Event Comment: [Theatrical Review, 6 Dec.: re afterpiece: "Thomas is well supported by Mr Vernon who...is the best acting singer on the stage...Mr Davies appeared for the first time in the character of the squire, and discovered no inconsiderable degree of merit.--Dorcas by Mrs Love--This character is better played here by Mrs Dorman. [Both surpassed by Mrs Thomson at cg.] Mrs Scott does justice to the songs, being an accomplished singer, but as an actress she is insufferably insipid and inanimate."] Paid Mr Russell for men's cloaths #30; Paid Mr Follett on note #10 10s.; 2 Clarinets 6 nights (2nd incl.) #9 9s. (Treasurer's Book). Receipts: #243 19s. (Treasurer's Book)

Event Comment: Rosetta 1st time Mrs Wrighten very well, great Applause (Hopkins Diary). Benefit for Ackman and Mrs Wrighten. Paid Master Brown 4 nights #1 10s. (16th inst. incl.). Receipts: #207 6s. 6d. Charges: #65. Profits to Ackman and Mrs Wrighten: #142 6s. 6d. (Treasurer's Book)

Event Comment: Benefit for Champnes and Mrs Scott

Event Comment: [Mrs Edwards is identified in European Magazine, July 1786, p. 60. Address by Thomas Busby (ibid.}.]

Event Comment: [Mrs James Wilson was from the Portsmouth theatre.] Receipts: #198 (148/5; 49/0; 0/15)

Event Comment: "[Mrs Siddons's] dress was a French grey satin gown, trimmed with dark sage coloured ribbon, edged with steel, white satin petticoat covered With tiffany, and trimmed With the same as the gown, a girdle of the same colour, a dark sage coloured cane hat ornamented with feathers and edges with gold, with a band of gauze and large bows, the ends fastened to the waist" (Daily Universal Register, 4 Oct.). Receipts: #302 2s. (281.18.0; 19.6.6; 0.17.6)

Event Comment: [Mrs Plomer is identified in Reed, Diaries, 159.

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Event Comment: Benefit for Mrs Yates. Parts of Pit laid into Boxes. Afterpiece: By Particular Desire

Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Event Comment: [Mainpiece in place of Love for Love, announced on playbill of 27 Nov.] Receipts: #85 10s. (56.1; 28.14; 0.15)

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Event Comment: Mainpiece [1st time; C 3, by Sarah Gardner. Prologue by the author (London Chronicle, 11 Aug.). Larpent MS 435; not published; synopsis of plot in London Magazine, Aug. 1777, p. 433. For a description of the difficulties attending the reception of this play, from a recently discovered MS by Mrs Gardner, see Theatre Notebook, VII, 76-81]

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Public Advertiser, 14 Apr.: Tickets to be had of Mrs Bradshaw, No. 93, near Craven Buildings, Drury-lane; of Mrs Love, at Booth's, Brownlow-street, Long-acre; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #166 4s. (65.16; 13.14; 0.0; tickets: 86.14) (charge: #65 6s. 6d.)