Event Comment: [Benefit] (Toll) for Goodfellow who play'd Hamlet (Cross). Tickets to be had at the Ship Tavern, at Ratcliff-Cross; the Swan in Ratcliff-Highway; the Black Lyon, in Russel St. Covent Garden, and at the Stage Door of the Theatre. Receipts: #140 (Cross)

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Event Comment: The United Company. The date of the premiere is not known, although a reference in the text to 1690 suggests that the play may have been produced in that year; but the fact that it was not advertised in the London Gazette until 6-9 April and not entered in the Term Catalogues until May 1691 suggest that it posaibly appeared early in 1691. This play was discussed in Wit for Money, or Poet Stutter; A Dialogue between Smith, Johnson, and Poet Stutter; containing Reflections on some late Plays, and particularly on Love for Money, or The Boarding School. The British Museum copy of this pamphlet has a manuscript date of 23 April 1691. Downes, Roscius Anglicanus, p. 42: The Boarding School; Wrote by Mr Durfy, it took well being justly Acted. Earl of Ailesbury, mid-January 1690@1: My Lady Fenwick was a great intriguer, and had always castles in the air in her imagination to that degree, that I was present at a play where she was brought in. If I mistake not it was The Boarding School, and the famous comic, Mr Lee, in woman's clothes represented her to the life, and so exactly had her features and complexion that one could hardly have distinguished one from the other (Memoirs, [London, 1890], II, 390-91)

Event Comment: Mainpiece: Written by Ben Johnson. Receipts: #140 (Cross)

Event Comment: The farce went off dull. Taken from a play so call'd (Cross). Part of pit laid into the boxes, and Stage formed into an Amphitheatre & Commodiously enclos'd for the Reception of Ladies. Ladies send servants by three. Doors opened at half past three. Benefit for Woodward. Boxes and Stage 5s. Receipts: #280 (Cross)

Event Comment: The pant: was hiss'd & Dull (Cross). Afterpiece: with new Scenes and Decorations, not acted these 4 years [see 15 Oct. 1753]. Receipts: #160 (Cross)

Event Comment: By Command of the Prince of Wales. Prince & 5 more (Cross). Receipts: #200 (Cross); #182 2s. 6d. (Winston MS 8)

Event Comment: Receipts: #110 (Cross); #115 19s. 6d. (Powel)

Event Comment: KKing did Tom (Well) Mrs Clive being taken ill-Mrs Abington did Phillis & I borrow Mrs Baker from Rich to do Lucinda. Receipts: #130 (Cross)

Event Comment: To the Author of the General Advertiser: Sir: Several Parodies on the favourite Soliloquy in Hamlet having appear'd lately, and all of the serious and grave Kind; the following Attempt in Burlesque, if you think it will be agreeable to the Publick, is at their and your Service: Yours, Rigdum Funnidos. @To drink, or not to Drink? that is the Question--@Whether 'tis easier for a Man, to suffer@The Pangs and Horrors of Outrageous Thirst;@Or boldly venture on a Sea of Liquor.... Receipts: #140 (Cross); #111 19s. 6d. (Powel)

Event Comment: Mainpiece: By Desire. Receipts: #80 (Cross); #68 19s. (Powel)

Event Comment: Receipts: #80 (Cross); #94 5s. (Powel)

Event Comment: Afterpiece. A Grand New Dance, with Scenes, Music and Habits entirely new. No money to be return'd after the curtain is drawn up. Receipts: #100 (Cross); #133 4s. 6d. (Treasurer's Book)

Event Comment: Receipts: #50 (Cross)

Event Comment: Benefit for Mrs Clive. Mainpiece: Not acted in seven years [see 7 May 47]. Altered from Dryden by Colley Cibber, Esq. Part of Pit laid into boxes. Amphitheatre on Stage. Receipts: #220 (Cross)

Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Event Comment: Benefit Cross (Prompter), Anderson, Clarke, White. Tickets for Miss Burgess also taken. Receipts: #110 (Rylands MS.)

Event Comment: [This dance had been introduced in Act IV of The Refusal on 29 Sept.] Receipts: #100 (Cross); #102 6s. (Powel)

Event Comment: Receipts: #120 (Cross)

Event Comment: Mainpiece: Not acted these 15 years. Written by Ben Johnson. The characters New Dress'd after the Manner of the Times. Receipts: #14O (Cross)

Event Comment: Receipts: #160 (Cross)

Event Comment: Not performed for 12 years. [See 5 Nov. 1746.] Mossop, Palmer, Miss Macklin, Mrs Davies, Miss Pritchard played parts for first time. Receipts: #100 (Cross).; #114 10s (Winston MS 8)

Event Comment: Benefit for Bransby and Champness. Tickets deliver'd by Mrs Bradshaw, Miss Hippisley, Mrs Smith, and Mrs Rowe will be taken. Tickets sold at the Doors will not be taken. Receipts: #170 (Cross)

Event Comment: Receipts: #120 (Cross); #129 11s. (Powel)

Event Comment: Receipts: #80 (Cross); #95 3s. (Powel)