SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15926 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 131 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mattocks. The Young Gentleman who was to have performed the part of Lysimachus in the tragedy of Alexander...for the benefit of Mr Mattocks, being much indisposed, cannot appear in that character as was intended, it will therefore be performed as usual by Mr Hull (Winston, MS 10, newsclipping inserted). Charges #74 7s. Profit to Mattocks #108 10s., plus #38 10s. from tickets (Boxes 121; Pit 55) (Account Book). Receipts: #182 17s. (Account Book)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: The Apprentice

Monologue: True Blue. As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Mr and Mrs Jerrold. Afterpiece: Containing the Life and Death of King Chrononhotonthologos, the valiant Exploits of Bombardimian, his general, the unsuccessful Love of Fadladinada, Queen of Queerumania, to the Antipodean King, concluding with the marriage of the aforesaid Queen to her two fortunate Lovers, Aldiborrontiphoscophornio and Rigdum Funnidos. Mr and Mrs Jerrold present their humble respects to the Ladies and Gentlemen, and as through the badness of the weather, and being Assembly-Night on their former Benefit, there was not the Expenses in the House; therefore solicit the Favour of their Company, and Interest in this their second Attempt. To begin precisely at 6:30. Pit 2s. Gallery 1s. Tickets to be had at the Crown, and at the Cock, Well's row

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Chrononhotonthologos

Dance: A Hornpipe-a Gentleman [unidentified]

Entertainment: Monologues. End: The Examination of Dr Last before the College of Physicians taken from The Devil upon Two Sticks-Jerrold; End afterpiece: The Picture of a Play-House; or, Bucks have at Ye All-

Performance Comment: End: The Examination of Dr Last before the College of Physicians taken from The Devil upon Two Sticks-Jerrold; End afterpiece: The Picture of a Play-House; or, Bucks have at Ye All-.
Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Event Comment: Benefit for R. Palmer. The Public is respecfully inform'd that the Prelude of The Hop formerly advertised for Mr Palmer's Benefit is on a very particular account withdrawn from the Theatre. Oracle, 7 May: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #292 5s. 6d. (77.13.0; 30.15.6; 2.6.0; tickets: 181.11.0) (charge: #117 0s. 7d.)

Performances

Mainpiece Title: The Heiress

Cast
Role: Clifford Actor: Wroughton

Afterpiece Title: No Song No Supper

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Event Comment: Benefit Francisque. By Their Royal Highness's Command. The Diary of Mary Countess Cowper, p. 172: In the Afternoon the Prince and Princess went to the French Play. A most dismal Performance. No Wonder People are Slaves who can entertain themselves with such Stuff

Performances

Mainpiece Title: Les Deux Arlequins

Afterpiece Title: La Baron de la Crasse

Dance: Dangeville

Entertainment: Tumbling=-Francisque

Event Comment: Benefit Author of Chrononhotonthologos. Note, the Author gives out no Tickets (a few Boxes excepted) depending intirely upon the Courtesy of the Town. Egmont, Diary, II, 40: After dinner I went to the Haymarket playhouse, where among other representations I saw the strong man show one of his feats. Two chairs were placed on the stage at such a distance as that laying himself along, his head and a small part of his shoulders rested on one, and his feet on the other, so that his body and legs were suspended in the air. Then six grown men (two of whom I observed to be remarkably tall) go up, and stood perpendicular upon his body, two on his chest, two on his body, and two on his legs. He bore them all a quarter of a minute, and bending his body downward till it almost touched the ground between the chairs, with a surprising spring and force raised his body with all that weight upon it, not only level as he lay at first, but higher in the air. The mob of the gallery not satisfied with this, hissed, whereupon he refused to show any other of his tricks

Performances

Mainpiece Title:

Entertainment: The strong Man from Islington (not in Defiance to Mynheer Cajanus) as was Yesterday improperly advertis'd, but out of good Will to the Author, and to oblige the Audience, for that Night only, will perform several surprizing proofs of Manly Strength, unequall'd yet by any

Event Comment: Benefit the Author. Egmont, Diary, III, 23: In the evening I went to...Mustapha...the language of it is lofty but not bombast, the sentiments fine and justly expressed, the characters kept up to, and the principles of honour and virtue inculcated; in a word, to one of our best modern tragedies

Performances

Mainpiece Title: Mustapha

Event Comment: Benefit for the Author. (Cross Diary)

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: Benefit for a Public Charity, The Lock Hospital (Cross Diary)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Musical Lady

Dance: IV: Comic Dance, as17621210

Event Comment: Benefit for the Author. A fire in the Strand hurt the house (Cross Diary)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Old Maid

Event Comment: Benefit For the Author. A Riot to demand the same [half-price after third act] agreed to (Cross Diary). [Advertised for Drury Lane that particulars will be published in a few days on the charge of innovation in prices which last night prevented the play being heard.] When Holland appeared for the Prologue-hiss'd. Garrick appeared and agreed to take half-price at the end of the third act to all performances except the first [Winter] of a New Pantomime (Winston MS 9)

Performances

Mainpiece Title: Elvira

Afterpiece Title: Catharine and Petruchio

Event Comment: Benefit for Author (Cross Diary)

Performances

Mainpiece Title: The Discovery

Event Comment: Benefit for Author (Cross Diary)

Performances

Mainpiece Title: The Discovery

Event Comment: Benefit for Receivers (Cross Diary). Smith, Watson, Cridland, Dalton (playbill)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17621112, but Foresight-Parsons; Jeremy-Castle; Mrs Frail-Mrs Pritchard.
Cast
Role: Foresight Actor: Parsons
Role: Mrs Foresight Actor: Mrs Bennett

Afterpiece Title: The Beggars Wedding

Cast
Role: Hunter Actor: Vernon

Dance: IV: The Irish Lilt, as17621023

Event Comment: Benefit for Aickin and Mrs Lee. House Charges #33 8s. Rec'd stopages #2 13s. (Treasurer's Book). Tickets deliver'd by Sg Giorgi and Miss Berkley will be admitted. Neville MS Diary: Went to ye Pit to see 2nd part of Henry IV. [Comments on performances of individual characters in general.] Falstaff very well by Love. This last uses his eyes with great propriety in this and many other characters....Pistol by Baddeley (King should have played it)

Performances

Mainpiece Title: King Henry Iv Part Ii

Afterpiece Title: The Capricious Lovers

Cast
Role: Colin Actor: Vernon

Dance: End: A Minuet-Miss Giorgi, Miss Collett Scholars to Sg Giorgi; End I of the Farce: Hearts of Oak, as17670212, but-Grimaldi, Mrs King

Event Comment: Benefit for Jewell, Treasurer. Afterpiece: A Farce (for that Night only) taken from Congreve's Play of the Old Batchelour. Neville MS Diary: Half past six went to the Haymarket...out could not get into the Pit, Boxes or Galleries

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Fondlewife and Laetitia

Song: II: DuBellamy

Dance: IV: Fingalian-; End: Italian Peasants, as17670805

Entertainment: PPost@Haste Observations from his Journay to Paris-Shuter (for that Night only)

Event Comment: Benefit for London Lying In Hospital Aldersgate Street (Cross Diary)

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Lorenzo Actor: Vernon

Afterpiece Title: High Life below Stairs

Dance: III: The Wake, as17680929

Event Comment: Benefit for Yates. Tragedy written by R. Glover. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Charges #64 19s. Balance to Yates #52 19s. plus #151 3s. from tickets (Box 589; Pit 26) (Account Book). Neville MS Diary: Having places in the Pit at Covent Garden went to see Mrs Yates do Medea in which she is inimitably great. My strong desire to see her in this character was one reason of continuing to town so long. Read her part before the play began. Her husband is truly comic in Tim in the Knights. Receipts; #117 18s. (Account Book)

Performances

Mainpiece Title: Medea

Afterpiece Title: The Knights

Dance: End: The Tartars, as17681004

Event Comment: Benefit for Reddish. Neville MS Diary: Went to see the Maid of the Mill played for the first time at Drury Lane. Bannister is the best Giles I have seen since Beard left the stage. The farce was No Wit like a Woman's, played but once before. Assisted in hissing it as both foolish and immoral

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: No Wit Like a Womans

Dance: I: New Comic Dance, as17681210; End of Opera: The Wake, as17680929

Event Comment: Benefit for Jefferson. Royal Slave Posted...Mr Barry Ill (Cross Diary). [Playbill advertises The Royal Slave. See 11 March, but Song in Act II was to have been by Mrs Scott. It was further advertised as "By Desire of the most noble Grand, Vice Grands, Council and Brethren of the ancient and honourable Order of Bucks belonging to the Euphrates Lodge."

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: High Life below Stairs

Dance: II: New Comic Dance, as17681210

Entertainment: End: Bucks Have at ye All-King (that night only)

Event Comment: Benefit for Cridland, &c. (Cross Diary). Foley and Robinson. Tickets deliver'd by C. Roberts will be taken

Performances

Mainpiece Title: The London Merchant

Cast
Role: Millwood Actor: Mrs Hopkins.

Afterpiece Title: Catharine and Petruchio

Dance: End: The Wake, as17690518

Event Comment: Benefit for the Author of Lionel (Cross Diary). Mainpiece: By Particular Desire

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: Vernon

Dance: II: Comic Dance, as17690926

Event Comment: Benefit for House. Tickets Miss Platt, &c. (Cross Diary)
Event Comment: Benefit for Author (Cross Diary)

Performances

Mainpiece Title: tis Well Its No Worse

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: Vernon