SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17661128, but Jacintha-Mrs Lessingham; Frankly-Aickin; Occasional Prologue-; To conclude with a new Country Dance-.

Afterpiece Title: Daphne and Amintor

Music: I: Concerto on Harpsichord-Burney Jun

Event Comment: Afterpiece: A masque in 3 parts with Music by Dibdin. New Scenes, Machines, Habits, and Decorations. This Entertainment is got up at vast Expence both in Scenery & Dresses very great applause (Hopkins Diary). But I wish it may answer the expence (Hopkins MS Notes). Book of Chorusses & Songs may be had at the Theatre. [The afterpiece thoroughly reviewed and excoriated by Theatrical Review for 28 Oct.] Paid Mr Dorman for coals #45 10s.; Mr Booth over stop'd last season 10s. 6d.; Supernumerary Soldiers #1 11s. (Treasurer's Book). Receipts: #259 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Institution of the Garter; or, Arthur's Round Table Restored

Performance Comment: King Edward-Aickin; Genius of England-Reddish; Sir Dingle (court fool)-King; Nat Needle-Parsons; Roger-Weston; Spirits-Miss Hayward, Mrs Morland, Miss Rogers, Mrs Simson; Edward the Black Prince-Miss Hopkins; Chief Druid-Inchbald; Squallini-Mrs Wrighten; Queen Philippa-Mrs Johnston (Genest's News Clippings).
Event Comment: Benefit for Ackman. Tickets to be had at Pond's in the Great Piazza, Covent Garden; and of Mr Johnston, at the Theatre. House charges #84. Profit to Ackman #123 10s.; Paid Mr Davies's note to Liddell, #3 3s.; Paid extra Flute and Hautboy 10s.; Chorus 2 nights (this incl.) #4 1s. Receipts: #207 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer; Ferdinand (with songs)-Vernon; Stephano (that night only)-G. A. Stevens; Trincalo-Baddeley; Caliban-Ackman; Sebastian-Keen; Gonzalo-J. Aickin; Alonzo-Bransby; Antonio-Hurst; Master of Ship-Wrighten; Francisco-Griffith; Ariel (with songs)-Mrs Scott; Hymen-Fawcett; Ceres-Mrs Wrighten; Miranda-Mrs Smith, first time and with a new song. With a; Grand Dance of Fantastic Spirits-.

Afterpiece Title: Harlequin's Invasion

Dance: Other dances-Atkins, Sg Giorgi, Sga Giorgi

Entertainment: End: Bucks Have at ye All-Palmer; by Desire

Event Comment: Receipts: #86 (Account Book). Charges #81 15s. Profit to Society #4 5s., plus #106 17s. from tickets (Box 242; Pit 309) (Account Book). Benefit for Use of the Society at the Thatched-House Tavern For the release and discharge of persons imprisoned for small debts. [The Epilogue was written by Cumberland. (See Folger Library Theatrical Clippings). The Curtain rises and discovers a prison; at some distance a woman, poorly habited, and in a disconsolate attitude; after standing some time montionless, in a posture of fixed attention she speaks]: @Woman: Thou loathsome dungeon in whose dreary womb@The pining Debtor finds a living tomb;@Where 'midst the Clank of Chains and Dismal yells@Of shakled felons my sad husband dwells;@From his dark cell, oh give him to my view!@Let him look forth and take a last adieu.@ [As she advances towards the prison, a person in Gentleman's apparel accosts her.] @Man: Stay, Child of Sorrow, thou whose piercing groans@Might move to pity e'en these senseless stones.@Why dost thou bend thy melancholy way@To that Drear Dungeon? Child of Sorrow stay.@Woman: Why should I stay, or my sad Griefs impart?@Can there be pity in a Human heart?@Away and let me die.@ [...The Man suggests a Human heart can have pity] @Woman: If there be such, O lead me to their sight,@And let me plead a wretched sufferer's right:@Can there be Truth, Humanity or Sense@In laws that make Misfortune an offence?@ [Her husband was a God-fearing weaver who fell ill for 10 weeks, lost his job and was seized upon by a relentless creditor.] @Steel'd to their trade, and deaf to all our cries,@Relentless ruffians seize their legal prize;@From my fond arms a dying Husband tear@And plunge their victims in a dungeon there!@Man: Enough! go speak the healing words of peace@To thy sad mate, and bear him this release;@Tell him the Muse, which on these Scenes attend@That balsam to his wounded spirit sends.@And Know this Truth thyself, 'tis not alone@The Preacher's pulpit and the Monarch's throne@That Charity frequents; but in this age,@She guides the Theatre and treads the stage;@Lo! She is present, cast your eyes around,@And here in each Spectator's heart she's found.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Smith; Major Oakly-Shuter; Charles-Bensley; Trinket-Dyer; Russet-Dunstall; Sit Harry-Quick; O'Cutter-Fox; Tom-R. Smith; Paris-Holtom; William-Cushing; Harriet-Mrs Mattocks; Lady Freelove-Mrs Green; Toilette-Miss Helme; Maid-Miss Pearce; Mrs Oakly-Miss Barsanti; Wit a New Occasional Epilogue-Hull, Mrs Mattocks.

Afterpiece Title: Thomasand Sally

Dance: The Highland Reel, as17731112, after the Epilogue

Event Comment: Miss Robins made her first appearance upon the Stage in the part of the Country Girl an agreeable figure as a Woman & also in Breeches-she has a particular Cuddenish wa with her wch is not amiss in this Character, but I am afraid it will be a disadvantage to her in any other. Mr G. took great pains with her, & a long time in Training her before he brought her out he wrote & introduc'd a Song in the part and a New Prologue to introduce her & alter'd the Epilogue. all which & the Lady were very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] The Songs introduced in the Comedy [mainpiece] will be printed, and given at the doors of the Theatre. [The Westminster Magazine for December remarked of Miss Robbins' performance and reception, "The first was spirited and characteristic; the latter very favorable, and in our opinion deservedly so. She is no beauty but has strong expression. Her voice is pleasing, and her articulation was extremely distinct and proper."] Receipts: #149 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Belville-Cautherly; Harcourt-Palmer; Sparkish (With song)-Dodd; Alithea-Mrs Greville; Lucy-Miss Pope; Country Girl (with a song, and an Address to the Audience)-a Young Gentlewoman (who never appeared up on any stage before); A New Occasional Prologue-Palmer.

Afterpiece Title: The Deserter

Dance: III: The Sailors Revels, as17740920

Event Comment: Benefit for Quick. Afterpiece 1st time; F 2, by Ursula Agnes Booth, based on the same, by John Fletcher and Philip Massinger. The playbill lists Death in place of Lee Lewes, but he 'Was not to be found...Hull begged permission for Lee Lewes to read Death's part in his own undress, which [was] granted" (London Chronicle, 28 Apr.).]. Books of the Entertainment to be had at the Theatre. Public Advertiser, 30 Mar.: Tickets to be had of Quick, No. 15, Drury-lane. Receipts: #262 2s. (157.2; tickets: 105.0) (charge: #64 10s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Little French Lawyer

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

Performance Comment: End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick.
Cast
Role: with a new song] Actor: Quick.
Event Comment: Afterpiece: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza. 12th time [i.e. in continuation of the reckoning for the previous season]. The views of the Temple of Health, and the Camp in St. James's Park designed and executed by Rooker. [Prologue by George Colman elder (Colman, Prose, III, 229). Miss Lyon is identified in playbill of 11 June. Delpini was from dl.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Parts-Palmer, Wilson, Massey, Wewitzer, R. Palmer, Edwin, Miss Farren; [Cast adjusted from London Chronicle, 1 Sept. 1777: Count Almaviva-Palmer; Dr Bartholo-Wilson; Basil-Massey; Argus-Wewitzer; Tall@Boy-R. Palmer; Lazarillo-Edwin; Alcade-Egan; Notary-Stevens (see17810611; Rosina-Miss Farren.] new Occasional Prologue-Palmer.

Afterpiece Title: The Genius of Nonsense

Dance: afterpiece: Master Byrn, Miss Byrn. [Danced, as here assigned, in all subsequent performances.

Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

Performance Comment: Principal Characters by Quick, Edwin, Lee Lewes, Whitfield, Booth, Egan, Fearon, Darley, J. Bates, Bates, Jones; Mrs Webb, Mrs Lessingham, Mrs Wilson, Mrs Martyr, Mrs Kennedy. [Cast from European Magazine, Mar. 1782, p. 211: Sir Toby Tacet-Quick; Rupee-Edwin; Grog-Lee Lewes; Capt. Bellcamp-Whitfield; Lake-Booth; Maurice-Egan; Stern-Fearon; Dolphin [in later seasons, Quid]-Darley; Sailors-J. Bates, Jones; Bowsprit-Bates; Cable-Mrs Kennedy; Lady Tacet-Mrs Webb; Florimel-Mrs Lessingham; Nancy-Mrs Wilson; Cornelia-Mrs Martyr.] With a new Prologue spoken by Edwin. [This was spoken, as here assigned, at all subsequent performances.] hathi. With a new Prologue spoken by Edwin. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Event Comment: Mainpiece [1st time; T 3, as altered by George Colman, the elder]: Written by Lillo, Author of George Barnwell. Not acted these 50 years [acted 4 Sept. 1755. Prologue by the alterer (Colman, Prose, III, 233)]. The Words of the Song in the Tragedy will be given at the Doors of the Theatre. Public Advertiser, 28 June 1783: This Afternoon will be published Fatal Curiosity (1s)

Performances

Mainpiece Title: Fatal Curiosity

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Bensley; Miss Sherry, Miss Hooke, Mrs Bulkley. [Cast from text (T. Cadell, 1783): Young W'ilmot-Palmer; Randal-Bannister Jun.; Eustace-R. Palmer; Old Wilmot-Bensley; Agnes-Miss Sherry; Maria-Miss Hooke; Chariot-Mrs Bulkley.] New Occasional Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Occasional Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Agreeable Surprise

Song: In Act I of mainpiece a song in character by Miss Hooke. [This was sung, as here assigned, in all subsequent performances.]

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Performance Comment: Principal Characters by Palmer, Williamson, Wilson; Miss George, Mrs Bannister. [Cast from text (T. Cadell, 1783): Prince of Arragon-Palmer; Don Frederick-Williamson; Don Leopold-Wilson; Fiorina-Miss George; Seraphina-Mrs Bannister.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

Event Comment: [Extra night] Benefit for Bonnor. Afterpiece [1st time; INT 1]: Translated [by Charles Bonnor] from a new Production of Dorvigny, entitled La Fete de Campagne; ou, L'Intendant Comedien malgre Lui, now acting in Paris with uncommon Applause [MS: Larpent 664; not published; in later season occasionally acted under the title of Transformation]. Tickets to be had of Bonnor, No. 19, Piazza, Covent Garden. Bonnor begs leave to inform his Friends and the Public that on account of his Absence at the time his Night was to have been appointed he was induced to decline a Benefit in the course of the Season, but the Manager having obligingly made him an Offer of the Theatre, free of all Expense, and the several Performers kindly engaging to assist him, he has fixed on this Day. Receipts: none listed

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Manager an Actor in Spite of Himself

Song: End of mainpiece a favourite song by Mrs Martyr. monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates

Performance Comment: monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates .
Event Comment: By Permission of the Lord Chamberlain. Benefit for Raeburn, Stewart and Rae. Mainpiece: In its original state. Afterpiece: Written by the Author of the Prologue. The Doors to be opened at 5:00. To begin at 6:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre; and tickets to be had at Rae's, No. 4, Wardour-street, Soho

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Patie-M'Donald; Roger-Cockburn; Symon-Middlemist; Glaud (with The Cries of Edinburgh')-Thompson; Sir William Worthy-Aberdein; Bauldy-Murray; Jenny-Mrs Tassie (1st appearance); Mause-Mr Blair; Madge-Mr M'Nab; Peggy-Mrs Raeburn. A new Occasional Prologue, written and spoken by ThomasStewart .

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

Event Comment: [Mathews was from the Royal Circus. Prologue by George Colman the elder (Colman, Prose, ui, 269).] Places for the Boxes to be taken of Rice, at the Theatre. Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Hunt the Slipper is unavoidably postponed. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Brett; Sir Harry Sycamore-Edwin; Fairfield-Aickin; Ralph-Meadows; Mervin-Davies; Giles-Mathews (1st appearance on this stage); Fanny-Sga Sestini; Theodosia (1st time)-Miss Burnett; Lady Sycamore-Mrs Webb; Patty-Mrs Bannister. New Occasional Prologue spoken by Bensley .

Afterpiece Title: The Apprentice

Dance: End of Act I of mainpiece, by Giorgi's Scholars

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

Performance Comment: End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett.
Cast
Role: a new favourite song Actor: Birkett
Event Comment: Benefit for Mrs Martyr. 1st piece: Not acted these 20 years [never previously acted at this theatre]. Morning Herald, 4 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #349 16s. 6d

Performances

Mainpiece Title: May Day; Or, The Little Gipsey

Performance Comment: William-Incledon; Clod-Blanchard; Furrow-Powel; Cryer-Rees; Dozey-Munden; Dolly-Mrs Martyr; The Little Gipsey (with a new Gipsey Ballad [The Wandering Gipsey], the Words written and the melody composed by Peter Pindar, Esq. [pseud. for John Wolcot], the Accompaniments by Shield)-Mrs Clendining.

Afterpiece Title: Fashionable Levities

Afterpiece Title: The Soldier's Festival

Performance Comment: As17930424, but added: An entirely new Military Overture-.

Afterpiece Title: Hartford Bridge

Dance: As17921116

Event Comment: Benefit for Munden [who had 1st sung A Dish of all Sorts at the Manchester theatre in 1785]. 1st piece : Never acted here. Morning Herald, 9 Aug.: Tickets to be had of Munden, No. 16, Clement's Inn

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Harmonic Jubilee

Performance Comment: A new comic song (never performed), The United Englishmen-Munden; A new comic song (never performed in London), A Dish of all Sorts-Munden; The Town Crier, in character,-Suett; Brave Betty was a Virgin Queen-Johnstone; Boxing the Compass-Fawcett; Imitations-Caulfield.

Afterpiece Title: The Honest Thieves

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Performance Comment: T. Fitzgerald, Esq=., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon.
Event Comment: Benefit for Dignum. Morning Herald, 11 Apr.: Tickets to be had of Dignum, No. 13, Little Wild-street, Lincoln's Inn Fields. Receipts: #333 18s. (99/7; 6/12; 0/11; tickets: 227/8) (charge: #106 18s. 8d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Romp

Song: End of Act II of mainpiece Nancy of the Dale (composed by Linley [Sen.]); In Act III a song; End of Act IV The Bucks of the Field (composed by Danby), all three by Dignum

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths, formerly of Drury-Lane Theatre. The Doors to be opened at 5:00. To begin at 6:00. Tickets delivered by Griffiths for the 27th of February will be taken. Tickets and Places to be had of Griffiths, at the Theatre, every Morning from 10 till 12. Fires are kept to keep the Theatre warm

Performances

Mainpiece Title: Tamerlane The Great

Performance Comment: Tamerlane-Calvert (from the Theatre-Royal [Smock Alley], Dublin); Moneses-Kent (from the Theatre-Royal, Norwich); Axalla-Diamond; Dervise-Nash; Bajazet-A Gentleman (1st appearance in that character); Selima-Mrs Clapham (from the Theatre-Royal, York); Arpasia-Miss Shelbourn (from the Theatre-Royal, Edinburgh) .

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the new Theatre and there I saw The Merry Wives of Windsor acted, the humours of the country gentleman and the French doctor very well done, but the rest but very poorly, and Sir J. Falstaffe as bad as any

Performances

Mainpiece Title: The Merry Wives Of Windsor

Event Comment: Some time (probably not long) before this date Aglaura [by Sir John Suckling] was acted by the King's Company. Pepys, Diary: Thence to Mr Wotton, the shoemaker's, and there bought a pair of boots, cost me 30s., and he told me how Bird hath lately broke his leg, while he was fencing in Aglaura, upon the stage, and that the new theatre of all will be ready against term

Performances

Event Comment: Pepys, Diary: To the New Theatre [Vere St], which, since the King's players are gone to the Royal one [Bridges St], is this day begun to be employed by the fencers to play prizes at

Performances

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344. Newsletter, 9 Nov.: A play, The tanner tanned, is appointed for this evening in the new theatre at Whitehall (HMC, Fleming MSS., 12th Report, Appendix, Part VII, p. 60)

Performances

Mainpiece Title: The Tamer Tamed

Event Comment: At the Desire of several Ladies in Greenwich and from London. At Mr Penkethman's New Theatre in Greenwich. At 6 p.m

Performances

Mainpiece Title: The Fine Ladies Airs

Event Comment: Benefit Mrs Baxter. At Mr Penkethman's New Theatre in Greenwich. At 5 p.m., several People returning to London the same Night, it being Moonlight Nights

Performances

Mainpiece Title: Pastor Fido; Or, The Faithful Shepherd

Dance: Dances with Swords to Admiration-A girl of five

Song: Between the Acts: Singing-