SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs Rich"/1) | (@(roleclean,performerclean) "Mrs Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23349 matches on Performance Comments, 4595 matches on Event Comments, 4227 matches on Performance Title, 667 matches on Author, and 2 matches on Roles/Actors.
Event Comment: Benefit Mrs Cross. N.B. By occasion or Mr Leigh's Indisposition we are obliged to change the Play; Tickets therefore deliverd out for Don Sebastian will be taken this Night. Receipts: money #46 8s.; tickets #63 1s

Performances

Mainpiece Title: Abra Mule

Afterpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: Benefit Quin. Mainpiece: Written by Shakespear. By Reason of Mrs Seymour's Indisposition, the Tickets deliver'd out for Troilus and Cresida will be taken at this Play. Receipts: money #66 17s. 6d.; tickets #75

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17230211, but Mrs Page-Mrs Bullock.
Cast
Role: Mrs Page Actor: Mrs Bullock.
Role: Mrs Ford Actor: Mrs Cross
Role: Anne Page Actor: Mrs Rogeir
Role: Mrs Quickly Actor: Mrs Egleton

Afterpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich
Event Comment: Benefit Mrs Bubb, on account of arrears. Mainpiece: Written by Shakespear. Receipts: money #9 7s.; tickets #17 5s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17230321 but Mrs Page-Mrs Boheme; Slender-Egleton; Fenton-_.
Cast
Role: Mrs Page Actor: Mrs Boheme
Role: Mrs Ford Actor: Mrs Cross
Role: Anne Page Actor: Mrs Rogeir
Role: Mrs Quickly Actor: Mrs Egleton

Afterpiece Title: Amadis

Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Dance:

Event Comment: Benefit Mrs Cross. Receipts: money #23 16s.; tickets #79 6s

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John-Quin; Constant-Walker; Heartfree-Leigh; Razor-Egleton; Lady Brute-Mrs Knight; Belinda-Mrs Sterling; Lady Fanciful-Mrs Cross; Mademoiselle-Mrs Egleton.
Cast
Role: Lady Brute Actor: Mrs Knight
Role: Belinda Actor: Mrs Sterling
Role: Lady Fanciful Actor: Mrs Cross
Role: Mademoiselle Actor: Mrs Egleton.

Afterpiece Title: The Jealous Doctor

Related Works
Related Work: The Jealous Doctor, or, The Intriguing Dame Author(s): John Rich

Dance: Dupre, Glover, Mrs Rogeir, Mrs Wall, Mrs Ogden

Song: As17231116

Event Comment: Benefit DuPre and Mrs Pelling. By Command of his Royal Highness. Receipts: money #43 6s. 6d.; tickets #93 9s

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Lady Brute Actor: Mrs Berriman
Role: Belinda Actor: Mrs Bullock
Role: Mademoiselle Actor: Mrs Moreau
Role: Lady Fanciful Actor: Mrs Younger.

Afterpiece Title: The Cheats or The Tavern Bilkers

Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich

Dance: End I: Scots Dance-Mrs Bullock; II: A new Serious Dance-Dupre, Mrs Pelling; III: Lads and Lasses-Pelling, Mrs Pelling, Newhouse, Mrs Ogden, Lanyon, Miss LaTour; IV: Myrtillo-Dupre, Mrs Pelling, Moreau, Miss LaTour, Newhouse, Mrs Ogden; V: The Dusty Miller (a new Jig)-Moreau

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit for Cooke. By Particular Desire. Tickets delivered for the Busy Body will be taken. [Account Book indicates Receipts: #26 1s. 6d. plus #53 14s. from tickets: (Box 61; Pit 165; Gallery 137). A staff of 22 servants, plus the women dressers and charwomen were paid #3 13s. 2d. for operating the theatre this night. The deficit carried into the summer after this night was #216 19s. 10d. This deficit plus summer expenses produced an encumbrance of #359 12s. 9d. to be met at the start of the 1761-62 season. Rich upon ten occasions withdrew under Account I from the treasury #2743. From this account he put back into the treasury upon three occasions (May 8, 31; June 23) #600. So over and above the #6 which the Rich family received daily in Account 76, Rich tucked away #2143 in Account I. In addition his carpentry bills to Mr Gom for work at Cowley were paid from theatrical funds. His cut from Account 76 at #5 per night was #810. So apparently Rich cleared #2953 this season despite the fact that it ran only 162 nights, and that George II's death occurred in a money-making part of the season.] Charges: #42 (Account Book)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-a Gentleman (who has not appeared in several years); Cassio-Cooke(, 2nd appearance this stage); Desdemona-Mrs Osborne; Iago-Storer; Brabantio-Wignell; Roderigo-Vaughan; Duke-Stoppelaer; Montano-Turner; Emilia-Mrs Smith.
Cast
Role: Desdemona Actor: Mrs Osborne
Role: Emilia Actor: Mrs Smith.

Afterpiece Title: The Upholsterer

Song: Between Acts: a Gentleman (who never appeared upon any Stage before)

Dance: HHornpipe-Mrs Blake(, from the theatre in Dublin)

Event Comment: Benefit John Rich, Christopher M. Rich, and Hamilton. By Subscription. Pit and Boxes together at 7s. Gallery Box 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Receipts: money #56 1s.; tickets #102

Performances

Mainpiece Title: The Island Princess

Music: In it a new Entertainment of Vocal and Instrumental Musick after the Italian Manner-Gordon, Leveridge, Mrs Fletcher, Mrs Aubert

Song: A new Cantata in Italian by Signior Mancini-Gordon

Dance: As17200120

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: As17930420, but Miss Dazzle-Mrs Fawcett in place of Miss Chapman; Lady Henrietta-Miss Chapman of Mrs Pope.

Afterpiece Title: The Governor

Event Comment: Benefit for Author [of mainpiece, who is named in MS annotation on BM playbill (cg, Vol. VIII). "Mrs Pope was taken ill in the course of the performance, and the remainder of the part was read by Miss Chapman" (Thespian Magazine, June 1793, p. 5)]. Receipts: #321 4s

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Midnight Wanderers

Dance: As17930418

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Smalltrade-Quick; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Sir C. Dazzle-Macready; Hippy (1st time)-Townsend; Nab-Farley; Plainly-Powel; Rosa (1st time)-Mrs Lee; Miss Dazzle-Miss Chapman; Lady Henrietta (for that night only)-Mrs Pope.
Cast
Role: Rosa Actor: Mrs Lee
Role: Lady Henrietta Actor: Mrs Pope.

Afterpiece Title: British Fortitude and Hibernian Friendship or An Escape from France

Performance Comment: Capt. O'Leary-Johnstone; Edward-Incledon; Joey-Munden; Patrick-Rees; Sedgely-Hull; Commandant-Claremont; Annette-Mrs Mountain.
Cast
Role: Annette Actor: Mrs Mountain.

Afterpiece Title: Harlequin and Faustus

Cast
Role: Pillardoc Actor: Richardson
Related Works
Related Work: The Necromancer; or, Harlequin Doctor Faustus Author(s): John Rich

Song: End I 1st piece: The Storm-Incledon; End II: The Description of the Battle of La Hogue, Thursday in the Morn the Nineteenth of May-Incledon (1st time); In course: Four and Twenty Fidlers-Munden; In 2nd piece: I was called knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The turban'd Turk who scorns the world-Johnstone; When foaming waves contrary beat-Incledon; To be sure I don't love in my heart-Johnstone; Our simple tale thus ended-Incledon, Johnstone, Munden, Mrs Mountain

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Smalltrade-Emery; Sir Charles Dazzle-Betterton; Hippy-Townsend; Nab-Farley; Plainly-Claremont; Servants-Curties, Blurton, Platt, Wilde, Rees; Robert-Simmons; Formal-Thompson; Miss Dazzle-Miss Chapman; Rosa-Miss Murray; Betty-Miss Leserve; Visitors-Ms Watts, Ms Follett, Ms Norton, Ms Gilbert; Lady Henrietta-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].

Afterpiece Title: A Peep behind the Curtain or An Opera Rehearsal

Performance Comment: Glib, the Author-Lewis; Manager-Davenport; Sir Toby Fuz-Gardner; Sir Macaroni Virtu-Farley; Wilson-Claremont; Mervin-Klanert; Prompter-Abbot; Carpenter-Rees; Scenemen-Wilde, Whitmore; Miss Fuz-Mrs Mills; Sweepers of the Stage-Mrs Whitmore, Mrs Norton; Lady Fuz-Mrs Davenport; Characters in the Burletta: Orpheus-Hill; Shepherds-Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss; The Old Shepherd-Simmons; Rhodope-Mrs Martyr.

Afterpiece Title: The Hermione or Valours Triumph

Event Comment: Benefit Glover. [Tickets at Glover's, Chandos Street, cg. See Grub St. Journal, 11 March, for a discussion of Rich as a manager.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Delane; Shallow-Chapman; Sir Hugh-Hippisley; Ford-Ryan; Page-A. Hallam; Slender-Clarke; Caius-Mullart; Fenton-Master A. Ryan; Mrs Ford-Mrs Horton; Mrs Page-Mrs Hallam; Anne Page-Miss Bincks; Mrs Quickly-Mrs Mullart.
Cast
Role: Mrs Ford Actor: Mrs Horton
Role: Mrs Page Actor: Mrs Hallam
Role: Mrs Quickly Actor: Mrs Mullart.

Afterpiece Title: The Cheats of Scapin

Dance: I: Clown-Nivelon; II: Grand Comic Dance-Lalauze; accompanied-Desse, Richardson, Baudouin, Mrs Moreau, Mrs Ogden, Mrs Delorme, Miss Norman; III: By particular Desire, The Louvre (a Ball Dance), concluding with a Minuet-Glover, Mrs Laguerre; IV: The Kilkenny (an Irish Dance)-Glover, Mrs Laguerre; V: Scot's Dance-Glover, Mrs Laguerre, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Capulet-Waddy; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Mansel; Paris-Klanert; Tibalt-Claremont; Montague-Davenport; Balthazar-Abbot; Peter-Farley; Apothecary-Simmons; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Pope.
Cast
Role: Lady Capulet Actor: Mrs Platt
Role: Nurse Actor: Mrs Davenport
Role: Juliet Actor: Mrs Pope.

Afterpiece Title: The Naval Pillar

Performance Comment: Characters by Incledon, Johnstone, Munden, Fawcett, Emery, Townsend, Linton, Street, Hawtin; Mrs Martyr, Mrs Chapman, Miss Sims, Miss Wheatley, Mrs Sydney. [Cast from text (J. Barker, 1799): Ben Bowsprit-Incledon; Dennis-Johnstone; Habakuk-Munden; Sam Spritsail-Fawcett; Tom Tackle-Emery; Firelock-Townsend; Kitty-Mrs Martyr; Britannia-Mrs Chapman; Nancy-Miss Sims; Susan-Miss Wheatley; Jane-Mrs Sydney [in text: Mrs Gilbert]; unassigned-Linton, Street, Hawtin.
Cast
Role: Kitty Actor: Mrs Martyr
Role: Britannia Actor: Mrs Chapman
Role: Jane Actor: Mrs Sydney

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Performance Comment: )-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years).

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Event Comment: Bene1it H. Bullock, under Misfortunes. [No receipts in Rich's Register.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: See17330329 but Captain-Ryan; Estifania-Mrs Younger; Leon-Quin; Duke-Milward; Cacafogo-Hall; Margaretta-Mrs Buchanan; Altea-Mrs Stevens; Old Woman-Hippisley.
Cast
Role: Estifania Actor: Mrs Younger
Role: Margaretta Actor: Mrs Buchanan
Role: Altea Actor: Mrs Stevens

Music: Select Pieces-; particularly a new Grand Overture by Dr Pepusch-; V: Handel's celebrated Water Musick-; in which Preamble on the Kettle Drums-Benjamin Baker , accompanyed with Trumpets, French Horns

Dance: I: Fingalian-Newhouse, Mrs Ogden; II: Tambourine-Miss Rogers; IV: Mock Minuet-Nivelon, Mrs Laguerre, Pelling, Mrs Pelling, Newhouse, Mrs Ogden, Lesac, Miss Baston

Song: III: A Dialogue in the Scottish Stile-Leveridge, Mrs Wright

Event Comment: Benefit John Rich. Receipts. #71 9s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mars and Venus

Dance: Dupre, Moreau, Boval, Thurmond Jr, Tully, Cook Sr, Newhouse, Pelling, Cook Jr, Mrs Bullock, Mrs Schoolding, Mlle Gautier, Mlle Corail, Miss Smith, Miss Schoolding Jr; particularly Dupre's Harlequin-Dupre, Mlle Gautier; and a new French Peasant-Moreau, Mrs Bullock

Event Comment: Not Acted these Fourteen Years. Written by the late Mr Farquhar. N.B. In Consideration of the Diversion the French Children have given the Town, Mr Rich has engag'd their Stay in England for some time longer, and on Thursday next they will perform again. Receipts: #25 1s

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Song: A Dialogue between-Cook, a Gentlewoman, who never appear'd on any Stage before

Dance: Thurmond Jr, Mrs Bullock, Mrs Schoolding, Miss Smith

Event Comment: Benefit John and Ch. Rich. At the Desire of several Persons of Quality. Receipts: #60 10s. 6d

Performances

Mainpiece Title: The Prophetess

Music: As17171031

Dance: In the Opera: Dupre, Thurmond Jr, Boval, Cook, Newhouse, Pelham, Cook Jr, Mrs Bullock, Mlle Gautier, Mrs Schoolding, Miss Smith

Event Comment: Benefit J. and Ch. Rich. At the Desire of several Ladies of Quality. Receipts: #46 6s. 6d

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Music: With all the Original Music and Dialogues to be sung-Leveridge, Pack, Cook

Dance: Dupre, Moreau, Thurmond Jr, Boval, Cook, Lully, Newhouse, Cook Jr, Mrs Bullock, Mlle Gautier, Mrs Schoolding, Miss Smith

Event Comment: Benefit J. and Ch. Rich. Receipts: #66 2s. 6d

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: Colombine or Harlequin Turnd Judge

Performance Comment: Harlequin-Lun; Scaramouch-Thurmond; Mezzetin-Boval; Colombine-Mrs Schoolding.
Cast
Role: Colombine Actor: Mrs Schoolding.
Related Works
Related Work: Amadis; or, The Loves of Harlequin and Colombine Author(s): John RichChristopher Rich

Dance: A new Comic Dance-Dupre, Mrs Schoolding; A new Cotilian-Boval, Mlle Corail; Others-Moreau, Cook, Mrs Bullock, Mlle Gautier, Miss Smith

Event Comment: Benefit J. and Ch. Rich. Receipts: #72 5s. 6d

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: Mars and Venus

Dance: Moreau, Thurmond Jr, Boval, Tully, Cook, Newhouse, Pelling, Cook Jr, Mrs Bullock, Mlle Gautier, Miss Smith, Mlle Corail, Miss Schoolding; Dutch Skipper-Thurmond Jr, Mrs Bullock; Indian Dance-Moreau

Event Comment: Benefit a Gentleman under Misfortunes. At the particular Desire of several Persons of Quality. 6:30 p.m. Being positively the last Time of the Company's performing this Season. [No receipts in Rich's Register.

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: See17330430 but Manuel-Hippisley; Philip-Ryan; Octavio-Walker; Trappanti-Chapman; Soto-Neale; Lewis-Aston; Rosara-Mrs Bullock; Flora-Mrs Stevens; Viletta-Mrs Egleton; Hypolita-Mrs Younger.
Cast
Role: Rosara Actor: Mrs Bullock
Role: Flora Actor: Mrs Stevens
Role: Viletta Actor: Mrs Egleton
Role: Hypolita Actor: Mrs Younger.

Dance: MMusette-LeSac, Miss Baston; Tambourine-Miss Rogers; Scotch Dance-Glover, Mrs Laguerre, LeSac, Miss Baston, Delagarde, Mrs Ogden

Event Comment: Profits subscribed to the Veteran Scheme at Guildhall. Mrs Cibber to Garrick, 11 Dec.: Though Mr Rich had no performance at his house...Drury Lane Playhouse was not above half full till the latter account. Then it was a good house but not near so great as we had all last winter to the Orphan. He had built up the stage, but as nobody came there he shut in a flat scene to hide it, and the next day he played the Tender Husband to fifteen pounds.-Boaden, Private Correspondence of Garrick, I, 46

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Rose Actor: Mrs Ridout
Role: Lucy Actor: Mrs Bennet
Role: Sylvia Actor: Mrs Woffington.

Afterpiece Title: The Devil to Pay

Cast
Role: Nell Actor: Mrs Clive
Role: Sir John Loverule Actor: Mrs Bennet

Song: Lowe, Mrs Clive

Dance: Muilment, Mechel, Miss Mechel

Event Comment: Benefit for the Author of the Prologue, Epilogue and Pastoral Dialogue. Mainpiece: Written by Mr Addison. A New Pastoral Dialogue for the benefit of ye Author of ye Dialogue, Cook ye Poet (Cross). [The Prologue was on comic poetry (spoken by Ryan); the Epilogue was on the Comic Characters of Women (spoken by Mrs Bland). See published version (London, 1753 "to which is prefixed an Ode to John Rich, Esq:"--British Museum 11795 K 31).

Performances

Mainpiece Title: The Drummer Or The Haunted House

Performance Comment: Treman-Ryan; Tinsel-Dyer; Fantome-Anderson; Lady Truman-Mrs Vincent; Vellum-Macklin; Butler-Mrs Marten; Coachman-Dunstall; Gardner-Cushing; Abigail-Mrs Macklin.
Cast
Role: Lady Truman Actor: Mrs Vincent
Role: Butler Actor: Mrs Marten
Role: Abigail Actor: Mrs Macklin.

Afterpiece Title: The What Dye Call It

Cast
Role: Kitty Carrot Actor: Mrs Vincent

Entertainment: NNew Prologue, Epilogue, likewise a New Pastoral Dialogue (never perform'd before)-Lowe, Mrs Lampe; The music by Mr Arne-

Dance: LLes Chasseurs Allemandes, as17521207

Event Comment: Benefit Henry Rich, Pit Officekeeper. At the Desire of several Ladies of Quality. Tickets for the New Medley will be taken. Receipts: #124 1s. 6d

Performances

Mainpiece Title: The Jew Of Venice

Performance Comment: Portia-Mrs Thurmond.
Cast
Role: Portia Actor: Mrs Thurmond.

Afterpiece Title: The City Ramble

Dance: delaGarde, Mrs Bullock; Scaramouch-a Gentleman for his Diversion