SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Armida

Performance Comment: As17750107, but [the Alterations and new Songs specified by particular reference to the 1774 Word Book] Act I, Page 15. Duetto [by Anfossi-Signor Rauzinni, Signora Schindlerin; [Act II. Page 19, a Song [by Galuppi-Sga Farinella; [Page 20. a Song [by Vento-Sga Schindlerin;[. Page 23 a Song [by Bach-Signor Passini; [Page 24. a Song [by Sacchini-Sga Schindlerin; [Page 27. a Song [by Bertoni-Sg Rauzzini; [Act III. Page 32. Song [by Vento-Sg Rauzzini.
Cast
Role: a new Duet Actor:
Role: new Songs by several eminent Masters Actor: .

Dance: As17750107

Cast
Role: New Ballet Actor:
Event Comment: Mainpiece: A New Comedy [by R. B. Sheridan] never perform'd. New Scenes and Dresses. [Gentleman's Magazine for Jan. states: "Tuesday 17, Was performed for the first time at Covent Garden a comedy call'd The Rivals, said to be written by Mr Sheridan. Some objections being made both to language and character, the author has thought proper to withdraw his piece for correction, and it has since been played with applause." See 18 and 28 Jan. The Westminster Magazine, Jan., remarked: "This comedy was acted so imperfectly, either from the timidity of the actors on a first night's performance, or from an improper distribution of parts, that it was generally disapproved....The author promised some alterations, which implied that he would be glad the Town would suspend judgment till a farther hearing" See 28 Jan. John Hampden quotes from Lloyd's Evening Post, 18 Jan., the Morning Chronicle and Morning Post of the same date, and the London Chronicle of 19 Jan. articles damning the casting and the imperfectness of the actors, the impudence of Shuter in particular, and the fatigue of the audience.

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: As You Like It

Performance Comment: As17741220, but In Act V a New Dance of Forresters-Daguville, Helme.

Afterpiece Title: The Two Misers

Dance: I: The Reel, as17741028

Event Comment: Benefit for Brereton. Music of the Afterpiece (entirely new) composed by Dibdin. Mr Brereton-Jaffier, Much Applause. The Quaker is Mr Dibdins Production he has sold it to Mr Brereton. The Music is pretty & Novel it was very badly perform'd--when it is properly Cast & got up with care it will do very well (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] [The Reviewer for the Westminster Magazine for May gave a paragraph to Dibdin's afterpiece: "The words will not add to Mr Dibdin's reputation as a writer, nor Will the music increase his fame as a composer, the latter, however, possessed more merit than the former. The Finale was in new stile and pleased. Upon the whole this piece, like the rest of Mr Dibdin's performances, proves that this would-be author, is resolv'd in spite. Of Nature and the Stars, to write."] Receipts: #105 19s. 6d. Charges: #69 18s. Profits to Brereton: #36 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Wonder

Performance Comment: As17750125, but Don Pedro-Waldron; Isabella-Miss Hopkins; New Occasional Prologue-Palmer; Occasional Epilogue-Garrick.

Afterpiece Title: The Rival Candidates

Dance: Slingsby, Sga Hidou [title of dance not specified]

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Aickin, Whitefiled, Fearon, Lane, Brett, L'Estrange, Wilson, Jacobs, Jones, Lloyd, Everard, Castevens, Walters, Pierce, Chaplin, Francis, Weston, Miss Ambrose, Miss Platt, Mrs Weston, Miss Francis; with a Reinforcement of Bayes's new-Raised troops-.

Afterpiece Title: Thomasand Sally

Dance: The Medley-

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Tobacconist

Entertainment: End I of Farce: Imitations Vocal and Rhetorical-Bannister

Monologue: End: A Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; new character-Mrs Gardner

Performance Comment: Gulwell-Lloyd; Little Girl-Miss Frances; new character-Mrs Gardner.
Cast
Role: new character Actor: Mrs Gardner.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Tobacconist

Monologue: Interlude: Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; New Character-Mrs Gardner

Performance Comment: Gulwell-Lloyd; Little Girl-Miss Frances; New Character-Mrs Gardner.
Cast
Role: New Character Actor: Mrs Gardner.

Entertainment: Imitations Vocal and Rhetorical-Bannister

Event Comment: Afterpiece: A New Musical Entertainment in 2 Acts [by Theodosius Forrest] never pebformed. With a New Overture by Dr Arnold. The Airs chiefly selected from the most eminent masters. [Larpent MS 392 confirms the character names and adds a Country Lad and a Country Lass. The Westminster Magazine for Oct. condemned the Weathercock: "To speak of this piece as a literary compostiion, it was throughout a dull, uninteresting narrative, told in duller numbers. Considered in a dramatic light, it was still less defensible....The overture by Dr Arnold was trite, except the last movement, which had great merit, and was universally admired....We expected in spite of the numerous Orders sent in by the Author and Managers, that it would have met with its deserved fate on the first representation, it was, however, somehow carried through that and a second night's hearing-on the third evening, however, it received a formal damnation."

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Weathercock

Event Comment: Tomorrow, A New Comic Opera, never perform'd, call'd The Duenna, or The Double Elopement, with New Dances, Dresses, and Scenery

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Midas

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17751120, but New Occasional Prologue-Reddish.

Afterpiece Title: Miss in Her Teens

Event Comment: Afterpiece: A New Pantomime Entertainment, never performed. With New Music, Scenes, Dresses, and Machinery. The Overture composed by Fisher. The scenes painted by Messrs Dahl and Richards. Nothing under FULL PRICE will be taken. The Words of the songs to be given at the Doors. [This information included in all subsequent bills for the pantomime this season, until 25 March when the half-price practice is announced. Full account of the content of the afterpiece is given in The Westminster Magazine for Dec. The reviewer was delighted with the adherence to the classical myth in the first and last scenes, and with the variety of action and excellence of the machinery and painting in the interventing comic portion.

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Prometheus

Event Comment: A New comic opera; Music entirely new by Vento. [The Libretto by Bodini (Public Advertiser, 10 Jan.).

Performances

Mainpiece Title: Il Bacio

Dance: I: Serious Ballet-Fierville, Mlle Bacelli; II: Les Evenemens Imprevues-M N. N., Helm, Mlle Tinti, Mlle Sophie; End Opera: La Generosite de Scipion-N. N., Fierville, Mlle Baccelli

Event Comment: A new serious Opera; Music entirely New by Vento

Performances

Mainpiece Title: La Vestale

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End of Opera: A Divertissement-Mlle Baccelli, Mlle Sophie

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17751215, but the Vocal Parts-Mrs Smith, Mrs _Scott, Mrs _Jewell; +The Last New Epilogue-Mrs Abington (playbill). [The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]

Afterpiece Title: The Jubilee

Event Comment: Benefit for Rauzzini. A New Opera, written by Badini; Music entirely New by Rauzzini

Performances

Mainpiece Title: Le Ali D'amore

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End Opera: Pigmalion Amoureuse de La Statue, as17751031

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Reddish; Chamont-Smith; Polydore-Brereton; Chaplain-Usher; Page-Mas. Pulley; Servt-Everard; Acasto-Packer; Monimia-A Lady [Mrs Canning] first appearance this season; Ernesto-Wrighten; Serina-Miss Platt; Florella-Mrs Johnston; before the play A New Occasional Address to the Public-Reddish.

Afterpiece Title: Valentine's Day

Performance Comment: Parts by a Young Gentleman, Baddeley, Waldron, Burton, Miss Sharp, and Mrs Wrighten. Frederick-A Young Gentleman [Burkitt]; Sir Veritas Vision-Waldron; Sir Anthony Ash-Baddeley; Jeremy Jingle-Burton; Florella-Miss Sharpe; Pinner-Mrs Wrighten (Genest, V, 493).
Cast
Role: Pinner Actor: Mrs Wrighten

Dance: II: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Performance Comment: Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis.

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-King; Johnson-Lamash; Smith-Aickin; Others-Baddeley, Parsons, Moody, Whitfield, Hurst, Fawcett, Waldron, Bransby, Burton, Carpenter, Griffiths, Norris, Garland, Wrighten, Wright, Legg, Messink, Cubitt, Everard, Master Pulley, Mrs W. Palmer, Miss Platt, Mrs Davies; With an Additional Reinforcement of Bayes's New Raised Troops-.

Afterpiece Title: The Election

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003; II: The Sailors Revels, as17751220

Performances

Mainpiece Title: He Bankrupt

Performance Comment: As17760520, but new listing of Actors-Foote, Whitefield, Fearon, Aickin, R. Palmer, Griffith, Palmer, L'Estrange, Lloyd, Bannister, Stephens, Walters, Baddeley, Miss Sherry, Miss Ambrose, Miss Platt, Mrs Jewell.

Afterpiece Title: The Lyar

Dance: The Haymakers-

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; others-Aickin, Whitefield, Parsons, Davis, Fearon, Baddeley, L'Estrange, Lloyd, Edwin, Brett, Jones, Griffith, Pierce, Walters, Francis, Miss Ambrose, K. Palmer, Miss Francis, Miss Platt; With the Reinforcement of Bayes's New Rais'd Troops-.

Afterpiece Title: The Padlock

Dance: Tambourine Dance-

Event Comment: A new Comic Opera; the Music by Paisiello; under the Direction of Giardini

Performances

Mainpiece Title: La Fraschetana

Performances

Mainpiece Title: Astarto

Performance Comment: As17761102, but new Airs-Sga Pozzi.
Cast
Role: new Airs Actor: Sga Pozzi.

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Reddish; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Ben-Yates; Jeremy-Baddeley; Trapland-Waldron; Buckram-Wrighten; Officer-Griffiths; Tattle-King; Angelica-Miss Younge; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Nurse-Mrs Bradshaw; Miss Prue-Mrs Abington; The new occasional Prologue-Dodd. [This was spoken, as here assigned, at the first 2 performances only (see17761205).]This was spoken, as here assigned, at the first 2 performances only (see17761205).]

Afterpiece Title: The Elopement