SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15888 matches on Event Comments, 2621 matches on Performance Comments, 638 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Desire. The Comedy of Twelfth Night oblig'd to be deferred. Paid salary list #630 1s. 6d. Receipts: #170 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Jubilee

Event Comment: Rec'd Stopages #11 16s. Paid Bibb (sword cutler) #6 19s. 6d.; Marshall and Co (plumbers) #69 11s.; Waller and Co. (hosiers) #18 14s. 6d.; Scott (copperlaceman) #66 14s.; Barrow and Co. Oil Bill #46 16s. 6d.; Chettle (timber) #16 17s. 6d.; Hatsell (mercer) #79 8s.; Stacey (colorman) #33 3s.; Powney (stationer) #3 9s. 6d.; Jones (worsted lace) #8 12s. 6d.; Pryer (turner) #4 18s. Receipts: #243 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Author

Dance: Martini, Sga Paccini. [Title unspecified on playbill.

Event Comment: Mrs Abington Ill. Maid of the Oaks deferr'd. Paid Everard on note #30. Receipts: #221 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Cast
Role: Lady Clifford Actor: Miss Platt

Afterpiece Title: The Jubilee

Event Comment: Rec'd stopages #11 18s.; Paid Daniel Maltoss [sic] Esq one year's rent due Xmas #31 10s. 10d. (Treasurer's Book). [Evidently Daniel Malthus. Although Victor was still Treasurer and Evans sub-treasurer this season, some new bookkeepers seem to be recording the financial transactions, for several different hands appear in the manuscript. The spelling by one of these bookkeepers is bad even by eighteenth-century standards. DeLoutherbourg's name is spelled a half-dozen different ways, including Lutenborgh, Lutterbourg, and Latherbourg.] Receipts: #266 2s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Rival Candidates

Cast
Role: Mercury Actor: Vernon
Role: Byron Actor: Vernon

Dance: V: The Irish Fair, as17751003

Event Comment: King continuing ill. The Spleen Deferr'd. Paid 4 days salary list #416 4s. 4d. Receipts: #239 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Jubilee

Dance: The Grand Garland Dance-Slingsby, Como, Sga Crespi, Sga Paccini

Event Comment: Afterpiece: By Desire. Paid 3 extra trumpets 6 nights #6 15s. Receipts: #253 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Cast
Role: Lady Dinah Actor: Mrs Hopkins
Role: Harriet Actor: Miss P. Hopkins

Afterpiece Title: The Sultan

Event Comment: Account-Book, 31 Oct.: Paid Miss Catley for 5 nights performance #136 10s. Receipts: #242 15s. 6d. (241.2.6; 1.13.0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Comus

Event Comment: Mainpiece: Not acted these 2 years. Account-Book: Paid Mrs Barry on account for finding her own Dresses #50. Receipts: #133 1s. 6d. (131.15.6; 1.6.0)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Padlock

Dance: End: The Merry Sailors, as17761106

Event Comment: [The playbill lists Mattocks in place of Robson, but "Mattocks being really ill, Robson, at short Notice, supplied his Place' (Morning Post, 11 Nov.).] Mainpiece: With New Dresses and other Decorations. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Apprentice, announced on playbill of 8 Nov.] Paid one-half year's Land Tax #61 5s. Receipts: #283 (282.9; 0.11)

Performances

Mainpiece Title: The Duenna; Or, The Double Elopement

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt-Aldridge, Miss Valois

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda; Or, The Royal Convert

Afterpiece Title: The Seraglio

Music: V: the Original Music for the Sacrifice by Purcell-

Event Comment: The Maid of the Oaks [announced on playbill of 14 Nov.] is obliged to be deferred on account of Mlle Dupre's sudden illness. Paid 2 Oylbills to Oct. 25 #253 7s. Receipts: #98 12s. 6d

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Bon Ton

Cast
Role: Amiens Actor: Vernon

Dance: End II: As17761101

Event Comment: Afterpiece: In 2 acts, taken from Wycherley [by John Lee (Public Advertiser, 14 Dec.)]. Paid Pattinson, Tallow Chandler, #41 19s. Receipts: #167 18s. (166.9.6; 1.8.6)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Country Wife

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Performance Comment: 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226.
Event Comment: Account-Book, 30 Apr.: Paid Murphy #119 13s. for the 12th night of Know Your Own Mind on Apr. 1st, after deducting charge of #73 10s. Receipts: #193 3s. (192.4.6; 0.18.6)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Harlequin's Frolicks

Dance: As17761226

Event Comment: Account-Book: Paid Author's ballance for 1 Night of the Trip to Scarborough & 4 Nights for the School for Scandal #741 0s. 6d. Receipts: #257 7s. 6d. (251.16.0; 5.0.0; 0.11.6)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Maria Actor: Miss P. Hopkins

Afterpiece Title: All the World's a Stage

Event Comment: Some of the Audience having objected to the Omission of a Scene on Friday night, that Scene will be restored this Evening. [Public Advertiser, 18 Oct., specifies the scene as that of Diana Trapes in Act III, the exclusion of whom "breaks a principal Link in the Chain of the Plot."] Paid Guard [master carpenter] for Scene-men #19 15s. Receipts: #287 16s. (286.8; 1.8)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Cross Purposes

Dance: Hornpipe, as17771017; End: As17771001

Event Comment: [The playbill retains Mrs Baddeley as Polly, but she "being indisposed Miss Walpole played the part of Polly on Tuesday night' (London Chronicle, 12 Nov.).] Paid Chettell, timber merchant, #286 13s. Receipts: #135 15s. 6d. (118.10.0; 16.18.6; 0.7.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Elopement

Dance: End II: The Minuet de la Cour, as17771107, but Master _Holland, Henry

Event Comment: Afterpiece [1st time; P 2(?), by James Messink and Carlo Antonio Delpini. Not in Larpent MS; synopsis of action in London Chronicle, 26 Nov.]: The Scenery, Machinery, &c. painted new by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed new by Fisher. Nothing under Full Price will be taken. Books of the Songs to be had at the Theatre. Account-Book, 3 Feb. 1778: Paid Fisher for composing songs, &c. in The Tempest [see 27 Dec. 1776], and other pieces, as per bill, #131 11s. Receipts: #190 16s. (182.18; 7.18)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Norwood Gypsies

Performance Comment: Principal Characters-Lee Lewes, Rayner, Delpini, Messink, Miss Matthews, Miss Cranfield, Sga Tinte; Pastoral-Reinhold, Miss Dayes; Rest of Vocal Parts-Battishill, Mahon, Baker. [Partial cast from Morning Chronicle, 26 Nov.: Harlequin-Lee Lewes; Clown-Delpini; Colombine-Sga Tinde. Airs (no pub., 1777) lists no cast, no act division; has songs sung by Justice, Constable, Colin, Lucy, Gypsies. For parts see17800506.] has songs sung by Justice, Constable, Colin, Lucy, Gypsies. For parts see17800506.]

Dance: Afterpiece: Dancing-Aldridge, Dagueville, Miss Besford, Miss Valois

Event Comment: Mainpiece [1st time; T 5, by John Home. Prologue by the author (London Chronicle, 16 Feb.). Epilogue by David Garrick (ibid.)]: New Scenes, Dresses, &c. Account-Book, 26 Jan.: Paid Wild for [obtaining] license for Alfred #2 2s. Public Advertiser, 14 Feb. 1778: This Day is published Alfred (1s. 6d.). Receipts: #246 (241.17.6; 4.2.6)

Performances

Mainpiece Title: Alfred

Performance Comment: Principal Characters by Lewis, Hull, Whitfield, L'Estrange, Fearon, Booth, Robson, Smith, Thompson, Aickin, Mrs Jackson, Miss Ambrose, Miss Green, Mrs Barry. [Cast from text (T. Becket, 1778) and London Chronicle, 22 Jan.: Alfred-Lewis; Edwin-Hull; Earl of Surrey-Whitfield; Rollo-L'Estrange; Officers-Booth, Robson, Thompson; Hinguar-Aickin; Ronex-Mrs Jackson; Edda-Miss Ambrose; Elisa-Miss Green; Ethelswida-Mrs Barry; Fearon, Smith; [New Prologue-Wroughton; [New Epilogue-Mrs Barry. [These were spoken, as here assigned, at both subsequent performances.]These were spoken, as here assigned, at both subsequent performances.]

Afterpiece Title: The Padlock

Dance: End: The Villagers-Aldridge, Langrish, Master Jackson, Miss Valois

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Performance Comment: Principal Characters by Webster, Moody, Parsons, Bannister, Baddeley, Carpenter, Wrighten, Burton, Fawcett, Dodd; Mrs Robinson, Mrs Cuyler, Miss Farren, Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby, Mrs Wrighten, Miss Walpole. Prologue-Palmer; [This was spoken, as here assigned, at the first 46 performances, except on 9, 10, 17, 18 Nov. (see17790209).] [Cast from Morning Chronicle, 16 Oct.: Corporal [later called William]-Webster; O'Daub-Moody; Gage-Parsons; Serjeant-Bannister; Mons Bluard-Baddeley; Recruits-Carpenter, Fawcett, Holcroft, Chaplin; Countrymen-Wrighten, Burton, Waldron; Sir Charles Plume [later called Sir Harry Bouquet]-Dodd; Commander@in@Chief at the Camp-Farren; Officers of Regiments-R. Palmer, Lamash, Kenny; Lady Plume-Mrs Robinson; Lady Gorget-Mrs Cuyler; Lady Sash-Miss Farren; Countrywomen-Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby; Nell-Mrs Wrighten; Nancy-Miss Walpole.
Event Comment: The last Time of the Company's performing this Season. Account-Book, 8 June: Paid Boy counting Copper Tickets 185 nights #4 12s. 6d. Receipts: #168 14s. 6d. (134.19.0; 33.15.6; after-money not listed)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: A Monody

Cast
Role: Sandford Actor: Aickin

Afterpiece Title: Who's the Dupe

Cast
Role: Sandford Actor: Aickin

Dance: As17790417

Song: As17781006

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, based in part on Le Poulet, by Louis Carrogis, dit Carmontelle. Incidental music by William Shield. Larpent MS 491; not published. Author of Prologue unknown. This farce was altered, and produced on 2 Feb. 1780 as The Deaf Lover]. Paid Music the 24th Inst. #7 4s. 4d. Receipts: #190 4s. 6d. (18.5.0; 0.19.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Device; or, The Deaf Doctor

Dance: End III: The Dockyard, as17790924

Song: II: The Cottage on the lawn (set by Michael Arne)-Mrs Kennedy

Event Comment: Afterpiece: To conclude with a perspective representation of the Grand Camp at Cox-Heathv [see 15 Oct. 1778], from a view taken by DeLoutherbourg, and executed under his direction. [This notice is included in al subsequent performances.] Account-Book, 29 Feb. 1780: Paid Serjeant for teaching boys and volunteers the exercise [in The Camp] #10 10s. Receipts: #221 0s. 6d. (177.1.0; 43.10.6; 0.9.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Camp

Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mirror; or, Harlequin Every-where

Event Comment: By Command of Their Majesties. Paid one-half Year's Land Tax #52 10s.Paid Church and Militia Rate for Theatre, 1779, #17 10s. Receipts: #292 13s. (291.17; 0.16)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Flitch of Bacon

Dance: End II: As17790922