SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Broad"/1) | (@(roleclean,performerclean) "Broad")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 71 matches on Event Comments, 3 matches on Performance Comments, 2 matches on Roles/Actors, 1 matches on Performance Title, and 0 matches on Author.
Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performance Comment: Almanzor and Almahide; or, The Conquest of Granada. The Second Part. Edition of 1672: Prologue to the First Part-Mrs Ellen Gwyn in a broad brim'd hat, and was belt; Mahomet Boabdelin-Kynaston; Prince Abdalla-Lydall; Abdelmelech-Mohun; Zulema-Harris; Abenamar-Cartwright; Selin-Wintershall; Ozmyn-Beeston; Hamet-Watson; Gomel-Powell; Almanzor-Hart; Ferdinand-Littlewood; Duke of Arcos-Bell; Almahide-Mrs Ellen Gwyn; Lyndaraxa-Mrs Marshall; Benzayda-Mrs Bowtell; Esperanza-Mrs Reeve; Halyma-Mrs Eastland; Isabella-Mrs James; Epilogue-Charles Hart?; Prologue to the Second Part of the Conquest of Granada-Michael Mohun?; Epilogue to the Second Part-.

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: The Picture; or, Cuckold in Conceit

Performance Comment: Dotterel-Collins; Per/cent-Taswell; Heartly-Lowe; John Broad-Turbutt; Mrs Dotterel-Mrs Bennet; Celia-Miss Budgell; Phillis-Miss Bradshaw; Intermixed with Songs by Mr Arne-; Prologue-Havard [1st edition].1st edition].
Cast
Role: John Broad Actor: Turbutt

Dance: IV: Peasant's Dance-Muilment

Performances

Mainpiece Title: Epsom Wells

Afterpiece Title: The Merry Wives of Broad Street

Dance: Prince, Mrs Bicknell

Event Comment: Benefit for Mrs Horton, an old Actress, & ye Sub: Treasurer (Cross). Positively the last time of Mr Garrick's performing the character of Fribble this season. Tickets deliver'd out for the Fatal Marriage will be taken. Tickets to be had of Mrs Horton at Mr Havard's in Broad Court, Bow-Street, Covent Garden; and of the Sub-treasurer at Mrs Quaker's in Broad St., Soho, and at the Stage Door (playbill). On Monday next The Recruiting Officer with several entertainments for the Benefit of Mr George Burton, Mr Harvey and Mrs Addison. Receipts: #175 (Cross)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Afterpiece Title: Miss in Her Teens

Song: Master Vernon

Event Comment: "Spectas, et tu Spectabere is the inscription over the curtain in the Little Haymarket Theatre. I was there on 29th [sic] July 1794: they gave a National opera, N. B. a piece in Scottish costumes. The men were dressed in flesh-coloured breeches, with white and red ribbons twisted round their stockings, a short, brightly-coloured, striped masons' apron, brown coat and waistcoat, over the coat a large, broad ensign's sash in the same style as the apron, and black cap shaped like a shoe and trimmed with ribbons. The women all in white muslin, brightly coloured ribbons in their hair, very broad bands in the same style round their bodies, also for their hats. They perform the same abominable trash as at Sadlers Wells. A fellow yelled an aria so horribly and with such exaggerated grimaces that I began to sweat all over. N. B. He had to repeat the aria. 0 che bestie!" (Haydn, pp. 294-95)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Performances

Mainpiece Title: Les Precieuses Ridicules

Performance Comment: The Scholars of Mr Fell; Master of the French Academy in Old Broad Street, behind the Royal Exchange.
Event Comment: Benefit L.? Sparkes. Tickets and places to be had of Sparks at his Lodgings the corner of Broad Court, Bow St., Covent Garden

Performances

Mainpiece Title: Julius Caesar; With The Death Of Brutus And Cassius

Afterpiece Title: The Dragon of Wantley

Song: IV: The Blithest Bird-Sullivan

Dance: II: Muilment; V: The Mechels

Event Comment: Benefit for Mr Delane. He did not publish a Bill 'till after Mr Barry's Day [see 10 March] (Cross). Tickets and places to be had of Delane, in Broad Court, the upper end of Bow St., Covent Garden, and of Hobson, at the stage Door. On Thursday next, by Particular Desire, the last new comedy call'd The Foundling. Receipts: #156 (Cross); house charges, #60 (Powel); cash, #91 14s.; tickets, #62 15s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Mrs Storer. Mainpiece: Not acted these 12 years. [See 1 Jan. 1735.] Tickets at Mrs Storer's lodgings at the corner of New Broad Court, Bow Street, and at the Stage Door

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: Venus and Adonis

Song: II: The Smiling Hour by Handel-Mrs Storer; III: From Rosie Bowers by Henry Purcel-Mrs Storer

Event Comment: Benefit for Havard. [Stage arranged as on 7 March.] Tickets and places at Havard's House in Broad Court the upper end of Bow St., and of Hobson at the stage door. The manager of the Smock Alley theatre Dublin in order to support decayed players, has resolved to apply the whole receipts of one night every year towards raising a fund for the purpose, which is to be increased by the players allowing a small portion of their salaries to be deducted weekly. A scheme worthy the imitation of the managers and players of our theatres. -Gentleman's Magazine, March 1749, p. 238

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tit for Tat

Dance: SSavoyards, as17480920

Event Comment: Benefit for Mrs Green. Being the last time of performing the mainpiece this season. Tickets of Mrs Green in Broad Court, Bow St., Covent Garden. There is now in Rehearsal a new Tragedy called Merope. Receipts: #140 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Mrs Green. Tickets of Mrs Green in Broad Court, Bow St., Covent Garden, and at the stage Door. Tickets deliver'd out for the Provok'd Wife will be taken. Paid Blandford (Tallow Chandler) #12 15s. 9d. Cash rec'd #77 2s., plus #79 8s. from tickets. Total #156 10s. (Treasurer's Book). Receipts: #170 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: Lethe

Dance: Grandchamps, Mlle Auretti, Mathews, Miss Baker

Event Comment: Benefit for Mr Havard and Mrs Havard. Tickets to be had at Havard's House in Broad Court, Bow St., at the Bedford, and at the Stage Door. Rec'd Cash #72 2s. 6d., plus #79 5s. from tickets. Total #151 7s. 6d. Bought 6 lbs. lampwick 10s. (Treasurer's Book). Receipts. #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Lethe

Dance: End: Venetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: Benefit for Mrs Green-This House was hurt by Mr Handel's Music at ye Foundling Hospt (Cross). Tickets of Mrs Green at Broad Court, Bow St., Covent Garden and at Stage Door. Tickets deliver'd for the 10th will be taken. Last time of acting the mainpiece this season. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Miss in Her Teens

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Havard. Mainpiece: By particular desire. No building on the stage on account of the machinery for the Masque. Tho' Mr Havard's long and severe indisposition has prevented his personal solicitation, yet he hopes it will not deprive him of the preference of those Persons of Quality, &c. who used to favour his Benefits. N.B. Those ladies and gentlemen who applied for places and were disappointed the last time the Masque was performed, may have them for this night, by sending to Mr Hobson at the stage door, by whom tickets will be deliver'd; As also at the Bedford Coffee House, and at Mr Havard's in Broad Court, the upper end of Bow St., Covent Garden. Tickets hitherto deliver'd will be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Chaplet

Event Comment: Benefit for Havard. Tickets at his house in Broad Court, upper end of Bow St., Covent Garden; Bedford Coffee House; and at Stage Door. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Duke and no Duke

Dance: V: A Dance-Sg Piettro, Janeton Auretti, Master Piettro

Song: II: Dryden's Incantation Song-Beard

Event Comment: Benefit for Blakes and Mrs James. Mainpiece: Acted but once these three years. Tickets to be had of Blakes at his House in Duke's Court, near Broad Court, Bow St. Covent Garden; of Mrs James in Little Wild St., Lincoln's Inn Fields; and at stage door. Receipts: #270 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Devil to Pay

Dance: IV: Le Matelot Basque, as17521005; V: Country Amusements, as17530412

Event Comment: Benefit for Mrs James and Miss Haughton. Tickets of Miss Haughton at a Grocer's, the corner of Broad Court, Bow St., Covent Garden, and of Mrs James at Mr Dale's Watch-maker in Little Wild St., and at the Stage Door. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Shepherd's Lottery

Event Comment: Benefit for Gray, Dunbar, Smith and Broad. Receipts: #223 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and the Miller

Dance: II: The Pierrot's Dance, as17540504

Event Comment: Benefit for Mr Havard (Cross). Last time of performing the Mainpiece this season. Tickets of Havard at his house in Broad Court, Bow St., Covent Garden, and at the Bedford Coffee House and the Stage Door. [The Public Advertiser lists Old Knowell this night as Berry.] Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Englishman in Paris

Dance: III: New Comic Dance-Three Sabatinis, as17550203

Song: B$Beard particularly at the End: Rule Britannia, as17550402 Britons Strike Home in character and accompanied with a Chorus, as17550402 Concluding with: a Hornpipe-Mathews

Event Comment: Benefit for Mr Raftor and Miss Young (Cross). [Miss Young is referred to as "The Queen of the Fairies " on the Huntington advance Bill.] Tickets to be had of Miss Young, at Mr Driscol's, Peruke Maker, in Broad Court, Bow Street Covent Garden, and at Stage Door. There will be no building on the Stage. Receipts: #80 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Bayes in Petticoats

Song: Between the acts: Miss Young

Event Comment: Benefit for Berrisford, Parr, Broad, and Palmer. Tickets deliver'd out by Mr Costin will be taken. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Anatomist

Dance: (BBy desire) a Hornpipe-Mr Harrison

Event Comment: Benfit for Master Moor, Berrisford, Palmer, Broad (Cross). Mainpiece: Not acted this season. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Harrison

Event Comment: Benefit for Havard. Tickets to be had of Havard in Broad Court, Bow Street; at Tom's Coffee House in Russel St.; at the Bedford, Covent Garden, and at the Stage door of the Theatre. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Apprentice

Entertainment: I: The Ode in Commemoration of Shakespeare, written by Havard, set to music by Dr Boyce.-Beard, Champnes

Dance: II: A Dance-Mrs Vernon; IV: A Minuet by Desire-Miss Macklin