SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14530 matches on Event Comments, 2620 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Paid half yrs. Land & Window tax Covt. Garden to Lady Day last #3 3s. 6d. (Treasurer's Book). Receipts: #133 4s. Charges: #67 14s. Profits to Mrs Hopkins: #65 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; Suffolk-Packer; Pembroke-J. Aickin; King Edward-Palmer, first time; Lady Elizabeth Gray-Mrs Baddeley; Lady Clifford-Miss Platt; Margaret of Anjou-Mrs Yates; Buckingham-Fawcett; Messenger-Griffiths.
Cast
Role: Lady Clifford Actor: Miss Platt

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Orpheus Actor: Vernon
Role: Lady Fuz Actor: Mrs Hopkins

Dance: End Act I: Grand Provencalle Dance, as17750202

Entertainment: End Act V: By Desire, Hippisley's Drunken Man-Weston

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Afterpiece: In honour of Shakespeare; in which will be introduced a grand Pageant, the music by Dibdin. Public Advertiser, 4 Apr.: Tickets to be had of Hopkins, No. 7, Little Russel Street, Covent Garden. Receipts: #205 9s. 6d. (122.5.0; 34.17.6; 1.16.0; tickets: 46.11.0) (charge: #64 4s.)

Performances

Mainpiece Title: The Way Of The World

Cast
Role: Lady Wishfor't Actor: Mrs Hopkins

Afterpiece Title: The Jubilee

Song: End III: Tally ho!, as17800411

Event Comment: Benefit for Bransby and Mr Packer. No building on the Stage. Bellario-Hopkins">Miss Plym ($Hopkins). Receipts: #43 5s. (MacMillan); #64 4s. [Deficit to Bransby and Packer: #21.

Performances

Mainpiece Title: Philaster

Performance Comment: As17631121, but all parts assigned as tentatively indicated for As17631008, but Euphrasia-Miss Plym (first time).

Afterpiece Title: The Musical Lady

Dance: II: The Provancalle, as17631014; End: Dutch Dance-Aldridge

Event Comment: Benefit for Grimaldi and Aldridge. Tickets deliver'd by Tassoni will be taken. Mr Yates being ill Mrs Ward was borrow'd to play Belvidera (Hopkins). Receipts: #53 18s. (MacMillan); charges: #64 4s. [Deficit to Grimaldi and Aldridge: #10 6s.

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Fortunatus

Dance: II: By desire, a Hornpipe-Miss Rogers; III: A New Dance call'd the Running Footman-Aldridge, Miss Baker; End: The Cow@Keepers-Grimaldi, Miss Rogers

Event Comment: Benefit for Fox, Mrs Cross, Miss Simson. By Particular Desire. House charges #64 7s. [Profit to actors #1 2s. 6d. plus tickets. Received Mr Dickinson's deficiency #54 14s.] Rec'd of Clutterbuck #100. Paid French on account #40. Paid Florio for 7 nights in Cymon #7 7s.; Chorus singers #2 10s. 6d.; Rec'd repayment of Arne's note #50 and of Hopkins' note #28; Stopages #2 3s. (Treasurer's Book). Receipts: #65 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Dance: End: A Double Hornpipe, as17670511; End I Farce: The Louvre and Minuet-Giorgi, Miss Simson

Event Comment: Benefit for Bensley. Mainpiece: Written by Dryden not acted these 15 years.[See 23 April 1750.] Charges #68 2s. Profit to Bensley #37 19s. 6d., plus #38 5s. from tickets (Box 153). Paid Mr Hopkins for the hire of Horses in the Fair #6 16s. Paid Read (scalemaker) #3 13s.; Dobosch (furrier) #4 17s. Paid Dall on acct of his salary #42. Receipts: #106 1s. 6d. (Account Book)

Performances

Mainpiece Title: Don Sebastian King Of Portugal

Afterpiece Title: The Upholsterer

Dance: End: The Old Ground Young, as17731208

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Cross Purposes

Performance Comment: Mr Grub-Baker (1st appearance on that stage); Consol-Suett; George Bevil-Whitfield; Francis Bevil-Lamash; Harry Bevil-Haymes; Robin-Burton; Chapeau-R. Palmer; House Maid-Mrs Wilson; Emily-Miss Collins; Mrs Grub-Mrs Hopkins.
Cast
Role: Mrs Grub Actor: Mrs Hopkins.

Dance: As17891204

Performances

Mainpiece Title: Cymon

Afterpiece Title: Cross Purposes

Performance Comment: Mr Grub-Hollingsworth; Consol-Suett; J. Bevil-Benson; H. Bevil-Bland; G. Bevil-Whitfield; Chapeau-R. Palmer; Robin-Burton; Mrs Grub-Mrs Hopkins; Emily-Miss Collins; Housemaid-Mrs Edwards.
Cast
Role: Mrs Grub Actor: Mrs Hopkins

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: Cross Purposes

Performance Comment: Mr Grub-Hollingsworth; Consol-Suett; F. Bevil-Benson; H. Bevil-Bland; G. Bevil-Whitfield; Chapeau-R. Palmer; Mrs Grub-Mrs Hopkins; Emily-Miss Collins; Housemaid-Mrs Edwards.
Cast
Role: Mrs Grub Actor: Mrs Hopkins

Performances

Mainpiece Title: At Hay The Jealous Wife

Performance Comment: Mr Oakly-Kemble; Major Oakly-Palmer; Charles Oakly-Barrymore; Russet-Aickin; Sir Harry Beagle-R. Palmer; Lord Trinket-Dodd; Captain O'Cutter-Moody; Paris-Wewitzer; William-Maddocks; John-Hollingsworth; Tom-Alfred; Robert-Lyons; Mrs Oakly-Mrs Siddons; Lady Freelove-Mrs Hopkins; Harriet-Mrs Kemble; Toilette-Mrs Edwards; Chambermaid-Mrs Heard.
Cast
Role: Lady Freelove Actor: Mrs Hopkins

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Mainpiece: Not acted these 7 years [acted 18 Feb. 1773]. Afterpiece: A Dramatic Entertainment (in 2 parts) of Singing, Dancing and Dialogue. In Honour of Shakespeare. In which will be introduced a Pageant. The Music by Dibdin. Public Advertiser, 27 Mar.: Tickets to be had of Hopkins, No. 7, Little Russel-street, Covent Garden. Receipts: #229 9s. (129.14; 30.18; 2.10; tickets: 66.7) (charge: #64 4s.)

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Performance Comment: Atall-King; Sir Solomon Sadlife-Parsons; Careless-Palmer; Clerimont-Brereton; Finder-Lamash; Old Wilful-Hurst; Sir Harry Atall-Wrighten; Dr Blister-Chaplin; Rhubarb-Norris; Supple-Burton; Lady Dainty (for that night)-Miss Younge; Clarinda-Miss Walpole; Sylvia-Mrs Brereton; Wishwell-Mrs Davies; Lady Sadlife (for that night)-Mrs Abington.

Afterpiece Title: The Jubilee

Event Comment: Benefit for Clarke. Mr Clarke begs leave to inform his Friends, from his violent Indisposition, and Incapacity to perform for his Benefit, Mr Yates offered his assistance to play the character of Scrub; but unfortunately Mr Yates is attacked by a violent fit of the Gout, and prevented from fulfilling his kind Intentions. Mr Quick has readily consented to play the part for Mr Clarke. Mr Clarke hopes his present severe Indisposition, which has prevented his playing for several Months past, will be considered by his Friends as a sufficient Apology for his not performing at his Benefit, and solicits their Patronage this Evening. Morning Chronicle, 22 Apr.: Tickets to be had of Clarke, No. 15, Great Russel-street, Covent Garden. Receipts: #101 16s. 6d. (98/4/6; 3/12/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

Event Comment: Mr Barry being Ill Mr Reddish play'd Bajazet (not the thing) Miss Hayward Shamefully imperfect in Selima (Hopkins). Paid 8 extra trumpets 6 nights (this incl.) #18 (Treasurer's Book). Receipts: #241 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Berry. Tickets at Pope's Peruke Maker Russell St. Rec'd Cash #93 3s., plus #92 11s. from tickets. Total #185 14s.; Paid Salary List #203 7s.; Norton 5 chorus #1 5s. (Treasurer's Book). To the Public, Gentlemen and Ladies, I am very sorry that a long, sharp, and severe fit of Illness prevents me the satisfaction of making my personal application to my friends as usual, against my Benefit; but finding myself every day rather worse than better, I hope you will be so kind as to take this notice, that the Stratagem, will be performed on Saturday the 21st of April; the part of Archer by Mr Garrick, for the benefit of Mr and Mrs Mills; with a Farce and all other usual Entertainments. From your most oblig'd Servant, William Mills. Mr Mills hopes his friends who intend to honour him with their company, will be so kind as to send to him for Places, Tickets, &c., or call upon him at Mr Gardner's Printing Office in Russel St., Covent Garden; or at Hobson's at the stage door (General Advertiser). Receipts: #180 (Cross); charges, #60 (Treasurer's Book)

Performances

Mainpiece Title: Merope

Dance: VVenetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: Benefit for the Author. Paid Miss Hopkins 6 nights this incl. #1 10s. Receipts: #187 8s. 6d. Charges: #73 10s. Profit to Hume: #113 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Trip to Scotland

Cast
Role: Cupid Actor: Miss Hopkins
Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

Event Comment: Benefit 1st night for Author [Alexander Dow]; Rec'd Mr Condell's 2nd payment for Fruit Office #20; Paid Mr Dorman for Coals #43 15s.; Mr Jones (worsted laceman) #15 12s. 6d.; Messrs Barrow & Co., for Oil #50 12s.; Mr Gardner (shoemaker) #30 17s. 6d.; Mr Powney (stationer) #10; Mr Bib (sword cutler) #11 7s.; Mr Hatsell (mercer) #45 11s.; Mr Dobson (pipe-maker) #5 13s.; Mr Blakes, (hatter) #8 4s. 6d.; Mr J. French on acct #5 5s. (Treasurer's Book). Receipts: #187 18s. 6d. Charges #73 10s. Profit to author #114 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs

Event Comment: Benefit Betterton. At the Desire of several Persons of Quality. To which will be added Three Designsv, Representing the Three Principal Actions of the Play, in Imitation of so many great Pieces of History Painting, where all the real Persons concern'd in those Actions will be plac'd at proper distances, in different Postures peculiar to the Passion of each Character. In his Apology (I, 117-18) Cibber said that Betterton...when being suddenly seiz'd by the Gout,...submitted, by extraordinary Applications, to have his Foot so far reliev'd that he might be able to walk on the Stage in a Slipper, rather than wholly disappoint his Audience. He was observ'd that Day to have exerted a more than ordinary Spirit, and met with suitable Applause

Performances

Mainpiece Title: The Maids Tragedy

Event Comment: Benefit Old Toby, the Huntsman. At Lee's Booth, on Windmill Hill, in Upper Moorfields. As perform'd with universal Applause through the noted Cities of England

Performances

Mainpiece Title: Medley

Event Comment: Benefit the Author. Receipts: money #153 7s.; tickets #12 5s. Probable attendance: boxes, 184 by money and 49 by tickets; stage, 58 by money; balcony, 3 by money; pit, 281 by money; slips, 39 by money; first gallery, 381 by money; second gallery, 180 by money. Daily Journal, 8 Feb.: The Beggars Opera...meets with that universal Applause, that no one third Part of the Company that crowd thither to see it, can get Admittance: Which occasions a new Run to the Provok'd Husband at Drury-Lane; and so proves an equal Advantage to both Houses

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Benefit the Author. At the particular Desire of several Persons of Distinction and eminent Merchants of the City of London. Daily Post, 22 July: Last Tuesday...George Barnwell was performe'd...with great Applause, to a crowded Audience, there being present most of the eminent Merchants of the City of London; they appear'd greatly pleased with the Play and Performance

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Jovial Crew

Music: As17310630

Song: As17310630

Event Comment: Benefit Mrs Clive. Mainpiece: Never acted there Before. Amphitheatre on stage [see 12 March]. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets and places of Mrs Clive at her house in Great Queen St., Lincoln's Inn Fields; or of Page at the stage door of the theatre. Last Night their Royal Highnesses the Prince and Princess of Wales were at the Theatre Royal in Covent Garden to see the Merchant of Venice; when the Song of Britons strike home was commanded to be sung, which was accordingly done, with the Chorus's, accompanied by Trumpets, Kettle-Drums, etc. and met with the Greatest Applause.--General Advertiser, 14 March. [The notice about Miss Edwards' first attempt means in an acting role; she was a singer.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Lottery

Song: MMy Faith and Truth (Favourite Duette from Samson)-Miss Edwards, Mrs Clive; Britons Strike Home-

Dance: SScotch Dance, as17431124

Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Performances

Mainpiece Title: The Committee

Afterpiece Title: May Day or The Merry Milkmaids of Islington

Song: Miss Young

Dance: Mechel, Mlle Mechel

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Covent Garden Theatre or Pasquin turnd Drawcansir Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216