SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Horton"/1) | (@(roleclean,performerclean) "Mrs Horton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 23320 matches on Performance Comments, 4238 matches on Event Comments, 4199 matches on Performance Title, 1811 matches on Roles/Actors, and 9 matches on Author.
Event Comment: Benefit for Mrs Billington. Tickets delivered for Monday the 8th of February will be received. Mainpiece [1st time; CO 3, by John O'Keeffe. Text 1st published in his Dramatic Works, Vol. III (T. Woodfall, 1798). Season of 1790-91 acted as The Fugitive]: With new Scenes, Dresses, and Decorations. The Music selected and composed by Shield, and consists of several Russian Melodies, and compositions of Handel, Sacchini, Pleyel, Rauzzini, Guglielmi, Weichsel, Dalayrac, Callcott, Reeve, Prati and Shield. Receipts: #366 9s. 6d. (255.2.6; 3.5.0; tickets: 108.2.0)

Performances

Mainpiece Title: The Czar

Performance Comment: Principal Characters-Bannister, Quick, Edwin, Blanchard, Darley, Rock, C. Powell, Egan, Johnstone, Mrs Martyr, Mrs Mountain, Mrs Billington. Cast from Airs (T. Cadell, 1790): The Czar-Bannister; Justice Applejack-Quick; Philip-Edwin; Count Couvanski-Blanchard; Commodore Swivel-Darley; Ballybough-Rock; Romadanowski-C. Powell; Slip-Egan; Lefort-Johnstone; Nib-Farley; Ellen-Mrs Martyr; Mrs Applejack-Mrs Mountain; Ottokesa-Mrs Billington.

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17891112, but Mrs Drugget-Mrs Pitt; Lady Racket-Mrs Mattocks.
Cast
Role: Mrs Drugget Actor: Mrs Pitt
Role: Lady Racket Actor: Mrs Mattocks.
Role: Dimity Actor: Mrs Rock

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

Event Comment: Benefit for Mrs Warrell and Darley. 1st piece: Not acted these 10 years [never previously acted at this theatre. Warrell was from the Bath theatre]. Receipts: #216 12s. (76.18; 4.15; tickets: 134.19)

Performances

Mainpiece Title: The Ladies' Frolick

Performance Comment: Justice Clack-Quick; Oliver-Blanchard; Springlove-Bernard; Vincent-Warrell (1st appearance on this stage); Hilliard-Davies; Oldrents-Powel; Hearty-Darley; Meriel-Mrs Martyr; Amie-Miss Rowson; Rachel-Mrs Warrell.
Cast
Role: Meriel Actor: Mrs Martyr
Role: Rachel Actor: Mrs Warrell.

Afterpiece Title: The Comedy of Errors

Cast
Role: Mrs Subtle Actor: Mrs Powell
Role: Lucinda Actor: Mrs Mattocks.

Afterpiece Title: The Flitch of Bacon

Cast
Role: Eliza Actor: Mrs Warrell.

Dance: End I: Crutch Dance-Byrne, Mrs Goodwin

Song: In course: Dr Hayes's New Highland Laddie-Mrs Warrell; Between the acts 2nd piece: Alone by the Light of the Moon-Darley

Event Comment: Benefit for Mrs Kemble. 1st piece: Never [previously] acted here. 2nd piece [1st time; INT i, by Henry Siddons. Prologue by John Taylor (see text)]. Gazetteer, 28 Aug. 1790: This Day is published Modern Breakfast (1s.)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Marquis D'Almanza-Williamson; Duke Murcia-Ryder; Count Valentia-R. Palmer; Seville-Chapman; Granada-Evatt; Peasant-Bensley; Marchioness-Mrs Brooks; Amanthis-Mrs Kemble.
Cast
Role: Marchioness Actor: Mrs Brooks
Role: Amanthis Actor: Mrs Kemble.

Afterpiece Title: Modern Breakfast; or, All Asleep at Noon

Performance Comment: Principal Characters by Bannister Jun., Moss, Iliff, Evatt, Kemble, Mrs Whitfield, Miss Heard, Mrs Kemble. Cast from text (J. Debrett, 1790): Delmar-Bannister Jun.; Morecraft-Moss; Mr Hammond-Iliff; Risk-Evatt; Sir Ambrose Crab-Kemble; Miss Oglewell-Mrs Whitfield; Lucy-Miss Heard; Mrs Hammond-Mrs Kemble; Prologue-Mrs Kemble.
Cast
Role: Miss Oglewell Actor: Mrs Whitfield
Role: Mrs Hammond Actor: Mrs Kemble
Role: Prologue Actor: Mrs Kemble.

Afterpiece Title: The Follies of a Day

Cast
Role: Maria Actor: Mrs Goodall.
Role: Countess Actor: Mrs Bannister
Role: Susan Actor: Mrs Goodall.

Dance: End 2nd piece: A Double Hornpipe-Platt, Mrs Goodwin

Event Comment: Mainpiece: Not acted these 3 years. [acted 21 Jan. 1789. Mrs Esten has 1st acted Belvidera at Bath in the season of 1786-87]. Afterpiece [1st time; M. INT 2, by John Cartwright Cross. Larpent MS 883; not published. Prologue by John Taylor (his Taylor, Poems, I, 43). Rees' 1st appearance at this theatre was on 14 May 1788]: The Overture and the whole of the Music by Dibdin. Books of the Songs to be had at the Theatre. [Most of these songs had originally appeared in Dibdin's "table entertainment," The Oddities, 1st performed at the Lyceum, 7 Dec. 1789.] Receipts: #244 18s. 6d. (234.8.0; 10.10.6)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier (1st time)-Holman; Priuli-Hull; Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; Pierre (1st time)-Harley; Belvidera (1st time [in London])-Mrs Esten.
Cast
Role: Belvidera Actor: Mrs Esten.

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters by Bannister, Johnstone, Wilson, Blanchard, Bernard, Rees (1st appearance on this stage), Mrs Harlowe, Mrs Martyr. Cast from Songs (For the Author [1790]); Clueline-Bannister; Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Flambeau-Bernard; Whim-Rees; Squire Thicket-Incledon; Sophia-Mrs Harlowe; Peggy-Mrs Martyr; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written and composed (with new accompaniments) by Dibdin: PART I. The Lamplighter[, I'm jolly Dick the Lamplighter-Bernard; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; Tom Bowling[, Here a shere Hulk lies poor Tom Bowling-Bannister; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; [PART II. Hunting Song[, To Batchelor's Hall-Incledon; Sea Song[, Ben Backstay lov'd the gentle Anna-Bannister; The Portrait[, Come, Painter, with thy happiest flight-Incledon; The Soldier's Grave[, Of all Sensations Pity brings-Incledon; [Conclude with Rural Masquerade-[in which the following Airs will be sung in character; The Greenwich Pensioner[, 'Twas in the good ship Rover-Bannister; Indian Song[, Dear Yanco says, and true he says-Mrs Mountain; The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus; Occasional Prologue-Farren.

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Event Comment: Mainpiece: Not acted these 2 years. A new and accurate Edition of the Tragedy to be had at the Theatre. "[Mrs Siddons's] eyes possess a peculiar brilliancy and animation...Her voice is sonorous and variable" (Candid Strictures, 33). Receipts: #311 13s. (296.3; 13.0; 2.10)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Count Baldwin-Packer; Biron-Kemble; Carlos-Barrymore; Villeroy-Palmer; Sampson-Phillimore; Child-Master Daglish; Bellford-R. Palmer; Pedro-Alfred; Gentlemen-Fawcett, Fox; Servant-Webb; Officer-Maddocks; Isabella-Mrs Siddons (1st appearance these 2 years); Nurse-Mrs Booth.
Cast
Role: Isabella Actor: Mrs Siddons
Role: Nurse Actor: Mrs Booth.

Afterpiece Title: The Deuce is in Him

Cast
Role: Emily Actor: Mrs Goodall
Role: Bell Actor: Mrs Williames

Song: In III: Epithalamium-; Vocal Parts-Mrs Bland, Miss Hagley

Event Comment: Benefit for Quick. 1st piece: Written by Mrs Inchbald. 2nd piece: For that night only. 3rd piece: Written by Foote; 1st time at that Theatre. Morning Herald, 28 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #325 4s. 6d. (152.3.0; 5.10.6; tickets: 167.11.0) (charge: #105)

Performances

Mainpiece Title: Such Things Are

Performance Comment: Twineall-Lewis; Sir Luke Tremor-Quick; Elvirus-Holman; Haswell-Harley; Sultan-Farren; Lord Flint-Davies; Meanright-Macready; Zadan-Powel; 1st Keeper-Cubitt; Prisoner-Thompson; Lady Tremor-Mrs Mattocks; Aurelia-Mrs Mountain; Female Prisoner-Mrs Pope.
Cast
Role: Lady Tremor Actor: Mrs Mattocks
Role: Aurelia Actor: Mrs Mountain
Role: Female Prisoner Actor: Mrs Pope.

Afterpiece Title: Tony Lumpkin's Ramble to Town

Performance Comment: Tony Lumpkin (with his Adventures, and the Disaster of Bet Bouncer, who on that occasion will make her 1st Appearance upon the Stage)-Quick; Bet Bouncer-Mrs Cross.
Cast
Role: Bet Bouncer Actor: Mrs Cross.

Afterpiece Title: The Cozeners

Performance Comment: Aircastle-Munden; Toby-Fawcett; O'Flannagan-Rock; Col. Gorget-Macready; Flaw-Thompson; Tom-Marshall; Doctor Hellebore-Powel; Paul Prig-Quick; Mrs Fleece'm-Mrs Webb; Mrs Aircastle-Mrs Platt; Lilley-Mrs Harlowe; Betsey Blossom-Mrs Martyr.
Cast
Role: Mrs Fleece'm Actor: Mrs Webb
Role: Mrs Aircastle Actor: Mrs Platt
Role: Lilley Actor: Mrs Harlowe
Role: Betsey Blossom Actor: Mrs Martyr.

Dance: End 1st piece: A Divertisement-Byrne, Ratchford, Mrs Ratchford, Mlle St.Amand

Event Comment: Benefit for Mrs Bannister, being her Last Appearance on the Stage. [Address by George Colman, ynger (Thespian Magazine, Oct. 1792, p. 102.

Performances

Mainpiece Title: A Mogul Tale

Performance Comment: The Mogul-Williamson; Johnny Atkins-Parsons; Dr Pedant-Wewitzer; Omar-Evatt; Zapphira-Miss Heard; Irene-Mrs Whitfield; Sheba-Mrs Cuyler; Fanny-Mrs Kemble.
Cast
Role: Irene Actor: Mrs Whitfield
Role: Sheba Actor: Mrs Cuyler
Role: Fanny Actor: Mrs Kemble.

Afterpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Cast
Role: Laura Actor: Mrs Bannister
Role: Mrs Cheshire Actor: Mrs Webb
Role: Cowslip Actor: Mrs Kemble.

Entertainment: Monologue End 2nd piece: a Serio, Comic, Poetic Paraphrase on Shakespear's Seven Ages-King; End 3rd piece: Occasional Farewell Address-Mrs Bannister

Event Comment: Mainpiece: Not acted these 3 years. [acted 21 Jan. 1789. Mrs Esten has 1st acted Belvidera at Bath in the season of 1786-87]. Afterpiece [1st time; M. INT 2, by John Cartwright Cross. Larpent MS 883; not published. Prologue by John Taylor (his Taylor, Poems, I, 43). Rees' 1st appearance at this theatre was on 14 May 1788]: The Overture and the whole of the Music by Dibdin. Books of the Songs to be had at the Theatre. [Most of these songs had originally appeared in Dibdin's "table entertainment," The Oddities, 1st performed at the Lyceum, 7 Dec. 1789.] Receipts: #244 18s. 6d. (234.8.0; 10.10.6)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier (1st time)-Holman; Priuli-Hull; Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; Pierre (1st time)-Harley; Belvidera (1st time [in London])-Mrs Esten.
Cast
Role: Belvidera Actor: Mrs Esten.

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters by Bannister, Johnstone, Wilson, Blanchard, Bernard, Rees (1st appearance on this stage), Mrs Harlowe, Mrs Martyr. Cast from Songs (For the Author [1790]); Clueline-Bannister; Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Flambeau-Bernard; Whim-Rees; Squire Thicket-Incledon; Sophia-Mrs Harlowe; Peggy-Mrs Martyr; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written and composed (with new accompaniments) by Dibdin: PART I. The Lamplighter[, I'm jolly Dick the Lamplighter-Bernard; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; Tom Bowling[, Here a shere Hulk lies poor Tom Bowling-Bannister; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; [PART II. Hunting Song[, To Batchelor's Hall-Incledon; Sea Song[, Ben Backstay lov'd the gentle Anna-Bannister; The Portrait[, Come, Painter, with thy happiest flight-Incledon; The Soldier's Grave[, Of all Sensations Pity brings-Incledon; [Conclude with Rural Masquerade-[in which the following Airs will be sung in character; The Greenwich Pensioner[, 'Twas in the good ship Rover-Bannister; Indian Song[, Dear Yanco says, and true he says-Mrs Mountain; The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus; Occasional Prologue-Farren.

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Event Comment: Mainpiece: Not acted these 2 years. A new and accurate Edition of the Tragedy to be had at the Theatre. "[Mrs Siddons's] eyes possess a peculiar brilliancy and animation...Her voice is sonorous and variable" (Candid Strictures, 33). Receipts: #311 13s. (296.3; 13.0; 2.10)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Count Baldwin-Packer; Biron-Kemble; Carlos-Barrymore; Villeroy-Palmer; Sampson-Phillimore; Child-Master Daglish; Bellford-R. Palmer; Pedro-Alfred; Gentlemen-Fawcett, Fox; Servant-Webb; Officer-Maddocks; Isabella-Mrs Siddons (1st appearance these 2 years); Nurse-Mrs Booth.
Cast
Role: Isabella Actor: Mrs Siddons
Role: Nurse Actor: Mrs Booth.

Afterpiece Title: The Deuce is in Him

Song: In III: Epithalamium-; Vocal Parts-Mrs Bland, Miss Hagley

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].
Cast
Role: Fanny Actor: Mrs Lee
Role: Landlady Actor: Mrs Platt
Role: Fruit Woman Actor: Mrs Watts
Role: Lady Torrendel Actor: Mrs Pope

Afterpiece Title: Rosina

Performance Comment: As17940924, but Rosina-Mrs Clendining.
Cast
Role: Rosina Actor: Mrs Clendining.
Role: Phoebe Actor: Mrs Martyr
Role: Dorcas Actor: Mrs Davenport

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Event Comment: Last Night of the Company's performing this Season. Account-Book: Tickets delivered by Mrs Shotter, Wyatt, Waller, Gawdrey, Ratchford, the Band, Coombes, Page, Wilkins, Robson (door-keeper), Warwhick, Dosel, Paskin, Wells, Ansell, King will be admitted. Receipts: #467 13s. 6d. (67.10.0; 3.14.0; tickets: 396.9.6)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Mrs Town Actor: Mrs Fawcett

Afterpiece Title: The Poor Sailor

Dance: Afterpiece: With a Treble Hornpipe-Ratchford, King, Mrs Ratchford

Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Performance Comment: Characters-Bensley, Barrymore, Caulfield, Kemble, Whitfield, Trueman, C. Kemble, Benson, Phillimore, King, Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb, Master Gregson, Master DeCamp, Mrs Powell, Mrs Jordan, Miss Miller, Miss Tidswell, Miss Heard, Miss Leak; [Cast from text (J. Barker, 1799): Constantius-Bensley; Aurelius-Barrymore; Uter-Caulfield; Vortigern-Kemble; Wortimerus-Whitfield; Catagrines-Trueman; Pascentius-C. Kemble; Hengist-Benson; Horsus-Phillimore; Fool-King; Page-Master Gregson; Servant-Master DeCamp; Edmunda-Mrs Powell; Flavia-Mrs Jordan; Rowena-Miss Miller; Attendants on Edmunda-Miss Tidswell, Miss Heard, Miss Leak; Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb are unassigned.] Prologue [actually, read (Boaden, Jordan, I, 297)]-Whitfield; Epilogue-Mrs Jordan.

Afterpiece Title: My Grandmother

Cast
Role: Mrs Grogram Actor: Mrs Hopkins
Role: Nancy Lovell Actor: Mrs Goodall

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Event Comment: [as Miss Mahon Mrs Second has sung in the cg oratorios in 1789 and 1790.] Receipts: #189 5s. (187.5.6; 1.19.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop-Bowden; Medley-Townsend; Bob-Haymes; Ralph-Linton; Welford-Incledon; Dolly-Mrs Martyr; Miss Di Clacket-Mrs Davenport; Polly-Miss Gray; Bridget-Mrs Watts; Emily (with additional songs, accompanied on the clarionet by Mahon)-Mrs Second (1st appearance on any stage [i.e. in a speaking part]).i.e. in a speaking part]).
Cast
Role: Dolly Actor: Mrs Martyr
Role: Miss Di Clacket Actor: Mrs Davenport
Role: Bridget Actor: Mrs Watts
Role: Emily Actor: Mrs Second

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Lewis; Figaro-Macready; Antonio-Munden; Bazil-Powel; The Page (with a song)-Mrs Martyr; Countess-Miss Chapman; Marcelina-Mrs Gilbert; Agnes-Miss Logan; Susan-Mrs Pope.
Cast
Role: The Page Actor: Mrs Martyr
Role: Marcelina Actor: Mrs Gilbert
Role: Susan Actor: Mrs Pope.

Song: [One of Mrs Second's new songs was Hope thou cheerful ray of light (BUC 643).

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill assigns Acasto to Murray, but "An apology was made for Murray, who was prevented by illness from playing Acasto, which, at a short notice, was taken by Hull" (True Briton, 14 Oct.).] "This whole of [Mrs Spencer's] performance was marked by such unaffected simplicity that it was almost impossible to consider it as the mere fiction of the scene. This lady is really a great aquisition to the house" (True Briton, ibid). Receipts: #254 6s. 6d. (244.18.6; 9.8.0)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Hull; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Spencer (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Monimia Actor: Mrs Spencer

Dance: Ballet, as17971002, but Mrs _Watts

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.
Cast
Role: Mrs Oakly Actor: Mrs Abington
Role: Lady Freelove Actor: Mrs Sparks
Role: Toilet Actor: Mrs Cuyler.

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Dowton; Freeman-Surmont; Philip-Sparks; Tom-Ryder; Duke's Servant-R. Palmer; Sir Harry's Servant-Russell; Kitty-Miss Pope; Cook-Mrs Coates; Cloe-Mrs Mills; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Cook Actor: Mrs Coates
Role: Cloe Actor: Mrs Mills

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Sumbel (late Mrs Wells; who has generously volunteered her services for that Evening); Nerissa-A Young Lady (1st appearance on the stage [unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.
Cast
Role: Portia Actor: Mrs Sumbel

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters-Faulkner (1st appearance on this stage), Basset, Barry Jun., The Young Gentleman who performed Wilford [on 23 Apr.], Thompson, Abbot, Webb, H. Johnston, Mrs Johnston [recte Mrs Johnstone] (2nd appearance on this stage), Mrs Hunter, Miss Leserve, Mrs H. Johnston [And see17981011.]; Epilogue-Barry Jun.

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Cast
Role: Imitations Actor: Mrs Sumbel

Performances

Mainpiece Title: The Double Deceit

Performance Comment: Parts by Ryan, Hippisley, Walker, A. Hallam, Chapman, Neale, Mrs Horton, Miss Bincks, Mrs Buchanan, Mrs Stevens, Mrs Mullart, Mrs Templer, Mrs Kilby, Mrs Martin .

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Performance Comment: Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme .
Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Cast
Role: Lady Fanciful Actor: Mrs Giffard
Role: Lady Brute Actor: Mrs Woffington
Role: Belinda Actor: Mrs Ridout
Role: Mademoiselle Actor: Mrs Cross
Role: Cornet Actor: Mrs Horsington.

Dance: Muilment

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Cibber; Henry VI-Wilks; Buckingham-Mills; Queen-Mrs Porter. Edition of 1718 adds: Prince Edward-$Norris Jr; Duke of York-$Miss Lindar; Richmond-$Ryan; Norfolk-$Boman Sr; Ratcliff-$Oates; Catesby-$Diggs; Tressel-$W. Wilks; Oxford-$Boman Jr; Lieutenant-$Quin; Blunt-$Wright; Lord Mayor-$Miller; Tyrrel-$Weller; Forrest-$Wilson; Dighton-$Higginson; Lady Anne-$Mrs Horton; Duchess of York-$Mrs Baker.
Event Comment: DDaily Advertiser, 30 May: We hear that Mr Cibber, Jun. one of the present Directors of his Majesty's Company of Comedians together with Mr Mills, Sen Mr Johnson, Mr Miller, Mr Harper, Mr Griffin, Mr Mills, jun. Mr Shepard, Mr Hallam, jun. Mrs Horton, Mrs Heron, Mrs Butler, and others of the Company, waited Yesterday on his Grace the Duke of Grafton...to deliver...an humble Petition, and they met with gracious Reception

Performances

Mainpiece Title: The Tempest

Event Comment: Benefit for Mrs Horton. Last time of the Company's performing

Performances

Mainpiece Title: The Stratagem

Cast
Role: Mrs Sullen Actor: Mrs Pritchard
Role: Lady Bountiful Actor: Mrs Cross.
Role: Dorinda Actor: Mrs Davies
Role: Gipsy Actor: Mrs Simson

Afterpiece Title: The King and the Miller of Mansfield

Cast
Role: Margery Actor: Mrs Toogood
Role: Kate Actor: Mrs Simson

Dance: IV: Country Amusements-; Devisse, Mlle Auretti

Event Comment: Account-Book: Tickets delivered by Mrs Maxwell, Miss Briggs, Miss Clarke, Mrs Horton alias Hedges will be admitted. Receipts: #129 4s. 6d. (92.12.0; 35.1.0; 1.11.6; tickets: none listed)

Performances

Mainpiece Title: The Castle-spectre

Cast
Role: Angela Actor: Mrs Jordan
Role: Alice Actor: Mrs Walcot
Role: 's Ghost] Actor: Mrs Powell

Afterpiece Title: The Smugglers

Event Comment: Benefit Mrs Horton. Mainpiece: Written by Shakespear

Performances

Mainpiece Title: Macbeth

Cast
Role: Lady Macduff Actor: Mrs Thurmond.
Role: Lady Macbeth Actor: Mrs Porter

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: As17340418 but Humphrey and Justice omitted. Prologue by Cibber. Epilogue by Mrs Horton .
Cast
Role: Hostess Actor: Mrs Shireburn

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme