SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms Ward"/1) | (@(roleclean,performerclean) "Ms Ward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1490 matches on Event Comments, 958 matches on Performance Comments, 20 matches on Performance Title, 14 matches on Author, and 7 matches on Roles/Actors.

Performances

Mainpiece Title: Dido

Afterpiece Title: The Register Office

Dance: End: The Lilliputian Camp, as17670227

Event Comment: Benefit for Messrs Wignel and Stoppelaer. Neither Piece Acted This Season. The Prologue and Epilogue spoken By particular Desire by Master Wignell. Charges #72 15s. [of which Wignel bore #32 2s. 6d. and Stoppelaer bore #40 12s. 6d. Their deficit codered by income from tickets: Wignel #97 6s. (Box 82; Pit 362; Gallery 225); Stoppelaer #104 15s. (Bhx 118; Pit 377; Gallery 187).] Paid Edward Bamford for the Giant in the Dragon of Wantly #1 1s. (Account Book). With difficulty got into the Pit just before began (Neville MS Diary). [He comments favorably on the play and performers. Liked Shuter, especially, as Sharp in the afterpiece, and thought Miss Baker looked well in men's clothes.] Receipts: #48 7s. (Account Book)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: Mizen-Woodward; Flip-Dunstall (with Famous Sea-Song of Ninety-Two); Worthy-Smith; Rovewell-Hull; Sir Charles Pleasant-Wignell; Arabella-Miss Macklin; Belinda-Mrs Baker; Jiltup-Mrs Walker; Jenny Private-Mrs Gardner; The Fair Quaker-Miss Wilford.
Cast
Role: Mizen Actor: Woodward

Afterpiece Title: The Lying Valet

Dance: III: Blind Man's Buff, as17670516; End I Farce: Double Hornpipe, as17670427

Entertainment: After: The Prologue to the Apprentice-Master Wignell; End Farce: an Epilogue addressed to Most Noble Order of Bucks-Master Wignel

Ballet: End I Farce: The Wapping Landlady. As17670427

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Register Office

Dance: End: A Double Hornpipe, as17670511

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Miss in Her Teens

Music: End: Concerto on Harpsichord-Burney Jun

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit for Weller, Murden, Lewes. Afterpiece for 52nd and last time this season. Tickets deliver'd for Friday the 15th will taken. Tickets sold at the Door will not be admitted. Charges #65 10s. [Deficit to each beneficiary #1 14s. 4d., covered by income from tickets. Weller #41 14s. (Box 7; Pit 145; Gallery 182); Murden #41 12s. (Box 31; Pit 111; Gallery 172); Lewes #61 10s. (Box 45; Pit 239; Gallery 144).] Paid the Duke of Bedford half year's ground rent due Lady Day last for the theatre #41 13s. 4d. (#50 minus half year's Land Tax #8 6s. 8d.). Paid Duke of Bedford half year's ground rent for the New Building adjoining the theatre #12 10s. (#15 minus half year's Land Tax #2 10s.). (Account Book). Receipts: #60 1s. (Account Book). At 5 went to Covent Garden to see Conscious Lovers &c....Got a bad place hn the First Gallery...Lewis did Harlequin, but not so well as Woodward; and Miss D. Twist did ye Miller's Bride, Miss Wilford's Character. Mrs Mahon does the jealous fellow's wife (Neville MS Diary)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17661209, but Tom-Woodward, 1st time; Humphrey-Perry; Daniel-Weller.
Cast
Role: Tom Actor: Woodward, 1st time

Afterpiece Title: Harlequin Dr Faustus

Dance: IV: Double Hornpipe, as17670427

Ballet: IV: The Wapping Landlady. As17670427

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Register Office

Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Alexander's Feast

Song: Coronation Anthem-

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Music: I: Concerto on Harpsichord-Burney Jun

Performances

Mainpiece Title: The Busy Body

Cast
Role: Marplot Actor: Woodward

Afterpiece Title: Love a-la-Mode

Cast
Role: Groom Actor: Woodward
Event Comment: With several curious and uncommon performances by the Venetian and his children. Neville MS Diary: At 6 got into the Pit at Sadler's Wells just as the entertainment began with concerts. The singing by Mrs Lampe, Master Herryman, &c. Dancing by Sg Grimaldi, Tassoni, Miss Reynolds from Drury Lane. Tumbling, but not equal to that by Plaida's company. Postures in which the Venetian and his children (a boy and a girl particularly) excel greatly. One stands on his hands, turns his feet backwards to his haunches, and walks in this position or forms an arch with his breast, while the other stands on his head upon it, the father carries one on his hand around his body, one stands on his head on his father's hand. These I mention as a specimen of many more, equally curious, tho' seeing these postures is disagreeable to a humane mind. The Father balances too the slack rope. The whole concluded with the pantomimic entertainment called Merlin

Performances

Mainpiece Title: Merlin; Or, The Enchanter Of Stonehenge

Related Works
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips
Related Work: The Royal Chace; or, Harlequin Skeleton Author(s): Edward Phillips

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Citizen

Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Lethe

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Miss in Her Teens

Dance: III: A Serious Dance-; End: A comic dance-Miss Froment, a little girl (Neville)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Lying Valet

Dance: IV: A serious Dance-; End: A comic Dance-Miss Froment

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: A Duke and no Duke

Dance: III: A Serious Dance-; End: Hornpipe-Miss Froment

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: A Duke and no Duke

Dance: Serious Dance-; Hornpipe, as17670722