Event Comment: Benefit Mrs Thurmond. Written by Mr Congreve

Event Comment: Benefit Mrs Younger. Afterpiece: At the Request of several Ladies of Quality. Never Acted there before. Written by the Author of the Beggar's Opera. Receipts: money #81 14s.; tickets #101 3s

Event Comment: Benefit Laguerre and Mrs Laguerre. Written by Shakespear. Receipts: money #35 5s. 6d.; tickets #127 3s

Event Comment: Benefit DuPre and Mrs Pelling. Receipts: money #21 9s.; tickets #84 8s

Event Comment: Benefit Mrs Younger. By Command of His Royal Highness. Part of the Stage (for the better Accommodation of the Ladies) will be form'd into Boxes. Receipts: money #79 9s. 6d; tickets #112 16s. [Prince of Wales present.

Event Comment: Benefit Mrs Kilby and Miss Bincks

Event Comment: Benefit Haughton. Mainpiece: Written by Shakespear. [Tickets for Ray and Mrs Bennet taken.

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Event Comment: Benefit Widow of Keene, Mrs Orfeur, Mrs Taylor. Written by Mr Congreve. Receipts: money #11 16s. 6d.; tickets #92 13s

Event Comment: Benefit Rogers, Mrs Williamson, Mrs Hanson. Receipts: money #9 1s.; tickets #147 16s

Event Comment: Benefit Mrs Wright and Mrs Vincent. Receipts: money #23 3s.; tickets #113 3s

Event Comment: Benefit for Mrs P. Green, Hussey and Morris. Last time of performing till the holidays. Charges #64 10s. Deficit to each #8 18s. 8d., cover'd by income from tickets: Mrs Green #44 2s. (Box 53; Pit 137; Gallery 103); Hussey, #59 18s. (Box 162; Pit 92; Gallery 56); Morris, #46 19s. (Box 39; Pit 114; Gallery 201). [The Account Book indicates that The Padlock was substituted as the afterpiece at the last minute.] Receipts: #37 14s. (Account Book)

Event Comment: Benefit for Mrs Bannister. Mainpiece: Not acted these 4 years. The Music composed by Dr Arne. Public Advertiser, 22 Mar.: Tickets to be had of Mrs Bannister, No. 6, Great Russel-street, Covent Garden. Receipts: #233 11s. (123/6; tickets: 110/5) (charge: #105)

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time: C 5, by Simon. Prologue by John Henniker (Town and Country Magazine, June 1791, p. 281). Larpent MS 906; not published; synopsis of plot in Morning Post, 11 May]. "Scarcely [any] performer in the piece thought it worth while to charge their memories with words, that they would wish afterwards, if they had, to forget as fast as possible...The imitations were some tolerably true, and a few excellent. Siddons and Storace were outrageous caricatures. Mrs Wells once came infinitely nearer the former. She is now deficient in tone and emphasis--all is shiver and sob. Mrs Crawford, Mrs Jordan and Mrs Abington were worthy her talents in the mimetic art" (Oracle, 11 May). Public Advertiser, 27 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #313 3s. (148.15; 8.7; tickets: 156.1)

Event Comment: [In mainpiece the playbill retains Mrs Bland, but "An apology was made on behalf of Mrs Bland, who was prevented from appearing in public this evening by a recent loss in her family. We understand one of her children was unfortunately burnt to death, by its clothes taking fire...Mrs Roffey undertook her plaintive air in the Fourth Act, and was favourably received" (Dramatic Censor, I, 311).] Receipts: #244 18s. 6d. (181.13.0; 62.3.6; 1.2.0)

Event Comment: By Subscription. With a new Prologue and Epilogue. Admission as 14 Dec. 1703. [A Folger Library broadside appears to be a program for this concert. It lists in Act I The Druid's Song from Bonduca, two songs by Mrs Tofts, a song from The Fairy Queen, and a dance; in Act II The Frost Music from King Arthur, two dances, and a song by Mrs Tofts; in Act III an Ode on the Glorious Beginning of Her Majesty's Reign, set by Daniel Purcell and performed by Leveridge, Hughes, Mrs Lindsey, and Mrs Campion; a song by Mrs Tofts, The Sacrifice from King Arthur, and a Grand Dance.

Event Comment: Benefit Mrs Barbier. With Two Rows of the Pit rail'd into Boxes 6s. Pit 3s. Gallery 2s

Event Comment: Benefit Mrs Porter. By Their Royal Highness's Command. Admission to Pit and Boxes by Tickets only. Tickets for The Orphan taken or the Money returned

Event Comment: Benefit Mrs Baker

Event Comment: Benefit Mrs Turner Robinson. Tickets half a guinea. Gallery Box 5s. First Gallery 2s. 6d. Upper Gallery 1s. At 7 p.m

Event Comment: Benefit Mrs Thurmond

Event Comment: Benefit Mr and Mrs Egleton. Mainpiece: Not Acted these Five Years. Receipts: money #63 6s. 6d.; tickets #83

Event Comment: Benefit Mrs Horton. Davies (Dramatic Miscellanies, I, 103-4): Upon Mrs Younger's quitting Drury-lane for a more advantageous income at Lincoln's-inn-fields, [Mrs Horton] was called upon by Wilks to act the part of Phillis in the Conscious Lovers. Younger had given the public so much entertainment in that part, that Mrs Horton met with very uncandid treatment from the audience; who so far forgot what was due to merit and the handsomest woman on the stage, that they endeavoured to discourage her by frequent hissing. She bore this treatment with patience for some time. At last, she advanced to the front of the stage, and boldly addressed the pit: "Gentlemen, what do you mean?What displeases you; my acting or my person?' This shew of spirit recovered the spectators into good humor, and they cried out, as with one voice, No, no, Mrs Horton; we are not displeased; go on, go on.