SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms Broad"/1) | (@(roleclean,performerclean) "Ms Broad")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1478 matches on Event Comments, 379 matches on Performance Comments, 14 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Performances

Mainpiece Title: Les Precieuses Ridicules

Performance Comment: The Scholars of Mr Fell; Master of the French Academy in Old Broad Street, behind the Royal Exchange.
Event Comment: Benefit L.? Sparkes. Tickets and places to be had of Sparks at his Lodgings the corner of Broad Court, Bow St., Covent Garden

Performances

Mainpiece Title: Julius Caesar; With The Death Of Brutus And Cassius

Afterpiece Title: The Dragon of Wantley

Song: IV: The Blithest Bird-Sullivan

Dance: II: Muilment; V: The Mechels

Event Comment: Benefit for Mrs Storer. Mainpiece: Not acted these 12 years. [See 1 Jan. 1735.] Tickets at Mrs Storer's lodgings at the corner of New Broad Court, Bow Street, and at the Stage Door

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: Venus and Adonis

Song: II: The Smiling Hour by Handel-Mrs Storer; III: From Rosie Bowers by Henry Purcel-Mrs Storer

Event Comment: Benefit for Havard. [Stage arranged as on 7 March.] Tickets and places at Havard's House in Broad Court the upper end of Bow St., and of Hobson at the stage door. The manager of the Smock Alley theatre Dublin in order to support decayed players, has resolved to apply the whole receipts of one night every year towards raising a fund for the purpose, which is to be increased by the players allowing a small portion of their salaries to be deducted weekly. A scheme worthy the imitation of the managers and players of our theatres. -Gentleman's Magazine, March 1749, p. 238

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tit for Tat

Dance: SSavoyards, as17480920

Event Comment: Benefit for Mrs Green. Being the last time of performing the mainpiece this season. Tickets of Mrs Green in Broad Court, Bow St., Covent Garden. There is now in Rehearsal a new Tragedy called Merope. Receipts: #140 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Mrs Green. Tickets of Mrs Green in Broad Court, Bow St., Covent Garden, and at the stage Door. Tickets deliver'd out for the Provok'd Wife will be taken. Paid Blandford (Tallow Chandler) #12 15s. 9d. Cash rec'd #77 2s., plus #79 8s. from tickets. Total #156 10s. (Treasurer's Book). Receipts: #170 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: Lethe

Dance: Grandchamps, Mlle Auretti, Mathews, Miss Baker

Event Comment: Benefit for Mr Havard and Mrs Havard. Tickets to be had at Havard's House in Broad Court, Bow St., at the Bedford, and at the Stage Door. Rec'd Cash #72 2s. 6d., plus #79 5s. from tickets. Total #151 7s. 6d. Bought 6 lbs. lampwick 10s. (Treasurer's Book). Receipts. #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Lethe

Dance: End: Venetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: Benefit for Mrs Green-This House was hurt by Mr Handel's Music at ye Foundling Hospt (Cross). Tickets of Mrs Green at Broad Court, Bow St., Covent Garden and at Stage Door. Tickets deliver'd for the 10th will be taken. Last time of acting the mainpiece this season. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Miss in Her Teens

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Havard. Mainpiece: By particular desire. No building on the stage on account of the machinery for the Masque. Tho' Mr Havard's long and severe indisposition has prevented his personal solicitation, yet he hopes it will not deprive him of the preference of those Persons of Quality, &c. who used to favour his Benefits. N.B. Those ladies and gentlemen who applied for places and were disappointed the last time the Masque was performed, may have them for this night, by sending to Mr Hobson at the stage door, by whom tickets will be deliver'd; As also at the Bedford Coffee House, and at Mr Havard's in Broad Court, the upper end of Bow St., Covent Garden. Tickets hitherto deliver'd will be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Chaplet

Event Comment: Benefit for Havard. Tickets at his house in Broad Court, upper end of Bow St., Covent Garden; Bedford Coffee House; and at Stage Door. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Duke and no Duke

Dance: V: A Dance-Sg Piettro, Janeton Auretti, Master Piettro

Song: II: Dryden's Incantation Song-Beard

Event Comment: Benefit for Blakes and Mrs James. Mainpiece: Acted but once these three years. Tickets to be had of Blakes at his House in Duke's Court, near Broad Court, Bow St. Covent Garden; of Mrs James in Little Wild St., Lincoln's Inn Fields; and at stage door. Receipts: #270 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Devil to Pay

Dance: IV: Le Matelot Basque, as17521005; V: Country Amusements, as17530412

Event Comment: Benefit for Mrs James and Miss Haughton. Tickets of Miss Haughton at a Grocer's, the corner of Broad Court, Bow St., Covent Garden, and of Mrs James at Mr Dale's Watch-maker in Little Wild St., and at the Stage Door. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Shepherd's Lottery

Event Comment: Benefit for Gray, Dunbar, Smith and Broad. Receipts: #223 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and the Miller

Dance: II: The Pierrot's Dance, as17540504

Event Comment: Benefit for Mr Havard (Cross). Last time of performing the Mainpiece this season. Tickets of Havard at his house in Broad Court, Bow St., Covent Garden, and at the Bedford Coffee House and the Stage Door. [The Public Advertiser lists Old Knowell this night as Berry.] Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Englishman in Paris

Dance: III: New Comic Dance-Three Sabatinis, as17550203

Song: B$Beard particularly at the End: Rule Britannia, as17550402 Britons Strike Home in character and accompanied with a Chorus, as17550402 Concluding with: a Hornpipe-Mathews

Event Comment: Benefit for Mr Raftor and Miss Young (Cross). [Miss Young is referred to as "The Queen of the Fairies " on the Huntington advance Bill.] Tickets to be had of Miss Young, at Mr Driscol's, Peruke Maker, in Broad Court, Bow Street Covent Garden, and at Stage Door. There will be no building on the Stage. Receipts: #80 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Bayes in Petticoats

Song: Between the acts: Miss Young

Event Comment: Benfit for Master Moor, Berrisford, Palmer, Broad (Cross). Mainpiece: Not acted this season. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Harrison

Event Comment: Benefit for Havard. Tickets to be had of Havard in Broad Court, Bow Street; at Tom's Coffee House in Russel St.; at the Bedford, Covent Garden, and at the Stage door of the Theatre. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Apprentice

Entertainment: I: The Ode in Commemoration of Shakespeare, written by Havard, set to music by Dr Boyce.-Beard, Champnes

Dance: II: A Dance-Mrs Vernon; IV: A Minuet by Desire-Miss Macklin

Event Comment: Benefit for Dunbar, Smith, Bride, Broad. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Toyshop

Event Comment: Benefit for Dunbar, Smith, Broad, & Bride. Mainpiece, By Desire. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Receipts: #131 7s. 6d. Paid Blackmore for a dark cloth suit of man's cloaths lac'd with broad gold lace #15 15s., and for a dark cloath coat & breeches with a pin satten waistcoat & cuffs embroider'd with silver, #10 10s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Cheats of Scapin

Dance: As17591102

Event Comment: Benefit for Dunbar, Smith, and Broad (boxkeepers). Tickets delivered by Prentis will be taken

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Englishman in Paris

Song: II: Jubal's Lyre-Prentis; IV: So shall the Lute and Harp Awake [in Judas Macchabaeus]-Prentis; accompanied on the Harp-Rice

Event Comment: Benefit for Havard. By Particular Desire. Ode written by Havard, and set to music by Mr Bates. Tickets to be had at Mr Havard's in Broad Court, Bow-Street; at Tom's and the Bedford Coffee Houses; and of Mr Varney at the Stage Door, where places for the Boxes may be taken. Ode deliver'd Gratis

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Polly Honeycombe

Entertainment: End: will be perform'd a New Coronation Ode by Havard; Vocal parts-Lowe, Champness, Mrs Vincent, Miss Young

Event Comment: Benefit for Several-Dunbar, Smith, Broad, Mrs Baker

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miller of Mansfield

Event Comment: Benefit for Bowers and Veal. Tickets deliver'd by Mr Broad will be taken. [Palmer played only for benefits (Genest, IV, 645).

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Englishman in Paris

Dance: II: Hearts of Oak, as17620421 End: Dancing-Baltazar, Miss Dawson