SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Master Burton"/1) | (@(roleclean,performerclean) "Mr and Master Burton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4596 matches on Event Comments, 3810 matches on Performance Comments, 1500 matches on Performance Title, 21 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: DDaily Advertiser, 22 June: On Monday last died Mr William Bullock, one of the Comedians of Goodman's-Fields, and Master of a Coffeehouse in that Neighborhood

Performances

Event Comment: Universal Spectator, 22 Sept.: We hear Mrs Booth . . . resolves to leave the Stage, having sold her Share in the Patent to Mr Giffard, the Master of [GF]

Performances

Mainpiece Title:

Event Comment: Benefit Christian. By particular Desire of several Gentlemen and Ladies. Tickets 2s. 6d. 6:30 P.M. The Hampstead Song is printed, and will be given gratis at the Place of Performance

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .
Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Milward; Ben-Miller; Foresight-Johnson; Tattle-Cibber; Sir Sampson-Harper; Scandal-Mills; Trapland-Griffin; Jeremy-Macklin; Angelica-Miss Holliday; Mrs Foresight-Mrs Pritchard; Mrs Frail-Mrs Butler; Nurse-Mrs Willis; Prue-Mrs Clive.
Cast
Role: Scandal Actor: Mills
Role: Trapland Actor: Griffin

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Walker, a Brother. For the Entertainment of the Grand Master and the Worthy Brothers and Sisters of the Honourable Community of Modern Free-Masons. Mainpiece: Written by the late Mr Gay. Afterpiece: Taken from Moliere, and Intermixed with Songs. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Concluding with theModern Free@Masons Song-in the Character of Robin Hooda Brother

Dance: HHornpipe, Drunken Peasant-Phillips

Event Comment: Benefit Dr Clancy. "The Day returns, but not to me returns," Milton. This Gentleman being deprived of the Advantages of following his profession; and as the writing he had produced for the stage could not be brought out this season, the Master of the Playhouse has been so kind as to favour him with a Benefit Night: It is therefore hoped, that as this will be the first instance of any person laboring under so heavy a deprivation, performing on the stage, the Novelty, as well as the Unhappyness of his case, will engage the favour and protection of a British Audience. Note: Tickets to be had at the Temple-Exchange Coffee House in Fleet Street; Tom's Coffee House in Cornhill; St. James Coffee House, St. James's Street; Child's Coffee House, St. Paul's Churchyard and the Chapter Coffee House in Paternoster Row. Places for Boxes to be Taken at the Stage Door of the Theatre. [General Advertiser, 4 April, publish'd a fifty-six Prologue (licensed) Intended for Oedipus, acted for the Benefit of the Very Ingenious Dr Clancy, written by Mr Lockman.

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performance Comment: Tiresias the Prophet-Dr Clancy who is Blind; Oedipus-Delane; Creon-Bridges; Adrastus-Mills; Haemon-Havard; Phorbas-Berry; Aegeon-W. Giffard; Manto-Miss Budgell; Citizens-Yates, Taswell, Neale, Morgan, Arthur, Dunstall, Collins; Ghost of Laius-Woodburn; Diocles-Winstone; Pyracmon-Turbutt; Alcander-Blakes; Dymas-Green; Jocasta-Mrs Roberts; Euridice-Mrs Mills.
Cast
Role: Alcander Actor: Blakes

Afterpiece Title: The School Boy

Event Comment: Benefit Mills. A Concert both Serious and Comic; Consisting of the most favourite Airs, taken from the most favourite Operas and Oratorios, by the best Masters. Boxes 5s. Pit 3s. Gallery 2s. 6 p.m. To the Publick. Gentlemen and Ladies: I humbly beg Pardon for troubling you in this Manner, but being Unfortunately excluded (I don't know for what Reason) from both the Theatres, and consequently deprived of getting my Living by my Profession, the Favour of your Company at a Concert which I take for my Benefit on Tuesday the 11th instant, at the Little House in the Haymarket, will be a very great Obligation to Your most faithful and devoted humble Servant, William Mills. Tickets to be had of Mr Mills at his House in Nassau St., near Soho. Note: After the Concert will be perform'd (gratis) a Comedy call'd The Careless Husband

Performances

Mainpiece Title: The Careless Husband

Song: Lowe, Miss Edwards

Event Comment: Died, after a lingering illness, Mr Robert Turbutt, belonging to the Theatre Royal in Drury Lane, and Master of the Swan Tavern in Smithfield, a facetious and agreeable companion, greatly and justly esteem'd by all that knew him for his Sincerity where he profess'd a friendship.--General Advertiser, 27 Feb

Performances

Event Comment: Mainpiece Never Acted there before. The Characters to be New Dress'd after the Manner of the Old English Comedy. And the Pieces of Music before the Play, and between the Acts, will be selected from the Old English Masters. Cross: The play went off with 'toll: success. [See contemporary comments in D@@ry L@@ne P@@yh@@se Broke Open. In a letter to Mr G@@@@(London, 1748) pp. 17-18.] Receipts: #150 (Cross); #152 19s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Event Comment: Benefit for Leviez, Ballet Master. Tickets deliver'd for Romeo and Juliet will be taken. Mr Leviez is oblig'd to change the play on account of Mrs Cibber's illness. Romeo advertis'd but Mrs Cibber's illness chang'd it (Cross). Tickets to be had of Leviez at his house in Great Queen St., and of Hobson at the Stage Door. Receipts: #180 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens & Ye Scene of Peace

Performance Comment: As17490410 but Fribble-Garrick; rest omitted; To conclude with the Last Grand Scene of The Triumph of Peace-; (see17490221) in which will be a Grand Dance-Cooke, Anne Auretti, Mathews, Mrs Addison.

Dance: III: Hornpipe-the Little Swiss; IV: Scotch Dance, as17490118; V: Savoyards, as17480920

Event Comment: Last Tuesday Signior Pasquali, Master of the Band of Music at the Theatre Royal, Mr Cibber and some other prominent players arriv'd from England to act the ensuing season [in Dublin]. Mrs Bland arriv'd [in Dublin] last Sunday from England and will appear tomorrow night in the character of Miranda in the Busy Body. Receipts: #180

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Anatomist

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Performance Comment: Actors only listed, but Vocal Parts-Beard, Champness, Vernon, Mrs Vernon, Miss Young; but edition of 1758 lists: Agis-Mossop; Lysander-Garrick; Amphares-Havard; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Sandane-Mrs Yates; Euanthe-Mrs Cibber; Prologue-Garrick; Epilogue-Mrs Pritchard.
Cast
Role: Lysander Actor: Garrick
Role: Rhesus Actor: Holland
Role: Sandane Actor: Mrs Yates
Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Cast
Role: Ragozin Actor: Anderson

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: JJohn Rich Esq, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Performances

Mainpiece Title: King Henry V

Cast
Role: Gower Actor: Anderson

Afterpiece Title: The Coronation

Event Comment: Both pieces By Command of Their Majesties. Sga Manesiere lived with Mr Fisher, Ballet Master at cg, who marryed her in her last illness. N.B. She had some Property. This Lady was a pattern of neatness and exterior modesty (Hopkins MS Notes)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Thomasand Sally

Dance: WWooden Shoe Dance-Sg Maranesi, Miss Wilford, Miss Valois; and a New Comic Pantomime Ballet, call'd The French Country Gentleman or the Female Metamorphoses-Sodi, Sga Manesiere (Being her first appearance on the English stage), Miss Wilford

Event Comment: Benefit for Lowe. Music by Handel. Tickets 3s. By Particular Desire of the Right Hon. Earl of Ferrars, Grand Master of the Antient and Hon. Society of Free Masons. Mr Lowe's constant attendance at Marybone Gardens renders it impossible for him to wait on all his friends in person, he therefore hopes they will take tickets, in order to prevent mistakes at changing money at the doors

Performances

Mainpiece Title: Alexander's Feast

Event Comment: VViscomica to the Printer of the Public Advertiser: As burlettas have been laid aside some years, and they are a species of entertainment I am particularly fond of, as there is vivacity in the music, and great humour and satire in the performance, I was much pleased with the thoughts of being as well entertained as I had heretofore been; and more so when I found I could gain admittance to so good a place for hearing, for the trifling sum of three shillings; a place in which I never dared to shew my face before, not being on a footing with the riotous company that used to be admitted there, to attend their several masters' call; a nuisance, from which I rejoice the managers have at length, after so many hints and solcitations, found out a method to deliver their audience. I remember to have seen a darkish way down a flight of steps to a dismal winding staircase, which I was told led to the footman's gallery, and, supposing that the road I was to take on this occasion, was very agreeably undeceived by being shewn up about halfway to the five shilling gallery, and by a turn through an arch introduced to a new and convenient staircase leading to this region of the gods, where I was surprised to find myself arrived before I thought I was half-way up. The managers have indeed made this place very neat and commodious, by rendering the descent much less steep, lowering and matting the benches, painting and lighting the whole place; so that I found myself as much at my ease there, as in any other part of the house, and much better situated than I had expected; likewise, by their following Mr Garrick's example, in removing the pendant lustres, and lighting after the foreign manner, you have a full view of the whole stage; by which the magnificance appears greatly increased. The performance was beyond my expectations, as I think the performers excel any in their way which have appeared in this country; but I need not expatiates upon a subject the town in general have been, or I dare say will be, as good judges of as yours, &c

Performances

Event Comment: Benefit for King. House charges #76 10s. [Profit to King #55 14s.] Paid Master Burney 15 nights #3 2s. 6d. Printer's bill #9 6s. (Treasurer's Book). Receipts: #132 4s. (Treasurer's Book). At 5 went to the Pit at Drury Lane to see the Clandestine Marriage...I could see this play, as it is now performed, every night, but J. Palmer was not so good in Brush as the other Mr Palmer whose character it is. Plym did not please tonight. The scene between the lawyers was omitted. We had the Irish Lilt by Mrs King, Giorgi, &c., and a comic scene by her and M Dugermay, with Linco's Travels...Mrs King is certainly a very fine dancer and has the best legs I ever saw. Past eleven ere we got out. A little girl of 7 or 8 years old danced very prettily (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Event Comment: NNeville MS Diary: At 6 took my place in ye Pit. I expected ye Taylors would have been damned; but with certain alterations and additions it went off better than it did last night. It is a sort of burlesque tragedy. If there is any wit in it, it is very low and unlike that in Mr Foote's other pieces. The Prologue, spoken by him, is more diverting than any part of ye play. Some Masters and leading Journeymen are taken off. [Cast listed.] The Citizen was vilely performed, except Old Philpot by Weston. Palmer is not equal to ye young one. They went off without concluding it. We had ye Builders Prologue before ye farce, by ye same means we had it last night. Foote wished for ye Builder, as ye person who supplied his place did his part vilely

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Citizen

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Cast
Role: Mandani Actor: Mrs Arne.

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Event Comment: A Concert of Vocal and Instrumental Music benefit for Mrs Pinto. Songs by Mrs Forbes, Master Brown, and Mrs Pinto. Concertos on the organ and Hautboy by Hook and Park. After which will be performed for the first time a Pastoral Serenata called Love and Innocence, in two acts composed by Mr Hook, with chorusses. An elegant transparent Temple of Apollo designed and painted by Sig Bigar, machinist to the Opera House. The Gardens will be additionally illuminated. Fireworks. The whole to conclude with a Ball

Performances

Mainpiece Title: Love And Innocence

Event Comment: Benefit for Sg Daigville & Signa Vidini. [24 April letter signed Ned Shuter dated from his Majesty's Bench of Justice, St Georges Fields: "Theatrical Memoirs giving circumstantial account of my family-Admit my father was a chairman, my mother sold oysters in winter and cucumbers in summer. I was not born in a cellar but in a two pair of stairs front room at one Mrs Merit's an eminent Chimney Sweeper, Vine Street, St Giles" (Winston MS 10). Thomas Weston's apology for the delay of his Benefit. It was owing to his distressed affairs which he had new laid open to the managers. See comment form Edinburg Evening Courant, 29 April.] Paid Renters #88 for Oratorio nights; Mr Dibdin's draft on managers #50; Master Brown 5 nights, #1 17s. 6d.; Rec'd from Messrs Smith and Stanley charges for 11 Oratorio nights at 28# per night, plus candles &c . #342 4s.; Rec'd stopages #9 16s. 6d. (Treasurer's Book). Receipts: #151 4s. Charges: #65 11s. Profits to Daigville & Sga Vidini: #85 13s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Sir Andrew Actor: Dodd

Afterpiece Title: The Mayor of Garratt

Dance: I: The European in America (for 1st time this Season)-Messieurs Daigvilles, Miss Ross, Sga Vidini; II: A Comic Dance, as17720326 V: Psiche, a Grand Historical Ballet (Never performed before)-Daigville, Giorgi, Sga Daigville, Miss Ross, Sga Vidini

Event Comment: Mainpiece: With proper Scenes, Dresses and Other Decorations (playbill). Miss Venables (a pupil of Mr Michl Arne) made her first appearance on the Stage in Philadel. She is very Short, & has a mean appearance a tolerable Voice-but little applause Miss Younge Emmeline (first time) So, so (Hopkins Diary). [Macmillan's note from Kemble slightly expanded. Reviewer for Town and Country Magazine (Theatre XL) writes of Miss Venables, She displayed but very moderate talents for the stage. She will doubtless improve under so good a master and when she has gained a greater share of maturity will probably do honor to her tutor.'] Receipts: #140 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Afterpiece Title: Wits Last Stake