SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Mrs Bernard"/1) | (@(roleclean,performerclean) "Mr and Mrs Bernard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23631 matches on Performance Comments, 7600 matches on Event Comments, 4623 matches on Performance Title, 29 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Mrs Cargill was from cg.

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Comus

Performance Comment: As17800624 but Euphrosyne, Principal Bacchant-Mrs Cargill (late Miss Brown; 1st appearance on this stage). 1st appearance on this stage).
Event Comment: Benefit for Mrs Wrighten. Mainpiece: Not acted these 2 years. Receipts: #291 10s. 6d. (84.10.0; 7.2.0; 0.14.6; tickets: 199.4.0) (charge: none listed)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Mrs Lovemore-Miss Farren (1st appearance in that character); Muslin (1st time)-Mrs Wrighten; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Widow Belmour (with a song in character)-Mrs Abington.

Afterpiece Title: The Camp

Cast
Role: Nell Actor: Mrs Wrighten

Dance: End: The Butterfly, as17800921

Song: Between the Acts: Tally Ho!-Mrs Wrighten

Performance Comment: -Mrs Wrighten.
Cast
Role: i> Actor: Mrs Wrighten.
Event Comment: [Mrs Roope is identified by MS annotation on Kemble playbill.] Receipts: #164 6s. (162/5; 2/1)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Henderson; Gloster-Hull; Bastard-Aickin; Kent-Clarke; Albany-L'Estrange; Cornwall-Thompson; Burgundy-Robson; Physician-Baker; Gentleman Usher-W. Bates; Edgar-Lewis; Goneril-Miss Platt; Regan-Miss Ambrose; Arante-Miss Stuart; Cordelia-A Lady (1st appearance on any stage [Mrs Roope]) .Mrs Roope]) .

Afterpiece Title: The Jovial Crew

Performance Comment: Vincent-Mattocks; Hearty-Reinhold; Hilliard-Davies; Old Rents-Booth; Springlove-Whitfield; Oliver-Robson; Justice Clack-Quick; Meriel-Mrs Martyr; Amie-Miss Stuart; Rachel-Miss Catley .
Cast
Role: Meriel Actor: Mrs Martyr

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

Event Comment: [Mrs Barnes was from CG.] Receipts: #252 15s. (234/3; l8/7; 0/5)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17821108, but Alicia-Mrs Barnes (1st appearance on that stage) .
Cast
Role: Alicia Actor: Mrs Barnes
Role: Jane Shore Actor: Mrs Siddons

Afterpiece Title: The Alchymist

Cast
Role: Doll Common Actor: Mrs Hopkins
Event Comment: [Mrs Siddons's 1st appearance as the Duchess of Braganza was at Bath, 8 Feb. 1780.] Receipts: #239 10s. (216/12/0; 22/0/6; 0/17/6)

Performances

Mainpiece Title: Braganza

Performance Comment: Valasquez-Smith; Ribiro-Palmer; Almada-Aickin; Mendoza-Barrymore; Lemos-Chaplin; Corea-Fawcctt; Antonio-Wrighten; Pizarro-R. Palmer; Ramirez-Packer; Duke of Braganza-Kemble; Duchess of Braganza-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Flitch of Bacon

Performance Comment: Captain Wilson-Bannister; Captain Greville-Dignum; Tipple-Suett; Justice Benbow-Packer; Kilderkin-Chaplin; Ned-Phillimore; Putty-Alfred; Major Benbow-Parsons; Eliza-Mrs Crouch .
Cast
Role: Eliza Actor: Mrs Crouch
Event Comment: [Mrs Jordan's 1st appearance as Miss Lucy was at the Crow Street Theatre, Dublin, 3 Nov. 1779.] Receipts: #237 8s. 6d. (192/13/0; 42/9/0; 2/4/0; ticket not come in: 0/2/6)

Performances

Mainpiece Title: The Heiress

Cast
Role: Mr Blandish Actor: Bannister Jun.
Role: Miss Alton Actor: Mrs Crouch
Role: Mrs Blandish Actor: Mrs Wilson
Role: Mrs Sagely Actor: Mrs Booth

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Coupee-Bannister Jun.; Blister-Suett; Quaver-Barrymore; Goodwill-Packer; Thomas-Phillimore; Miss Lucy-Mrs Jordan (1st appearance in that character [in London]) .in London]) .
Cast
Role: Miss Lucy Actor: Mrs Jordan
Event Comment: "Mrs Crouch being suddenly indisposed, an apology was made for her absence" (Public Advertiser, 31 Mar.). Received Oratorio Rent at #28 a night, #308

Performances

Mainpiece Title: Redemption 0

Performance Comment: Vocal Parts, Violin As17870223, but Principal Vocal Parts-Mrs _Crouch.

Song: In Part III: I know that my Redeemer liveth-Mme Mara

Event Comment: [Mrs Henry is identified in European Magazine, Feb. 1788, p. 106.] Receipts: #218 15s. (210.2; 8.13)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17871107, but Beatrice-A Young Lady (1st appearance on any stage [Mrs Henry]).Mrs Henry]).
Cast
Role: Hero Actor: Mrs Inchbald

Dance: As17871107

Event Comment: [Mrs Siddons had 1st recited the Monody at Bath, 1 May 1779.

Performances

Mainpiece Title: A Prelude

Related Works
Related Work: A New Prelude and Prologue Author(s): Richard Cumberland
Related Work: A New Occasional Prelude Author(s): Richard Cumberland

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Performance Comment: Principal Vocal Parts and Violin As17890227.

Afterpiece Title: The Monody on the Death of Garrick

Performance Comment: Recited (1st time in London)-Mrs Siddons; The Music by Linley Sen?.-; To conclude with God save Great George our King-.
Cast
Role: Recited Actor: Mrs Siddons

Music: As17890311

Event Comment: [Mrs Vernon is identified in Oracle, 31 Jan. Author of Address unknown.] Receipts: #227 2s. (222.9; 4.13)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17901211, but Lucinda (1st time)-Miss Francis; Rosetta-A Lady (1st appearance on any stage [Mrs Vernon]).Mrs Vernon]).
Cast
Role: Deborah Actor: Mrs Pitt
Role: Madge Actor: Mrs Wells

Afterpiece Title: The Picture of Paris

Dance: End II: The Wapping Landlady, as17901204

Entertainment: Monologue Preceding: an Occasional Address-Harley

Event Comment: [Mrs King was from the Stamford theatre.

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: My Grandmother

Performance Comment: Vapour-Farley; Gossip-Suett; Souffrance-Caulfield; Sir Matthew Medley-Davenport; Woodley-Trueman; Waiter-Chippendale; Servant-Atkins; Charlotte-Miss Gaudry; Florella-Mrs King (1st appearance on this stage).
Cast
Role: Florella Actor: Mrs King
Event Comment: The United Company. Lord Ashburnham's Diary: I went to the Play (the Rehearsal) where there was a great deal of company (Ashburnham MS 932; see 14 Dec. 1686). The play was reprinted in 1687. Cibber, Apology (ed. Lowe, I, 167): People were so fond of seeing her [Mrs Mountfort] a Man, that when the Part of Bays in the Rehearsal had for some time lain dormant, she was desired to take it up, which I have seen her act with all the true coxcombly Spirit and Humour that the Sufficiency of the Character required

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Mrs Mountfort may have played Bayes early as 1687.
Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Performance Comment: Characters-Bensley, Barrymore, Caulfield, Kemble, Whitfield, Trueman, C. Kemble, Benson, Phillimore, King, Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb, Master Gregson, Master DeCamp, Mrs Powell, Mrs Jordan, Miss Miller, Miss Tidswell, Miss Heard, Miss Leak; [Cast from text (J. Barker, 1799): Constantius-Bensley; Aurelius-Barrymore; Uter-Caulfield; Vortigern-Kemble; Wortimerus-Whitfield; Catagrines-Trueman; Pascentius-C. Kemble; Hengist-Benson; Horsus-Phillimore; Fool-King; Page-Master Gregson; Servant-Master DeCamp; Edmunda-Mrs Powell; Flavia-Mrs Jordan; Rowena-Miss Miller; Attendants on Edmunda-Miss Tidswell, Miss Heard, Miss Leak; Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb are unassigned.] Prologue [actually, read (Boaden, Jordan, I, 297)]-Whitfield; Epilogue-Mrs Jordan.

Afterpiece Title: My Grandmother

Cast
Role: Mrs Grogram Actor: Mrs Hopkins
Role: Nancy Lovell Actor: Mrs Goodall

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Event Comment: Benefit for Bernard. 1st piece [1st time; M. PREL 1]: With the Storming of the Fort, and a View of the Fleet and Harbour. In which will be introduced the Grand Ceremony of the Enemy's Surrendering the Colours, and Marching out before the British Troops. The whole (including Dances) got up entirely under the direction of Byrn. Morning Herald, 13 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton Garden. Receipts: #249 8s. 6d. (83/9/6; 7/19/6; tickets: 157/19/6)

Performances

Mainpiece Title: The Fall Of Martinico; Or, Britannia Triumphant

Afterpiece Title: THE BELLE'S STRATAGEM

Cast
Role: Sandy Actor: Incledon
Role: Jenny Actor: Mrs Mountain
Role: Moggy Actor: Mrs Martyr.

Afterpiece Title: THE HIGHLAND REEL

Performance Comment: As17931010, but Shelty (for that night)-Bernard; omitted: Serieant Jack, Captain Dash . omitted: Serieant Jack, Captain Dash .
Cast
Role: Shelty Actor: Bernard
Role: Sandy Actor: Incledon
Role: Jenny Actor: Mrs Mountain
Role: Moggy Actor: Mrs Martyr.

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Related Works
Related Work: The British Sailor; or, The Fourth of June Author(s): John Bernard
Related Work: The Poor Sailor; or, Little Ben and Little Bob Author(s): John Bernard
Event Comment: Afterpiece: Not acted these 2 years. [Entertainment in place of Dermot and Kathlane, advertised on playbill of 15 Nov.] Receipts: #201 9s. 6d. (191/11/0; 9/18/6)

Performances

Mainpiece Title: The Beggar's

Dance: In Act III of mainpiece a Hornpipe in character by Platt

Entertainment: As17931111

Cast
Role: The Dances Actor: Byrn, Holland

Opera: As17931012, but Mrs Peachum-Mrs Fawcett. Also BARNABY BRITTLE. Barnaby Brittle-Quick; Jeremy-Blanchard; Clodpole-Bernard; Lovemore-Davies; Sir Peter Pride-Cubitt; Jeffery-Abbot//Damaris-Miss Stuart; Lady Pride-Mrs Leicester; Mrs Brittle-Mrs Mattocks

Performance Comment: Also BARNABY BRITTLE. Barnaby Brittle-Quick; Jeremy-Blanchard; Clodpole-Bernard; Lovemore-Davies; Sir Peter Pride-Cubitt; Jeffery-Abbot//Damaris-Miss Stuart; Lady Pride-Mrs Leicester; Mrs Brittle-Mrs Mattocks .
Cast
Role: Clodpole Actor: Bernard
Role: Lady Pride Actor: Mrs Leicester
Role: Mrs Brittle Actor: Mrs Mattocks
Event Comment: This being the Last time of Mr G. performing he generously gave the Profits of the Night to the Theatrical Fund, he spoke the Usual prologue & after the play he went forward & address'd the Audience in so pathetic a Manner as draw Tears from the Audience & himself & took his leave of them forever (Hopkins Diary). [Accounts of the farewell address in the Morning Post and in Davies; Life of Garrick.] So Ends the Season 67 different Play 32 different Farce 189 Nights in all (Hopkins Diary). N.B. The profits of this night appropriated to the benefit of the Theatrical Fund: Cash #309 2s.; After Money #2 10s. 6d. Received #311 12s. 6d. Paid #36 5s. 9d. viz: @Renters #8@Supernumeraries & Kettle Drum #2 11s.@Soldiers 14s.@Extra Constables #1 10s. 6d.@Candles, Oyl & Lampmen #3 18s. 6d.@Carpenters Extras #2 1s.@Music Band #7 18s. 9d.@Messrs. Legg, Lauchery, Larivere, Garland & Langlois Salary #1 13s. 4d.@Sundry Doorkeepers & Servants #7 18s. 8d. @#36 5s. 9d.@Rec'd #311 12s. 6d.@Paid #36 5s. 9d.@Remains #275 6s. 9d.@Brought Fd #62 3s. 7d. from 10th May@Total #337 10s. 4d.@ N.B. The above sum of the two Nights for Theatrical Fund-order'd by Mr Garrick this 25th day of June 1776 to be paid into the hands of Mr Hatsell (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book): 11 June: Rec'd Box office keeper's cash #25; Candles, Oil &c. the 2nd Fund night #7 17s.; From Mr Dodd in Full #21. 24 June: From Sinking Fund (3rd) in full #963 10s.; From Grimaldi on acct #70; From Mrs Smith (singer) in full #31 10s. 2 July: From Public Advertiser for this season #50; Gazetteer ditto #50. 4 July: Their Majesties Acct this season #76; from Mr Harrison one yrs. rent Land tax deducted #37 5s. 5 July: From Mr Parsonage 1 yr. & one quarter rent to Midsummer (tax deducted) #53 15s. 15 July: From Mr Pope 1 yr. & one quarter rent to Mids. Last (taxes deducted) #35 12s. 6d.; Mr Heath 1 yr. and 1!2 Rent to Mids last #15. 19 July: From Mrs Johnston 1 yr. & one quarter rent to Mids. last #7 10s.; Mrs Groath 1!2 year to ditto #1 10s. Mr Percy three quarters Rent to ditto #7 10s.; Mr Waterer five quarters rent to ditto (land tax deducted) #51 7s. 25 July: Sundry forfeits taken up by Evans #38 5s. AFTER SEASON EXPENDITURES (Treasurer's Book): 11 June: Five days salary to sundries at #88 2s. 10d. per diem #440 14s. 2d.; George Garrick in full of #400 #5 13s. 4d.; Slingsby in full of #350 #1 3s. 4d.; Everard on note #10 10s.; Davis on note #21; Mr King to make up #500 in full #32 10s.; Lauchery on note #15 15s.; Mr Page in full of #25 #1 12s. 6d. 28 June: To Lord Walpole for one year's acting season #315; Mr Highly in Full of his building acct #85 19s.; Ditto for 3 yrs. ground rent to the 24th inst. #42. [For explanation of Walpole payment, see Boaden, Garrick Correspondence, II, 155 an involved agreement re an annuity dating from October 1761, now being collected because of new taxes on Carriages, and because Lady Walpole was footsore and would walk nowhere.] 20 June: Adelphi Tavern Bill & Waiters #20 10s. 6d.; Mr Park, chorus 4 nights in full #1 10s.; Mr R. Johnston's property Bills in full #33 1s. 6d. 24 June: Mr D. Garrick in full of #1,300 #235 13s. 2d.; Mr R. Harwood's gratuity #5 5s. 2 July: One yrs. subscription for St George's Hospital for both the managers #10 10s. 5 July: Three quarter's rent pd for Miss Abrahams at Gardners #37 10s. 9 July: Blakes (hatter) #11 15s.; Mrs Chitty (coals) #94 17s.; Hadley & Co., Engine, #12 12s.; Thomson (smith) #6 15s.; Barrow & Co., Oil, #108 13s. 6d.; Ireland (upholsterer) #17 2s. 6d.; Stevens (mason) #42 7s. 6d.; Hewetson (laceman) #9 2s.; Racket (taylor) #16 9s.; Barret (wax chandler) #14 5s.; Waller (hosier) #11 5s. 11 July: Machin, Chorus singer, #6, Bibb (sword cutler) #2 5s.; Gardner (shoemaker) #3 2s.; Marshall (plumber) #4 13s.; Stacey (colourman) #4 17s. 15 July: Daley (sadler) #5 5s.; Scott (copperlace) #25 14s. 6d.; Norfolk (glazier) #3 7s.; Carpue (silk Dyer) #18 13s.; Mrs Carter (scowerer) #1 14s. 6d.; Chettle (timber) #4 6s. 7d.; Pope, for Wiggs, #12 12s.; ditto for 81 extra nights dressing #8 2s.; Mr Preston 69 nights dressing Mr Garrick #5 3s. 6d.; Hatsell (mercer) #47 3s. 16 July: Powney (stationer) #2 10s.; Jennings (glover) #25 17s. 6d.; Prior (turner) #9 5s. 6d; Hopkin's Prompter's bill #13 18s.; Palmer for Sperma. Candles #7 14s.; Kirkman (harpsicord maker) #13 17s. 6d.; Hele (surveyor) #26 10s. 19 July: Mrs Garwood (laundress) #2 12s. 8d.; a Green coat for Mr Garrick #3 3s.; Mr Woods, chorus, 63 nights in full, #15 15s.; Mr French's bills in full #235 3s. 6d. 22 July: Mr Waterer, Black Lyon dinner Bills #56 8s. 6d. 25 July: Mrs Vaughan (haberdasher) #3 18s. 6d.; Cubit (tinman) #2 15s.; Kirk (housekeeper) three quarter's salary to Midummer #30; Victor's gratuity and two weeks salary #35; Evans in lieu of Benefit #42 and 2 weeks salary #3; Mr Westley 2 weeks salary #1 10s. AFTER SEASON COMPUTATION: DRURY LANE 1775-1776: Books closed 25 July 1776. @Total income #37,917 3s. 10d.@Total Expense #33,453 18s. 4d.@Profit #4,463 5s. 6d. divided as follows:@Mr Clutterbuck #1,000@Managers #3,240@ In Victor's hands #223 5s. 6d. [presumably for summer expenses and opening the next season. The Treasurer's Book also mentions a sum of #575 18s. 8d. at Mr Clutterbucks, without indication of its source or contemplated use.

Performances

Mainpiece Title: The Wonder

Cast
Role: Flora Actor: Mrs Wrighten, first time
Role: Violante Actor: Mrs Yates
Role: Inis Actor: Mrs Bradshaw.

Afterpiece Title: The Waterman

Cast
Role: Mrs Bundle Actor: Mrs Wrighten
Role: Miss Wilelmina Actor: Mrs Jewell

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone

Performance Comment: Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone.
Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: Steele's Censorium. For other accounts, see Loftis, pp. 108-9, and Blanchard, pp. 69, 108, 120

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

Performance Comment: ..We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June).
Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope
Related Work: The Count of Burgundy Author(s): Alexander PopeAugust Friedrich Ferdinand von Kotzebue
Event Comment: Benefit Hallam, Rob. William, and Miss Tynte. Written by Shakespear. Th. Cibber (Lives and Characters, pp. 49-49): I remember, some Years ago, on Mr Giffard's coming from Ireland (then a young Actor) Mr Booth performed the Character of Hotspur one Night, when Mr Giffard played the Part of the Prince of Wales ; Mr Booth knowing Mr Giffard must be naturally prejudiced in favour of Mr Thomas Elrington, to whose Performance in Hotspur he had many times attended with no small Admiration-Mr Booth, piqued on this Occasion, exerted himself in a particular Manner, and played the whole Part with such Fire, and Engergy of Spirit, as rouzed his Auditors to an Extravagance of Applause, and made Mr Giffard confess (as he has often done in my Hearing) that, notwithstanding his Prepossession in favour of Mr Elrington,-Mr Booth, in Power, Spirit, and Judgment, went far beyond him in this Part; as he afterwards, with Admiration confessed,-he did in every other

Performances

Mainpiece Title: King Henry The Fourth, Part I

Cast
Role: Kate Actor: Mrs Booth
Role: Hostess Actor: Mrs Willis.

Afterpiece Title: The Stage Coach

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

Event Comment: Benefit for Clarke. Mr Clarke begs leave to inform his Friends, from his violent Indisposition, and Incapacity to perform for his Benefit, Mr Yates offered his assistance to play the character of Scrub; but unfortunately Mr Yates is attacked by a violent fit of the Gout, and prevented from fulfilling his kind Intentions. Mr Quick has readily consented to play the part for Mr Clarke. Mr Clarke hopes his present severe Indisposition, which has prevented his playing for several Months past, will be considered by his Friends as a sufficient Apology for his not performing at his Benefit, and solicits their Patronage this Evening. Morning Chronicle, 22 Apr.: Tickets to be had of Clarke, No. 15, Great Russel-street, Covent Garden. Receipts: #101 16s. 6d. (98/4/6; 3/12/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: As17851119, but Mrs Sullen-Mrs Warren .
Cast
Role: Mrs Sullen Actor: Mrs Warren
Role: Cherry Actor: Mrs Martyr
Role: Dorinda Actor: Mrs Bates

Afterpiece Title: The Deserter

Performance Comment: The Deserter-Mrs Martyr; Russet-Darley; Simpkin-Cubitt; Flint-Thompson; Skirmish-Edwin; Jenny-Mrs Wrighten (of DL); Louisa-Mrs Bannister .
Cast
Role: The Deserter Actor: Mrs Martyr
Role: Jenny Actor: Mrs Wrighten
Role: Louisa Actor: Mrs Bannister

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

Event Comment: Benefit for Mrs Vincent. No building on the Stage. Mr Havard sent word that his Wife dy'd this morning. Mr Lee read his part. Imogen by Mrs Palmer (Hopkins). Charges: #64 4s. (MacMillan). Mrs Havard died this morning, on which account Mr Lee read Bellarius, and introduc'd two long speeches that were never spoke before. Miss Bride, being with child, cou'd (not) go into breeches, Mrs Palmer-Imogen (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17640326 but Belarius-Lee; Imogen-Mrs Palmer, first time.
Cast
Role: Imogen Actor: Mrs Palmer, first time.
Role: Iachimo Actor: Holland
Role: Queen Actor: Mrs Bennet
Role: singing Actor: Mrs Vincent.

Afterpiece Title: The Contrivances

Performance Comment: Argus-Parsons; Rovewell-Vernon; Robin-Moody; Arethusa-Mrs Vincent.
Cast
Role: Arethusa Actor: Mrs Vincent.

Song: III: The song of Sweet Bird-Mrs Vincent; accompanied on the Violin-Mr Pinto

Dance: The Provancalle, as17631014

Performances

Mainpiece Title: Concert

Afterpiece Title: The Judgment of Paris

Performance Comment: Pallas-Mrs Tofts.
Cast
Role: Pallas Actor: Mrs Tofts.

Music: Wherein several Songs in Italian and English-Mrs Tofts; with several select Pieces of Musick- compos'd by the late Famous Mr Henry Purcell; And a comical Dialogue sung originally in The Island Princess,-Mr Leveridge, Mr Doggett

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers

Event Comment: By Subscription. With a new Prologue and Epilogue. Admission as 14 Dec. 1703. [A Folger Library broadside appears to be a program for this concert. It lists in Act I The Druid's Song from Bonduca, two songs by Mrs Tofts, a song from The Fairy Queen, and a dance; in Act II The Frost Music from King Arthur, two dances, and a song by Mrs Tofts; in Act III an Ode on the Glorious Beginning of Her Majesty's Reign, set by Daniel Purcell and performed by Leveridge, Hughes, Mrs Lindsey, and Mrs Campion; a song by Mrs Tofts, The Sacrifice from King Arthur, and a Grand Dance.

Performances

Mainpiece Title: Concert

Music: Wherein several Songs in Italian and English-Mrs Tofts; With several select Pieces of Musick- (compos'd by the late famous Mr Henry Purcell) taken out of the Operas of The Fairy Queen, King Arthur, Dioclesian, and Bonduca; And an Ode upon the Happy Accession of Her Majesty to the Throne- set to Musick by Mr Daniel Purcell, never perform'd before

Dance: L'Abbe, DuRuell, Cherrier, Mrs Elford, Mrs Campion, Devonshire Girl