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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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17452 results for: Keyword - Mr Vernon</i>-much Applause (<i>Hopkins Diary</i>). Benefit for Vernon. Paid $<span class=
We found 15888 matches on Event Comments, 2621 matches on Performance Comments, 638 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.

17351
17 September 1779 @ Haymarket Theatre

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit for Mrs Jewell. [Mainpiece in place of The Spanish Barber, announced on playbill of 16 Sept.

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Padlock

Dance: As17790818

17352
13 October 1779 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Massey. Afterpiece: Never performed in London, written by the author of The Son-In-Law [John O'Keeffe; 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767. See also cg, 16 Mar. 1782, when it was acted as The Positive Man]. To begin at 7:00. Tickets delivered for the 4th instant will be taken. Tickets and places for the Boxes to be had of Rice at the Theatre, and of Massey, No.4, St. Martin's-street, Leicester-Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The She Gallant

17353
18 October 1779 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

17354
20 December 1779 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. By Desire of the Most Noble Order of Bucks. Benefit for Griffith. [Author of Epilogue unknown.] Tickets delivered for November 22 and for The West Indian will be admitted. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Wrangling Lovers; or, Like Master Like Man

Entertainment: Imitations. After the Epilogue: a Variety of new Imitations-Decastro; Monologue. End IV: Address to the Town, in which several Dramatic Characters will be introduced-Master Russell

17355
09 March 1780 @ King's Theatre

Event Comment: Opera: The music by several Eminent Masters [chiefly Bertoni, with additions by Paisiello and Gluck]; under the Direction of Bertoni. Benefit for Pacchierotti. Tickets to be had of Pacchierotti, No. 20, Queen Ann Street, Westminster

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Grand Serious Ballet, as17800208; End II: La Bergere Coquete, as17800122; End Opera: Serious Ballet, as17800122; Grand Chaconne, as17800122

17356
11 March 1780 @ Drury Lane Theatre

Event Comment: Zoraida [announced on playbill of 9 Mar., benefit for the Author] is obliged to be deferred till further Notice. Receipts: #104 13s. 6d. (70.5.0; 32.17.6; 1.11.0)

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: Who's The Dupe

Cast
Role: Sandford Actor: Aickin

Dance: As17800205

17357
28 March 1780 @ Haymarket Theatre

Event Comment: By Permission of the Right Honourable the Lord Chamberlain. Benefit for Mrs Lefevre. Mainpiece: Acted but once these 60 years [on 15 Mar. 1779]. Tickets to be had of Mrs Lefevre, No. 25, Frith-street. tickets delivered by Mrs Robinson will be taken

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Gainlove-Powell; Col. Trumore-Williams; Haughty-Massey; Conundrum-Barret; Young Apeall-Hayes; Old Apeall-Newton; Timothy-Booth; Dash-Gibson; Lord Shamwell-Forde (from the Theatre-Royal, Dublin); Clarinda-Mrs Robinson; Victoria-Miss Dudley; Kitty-Miss Brangin; Wife-Mrs Barnet; Lady Science-Mrs Lefevre.
Cast
Role: Lord Shamwell Actor: Forde

Afterpiece Title: The Orators; or, The School of Eloquence Dissected

Afterpiece Title: High Life below Stairs

Song: Between Acts: an Italian song-a Young Lady [unidentified]

Entertainment: End III: Imitations-Young Gentleman [unidentified]

17358
17 April 1780 @ Covent Garden

Event Comment: By Command of Their Majesties. Macbeth, for Mattocks' Benefit, is necessarily postponed to Monday next 24th Instant. Receipts: #273 11s. 6d. (270.4.6; 3.7.0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Touchstone

Dance: End: new dance, Cupid Recruiting; or, The Female Volunteers,-Dagueville, Harris, Ratchford, Miss Matthews, Miss Lings, Miss Valois

17359
24 April 1780 @ Covent Garden

Event Comment: By Command of Their Majesties. Macbeth, for Mattocks's benefit, is obliged to be deferred to Thursday next. Receipts:270 (267.5; 2.15)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Lyar

Song: Interlude between Plutus and Wit, as17800412

Dance: Interlude, as17800412; End: Cupid Recruiting, as17800417

17360
01 June 1780 @ Covent Garden

Event Comment: [Extra night] Benefit for Mrs Bellamy. [This was Mrs Bellamy's last appearance on the stage. And see dl, 24 May 1785.] Receipts: none listed

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Comus

Music: End IV: concerto on the violin-Fisher

17361
12 May 1781 @ Covent Garden

Event Comment: By desire of their Excellencies the Persian Ambassadors. Benefit for Booth, Egan & Bates. Tickets sold at the Doors will not be admitted. Receipts: #219 5s. (79.0; tickets: 140.5) (charge: #105)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: A Fete

Performance Comment: As17810427, but SCENE I as17810403; Overture-_; Forester's Dance-_; SCENE II as SCENE V on 3 Apr.; SCENE III as SCENE II on 3 Apr.; SCENE IV as SCENE III on 4 May. We be three poor Mariners-_Davies, Cubitt. SCENE V as SCENE V on 25 Apr. SCENE VI as SCENE VI on 27 Apr.
Cast
Role: To conclude with several Catches and Gle Actor: the most eminent performers
Role: Foresters' Dance Actor:

Afterpiece Title: The Touchstone

17362
22 May 1781 @ Drury Lane Theatre

Event Comment: By particular desire of their Excellencies the Persian Ambassadors. Benefit for Griffiths, Norris, Spencer & Williams. [Afterpiece in place of The Flitch of Bacon, announced on playbill of 21 May.] Receipts: #251 0s. 6d. (35.14.0; 14.17.6; 4.8.0; tickets: 196.1.0) (charge: none listed)

Performances

Mainpiece Title: The Old Batchelor

Cast
Role: Vainlove Actor: Vernon

Afterpiece Title: The Quaker

Dance: End: The Devonshire Minuet, as17810517

17363
04 March 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Lefevre. [Author ofPrologue unknown.] Afterpiece: Never performed here [acted 5 Apr. 1734]. Doors to be opened at 5:15. To begin at 6:15. Tickets and places to be had of Mrs Lefevre, No. 25, Frith Street, Soho, and of Rice at the Theatre. Tickets delivered by Holland will be taken

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Don Quixote in England; or, The Humours of Sancho Pancha

Monologue: 1782 03 04 End of mainpiece Bucks have at ye all by Benson. vaudeville. End of Act I of afterpiece The Manual Exercise by Mrs Lefevre

17364
09 May 1782 @ King's Theatre

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

17365
16 September 1782 @ Haymarket Theatre

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit for Wilson. 3rd piece: Not acted these 4 years [not acted since 1 July 1776]

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Love in a Village

Afterpiece Title: The Devil to Pay

Monologue: 1782 09 16 End of 2nd piece Joe Haynes's Epilogue, riding on an Ass, by Wilson

17366
19 September 1782 @ Haymarket Theatre

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Wood

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Teague

Dance: As17820826

Song: As17820918

17367
21 September 1782 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. Mainpiece: Altered from Fielding. Not acted these 60 years [acted at GF 27 Apr. 1736. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 6:00. To begin precisely at 7:00

Performances

Mainpiece Title: The Temple Beau; Or, The Intriguing Sisters

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Benson; Old Philpot-Barrett; Sir Jasper-Swords; Wilding-Booth; Beaufort-Walker; Dapper-Fellowes; Quildrive-Middleton; Corinna-Miss Patterson; Maria (by Desire)-Miss Fitzherbert .
Cast
Role: Beaufort Actor: Walker

Dance: End of mainpiece a Hornpipe by Middleton

17368
02 November 1782 @ King's Theatre

Event Comment: A new Comic Opera [1st time; com 2, by Filippo Livigni, with alterations by Antonio Andrei]: The Music entirely new by Bertoni. [Bartolini was from the Opera, Milan.] The Music and Orchestra under the direction of Giardini. New Scenes and Decorations by Novosielski. Entirely new dresses by Lupino. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Command of Their Majesties no Persons to be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The Door in Market-lane for Chairs only. Subscription tickets will be admitted every Opera Night (Benefits excepted) during the Season

Performances

Mainpiece Title: Il Convito

Dance: End of Act I a New Divertisement, composed by Simonet [for title, see17821105], by Slingsby, Zuchelli, Henry, Sga Sala, Mlle Theodore; End of Open Apelles and Campaspe by Lepicq, Simonet, Mlle Theodore, Mme Simonet

17369
30 December 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Gardner. Afterpiece: From The Devil upon Two Sticks, written by the late Samuel Foote, Esq. [Mrs Mills is identified in Morning Chronicle, 1 Jan. 1783. For remarks on this night's performance, including references to Dunstan by Charles Lamb, see Theatre Notebook, VIII, 5.] Gardner having unavoidably been obliged to postpone his night from the 26th to the 30th, he thinks it his duty to inform his friends that tickets delivered for the 26th will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

17370
15 December 1783 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harricks and Williams. Mainpiece: The Characters to be dressed in the Habits of the Times. [Author and speaker of Address not known.] Tickets delivered for The Wonder will be taken. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had and Places taken of Rice, at the Theatre

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Irish Widow

Monologue: 1783 12 15 End of Act I of afterpiece The Farmer's Blunder by Kenrick

17371
18 March 1784 @ Drury Lane Theatre

Event Comment: Mrs Siddons continuing so ill that it is impossible for her to perform on Saturday; her Benefit announced for that Evening is unavoidably postponed till further Notice [see 24 Apr.]. Receipts: #163 11s. (162/1; 1/5; ticket not come in: 0/5)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

17372
22 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Gentleman in Balcony (for that night only; in the course of which a much greater Variety of Imitations than has ever yet been offered)-A Young Gentleman (1st appearance in publick [Kean]); Irishman in the Pit-Marriot; Lady in Balcony-Mrs Lefevre .

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

17373
30 April 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

17374
10 June 1784 @ Covent Garden

Event Comment: [Extra night] Benefit for Wild. Wild respectfully informs the Public, on account of the Loss he sustained by his former Night [see 17 May], the Managers of Covent Garden and Hay-market Theatres, as well as the several Performers, have granted him their free Assistance. Receipts: none listed

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Comus

Dance: End of Act III of mainpiece Dance by Byrne and Mrs Goodwin; End of Act IV Dance by Harris and Miss Besford

Song: In afterpiece Sweet Echo, as17840323but accompanied by Foster

17375
05 August 1784 @ Haymarket Theatre

Event Comment: Mainpiece: Never acted here. Benefit for Mrs Wells [whose 1st appearance in tragedy was as Jane Shore at DL, 30 Apr. 1783; her 2nd was as Isabella at DL, 30 Apr. 1784, on which night she spoke the Address noted above]

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Williamson; Count Baldwin-Aickin; Carlos-Staunton (of DL); Child-D. Edwin [Public Advertiser: Master Edwin]; Sampson-Gardner; Belford-Davies; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Wells (3rd appearance in tragedy, and 2nd in that part) .
Cast
Role: Belford Actor: Davies

Afterpiece Title: Gretna Green

Music: End of Act II a concertante for clarinet and bassoon by Mahon

Song: In Act III of mainpiece an Epithalamium by Mrs Bannister and Miss George

Monologue: 1784 08 05 Previous to mainpiece an occasional Address (2nd time) by Mrs Wells