Event Comment: Receipts: #140 (Cross); #134 10s. (Winston MS 8)

Event Comment: Mainpiece: Not acted these two years. [See 22 March 1757.] Receipts: 180 (Cross); #178 5s. 6d. (Winston MS 8)

Event Comment: Receipts: #120 (Cross); #115 7s. (Winston MS 8)

Event Comment: Mainpiece By Desire. Receipts: #130 (Cross); #153 5s. 6d. (Winston MS 8)

Event Comment: MMr Garrick did Marplot Mr Garrick spoke an Epilogue to the Busy Body & was greatly receiv'd, the Audience wou'd fain have had it repeated, but when I told 'em he was not well, the noise ceas'd. Mr Grimaldi [hurt?] in a Jump in the Swiss (Cross). Receipts: #210 (Cross); #204 10s. 6d. (Winston MS 8)

Event Comment: Benefit for ye General Lying-in-Hospital. Afterpiece a new farce (Cross). Part of Pit laid into Boxes & Amphitheatre on Stage. Ladies are desired to send their servants at 3 o'clock. Receipts: #320 (Cross); Charges #84 (Winston MS 8)

Event Comment: Receipts: #110 (Cross); #125 (Winston MS 8)

Event Comment: This Play tho' all new dress'd and had Fine Scenes did not seem to give ye audience any great plasure, or draw any applause (Cross). Written by Shakespear. Never Acted there. New Habits, Scenes, and Decorations. Nothing under Full Prices will be taken during the Performance. No Gentleman can possibly be admitted behind the Scenes, or into the Orchestra on account of the Music, Decorations, and number of Performers which are necessary to the Representation (playbill). [See "Garrick's Presentation of Antony and Cleopatra," RES, Jan. 1937. The following characters appear in Capel's acting text, 23 Oct. 1958, Maecenas-ross">Atkins; Proculeius-$Austin; Soothsayer-$Burton; Mardian-$Perry; Seleucas-$Burton.] Receipts: #200 ($Cross); #193 14s. (Winston MS 8)

Event Comment: Benefit for Mr Mossop (Cross). Part of Pit laid into Boxes. Receipts: #280 (Cross); charges #63 (Winston MS 8)

Event Comment: Benefit for Obrien. Afterpiece: By particualr Desire, being the last Time of Performing in this Season. No Building on the Stage. Receipts: #180 (Cross)

Event Comment: Benefit for Philips and Burton. Tickets deliver'd out by Peacop, Berrisford, and others will be taken. Receipts: #190 (Cross)

Event Comment: Benefit for Bride, Dunbarr, Smith, Goodwin. Receipts: #200 (Cross)

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Event Comment: [G$Goldsmith's Bee (1759, p. 9) glances at Yates's clowning in the part of the Mock Doctor in comparison with the stage business of the French actors in the same part. The Mock Doctor in France 'pleased with his latinate bamboozling of the clients, kicks up his legs, falling over backwards in his chair." The English actor just fingers his snuff box, and keeps pulling up his breeches.] Receipts: #100 (Cross)

Event Comment: Receipts: #200 (Cross)

Event Comment: Receipts: #190 (Cross)

Event Comment: Receipts: #140 (Cross)

Event Comment: Mainpiece: Not acted these 2 years [but see 8 May 1758]. Receipts: #100 (Cross)