author unknown.

Performances

Mainpiece Title: The Footman

7156
13 March 1732 @ Haymarket Theatre

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

7157
17 March 1732 @ Haymarket Theatre

Event Comment: Benefit Pullen and Mrs Pullen. Afterpiece: a Ballad Opera of Three Acts. [Author unknown.] This Opera, relating to the Affair of Father Girard with Miss Cadiere, &c. is entirely new, being a faithful Translation from the French Original, as it was forbid in Paris

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Wanton Jesuit; or, Innocence Seduced

Dance: HHornpipe-Jones' Scholar

7158
21 March 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: With Alterations and a new Prologue after the Italian Manner. Admission 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Perseus and Andromeda

7159
27 March 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Blazing Comet

Performance Comment: As17320302 With a New Epilogue.

7160
14 April 1732 @ Lincoln's Inn Fields

Event Comment: Benefit Hippisley. At the Particular Desire of several Ladies of Quality. Afterpiece: a new Comic Scene. Receipts: money #43 13s. 6d.; tickets #103

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Medley; or, Hippisley's Drunken Man

Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle

Dance: TTwo Pierrots-Poitier, Nivelon

7161
17 April 1732 @ Drury Lane Theatre

Event Comment: Benefit Bridgwater. At the particular Desire of several Persons of Quality. Afterpiece: A new Ballad Opera. [By Charles Johnson. Apparently not published.] The Rehearsals of The Ephesian Matron having obliged Mr Bridgwater to a close Attendance, he humbly hopes his Friends will excuse his not being able personally to wait on them

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Ephesian Matron

Dance: HHighland Lass-Miss Robinson

Ballet: TThe Masques. Harlequin Petit Maitre-Essex; Mademoiselle-Mrs Walter; Punches-Thurmond, F. Tench; French Peasant-Houghton; French Peasant Woman-Mrs Delorme

7162
10 May 1732 @ Goodman's Fields

Event Comment: Benefit Henry Woodward and Miss Wherrit. By Desire. Afterpiece: With Alterations and Additions, particularly an entire new Scene, call'd Pierot's Encounter with a Bearv

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin's Contrivance

Dance: I: Tambourine-Miss Wherrit; II: The Merry Lass-Miss Wherrit; V: Passacail-Miss Wherrit

7163
23 June 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: A New Farce. [By Henry Fielding.] Alter'd from the French of Moliere

Performances

Mainpiece Title: The Old Debauchees

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Dance: I: The Pieraite-Holt, Mrs Walter; II: Harlequin-Miss Brett; III: English Maggot-Lally Jr, Mrs Walter; End Afterpiece: Midsummer Whim, as17320606

7164
04 August 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Pastoral Opera. [Author unknown. Apparently not published.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Rural Love; or, The Merry Shepherd

Dance: d'V'Vallois, Mrs Walter

7165
04 September 1732 @ Haymarket Theatre

Event Comment: At the particular Desire of several Persons of Quality. For the Benefit of the Famous Signora Violante, who is just arriv'd with a new extraordinary fine Company....After the Irish Manner, Which was perform'd 96 Times in Dublin with great Applause. Boxes 5s. Pit 3s. Gallery 2s. [For performances at the Fairs in September, see season of 1731-1732.

Performances

Mainpiece Title: The Beggar's Opera

Dance: HHarlequin-Master LaFevre, Miss Violante; Louvre in Boys Cloaths-Miss Violante; Two Pierrots-Lalauze, Tobin

7166
23 September 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Ballet: With New Habits. At Common Prices

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil of a Duke; or, Trapolin's Vagaries

Dance: Grand Ballet: Les Bergeries, Composed in the Taste of Monsieur Dumoulin and Mademoiselle Camargo, of the Opera at Paris-Essex, Miss Robinson, Houghton, being the first Time of their Dancing since their Arrival from Paris; Thurmond, Mrs Walter, Tench, Miss Williams, Davenport, Miss Mears

7167
03 October 1732 @ Goodman's Fields

Performances

Mainpiece Title: Henry Iv, Part 1

Performance Comment: As17321002 A new Prologue, Epilogue to the Town.

7168
01 November 1732 @ Soho Square

Event Comment: Acted in English, according to the New Translation

Performances

Mainpiece Title: The Miser

7169
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

7170
08 November 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by his Grace the Duke of Buckingham. With New Habits

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: TTambourine-Miss Robinson; Scots Dance-Haughton, Mrs Walter; Grand Dance of Moors-Essex, Mrs Booth, Lally Jr, Haughton, Lally, Tench, Mrs Walter, Mrs D'Lorme, Miss Williams, Miss Mears

7171
20 November 1732 @ Lincoln's Inn Fields

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

7172
29 November 1732 @ Haymarket Theatre

Event Comment: Mainpiece: A new Tragi-Comedy. Benefit the Author. [Author unknown. Apparently not published.] Boxes 5s. pit 3s. Gallery 2s. There's none Sir Courtly, can my Lord Beau call, He's a bold-Fop, and represents you all

Performances

Mainpiece Title: The Miseries Of Love

Afterpiece Title: Damon and Phillida

Song:

Music:

7173
01 December 1732 @ Goodman's Fields

Event Comment: With New Scenes, Habits, and other Decorations proper to the Play

Performances

Mainpiece Title: Julius Caesar; With The Deaths Of Brutus And Cassius

Performance Comment: Julius Caesar-Huddy; Octavius-Rosco; Antony-Giffard; Brutus-Delane; Caska-W. Giffard; Trebonius-Smith; Ligarius-Jenkins; Decius-Bardin; Metellus-Winstone; Cinna-Williams; Lucius-Master Huddy; Soothsayer-James; Calphurnia-Mrs Williamson; Portia-Mrs Thurmond; Citizens-Morgan, Norris, Collet, Bullock, Wetherilt Sr, Pearce, Stoppelaer.
Cast
Role: Cinna Actor: Williams

7174
13 December 1732 @ Covent Garden

Event Comment: Written by Shakespeare. The Scenes and Decorations entirely New. Receipts: #55 10s

Performances

Mainpiece Title: The True And Antient History Of King Lear And His Three Daughters

7175
20 December 1732 @ Goodman's Fields

Event Comment: Mainpiece: Written by Shakespeare. Afterpiece: a Masque. [Author unknown. Apparently not published.] All the Characters new dress'd

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Amorous Sportsman; or, The Death of the Stag